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id=\"mvtd1e24517\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24525\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24533\"\u003eLargo e staccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24541\"\u003ePresto2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e24561\"\u003eLargo e staccato3/[4]\u003c/li\u003e\n\u003cli id=\"mvtd1e24569\"\u003espiritoso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24577\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24585\"\u003eAndante e staccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24593\"\u003ePresto e spiritosoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c66","ref_ssm":["viumu_mackay-smith_c66"],"id":"viumu_mackay-smith_c66","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.","Four parts, folio, 235x174 (301x182): Violino Primo: Title, verso blank. Music, pp. 1-21. Blank, [22]. Violino Secondo: Title, verso blank. Music, pp. 1-18. Violone o Arciliuto: Title, verso blank. Music, pp. 1-17. Blank, [18]. Organo: Title, verso blank. Music, pp. 1-18. \"1710\" added in MS between \"Opera Prima\" and \"a Amsterdam\" and again between \"a Amsterdam\" and \"Chez Estienne Roger\" on title-page of Violino Primo. \"1710\" added in MS after \"Opera Prima\" on title-page of Violone o Arcileuto and of Organo. Title-page of Violino Secondo signed: \"Antonio Carello\"; all other title-pages signed: \"Carello\".","Carelio, Antonio","Roger, Estienne, 1665-1722","Carelio, Antonio","Roger, Estienne, 1665-1722","Amsterdam (Netherlands)","A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante e staccato","Grave","Largo","Largo e staccato","Presto","Presto e spiritoso","Spiritoso","Vivace","Spiritoso e presto","Lesure/Bibliographie , p. 42","Announced in Vairasse .","Contents Sonata I D Grave C spiritoso 3/4 Andante 3/2 Allegro 3/8 Sonata II G Vivace C Andante C Spiritoso 3/8 Allegro 12/8 Sonata III C Grave C Presto C Adagio 3/4 Allegro C Sonata IV F Grave C Presto 6/8 Adagio C Allegro 3/8 Sonata V B♭ Adagio e staccato 3/4 Presto 12/8 Andante C Allegro C Sonata VI a Grave C Allegro 3/8 Andante C Presto 2 Sonata VII g Grave C Allegro 3/4 Largo e staccato 3/4 spiritoso 3/8 Sonata VIII d Grave C Allegro 3/8 Adagio assai 3/2 Presto C Sonata IX c Grave C spritoso e Presto C Largo C Presto C Sonata X F Adagio C Allegro C Andante 3/2 Spiritoso 3/4 Sonata XI A Adagio 3/4 Presto C Largo e staccato C Presto 2 Sonata XII e Largo e staccato 3/[4] spiritoso 3/8 Presto C Andante e staccato C Presto e spiritoso C","M312.4.C35 1710"],"title_filing_ssi":"SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.","title_ssm":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"title_tesim":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"unitdate_other_ssim":["1702"],"normalized_date_ssm":["1702"],"normalized_title_ssm":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Four parts, folio, 235x174 (301x182): Violino Primo: Title, verso blank. Music, pp. 1-21. Blank, [22]. Violino Secondo: Title, verso blank. Music, pp. 1-18. Violone o Arciliuto: Title, verso blank. Music, pp. 1-17. Blank, [18]. Organo: Title, verso blank. Music, pp. 1-18. \"1710\" added in MS between \"Opera Prima\" and \"a Amsterdam\" and again between \"a Amsterdam\" and \"Chez Estienne Roger\" on title-page of Violino Primo. \"1710\" added in MS after \"Opera Prima\" on title-page of Violone o Arcileuto and of Organo. Title-page of Violino Secondo signed: \"Antonio Carello\"; all other title-pages signed: \"Carello\"."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":260,"date_range_isim":[1702],"names_ssim":["Carelio, Antonio","Roger, Estienne, 1665-1722","Carelio, Antonio","Roger, Estienne, 1665-1722"],"persname_ssim":["Carelio, Antonio","Roger, Estienne, 1665-1722"],"geogname_ssim":["Amsterdam (Netherlands)"],"geogname_ssm":["Amsterdam (Netherlands)"],"places_ssim":["Amsterdam (Netherlands)"],"access_subjects_ssim":["A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante e staccato","Grave","Largo","Largo e staccato","Presto","Presto e spiritoso","Spiritoso","Vivace","Spiritoso e presto"],"access_subjects_ssm":["A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante e staccato","Grave","Largo","Largo e staccato","Presto","Presto e spiritoso","Spiritoso","Vivace","Spiritoso e presto"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Lesure-Bibliographie\"\u003eLesure/Bibliographie\u003c/ref\u003e, p. 42\u003c/p\u003e","\u003cp\u003eAnnounced in\u003cref target=\"Vairasse\"\u003eVairasse\u003c/ref\u003e.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Lesure/Bibliographie , p. 42","Announced in Vairasse ."],"scopecontent_tesim":["Contents Sonata I D Grave C spiritoso 3/4 Andante 3/2 Allegro 3/8 Sonata II G Vivace C Andante C Spiritoso 3/8 Allegro 12/8 Sonata III C Grave C Presto C Adagio 3/4 Allegro C Sonata IV F Grave C Presto 6/8 Adagio C Allegro 3/8 Sonata V B♭ Adagio e staccato 3/4 Presto 12/8 Andante C Allegro C Sonata VI a Grave C Allegro 3/8 Andante C Presto 2 Sonata VII g Grave C Allegro 3/4 Largo e staccato 3/4 spiritoso 3/8 Sonata VIII d Grave C Allegro 3/8 Adagio assai 3/2 Presto C Sonata IX c Grave C spritoso e Presto C Largo C Presto C Sonata X F Adagio C Allegro C Andante 3/2 Spiritoso 3/4 Sonata XI A Adagio 3/4 Presto C Largo e staccato C Presto 2 Sonata XII e Largo e staccato 3/[4] spiritoso 3/8 Presto C Andante e staccato C Presto e spiritoso C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C35 1710\u003c/physloc\u003e"],"physloc_tesim":["M312.4.C35 1710"],"_nest_path_":"/components#65","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSonata I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e24075\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n          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              \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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         \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c66"}},{"id":"viumu_mackay-smith_c267","type":"Item","attributes":{"title":"THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c267#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio I\u003c/span\u003eD\u003cul\u003e\u003cli id=\"mvtd1e92155\"\u003e[no indication]C\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio II\u003c/span\u003eB♭\u003cul\u003e\u003cli id=\"mvtd1e92175\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio III\u003c/span\u003eC\u003cul\u003e\u003cli id=\"mvtd1e92195\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio IV\u003c/span\u003eF\u003cul\u003e\u003cli id=\"mvtd1e92215\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio V\u003c/span\u003ea\u003cul\u003e\u003cli id=\"mvtd1e92236\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio VI\u003c/span\u003eg\u003cul\u003e\u003cli id=\"mvtd1e92256\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio VII\u003c/span\u003ee\u003cul\u003e\u003cli id=\"mvtd1e92276\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio VIII\u003c/span\u003eE♭\u003cul\u003e\u003cli id=\"mvtd1e92296\"\u003e[no indication]3/4\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio IX\u003c/span\u003eA\u003cul\u003e\u003cli id=\"mvtd1e92316\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio X\u003c/span\u003ed\u003cul\u003e\u003cli id=\"mvtd1e92336\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio XI\u003c/span\u003ec\u003cul\u003e\u003cli id=\"mvtd1e92357\"\u003e[no indication]3/4\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAdagio XII\u003c/span\u003eG\u003cul\u003e\u003cli id=\"mvtd1e92377\"\u003e[no indication]C|\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c267#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c267","ref_ssm":["viumu_mackay-smith_c267"],"id":"viumu_mackay-smith_c267","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND.","Score, folio, 170x248 (189x264): Title, verso blank. Music, pp. 1-12.","Harp and Hautboy","Harp and Hautboy","Zuccari, Carlo, 1704-1792","Bremner, Robert, d. 1789","Zuccari, Carlo, 1704-1792","Bremner, Robert, d. 1789","London (England)","A","B♭","C","D","E♭","F","G","E","3/4","C|","[no indication]","BUCEM","The music consists of three staves. From bottom to top, they are: (1) a figured bass; (2) an unembellished violin part; (3) an embellished violin part. The incipits for this entry are taken from (3).","Contents Adagio I D [no indication] C Adagio II B♭ [no indication] C| Adagio III C [no indication] C| Adagio IV F [no indication] C| Adagio V a [no indication] C| Adagio VI g [no indication] C| Adagio VII e [no indication] C| Adagio VIII E♭ [no indication] 3/4 Adagio IX A [no indication] C| Adagio X d [no indication] C| Adagio XI c [no indication] 3/4 Adagio XII G [no indication] C|","M221.Z83 1700z"],"title_filing_ssi":"THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND.","title_ssm":["THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND."],"title_tesim":["THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND."],"unitdate_other_ssim":["1762"],"normalized_date_ssm":["1762"],"normalized_title_ssm":["THE true METHOD of PLAYING an Adagio Made Easy by twelve Examples First. in a plain Manner with a Bass Then with all their Graces Adapted for those who Study the VIOLIN Composed by Carlo Zuccari OF MILAN LONDON. Printed by R: BREMNER, at the Harp and Hautboy, opposite Somerset House in the STRAND."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, folio, 170x248 (189x264): Title, verso blank. Music, pp. 1-12."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":984,"date_range_isim":[1762],"names_ssim":["Harp and Hautboy","Harp and Hautboy","Zuccari, Carlo, 1704-1792","Bremner, Robert, d. 1789","Zuccari, Carlo, 1704-1792","Bremner, Robert, d. 1789"],"corpname_ssim":["Harp and Hautboy"],"persname_ssim":["Zuccari, Carlo, 1704-1792","Bremner, Robert, d. 1789"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","E♭","F","G","E","3/4","C|","[no indication]"],"access_subjects_ssm":["A","B♭","C","D","E♭","F","G","E","3/4","C|","[no indication]"],"bibliography_html_tesm":["\u003cbibref type=\"simple\" href=\"BUCEM\"\u003eBUCEM\u003c/bibref\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["BUCEM"],"note_html_tesm":["\u003cp\u003eThe music consists of three staves. From bottom to top, they are: (1) a figured bass; (2) an unembellished violin part; (3) an embellished violin part. The incipits for this entry are taken from (3).