{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_3352","type":"collection","attributes":{"title":"Burtis Family Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3352#creator","type":"document_value","attributes":{"value":"Disosway family.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3352#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from A.P. 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Burtis in Bumpass, Virginia telling him how to change his beneficiary with Winance (?) Council #60. Handwritten notations about construction costs. Pencil drawing of a house and yard with a covered bridge. Reverse notation, \"to A.G. Disosway from M.R. Disosway, March 3, 1847.\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Disosway family.","Baugh, Abner P.","Burtis, Charles E.D."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Disosway family."],"persname_ssim":["Baugh, Abner P.","Burtis, Charles E.D."],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:57:52.309Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3352"}},{"id":"vilxv_repositories_3_resources_288","type":"collection","attributes":{"title":"Cadet drawings, class assignments, and exercises","creator":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_288#creator","type":"document_value","attributes":{"value":"Allen, Robert C. 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A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_288#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxv_repositories_3_resources_288","ead_ssi":"vilxv_repositories_3_resources_288","_root_":"vilxv_repositories_3_resources_288","_nest_parent_":"vilxv_repositories_3_resources_288","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_288.xml","title_ssm":["Cadet drawings, class assignments, and exercises"],"title_tesim":["Cadet drawings, class assignments, and exercises"],"unitdate_ssm":["1849-1923"],"unitdate_inclusive_ssm":["1849-1923"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0203","/repositories/3/resources/288"],"text":["MS.0203","/repositories/3/resources/288","Cadet drawings, class assignments, and exercises","Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)","There are no restrictions.","A portion of this collection is avaliable  online .","This collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. 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(John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creators_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. 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(John Lancaster), 1848-1942"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. 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(Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creator_persname_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creators_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)"],"access_subjects_ssm":["Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["1 cubic feet approximately 200 items"],"extent_tesim":["1 cubic feet approximately 200 items"],"genreform_ssim":["Drawings (visual works)"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eA portion of this collection is avaliable \u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll15\"\u003eonline\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["A portion of this collection is avaliable  online ."],"prefercite_html_tesm":["\u003cp\u003eCadet drawings, class assignments, and exercises, 1849-1923. MS 0203. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Cadet drawings, class assignments, and exercises, 1849-1923. MS 0203. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. Williamson's architecture, engineering, and drawing courses at VMI. A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.\u003c/p\u003e\n","\u003cp\u003eSome of the geometry drawings are signed by the supervising professor.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. Williamson's architecture, engineering, and drawing courses at VMI. A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.","Some of the geometry drawings are signed by the supervising professor."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_044dc8313260d9363a4c867f6824bbba\"\u003eManuscripts stacks and Oversized Case 2\u003c/physloc\u003e"],"physloc_tesim":["Manuscripts stacks and Oversized Case 2"],"names_ssim":["Virginia Military Institute Archives","Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"language_ssim":["English \n.    "],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:09:14.407Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_288"}},{"id":"viw_repositories_2_resources_209","type":"collection","attributes":{"title":"Carl R. Dolmetsch Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_209#creator","type":"document_value","attributes":{"value":"Dolmetsch, Carl (Carl Richard), 1924-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_209#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cem\u003eSmart Set\u003c/em\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_209#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_209","ead_ssi":"viw_repositories_2_resources_209","_root_":"viw_repositories_2_resources_209","_nest_parent_":"viw_repositories_2_resources_209","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_209.xml","title_filing_ssi":"Dolmetsch, Carl