\u003c/p\u003e"],"note_tesim":["The music consists of three staves. From bottom to top, they are: (1) a figured bass; (2) an unembellished violin part; (3) an embellished violin part. The incipits for this entry are taken from (3)."],"scopecontent_tesim":["Contents Adagio I D [no indication] C Adagio II B♭ [no indication] C| Adagio III C [no indication] C| Adagio IV F [no indication] C| Adagio V a [no indication] C| Adagio VI g [no indication] C| Adagio VII e [no indication] C| Adagio VIII E♭ [no indication] 3/4 Adagio IX A [no indication] C| Adagio X d [no indication] C| Adagio XI c [no indication] 3/4 Adagio XII G [no indication] C|"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM221.Z83 1700z\u003c/physloc\u003e"],"physloc_tesim":["M221.Z83 1700z"],"_nest_path_":"/components#266","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist 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\u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92195\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92215\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92236\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92256\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92276\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e92296\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eAdagio IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c267"}},{"id":"viumu_mackay-smith_c250","type":"Item","attributes":{"title":"Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c250#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e86364\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86372\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86380\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86388\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e86396\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86405\"\u003e[Allegro: from VIOLINO SECONDO]C|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e86425\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86433\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86441\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86449\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e86469\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86477\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86485\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86493\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86501\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86510\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e86530\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86538\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86546\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86554\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86562\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86571\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e86592\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86600\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86608\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86616\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86624\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86633\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e86653\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86661\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86669\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86677\"\u003ePrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86685\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86694\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e86714\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86722\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86730\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86738\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e86758\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86766\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86774\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86782\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e86802\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86810\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86818\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86826\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e86846\"\u003e[Adagio: from VIOLINO SECONDO]C\u003c/li\u003e\n\u003cli id=\"mvtd1e86854\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e86862\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86870\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e86891\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86899\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86907\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e86915\"\u003e\n\u003cabbr\u003eAlleg\u003c/abbr\u003eC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e86937\"\u003eAdagioC-AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e86951\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e86959\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c250#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c250","ref_ssm":["viumu_mackay-smith_c250"],"id":"viumu_mackay-smith_c250","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","Three parts, folio, 258x180 (263x188): VIOLINO PRIMO: Title, verso blank. Music, pp. (1)-(8). VIOLINO SECONDO: Title, verso blank. Music, pp. (1)-(8), engraved on recto only; all versos blank. BASSO CONTINUO: Same as VIOLINO PRIMO.","Golden Viol","Harp and Hoboy","Violin and Lute","Golden Viol","Harp and Hoboy","Violin and Lute","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","London (England)","A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto","Smith no. 265.","Announced in ...The Monthly Masks of Vocal Musick... for the Year 1708 (Smith no. 282a).","Title-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts.","Contents SONATA I D Adagio C Allegro C| Adagio C Allegro 3/8 Adagio C [ Allegro : from VIOLINO SECONDO] C| SONATA II C Adagio C Allegro C| Adagio 3/4 Allegro 3/8 SONATA III d Adagio C Allegro C Adagio C Allegro 3/4 Adagio C Allegro 12/8 SONATA IV G Adagio C Allegro C| Adagio 3/4 Allegro C| Adagio 3/4 Allegro 3/8 SONATA V A Adagio 3/4 Allegro C| Adagio 3/4 Allegro C Adagio C Allegro 3/8 SONATA VI B♭ Adagio C Allegro C| Adagio 3/4 Presto C| Adagio C Allegro 3/8 SONATA VII a Adagio C Allegro C| Adagio C Allegro 12/8 SONATA VIII F Adagio C Allegro C Adagio C Allegro 3/8 SONATA IX c Adagio C Allegro C| Adagio C Allegro C| SONATA X g [ Adagio : from VIOLINO SECONDO] C Allegro C Adagio 3/4 Allegro C| SONATA XI b Adagio C Allegro C| Adagio C Alleg C| SONATA XII E Adagio C - Allegro C| Adagio 3/4 Allegro C|","M312.4.T52 1710"],"title_filing_ssi":"Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.","title_ssm":["Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"title_tesim":["Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"unitdate_other_ssim":["ca. 1708"],"normalized_date_ssm":["1708"],"normalized_title_ssm":["Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp \u0026 Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol \u0026 Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 258x180 (263x188): VIOLINO PRIMO: Title, verso blank. Music, pp. (1)-(8). VIOLINO SECONDO: Title, verso blank. Music, pp. (1)-(8), engraved on recto only; all versos blank. BASSO CONTINUO: Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":900,"date_range_isim":[1708],"names_ssim":["Golden Viol","Harp and Hoboy","Violin and Lute","Golden Viol","Harp and Hoboy","Violin and Lute","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736","Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"corpname_ssim":["Golden Viol","Harp and Hoboy","Violin and Lute"],"persname_ssim":["Tibaldi, Giovanni Battista","Hare, John, d. 1725","Randall, Peter, fl. ca. 1706-1710","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto"],"access_subjects_ssm":["A","B♭","C","D","E","F","G","B","12/8","3/4","3/8","C|","Adagio","Allegro","Presto"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 265.\u003c/p\u003e","\u003cp\u003eAnnounced in\u003cbibref\u003e\n                     \u003ctitle\u003e...The Monthly Masks of Vocal Musick... for the Year 1708\u003c/title\u003e\n                  \u003c/bibref\u003e(Smith no. 282a).\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith no. 265.","Announced in ...The Monthly Masks of Vocal Musick... for the Year 1708 (Smith no. 282a)."],"note_html_tesm":["\u003cp\u003eTitle-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts.\u003c/p\u003e"],"note_tesim":["Title-page of VIOLINO PRIMO is in MS but has been traced on 18th- century paper from one of the engraved title-pages of the other two parts."],"scopecontent_tesim":["Contents SONATA I D Adagio C Allegro C| Adagio C Allegro 3/8 Adagio C [ Allegro : from VIOLINO SECONDO] C| SONATA II C Adagio C Allegro C| Adagio 3/4 Allegro 3/8 SONATA III d Adagio C Allegro C Adagio C Allegro 3/4 Adagio C Allegro 12/8 SONATA IV G Adagio C Allegro C| Adagio 3/4 Allegro C| Adagio 3/4 Allegro 3/8 SONATA V A Adagio 3/4 Allegro C| Adagio 3/4 Allegro C Adagio C Allegro 3/8 SONATA VI B♭ Adagio C Allegro C| Adagio 3/4 Presto C| Adagio C Allegro 3/8 SONATA VII a Adagio C Allegro C| Adagio C Allegro 12/8 SONATA VIII F Adagio C Allegro C Adagio C Allegro 3/8 SONATA IX c Adagio C Allegro C| Adagio C Allegro C| SONATA X g [ Adagio : from VIOLINO SECONDO] C Allegro C Adagio 3/4 Allegro C| SONATA XI b Adagio C Allegro C| Adagio C Alleg C| SONATA XII E Adagio C - Allegro C| Adagio 3/4 Allegro C|"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.T52 1710\u003c/physloc\u003e"],"physloc_tesim":["M312.4.T52 1710"],"_nest_path_":"/components#249","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86364\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86372\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86380\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86388\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86396\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86405\"\u003e[\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e: from VIOLINO SECONDO]\u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86425\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86433\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86441\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86449\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86469\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86477\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86485\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86493\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86501\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86510\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86530\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86538\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86546\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86554\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86562\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86571\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86592\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86600\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86608\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86616\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86624\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86633\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86653\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86661\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86669\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86677\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86685\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86694\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86714\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86722\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86730\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86738\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86758\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86766\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86774\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86782\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86802\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86810\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86818\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e86826\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA X\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e86846\"\u003e[\u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e: from VIOLINO SECONDO]\u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n  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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c250"}},{"id":"viumu_mackay-smith_c13","type":"Item","attributes":{"title":"TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e6611\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6619\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e6627\"\u003eAmoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6635\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e6655\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6663\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e6671\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e6679\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e6699\"\u003eLargo Andante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6707\"\u003eAllegro SpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6715\"\u003eVivace3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e6723\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IV\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e6743\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e6751\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e6759\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6767\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO V\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e6788\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6796\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e6804\"\u003eAndante moderatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6812\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e6832\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6840\"\u003eCon FuriaC\u003c/li\u003e\n\u003cli id=\"mvtd1e6848\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6856\"\u003eVivacemente3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e6876\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6884\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6892\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6900\"\u003eAllegro affettuoso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VIII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e6920\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6928\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6936\"\u003eAmoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6944\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IX\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e6964\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6972\"\u003eCon Spirito2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6980\"\u003eSiciliana6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e6988\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO X\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e7008\"\u003e\n\u003cabbr\u003eGrato:\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7018\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e7028\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e7036\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e7057\"\u003eCon AffettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e7065\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e7073\"\u003e\n\u003cabbr\u003eAndte.\u003c/abbr\u003emoderato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e7084\"\u003eVivacemente3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e7104\"\u003eGrave\u003cabbr\u003eTemporegiato\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7115\"\u003e\n\u003cabbr\u003eAllo:\u003c/abbr\u003espiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e7126\"\u003eLentemente2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e7134\"\u003e\n\u003cabbr\u003eTemporegiato\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7144\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c13","ref_ssm":["viumu_mackay-smith_c13"],"id":"viumu_mackay-smith_c13","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","Seven parts, quarto, 248x176 (257x184): Violino Primo Concertino: Title, verso blank. Letter of dedication, verso blank, [i-ii]. \"THE SUBSCRIBERS NAMES.\", pp. [iii-iv]. Blank, [1]. Music, pp. 2-34. Violino Secondo Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violoncello: Title, verso blank. Blank, [1]. Music, pp. 2-7. Unnumbered blank. Music, pp. 7 [bis]-26. Violino Primo Ripieno: Title, verso blank. Music, pp. 1-25. Blank, [26]. Violino Secondo Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Alto Viola: Same as Violino Secondo Ripieno. Basso Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-21. Blank, [22].","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","London (England)","Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente","Title-page","Avison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See: Richard Newton , \" The English Cult of Domenico Scarlatti ,\" Music \u0026 Letters , 20 ( 1939 ) , pp. 142-143. and Jack Lee Cassingham , \" The Twelve Scarlatti-Avison Concertos of 1744 ,\" Ph.D. diss., University of Missouri at Kansas City , 1968 .","Contents CONCERTO I A Adagio C Allegro C Amoroso 3/4 Allegro 3/8 CONCERTO II G Largo 3/4 Allegro C| Andante C Vivace 3/8 CONCERTO III d Largo Andante 3/4 Allegro Spiritoso C Vivace 3/8 Allegro C CONCERTO IV a Andante C Allegro C| Largo 3/4 Vivace 3/8 CONCERTO V d Largo C Allegro C Andante moderato C Allegro 3/8 CONCERTO VI D Largo C Con Furia C Adagio 3/4 Vivacemente 3/8 CONCERTO VII g Adagio C Allegro 2/4 Adagio 3/4 Allegro affettuoso 3/8 CONCERTO VIII e Adagio C Allegro 2/4 Amoroso 3/4 Vivace 3/8 CONCERTO IX C Largo C Con Spirito 2/4 Siciliana 6/8 Allegro 3/8 CONCERTO X D Grato: C Allo. 3/8 Adagio C Giga Allegro 6/8 CONCERTO XI G Con Affetto C Allegro 3/8 Andte. moderato 2/4 Vivacemente 3/8 CONCERTO XII D Grave Temporegiato C Allo: spiritoso C Lentemente 2/4 Temporegiato C Allegro 3/8","M1040.S37 1744"],"title_filing_ssi":"TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","title_ssm":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"title_tesim":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"unitdate_other_ssim":["1744"],"normalized_date_ssm":["1744"],"normalized_title_ssm":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Seven parts, quarto, 248x176 (257x184): Violino Primo Concertino: Title, verso blank. Letter of dedication, verso blank, [i-ii]. \"THE SUBSCRIBERS NAMES.\", pp. [iii-iv]. Blank, [1]. Music, pp. 2-34. Violino Secondo Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violoncello: Title, verso blank. Blank, [1]. Music, pp. 2-7. Unnumbered blank. Music, pp. 7 [bis]-26. Violino Primo Ripieno: Title, verso blank. Music, pp. 1-25. Blank, [26]. Violino Secondo Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Alto Viola: Same as Violino Secondo Ripieno. Basso Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-21. Blank, [22]."],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":56,"date_range_isim":[1744],"names_ssim":["Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham"],"persname_ssim":["Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente"],"access_subjects_ssm":["Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente"],"bibliography_html_tesm":["\u003cp\u003eTitle-page\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Title-page"],"note_html_tesm":["\u003cp\u003eAvison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See:\u003cbibref\u003e\n                     \u003cpersname\u003eRichard Newton\u003c/persname\u003e, \"\u003ctitle\u003eThe English Cult of Domenico Scarlatti\u003c/title\u003e,\"\u003ctitle\u003eMusic \u0026amp; Letters\u003c/title\u003e,\u003cimprint\u003e20 (\u003cdate\u003e1939\u003c/date\u003e)\u003c/imprint\u003e, pp. 142-143.\u003c/bibref\u003eand\u003cbibref\u003e\n                     \u003cpersname\u003eJack Lee Cassingham\u003c/persname\u003e, \"\u003ctitle\u003eThe Twelve Scarlatti-Avison Concertos of 1744\u003c/title\u003e,\"\u003cimprint\u003ePh.D. diss.,\u003cpublisher\u003eUniversity of Missouri at Kansas City\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                     \u003c/imprint\u003e.\u003c/bibref\u003e\n               \u003c/p\u003e"],"note_tesim":["Avison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See: Richard Newton , \" The English Cult of Domenico Scarlatti ,\" Music \u0026 Letters , 20 ( 1939 ) , pp. 142-143. and Jack Lee Cassingham , \" The Twelve Scarlatti-Avison Concertos of 1744 ,\" Ph.D. diss., University of Missouri at Kansas City , 1968 ."],"scopecontent_tesim":["Contents CONCERTO I A Adagio C Allegro C Amoroso 3/4 Allegro 3/8 CONCERTO II G Largo 3/4 Allegro C| Andante C Vivace 3/8 CONCERTO III d Largo Andante 3/4 Allegro Spiritoso C Vivace 3/8 Allegro C CONCERTO IV a Andante C Allegro C| Largo 3/4 Vivace 3/8 CONCERTO V d Largo C Allegro C Andante moderato C Allegro 3/8 CONCERTO VI D Largo C Con Furia C Adagio 3/4 Vivacemente 3/8 CONCERTO VII g Adagio C Allegro 2/4 Adagio 3/4 Allegro affettuoso 3/8 CONCERTO VIII e Adagio C Allegro 2/4 Amoroso 3/4 Vivace 3/8 CONCERTO IX C Largo C Con Spirito 2/4 Siciliana 6/8 Allegro 3/8 CONCERTO X D Grato: C Allo. 3/8 Adagio C Giga Allegro 6/8 CONCERTO XI G Con Affetto C Allegro 3/8 Andte. moderato 2/4 Vivacemente 3/8 CONCERTO XII D Grave Temporegiato C Allo: spiritoso C Lentemente 2/4 Temporegiato C Allegro 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.S37 1744\u003c/physloc\u003e"],"physloc_tesim":["M1040.S37 1744"],"_nest_path_":"/components#12","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6611\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6619\"\u003e\n                     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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13"}},{"id":"viumu_mackay-smith_c143","type":"Item","attributes":{"title":"TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c143#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e50544\"\u003eA tempo GiustoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50552\"\u003eAllegro e forteC\u003c/li\u003e\n\u003cli id=\"mvtd1e50560\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50568\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50576\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e50596\"\u003eAndante LarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50604\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50612\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50620\"\u003eAllegro ma non troppo3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO III\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e50640\"\u003eLarghetto3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50648\"\u003eAndante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50656\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50664\"\u003e\n\u003cabbr\u003ePolonoise\u003c/abbr\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50675\"\u003eAllegro ma non