R. Papers","title_ssm":["Carl R. Dolmetsch Papers"],"title_tesim":["Carl R. Dolmetsch Papers"],"unitdate_ssm":["1751-1990"],"unitdate_inclusive_ssm":["1751-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.111","/repositories/2/resources/209"],"text":["00/06/UA 6.111","/repositories/2/resources/209","Carl R. Dolmetsch Papers","Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775","American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.","This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.","The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"unitid_tesim":["00/06/UA 6.111","/repositories/2/resources/209"],"normalized_title_ssm":["Carl R. Dolmetsch Papers"],"collection_title_tesim":["Carl R. Dolmetsch Papers"],"collection_ssim":["Carl R. Dolmetsch Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"creator_ssm":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creators_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"places_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.347 was received by the SCRC from Carl Dometsch on 9/25/2012. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"access_subjects_ssm":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eCarl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Carl_Dolmetsch_(Carl_Richard)\" title=\"Carl Dolmetsch (Carl Richard)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCarl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Carl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013.\u003c/p\u003e","\u003cp\u003e Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eThis series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.\u003c/p\u003e","\u003cp\u003eThis series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"\u003c/p\u003e","\u003cp\u003e(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026amp; his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026amp; Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")\u003c/p\u003e","\u003cp\u003eThis series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eApril 26 1955. March 5 1955\u003c/p\u003e","\u003cp\u003eMay 22 1962. June 18 1962.\u003c/p\u003e","\u003cp\u003eNovember 11 [1954].May 20 1955.\u003c/p\u003e","\u003cp\u003eApril 8 1955 and undated\u003c/p\u003e","\u003cp\u003eApril 5 1955. June 16 1955.\u003c/p\u003e","\u003cp\u003eSeptember 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.\u003c/p\u003e","\u003cp\u003eMay 11 1955. May 11 1955 May 16 1955. May 21 1955.\u003c/p\u003e","\u003cp\u003eThursday, 2; May 23 1955. May 28 1955. November 30 1955.\u003c/p\u003e","\u003cp\u003eFebruary 5 1955.February 15 1955.\u003c/p\u003e","\u003cp\u003eApril 18 1960. July 23 1960.\u003c/p\u003e","\u003cp\u003eMay 10 1955. September 24 1962.\u003c/p\u003e","\u003cp\u003eMarch 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.\u003c/p\u003e","\u003cp\u003eFebruary 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.\u003c/p\u003e","\u003cp\u003eMay 27 1955. July 22 1955. August 11 1955. July 14 1960.\u003c/p\u003e","\u003cp\u003esigned by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.\u003c/p\u003e","\u003cp\u003eDecember 5 1956. March 13 1957.\u003c/p\u003e","\u003cp\u003eOctober 10 1962, April 28 1964..\u003c/p\u003e","\u003cp\u003eSeptember 14 1962. September 25 1962. October 4 1962. October 26 1962.\u003c/p\u003e","\u003cp\u003eOctober 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond\u003c/p\u003e","\u003cp\u003eOctober 18 1961. November 4 1961. January 15 1962. January 22 1962.\u003c/p\u003e","\u003cp\u003eSeptember 24 1963. February 28 1964. February 28 1964. April 17 1964.\u003c/p\u003e","\u003cp\u003eAugust 8 1964. August 14 1964.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003e2 pieces. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eJuly 31 1964. TALS; September 2 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eMixed materials\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eIncludes typescript of his reminiscences for the Smart Set.\u003c/p\u003e","\u003cp\u003eNewspapers and magazine reviews\u003c/p\u003e","\u003cp\u003eThe Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.\u003c/p\u003e","\u003cp\u003eContains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003ePaper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker."],"separatedmaterial_html_tesm":["\u003cp\u003eThe material related to the \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012.\u003c/p\u003e\n","\u003cp\u003e The material related to \u003cemph render=\"italic\"\u003eDinwiddianae Select Poems Pro Patria\u003c/emph\u003e were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"total_component_count_is":137,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:24:35.852Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_209","ead_ssi":"viw_repositories_2_resources_209","_root_":"viw_repositories_2_resources_209","_nest_parent_":"viw_repositories_2_resources_209","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_209.xml","title_filing_ssi":"Dolmetsch, Carl R. Papers","title_ssm":["Carl R. Dolmetsch Papers"],"title_tesim":["Carl R. Dolmetsch Papers"],"unitdate_ssm":["1751-1990"],"unitdate_inclusive_ssm":["1751-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.111","/repositories/2/resources/209"],"text":["00/06/UA 