troppo6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IV\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e50695\"\u003eLarghetto affettuosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50703\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50711\"\u003eLargo e piano3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50719\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e50740\"\u003e[no indication]3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50748\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50756\"\u003ePresto3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50764\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50772\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50781\"\u003eMinuet un poco Larghetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e50801\"\u003eLargo Affettuoso3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e50809\"\u003eAllegro ma non troppoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50817\"\u003eLarghetto Musette3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50825\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50833\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VII\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e50853\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e50861\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50869\"\u003eLargo e piano3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50877\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e50885\"\u003eHornpipe3/2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VIII\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e50905\"\u003eAllemandeC\u003c/li\u003e\n\u003cli id=\"mvtd1e50913\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e50921\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50929\"\u003eSiciliana Andante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50937\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IX\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e50957\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e50965\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50973\"\u003eLarghetto6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50981\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e50989\"\u003eMenuet3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e50998\"\u003eGigue12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO X\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e51018\"\u003eOvertureC\u003c/li\u003e\n\u003cli id=\"mvtd1e51026\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e51034\"\u003eAir Lente3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e51042\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51050\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51059\"\u003eAllegro ModeratoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XI\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e51080\"\u003eAndante Larghetto e StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51088\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51096\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51104\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51112\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e51132\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51140\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e51148\"\u003eAria Larghetto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e51156\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e51164\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c143#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c143","ref_ssm":["viumu_mackay-smith_c143"],"id":"viumu_mackay-smith_c143","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670","Incomplete set. Four parts, folio, 241x190 (262x196): VIOLINO SECONDO CONCERTINO: Title, verso blank. Blank, [1]. Music, pp. 2-52. Blank. Music, pp. 53-56. Blank, [57]. VIOLINO PRIMO RIPIENO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-12. Blank, [13]. Music, pp. 14-52. VIOLINO SECONDO RIPIENO: Title, verso blank. Music, pp. 1-34. Blank, [35]. Music, pp. 36-46. VIOLONCELLO: Title, verso blank. Blank, [1]. Music, pp. 16-44. Blank. Music, pp. 45-48. Blank, [49]. Unfigured.","Harp and Hoboy","Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","London (England)","Air","Allemande","Aria","Jig","Minuet","Musette","Overture","Polonaise","Siciliana","B♭","D","E","F","G","A","C","12/8","3/2","3/4","3/8","6/8","A tempo giusto","Adagio","Air lente","Allegro","Allegro moderato","Allegro e forte","Allegro ma non troppo","Allemande","Andante","Andante larghetto","Andante larghetto e staccato","Aria larghetto","Gigue","Grave","Hornpipe","Larghetto","Larghetto musette","Larghetto affettuoso","Largo","Largo affettuoso","Largo e piano","Menuet","Minuet un poco larghetto","Overture","Polonaise andante","Presto","Siciliana andante","[no indication]","Smith/Handel , p. 222, no. 2.","Forms a complete set with no. 145.","Contents CONCERTO I G A tempo Giusto C Allegro e forte C Adagio 3/4 Allegro C Allegro 6/8 CONCERTO II d Andante Larghetto C Allegro C Largo 3/4 Allegro ma non troppo 3/4 CONCERTO III e Larghetto 3/2 Andante 12/8 Allegro C Polonoise Andante 3/4 Allegro ma non troppo 6/8 CONCERTO IV a Larghetto affettuoso C Allegro C Largo e piano 3/2 Allegro 3/4 CONCERTO V D [no indication] 3/4 Allegro C Presto 3/8 Largo 3/2 Allegro C Minuet un poco Larghetto 3/4 CONCERTO VI g Largo Affettuoso 3/2 Allegro ma non troppo C Larghetto Musette 3/4 Allegro C Allegro 3/8 CONCERTO VII B♭ Largo C Allegro C Largo e piano 3/4 Andante C Hornpipe 3/2 CONCERTO VIII c Allemande C Grave C Adagio 3/4 Siciliana Andante 12/8 Allegro 3/4 CONCERTO IX F Largo 3/4 Allegro C Larghetto 6/8 Allegro C Menuet 3/8 Gigue 12/8 CONCERTO X d Overture C Allegro 6/8 Air Lente 3/2 Allegro C Allegro 3/4 Allegro Moderato C CONCERTO XI E Andante Larghetto e Staccato C Allegro C Largo C Andante 3/4 Allegro C CONCERTO XII D Largo C Allegro C Aria Larghetto 3/4 Largo C Allegro C","M1040.H2 Op.6 1740"],"title_filing_ssi":"TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670","title_ssm":["TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670"],"title_tesim":["TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670"],"unitdate_other_ssim":["ca. 1740-1741"],"normalized_date_ssm":["1740/1741"],"normalized_title_ssm":["TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer \u0026 Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Incomplete set. Four parts, folio, 241x190 (262x196): VIOLINO SECONDO CONCERTINO: Title, verso blank. Blank, [1]. Music, pp. 2-52. Blank. Music, pp. 53-56. Blank, [57]. VIOLINO PRIMO RIPIENO: Title, verso blank. Blank, [1]. Music, pp. 2-8. Blank, [9]. Music, pp. 10-12. Blank, [13]. Music, pp. 14-52. VIOLINO SECONDO RIPIENO: Title, verso blank. Music, pp. 1-34. Blank, [35]. Music, pp. 36-46. VIOLONCELLO: Title, verso blank. Blank, [1]. Music, pp. 16-44. Blank. Music, pp. 45-48. Blank, [49]. Unfigured."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":499,"date_range_isim":[1740,1741],"names_ssim":["Harp and Hoboy","Harp and Hoboy","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736"],"corpname_ssim":["Harp and Hoboy"],"persname_ssim":["Handel, George Frideric, 1685-1759","Walsh, John, 1665 or 6-1736","Handel, George Frideric, 1685-1759"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Air","Allemande","Aria","Jig","Minuet","Musette","Overture","Polonaise","Siciliana","B♭","D","E","F","G","A","C","12/8","3/2","3/4","3/8","6/8","A tempo giusto","Adagio","Air lente","Allegro","Allegro moderato","Allegro e forte","Allegro ma non troppo","Allemande","Andante","Andante larghetto","Andante larghetto e staccato","Aria 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2.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith/Handel , p. 222, no. 2."],"note_html_tesm":["\u003cp\u003eForms a complete set with no. 145.\u003c/p\u003e"],"note_tesim":["Forms a complete set with no. 145."],"scopecontent_tesim":["Contents CONCERTO I G A tempo Giusto C Allegro e forte C Adagio 3/4 Allegro C Allegro 6/8 CONCERTO II d Andante Larghetto C Allegro C Largo 3/4 Allegro ma non troppo 3/4 CONCERTO III e Larghetto 3/2 Andante 12/8 Allegro C Polonoise Andante 3/4 Allegro ma non troppo 6/8 CONCERTO IV a Larghetto affettuoso C Allegro C Largo e piano 3/2 Allegro 3/4 CONCERTO V D [no indication] 3/4 Allegro C Presto 3/8 Largo 3/2 Allegro C Minuet un poco Larghetto 3/4 CONCERTO VI g Largo Affettuoso 3/2 Allegro ma non troppo C Larghetto Musette 3/4 Allegro C Allegro 3/8 CONCERTO VII B♭ Largo C Allegro C Largo e piano 3/4 Andante C Hornpipe 3/2 CONCERTO VIII c Allemande C Grave C Adagio 3/4 Siciliana Andante 12/8 Allegro 3/4 CONCERTO IX F Largo 3/4 Allegro C Larghetto 6/8 Allegro C Menuet 3/8 Gigue 12/8 CONCERTO X d Overture C Allegro 6/8 Air Lente 3/2 Allegro C Allegro 3/4 Allegro Moderato C CONCERTO XI E Andante Larghetto e Staccato C Allegro C Largo C Andante 3/4 Allegro C CONCERTO XII D Largo C Allegro C Aria Larghetto 3/4 Largo C Allegro C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.H2 Op.6 1740\u003c/physloc\u003e"],"physloc_tesim":["M1040.H2 Op.6 1740"],"_nest_path_":"/components#142","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50544\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eA tempo Giusto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50552\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro e forte\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50560\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50568\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50576\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50596\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Larghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50604\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50612\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50620\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50640\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50648\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50656\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50664\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Polonaise\"\u003ePolonoise\u003c/abbr\u003eAndante\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50675\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50695\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto affettuoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50703\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50711\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo e piano\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50719\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50740\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e[no indication]\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50748\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50756\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50764\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50772\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50781\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuet un poco Larghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50801\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo Affettuoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50809\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro ma non troppo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50817\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto Musette\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50825\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50833\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50853\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50861\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50869\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo e piano\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50877\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50885\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eHornpipe\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50905\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemande\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50913\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50921\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50929\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSiciliana Andante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50937\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e50957\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50965\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50973\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50981\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50989\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMenuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e50998\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGigue\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO X\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e51018\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eOverture\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51026\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51034\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAir Lente\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51042\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51050\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51059\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro Moderato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO XI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eE\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e51080\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Larghetto e Staccato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51088\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51096\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51104\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51112\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO XII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e51132\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51140\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51148\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAria Larghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51156\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e51164\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. 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Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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[Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c143"}},{"id":"viumu_mackay-smith_c109","type":"Item","attributes":{"title":"TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c109#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata I\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e38879\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e38887\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e38895\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata II\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e38915\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e38923\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e38931\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e38939\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e38947\"\u003eGavotta AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e38967\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e38975\"\u003e[no indication]C|\u003c/li\u003e\n\u003cli id=\"mvtd1e38983\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e38991\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e38999\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IV\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e39019\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39027\"\u003e[no indication]C|\u003c/li\u003e\n\u003cli id=\"mvtd1e39035\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e39043\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39051\"\u003eAllegro ma non troppo12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e39072\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39080\"\u003e[no indication]C|\u003c/li\u003e\n\u003cli id=\"mvtd1e39088\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39096\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VI\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e39116\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39124\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39132\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39140\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VII\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e39160\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39168\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39176\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39184\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39192\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VIII\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e39212\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39220\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39228\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39236\"\u003eGiga Allegro12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39244\"\u003eGavotta AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IX\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e39264\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39272\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39280\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39288\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata X\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e39308\"\u003eLargo12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39316\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39324\"\u003e\n\u003cabbr\u003eCannone\u003c/abbr\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e39332\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XI\u003c/span\u003ef\u003cul\u003e\n\u003cli id=\"mvtd1e39353\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39361\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39369\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39377\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e39397\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e39405\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39413\"\u003eLargo3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39421\"\u003eAria AllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c109#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c109","ref_ssm":["viumu_mackay-smith_c109"],"id":"viumu_mackay-smith_c109","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea.","Score, quarto, 276x204: Title-page, verso Royal Privilege dated \"the 22d Day of January 1729-30\" and signed \"Holles Newcastle\". Dedication, verso blank, [i-ii]. \"A LIST OF THE SUBSCRIBERS.\", pp. [iii-vi]. Music, pp. 1-55. Blank, [56].","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","London (England)","Aria","Canon","Gavotte","Jig","Minuet","A","B♭","D","E","E♭","G","C","F","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro ma non troppo","Aria allegro","Canone largo","Gavotta allegro","Giga allegro","Grave","Largo","Minuet","[no indication]","Title-page, Royal Privilege, and List of Subscribers are in letterpress; the music is engraved. List of Subscribers has some additions in MS.","Contents Sonata I E Grave C Allegro C Allegro 2/4 Sonata II c Grave C Allegro C Largo C Allegro 3/8 Gavotta Allegro C Sonata III A Adagio C [no indication] C| Largo 3/4 Allegro 2/4 Minuet 3/8 Sonata IV E♭ Adagio C [no indication] C| Largo C Allegro 3/8 Allegro ma non troppo 12/8 Sonata V D Largo 3/4 [no indication] C| Largo 3/4 Allegro 2/4 Sonata VI a Adagio C Allegro C Largo 3/4 Allegro 3/4 Sonata VII B♭ Adagio C Allegro C Largo 3/4 Giga Allegro 12/8 Minuet 3/8 Sonata VIII d Adagio C Allegro C Largo 3/4 Giga Allegro 12/8 Gavotta Allegro C Sonata IX G Largo 3/4 Allegro C Allegro 6/8 Minuet 3/4 Sonata X D Largo 12/8 Allegro C Cannone Largo C Allegro 3/8 Sonata XI f Largo 3/4 Allegro C Adagio C Allegro 12/8 Sonata XII E♭ Adagio C Allegro C Largo 3/8 Aria Allegro C","M219.F422 1730"],"title_filing_ssi":"TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea.","title_ssm":["TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea."],"title_tesim":["TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea."],"unitdate_other_ssim":["1730. Title-page"],"normalized_date_ssm":["1730"],"normalized_title_ssm":["TWELVE SOLO'S FOR A Violin and Thorough Bass. Dedicated to the RIGHT HONOURABLE OTHER WINDSOR, EARL of Plymouth, BARON WINDSOR of Bradenham, \u0026c. \u0026c. COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA PRIMA. LONDON: Printed by WILLIAM SMITH at Correlli's Head near St. Clement's Church in the Strand; and sold only by the author, at his House in Kemp-Court in Berwick-Street near Golden-Square. MDCCXXX. Price One Guinea."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, quarto, 276x204: Title-page, verso Royal Privilege dated \"the 22d Day of January 1729-30\" and signed \"Holles Newcastle\". Dedication, verso blank, [i-ii]. \"A LIST OF THE SUBSCRIBERS.\", pp. [iii-vi]. Music, pp. 1-55. 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List of Subscribers has some additions in MS.\u003c/p\u003e"],"note_tesim":["Title-page, Royal Privilege, and List of Subscribers are in letterpress; the music is engraved. 