6.111","/repositories/2/resources/209","Carl R. Dolmetsch Papers","Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775","American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.","This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.","The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"unitid_tesim":["00/06/UA 6.111","/repositories/2/resources/209"],"normalized_title_ssm":["Carl R. Dolmetsch Papers"],"collection_title_tesim":["Carl R. Dolmetsch Papers"],"collection_ssim":["Carl R. Dolmetsch Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"creator_ssm":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creators_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"places_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.347 was received by the SCRC from Carl Dometsch on 9/25/2012. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"access_subjects_ssm":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eCarl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Carl_Dolmetsch_(Carl_Richard)\" title=\"Carl Dolmetsch (Carl Richard)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCarl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Carl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013.\u003c/p\u003e","\u003cp\u003e Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eThis series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.\u003c/p\u003e","\u003cp\u003eThis series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"\u003c/p\u003e","\u003cp\u003e(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026amp; his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026amp; Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")\u003c/p\u003e","\u003cp\u003eThis series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eApril 26 1955. March 5 1955\u003c/p\u003e","\u003cp\u003eMay 22 1962. June 18 1962.\u003c/p\u003e","\u003cp\u003eNovember 11 [1954].May 20 1955.\u003c/p\u003e","\u003cp\u003eApril 8 1955 and undated\u003c/p\u003e","\u003cp\u003eApril 5 1955. June 16 1955.\u003c/p\u003e","\u003cp\u003eSeptember 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.\u003c/p\u003e","\u003cp\u003eMay 11 1955. May 11 1955 May 16 1955. May 21 1955.\u003c/p\u003e","\u003cp\u003eThursday, 2; May 23 1955. May 28 1955. November 30 1955.\u003c/p\u003e","\u003cp\u003eFebruary 5 1955.February 15 1955.\u003c/p\u003e","\u003cp\u003eApril 18 1960. July 23 1960.\u003c/p\u003e","\u003cp\u003eMay 10 1955. September 24 1962.\u003c/p\u003e","\u003cp\u003eMarch 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.\u003c/p\u003e","\u003cp\u003eFebruary 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.\u003c/p\u003e","\u003cp\u003eMay 27 1955. July 22 1955. August 11 1955. July 14 1960.\u003c/p\u003e","\u003cp\u003esigned by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.\u003c/p\u003e","\u003cp\u003eDecember 5 1956. March 13 1957.\u003c/p\u003e","\u003cp\u003eOctober 10 1962, April 28 1964..\u003c/p\u003e","\u003cp\u003eSeptember 14 1962. September 25 1962. October 4 1962. October 26 1962.\u003c/p\u003e","\u003cp\u003eOctober 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond\u003c/p\u003e","\u003cp\u003eOctober 18 1961. November 4 1961. January 15 1962. January 22 1962.\u003c/p\u003e","\u003cp\u003eSeptember 24 1963. February 28 1964. February 28 1964. April 17 1964.\u003c/p\u003e","\u003cp\u003eAugust 8 1964. August 14 1964.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003e2 pieces. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eJuly 31 1964. TALS; September 2 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eMixed materials\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eIncludes typescript of his reminiscences for the Smart Set.\u003c/p\u003e","\u003cp\u003eNewspapers and magazine reviews\u003c/p\u003e","\u003cp\u003eThe Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.\u003c/p\u003e","\u003cp\u003eContains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003ePaper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker."],"separatedmaterial_html_tesm":["\u003cp\u003eThe material related to the \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012.\u003c/p\u003e\n","\u003cp\u003e The material related to \u003cemph render=\"italic\"\u003eDinwiddianae Select Poems Pro Patria\u003c/emph\u003e were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"total_component_count_is":137,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:24:35.852Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_209"}},{"id":"viw_repositories_2_resources_9853","type":"collection","attributes":{"title":"Richard Wright Collection of Graphic Images of African Americans","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9853"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Burtis Family Papers","value":"Burtis Family Papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Burtis+Family+Papers\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Cadet drawings, class assignments, and exercises","value":"Cadet drawings, class assignments, and exercises","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Cadet+drawings%2C+class+assignments%2C+and+exercises\u0026f%5Bdate_range%5D%5B%5D=1860\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Carl R. 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