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Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c109"}},{"id":"viumu_mackay-smith_c122","type":"Item","attributes":{"title":"Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c122#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e43659\"\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43667\"\u003eAndantino3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e43675\"\u003ePrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e43695\"\u003e\n\u003cabbr\u003ePresetto\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e43705\"\u003eAdagio[3/4]\u003c/li\u003e\n\u003cli id=\"mvtd1e43714\"\u003ePresto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e43734\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e43742\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e43750\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e43770\"\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43778\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e43786\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e43807\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e43815\"\u003eLarghetto3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e43823\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e43843\"\u003ePrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e43851\"\u003eAdagio ma non tanto3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e43859\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e43879\"\u003eNon PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43887\"\u003eAndante2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e43895\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e43915\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003ema non tanto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e43926\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43934\"\u003eAllegro3/2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e43954\"\u003ePrestoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e43962\"\u003eLarghettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43970\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e43990\"\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e43998\"\u003eAdagio3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e44006\"\u003eTempo di Minuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e44027\"\u003eComodoC\u003c/li\u003e\n\u003cli id=\"mvtd1e44035\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e44043\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e44063\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e44071\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e44079\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c122#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c122","ref_ssm":["viumu_mackay-smith_c122"],"id":"viumu_mackay-smith_c122","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand.","Three parts, quarto, 247x189 (255x196): Violino Primo: Title, verso blank. \"A CATALOGUE of Vocal and Instrumental Music. Printed by R: Bremner, at the Harp and Hautboy facing Somerset-house in the Strand, LONDON.\", p. [1]. Music, pp. 2-25. Blank, [26]. Violino Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Basso: Same as Violino Secondo.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Bremner, Robert, d. 1789","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Bremner, Robert, d. 1789","Marvin E. Paymer","Charles L. Cudworth","London (England)","Minuet","A","B♭","C","D","E","E♭","F","G","2/4","3/2","3/4","3/8","C|","Adagio","Adagio ma non tanto","Allegro","Allegretto ma non tanto","Andante","Andantino","Comodo","Larghetto","Largo","Moderato","Non presto","Presto","Tempo di minuetto","BUCEM","Spuriously attributed to Pergolesi; probably by Domenico Gallo. See: Marvin E. Paymer , Giovanni Battista Pergolesi, 1710-1736: A Thematic Catalogue of the Opera Omnia ( New York: Pendragon Press, 1977 ), pp. 5-6 ; and Charles L. Cudworth , \" Gallo, Domenico ,\" The New Grove , v. 7, p. 128.","Contents SONATA I G Moderato C Andantino 3/2 Presto C| SONATA II B♭ Presetto C Adagio [ 3/4 ] Presto 3/8 SONATA III c Allegro C Andante 2/4 Allegro 3/8 SONATA IV G Moderato C Adagio C Allegro 3/4 SONATA V C Allegro 3/4 Larghetto 3/8 Allegro C SONATA VI D Presto C| Adagio ma non tanto 3/2 Allegro 3/8 SONATA VII g Non Presto C Andante 2/4 Allegro C| SONATA VIII E♭ Allo. ma non tanto 2/4 Andantino C Allegro 3/2 SONATA IX A Presto C| Larghetto C Allegro 3/8 SONATA X F Moderato C Adagio 3/8 Tempo di Minuetto 3/4 SONATA XI d Comodo C Largo 3/4 Allegro 3/8 SONATA XII E Allegro 3/8 Adagio C Presto 2/4","M312.4.P45 1700z"],"title_filing_ssi":"Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand.","title_ssm":["Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand."],"title_tesim":["Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand."],"unitdate_other_ssim":["ca. 1780. BUCEM"],"normalized_date_ssm":["1780"],"normalized_title_ssm":["Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 247x189 (255x196): Violino Primo: Title, verso blank. \"A CATALOGUE of Vocal and Instrumental Music. Printed by R: Bremner, at the Harp and Hautboy facing Somerset-house in the Strand, LONDON.\", p. [1]. Music, pp. 2-25. Blank, [26]. Violino Secondo: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Basso: Same as Violino Secondo."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":429,"date_range_isim":[1780],"names_ssim":["Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Bremner, Robert, d. 1789","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Bremner, Robert, d. 1789","Marvin E. Paymer","Charles L. Cudworth"],"persname_ssim":["Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Bremner, Robert, d. 1789","Bremner, Robert, d. 1789","Marvin E. Paymer","Charles L. Cudworth"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Minuet","A","B♭","C","D","E","E♭","F","G","2/4","3/2","3/4","3/8","C|","Adagio","Adagio ma non tanto","Allegro","Allegretto ma non tanto","Andante","Andantino","Comodo","Larghetto","Largo","Moderato","Non presto","Presto","Tempo di minuetto"],"access_subjects_ssm":["Minuet","A","B♭","C","D","E","E♭","F","G","2/4","3/2","3/4","3/8","C|","Adagio","Adagio ma non tanto","Allegro","Allegretto ma non tanto","Andante","Andantino","Comodo","Larghetto","Largo","Moderato","Non presto","Presto","Tempo di minuetto"],"bibliography_html_tesm":["\u003cbibref type=\"simple\" href=\"BUCEM\"\u003eBUCEM\u003c/bibref\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["BUCEM"],"note_html_tesm":["\u003cp\u003eSpuriously attributed to Pergolesi; probably by Domenico Gallo. See:\u003cbibref\u003e\n                     \u003cpersname\u003eMarvin E. Paymer\u003c/persname\u003e,\u003ctitle\u003eGiovanni Battista Pergolesi, 1710-1736: A Thematic Catalogue of the Opera Omnia\u003c/title\u003e(\u003cimprint\u003eNew York: Pendragon Press,\u003cdate\u003e1977\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 5-6\u003c/bibref\u003e; and\u003cbibref\u003e\n                     \u003cpersname\u003eCharles L. Cudworth\u003c/persname\u003e, \"\u003ctitle\u003eGallo, Domenico\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e, v. 7, p. 128.\u003c/bibref\u003e\n               \u003c/p\u003e"],"note_tesim":["Spuriously attributed to Pergolesi; probably by Domenico Gallo. See: Marvin E. Paymer , Giovanni Battista Pergolesi, 1710-1736: A Thematic Catalogue of the Opera Omnia ( New York: Pendragon Press, 1977 ), pp. 5-6 ; and Charles L. Cudworth , \" Gallo, Domenico ,\" The New Grove , v. 7, p. 128."],"scopecontent_tesim":["Contents SONATA I G Moderato C Andantino 3/2 Presto C| SONATA II B♭ Presetto C Adagio [ 3/4 ] Presto 3/8 SONATA III c Allegro C Andante 2/4 Allegro 3/8 SONATA IV G Moderato C Adagio C Allegro 3/4 SONATA V C Allegro 3/4 Larghetto 3/8 Allegro C SONATA VI D Presto C| Adagio ma non tanto 3/2 Allegro 3/8 SONATA VII g Non Presto C Andante 2/4 Allegro C| SONATA VIII E♭ Allo. ma non tanto 2/4 Andantino C Allegro 3/2 SONATA IX A Presto C| Larghetto C Allegro 3/8 SONATA X F Moderato C Adagio 3/8 Tempo di Minuetto 3/4 SONATA XI d Comodo C Largo 3/4 Allegro 3/8 SONATA XII E Allegro 3/8 Adagio C Presto 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.P45 1700z\u003c/physloc\u003e"],"physloc_tesim":["M312.4.P45 1700z"],"_nest_path_":"/components#121","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e43659\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eModerato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43667\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43675\"\u003e\n                           \u003cgenreform 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type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e43770\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eModerato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43778\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43786\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     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type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e43843\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43851\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio ma non tanto\u003c/genreform\u003e\n                           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      \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e43954\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43962\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e43970\"\u003e\n                           \u003cgenreform 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type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e44006\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eTempo di Minuetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e44027\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eComodo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n       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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c122"}},{"id":"viumu_mackay-smith_c40","type":"Item","attributes":{"title":"TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e16941\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e16949\"\u003eFuga AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e16957\"\u003eAllegro ma non Troppo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e16977\"\u003eAndante VivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e16985\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e16993\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e17001\"\u003eAllegro ma non Troppo6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e17021\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17029\"\u003eFuga Allegro assaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e17037\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17045\"\u003eTempo di Minuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e17065\"\u003e\n\u003cabbr\u003eGratioso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17075\"\u003eMarch GraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e17083\"\u003eTempo di GavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e17104\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e17112\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17120\"\u003eFuga Allegro assai3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e17140\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17148\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e17156\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17164\"\u003eAffettuoso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e17184\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e17192\"\u003eFuga Allegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e17200\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17208\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e17228\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e17236\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17244\"\u003eSiciliana6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e17252\"\u003eTempo di Minuetto Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e17272\"\u003eAdagio ad Libitum3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17280\"\u003eFuga AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e17288\"\u003eCanone GraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e17296\"\u003e\n\u003cabbr\u003eSpirituoso\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e17316\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17324\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17332\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17340\"\u003eTempo di Minuetto Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e17361\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17369\"\u003eFuga AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e17377\"\u003eAffettuoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17385\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e17405\"\u003eModerato3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17413\"\u003eTempo di GavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c40","ref_ssm":["viumu_mackay-smith_c40"],"id":"viumu_mackay-smith_c40","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","Three parts, folio, 250x173 (265x185): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-34. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO E VIOLONCELLO (2 copies): Title, verso blank. Blank, [1]. Music, pp. 2-30. Title-page of VIOLINO PRIMO signed in lower right: \"W.B. No. 0025\".","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","London (England)","Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace","Smith-Humphries , no. 249.","Contents SONATA I a Largo 3/4 Fuga Allegro C Allegro ma non Troppo 2/4 SONATA II F Andante Vivace C Adagio 3/2 Allegro C Allegro ma non Troppo 6/8 SONATA III A Largo 3/2 Fuga Allegro assai C Adagio C Tempo di Minuetto 3/8 SONATA IV g Gratioso 3/4 March Grave C Tempo di Gavotta C SONATA V D Allegro C Largo 3/2 Fuga Allegro assai 3/4 SONATA VI B♭ Adagio 3/2 Vivace C Adagio C Affettuoso 3/4 SONATA VII d Andante C Fuga Allegro 3/8 Adagio 3/2 Allegro 6/8 SONATA VIII E♭ Largo C Allegro 2/4 Siciliana 6/8 Tempo di Minuetto Allegro 3/8 SONATA IX C Adagio ad Libitum 3/4 Fuga Allegro C| Canone Grave C Spirituoso 2/4 SONATA X e Adagio C Allegro 3/4 Largo 3/2 Tempo di Minuetto Allegro 3/8 SONATA XI c Adagio 3/2 Fuga Allegro C| Affettuoso 3/4 Allegro 6/8 SONATA XII G Moderato 3/4 Tempo di Gavotta C","M312.4.B68 1747"],"title_filing_ssi":"TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","title_ssm":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"title_tesim":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"unitdate_other_ssim":["1747. Title-page"],"normalized_date_ssm":["1747"],"normalized_title_ssm":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 250x173 (265x185): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-34. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO E VIOLONCELLO (2 copies): Title, verso blank. Blank, [1]. Music, pp. 2-30. Title-page of VIOLINO PRIMO signed in lower right: \"W.B. No. 0025\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":172,"date_range_isim":[1747],"names_ssim":["Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736"],"persname_ssim":["Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace"],"access_subjects_ssm":["Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 249.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries , no. 249."],"scopecontent_tesim":["Contents SONATA I a Largo 3/4 Fuga Allegro C Allegro ma non Troppo 2/4 SONATA II F Andante Vivace C Adagio 3/2 Allegro C Allegro ma non Troppo 6/8 SONATA III A Largo 3/2 Fuga Allegro assai C Adagio C Tempo di Minuetto 3/8 SONATA IV g Gratioso 3/4 March Grave C Tempo di Gavotta C SONATA V D Allegro C Largo 3/2 Fuga Allegro assai 3/4 SONATA VI B♭ Adagio 3/2 Vivace C Adagio C Affettuoso 3/4 SONATA VII d Andante C Fuga Allegro 3/8 Adagio 3/2 Allegro 6/8 SONATA VIII E♭ Largo C Allegro 2/4 Siciliana 6/8 Tempo di Minuetto Allegro 3/8 SONATA IX C Adagio ad Libitum 3/4 Fuga Allegro C| Canone Grave C Spirituoso 2/4 SONATA X e Adagio C Allegro 3/4 Largo 3/2 Tempo di Minuetto Allegro 3/8 SONATA XI c Adagio 3/2 Fuga Allegro C| Affettuoso 3/4 Allegro 6/8 SONATA XII G Moderato 3/4 Tempo di Gavotta C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B68 1747\u003c/physloc\u003e"],"physloc_tesim":["M312.4.B68 1747"],"_nest_path_":"/components#39","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. 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Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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[Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40"}},{"id":"viumu_mackay-smith_c111","type":"Item","attributes":{"title":"TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c111#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata I\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e39845\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e39853\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39861\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39869\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e39877\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata II\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e39897\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e39905\"\u003eAllegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e39913\"\u003eLargo e Piano3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39921\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39929\"\u003eAllegro ma non troppo3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata III\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e39949\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e39957\"\u003eTempo giustoC\u003c/li\u003e\n\u003cli id=\"mvtd1e39965\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e39973\"\u003eAllegro assai3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IV\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e39993\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40001\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40009\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40017\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40025\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e40046\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40054\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40062\"\u003eLargo6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e40070\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40078\"\u003eMinuet Andante3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e40098\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40106\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40114\"\u003eLargo e Piano3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40122\"\u003eAllegro assaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e40130\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e40150\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40158\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40166\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40174\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40182\"\u003eMinuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VIII\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e40202\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40210\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40218\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IX\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e40238\"\u003eLargo è StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40246\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40254\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e40262\"\u003eAllegro assai12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata X\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e40282\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e40290\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40298\"\u003eLargo e Piano3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40306\"\u003eAllegro e Spiritoso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e40314\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e40335\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40343\"\u003eAllegro e StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40351\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e40359\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e40379\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e40387\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40395\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e40403\"\u003eAllegro è Staccato6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e40411\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c111#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c111","ref_ssm":["viumu_mackay-smith_c111"],"id":"viumu_mackay-smith_c111","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI.","Three parts, folio, 265x190: First GERMAN FLUTE or VIOLIN: Title, verso Royal Privilege dated \"the 22d Day of January 1729-30\" and signed \"Holles Newcastle\". Letter of dedication, verso blank, pp. [i-ii]. \"A LIST OF THE SUBSCRIBERS.\", pp. [iii- vi]. Music, pp. 1-21. Blank, [22]. Heading on pp. 7-11 (SonatasIV-VI): \"GERMAN FLUTE or First VIOLIN\". Heading on pp. 12-21: \"First Violin\". Second GERMAN FLUTE or VIOLIN: Title, verso Royal Privilege. Music, pp. 1-18. Heading on pp. 5-9 (Sonatas IV-VI):\"VIOLIN\". Heading on pp. 10-18: \"Second VIOLIN\". BASS: Title, verso Royal Privilege. Music, pp. 1-18.","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","London (England)","Minuet","A","B♭","D","E♭","G","B","C","E","12/8","2/4","3/2","3/4","3/8","6/8","Adagio","Allegro","Allegro assai","Allegro e spiritoso","Allegro e staccato","Allegro ma non troppo","Allegro è staccato","Andante","Grave","Largo","Largo e piano","Largo è staccato","Minuet","Minuet andante","Presto","Tempo giusto","Title-page, Royal Privilege, and List of Subscribers are in letterpress; the music is engraved. One MS addition to the List of Subscribers: \"Mr. Tom Hayes Organist of St. Marys Shrewsbury\".","Contents Sonata I b Largo C Allegro C Andante 3/4 Allegro C Allegro 3/8 Sonata II D Andante C Allegro 6/8 Largo e Piano 3/4 Allegro 2/4 Allegro ma non troppo 3/8 Sonata III G Largo C Tempo giusto C Largo 3/4 Allegro assai 3/8 Sonata IV e Andante 3/4 Allegro C Largo 3/4 Allegro 2/4 Minuet 3/8 Sonata V g Largo C Allegro C Largo 6/8 Allegro 3/4 Minuet Andante 3/4 Sonata VI D Largo 3/4 Allegro 2/4 Largo e Piano 3/4 Allegro assai C Presto 2/4 Sonata VII e Largo C Allegro C Andante 3/4 Allegro 2/4 Minuet 3/8 Sonata VIII A Largo C Allegro C Allegro assai 2/4 Sonata IX B♭ Largo è Staccato C Allegro C Grave C Allegro assai 12/8 Sonata X c Adagio C Allegro C Largo e Piano 3/4 Allegro e Spiritoso 3/8 Presto C Sonata XI A Largo C Allegro e Staccato C Largo 3/2 Allegro 12/8 Sonata XII E♭ Grave C Allegro C Largo 3/4 Allegro è Staccato 6/8 Presto C","M312.4.F42 1731"],"title_filing_ssi":"TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI.","title_ssm":["TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI."],"title_tesim":["TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI."],"unitdate_other_ssim":["1731. Title-page"],"normalized_date_ssm":["1731"],"normalized_title_ssm":["TWELVE SONATA'S, In Three PARTS; Dedicated to HER GRACE, HENRIETTA, Dutchess of Marlborough, \u0026c. \u0026c. The First, Second, and Third Sonata's, for two German Flutes, [or two Violins] and a Bass. The Fourth, Fifth, and Sixth Sonata's, for one German Flute, one Violin, [or two Violins] and a Bass. The Seventh, Eighth, Ninth, Tenth, Eleventh, and Twelfth Sonata's, for two Violins and a Bass. Compos'd by MICHAEL CHRISTIAN FESTING. OPERA SECUNDA. LONDON: Printed by WILLIAM SMITH, at CORRELLI'S Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel Court in Windmill-street, near the upper End of the Hay-Market. (Price One Guinea.) Where may also be had, (and no where else) Twelve SOLO'S for a Violin And Thorough Bass, compos'd by the same Author. Price One Guinea. M.DCC.XXXI."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 265x190: First GERMAN FLUTE or VIOLIN: Title, verso Royal Privilege dated \"the 22d Day of January 1729-30\" and signed \"Holles Newcastle\". Letter of dedication, verso blank, pp. [i-ii]. \"A LIST OF THE SUBSCRIBERS.\", pp. [iii- vi]. Music, pp. 1-21. Blank, [22]. Heading on pp. 7-11 (SonatasIV-VI): \"GERMAN FLUTE or First VIOLIN\". Heading on pp. 12-21: \"First Violin\". Second GERMAN FLUTE or VIOLIN: Title, verso Royal Privilege. Music, pp. 1-18. Heading on pp. 5-9 (Sonatas IV-VI):\"VIOLIN\". Heading on pp. 10-18: \"Second VIOLIN\". BASS: Title, verso Royal Privilege. Music, pp. 1-18."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":391,"date_range_isim":[1731],"names_ssim":["Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763"],"persname_ssim":["Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Minuet","A","B♭","D","E♭","G","B","C","E","12/8","2/4","3/2","3/4","3/8","6/8","Adagio","Allegro","Allegro assai","Allegro e spiritoso","Allegro e staccato","Allegro ma non troppo","Allegro è staccato","Andante","Grave","Largo","Largo e piano","Largo è staccato","Minuet","Minuet andante","Presto","Tempo giusto"],"access_subjects_ssm":["Minuet","A","B♭","D","E♭","G","B","C","E","12/8","2/4","3/2","3/4","3/8","6/8","Adagio","Allegro","Allegro assai","Allegro e spiritoso","Allegro e staccato","Allegro ma non troppo","Allegro è staccato","Andante","Grave","Largo","Largo e piano","Largo è staccato","Minuet","Minuet andante","Presto","Tempo giusto"],"note_html_tesm":["\u003cp\u003eTitle-page, Royal Privilege, and List of Subscribers are in letterpress; the music is engraved. One MS addition to the List of Subscribers: \"Mr. Tom Hayes Organist of St. Marys Shrewsbury\".\u003c/p\u003e"],"note_tesim":["Title-page, Royal Privilege, and List of Subscribers are in letterpress; the music is engraved. One MS addition to the List of Subscribers: \"Mr. Tom Hayes Organist of St. Marys Shrewsbury\"."],"scopecontent_tesim":["Contents Sonata I b Largo C Allegro C Andante 3/4 Allegro C Allegro 3/8 Sonata II D Andante C Allegro 6/8 Largo e Piano 3/4 Allegro 2/4 Allegro ma non troppo 3/8 Sonata III G Largo C Tempo giusto C Largo 3/4 Allegro assai 3/8 Sonata IV e Andante 3/4 Allegro C Largo 3/4 Allegro 2/4 Minuet 3/8 Sonata V g Largo C Allegro C Largo 6/8 Allegro 3/4 Minuet Andante 3/4 Sonata VI D Largo 3/4 Allegro 2/4 Largo e Piano 3/4 Allegro assai C Presto 2/4 Sonata VII e Largo C Allegro C Andante 3/4 Allegro 2/4 Minuet 3/8 Sonata VIII A Largo C Allegro C Allegro assai 2/4 Sonata IX B♭ Largo è Staccato C Allegro C Grave C Allegro assai 12/8 Sonata X c Adagio C Allegro C Largo e Piano 3/4 Allegro e Spiritoso 3/8 Presto C Sonata XI A Largo C Allegro e Staccato C Largo 3/2 Allegro 12/8 Sonata XII E♭ Grave C Allegro C Largo 3/4 Allegro è Staccato 6/8 Presto C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.F42 1731\u003c/physloc\u003e"],"physloc_tesim":["M312.4.F42 1731"],"_nest_path_":"/components#110","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSonata I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eb\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e39845\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e39853\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n 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Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c111"}},{"id":"viumu_mackay-smith_c229","type":"Item","attributes":{"title":"VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c229#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e78365\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e78373\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eAssai3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e78384\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e78392\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e78412\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e78420\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e78430\"\u003eAndante12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e78438\"\u003eMinuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e78458\"\u003eSostenutoC\u003c/li\u003e\n\u003cli id=\"mvtd1e78466\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e78476\"\u003eMinuet Affettuoso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IV\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e78496\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e78504\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eAssai3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e78515\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e78523\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eAssai12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e78547\"\u003eSpiritoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e78555\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e78563\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e78573\"\u003eMenuet\u003cabbr\u003eAffetuoso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e78593\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e78601\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e78609\"\u003eAndante SpiritosoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c229#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c229","ref_ssm":["viumu_mackay-smith_c229"],"id":"viumu_mackay-smith_c229","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII.","Seven parts, quarto, 267x190 (278x196): Violino Primo di Concerto: Title, verso blank. Blank, [i]. Music, pp. 1-20. Unnumbered blanks between pp. 3 and 4, 6 and 7, 8 and 9. \"Corno Primo\" and \"Corno Secondo\", verso blank, bound in at end (see Notes, below). Violino Secondo di Concerto: Same as Violino Primo di Concertino, without extra part at end. Alto Viola: Title, verso blank. Blank, [i]. Music, pp. 1-16. Unnumbered blank between pp. 5 and 6. Basso di Concerto: Title, verso blank. Blank, [i]. Music, pp. 1-18. Unnumbered blank between pp. 8 and 9. Violino Primo di Rinforzo: Same as Alto Viola. Violino Secondo di Rinforzo: Same as Violino Primo di Rinforzo. Basso di Rinforzo: Title, verso blank. Blank, [i]. Music, pp. 1-15. Blank, [16]. Unnumbered blank between pp. 12 and 13.","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Fortier, B., fl. Ca. 1736-1740","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Fortier, B., fl. Ca. 1736-1740","London (England)","Minuet","A","B♭","D","C","E","12/8","2/4","3/4","C|","Adagio","Allegro","Allegretto","Allegretto assai","Andante","Andante spiritoso","Menuet affettuoso","Minuet","Minuet affettuoso","Sostenuto","Spiritoso","Title-page.","The leaf with parts for two horns, bound with the Violino Primo di Concerto, is marked \"Marcia Allegro Sostenuto\" and is an ad libitum part for a portion of the last movement of Concerto VI.","Contents CONCERTO I A Spiritoso C Allo. Assai 3/4 Andante C Allegro 2/4 CONCERTO II e Andante 3/4 Allo. C| Andante 12/8 Minuet 3/4 CONCERTO III c Sostenuto C Allo. C| Minuet Affettuoso 3/4 CONCERTO IV B♭ Andante C Allo. Assai 3/4 Andante C Allo. Assai 12/8 CONCERTO V A Spiritoso 3/4 Andante C Allo. C| Menuet Affetuoso 3/4 CONCERTO VI D Adagio C Allegro 3/4 Andante Spiritoso C","M1040.S35 1738"],"title_filing_ssi":"VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII.","title_ssm":["VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII."],"title_tesim":["VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII."],"unitdate_other_ssim":["1738"],"normalized_date_ssm":["1738"],"normalized_title_ssm":["VI CONCERTI GROSSI con due Violini, Alto=Viola, e Violoncello obligati; e due Violini e Basso di Rinforzo: COMPOSTI da GIUSEPPE ST. MARTINI. Opra [backward \"a\"] II. Scolp: da B. Fortier. LONDRA MDCCXXXVIII."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Seven parts, quarto, 267x190 (278x196): Violino Primo di Concerto: Title, verso blank. Blank, [i]. Music, pp. 1-20. Unnumbered blanks between pp. 3 and 4, 6 and 7, 8 and 9. \"Corno Primo\" and \"Corno Secondo\", verso blank, bound in at end (see Notes, below). Violino Secondo di Concerto: Same as Violino Primo di Concertino, without extra part at end. Alto Viola: Title, verso blank. Blank, [i]. Music, pp. 1-16. Unnumbered blank between pp. 5 and 6. Basso di Concerto: Title, verso blank. Blank, [i]. Music, pp. 1-18. Unnumbered blank between pp. 8 and 9. Violino Primo di Rinforzo: Same as Alto Viola. Violino Secondo di Rinforzo: Same as Violino Primo di Rinforzo. Basso di Rinforzo: Title, verso blank. Blank, [i]. Music, pp. 1-15. Blank, [16]. Unnumbered blank between pp. 12 and 13."],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":814,"date_range_isim":[1738],"names_ssim":["Sammartini, Giovanni Battista, 1700 (ca.)-1775","Fortier, B., fl. Ca. 1736-1740","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Fortier, B., fl. Ca. 1736-1740"],"persname_ssim":["Sammartini, Giovanni Battista, 1700 (ca.)-1775","Fortier, B., fl. Ca. 1736-1740"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Minuet","A","B♭","D","C","E","12/8","2/4","3/4","C|","Adagio","Allegro","Allegretto","Allegretto assai","Andante","Andante spiritoso","Menuet affettuoso","Minuet","Minuet affettuoso","Sostenuto","Spiritoso"],"access_subjects_ssm":["Minuet","A","B♭","D","C","E","12/8","2/4","3/4","C|","Adagio","Allegro","Allegretto","Allegretto assai","Andante","Andante spiritoso","Menuet affettuoso","Minuet","Minuet affettuoso","Sostenuto","Spiritoso"],"bibliography_html_tesm":["\u003cp\u003eTitle-page.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Title-page."],"note_html_tesm":["\u003cp\u003eThe leaf with parts for two horns, bound with the Violino Primo di Concerto, is marked \"Marcia Allegro Sostenuto\" and is an\u003cemph render=\"italic\"\u003ead libitum\u003c/emph\u003epart for a portion of the last movement of Concerto VI.\u003c/p\u003e"],"note_tesim":["The leaf with parts for two horns, bound with the Violino Primo di Concerto, is marked \"Marcia Allegro Sostenuto\" and is an ad libitum part for a portion of the last movement of Concerto VI."],"scopecontent_tesim":["Contents CONCERTO I A Spiritoso C Allo. Assai 3/4 Andante C Allegro 2/4 CONCERTO II e Andante 3/4 Allo. C| Andante 12/8 Minuet 3/4 CONCERTO III c Sostenuto C Allo. C| Minuet Affettuoso 3/4 CONCERTO IV B♭ Andante C Allo. Assai 3/4 Andante C Allo. Assai 12/8 CONCERTO V A Spiritoso 3/4 Andante C Allo. C| Menuet Affetuoso 3/4 CONCERTO VI D Adagio C Allegro 3/4 Andante Spiritoso C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.S35 1738\u003c/physloc\u003e"],"physloc_tesim":["M1040.S35 1738"],"_nest_path_":"/components#228","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e78365\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSpiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e78373\"\u003e\n                 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type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. 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