{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Cyanotypes\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Cyanotypes\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_449","type":"collection","attributes":{"title":"Larkin family photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#creator","type":"document_value","attributes":{"value":"Larkin family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_449","ead_ssi":"vifgm_repositories_2_resources_449","_root_":"vifgm_repositories_2_resources_449","_nest_parent_":"vifgm_repositories_2_resources_449","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_449.xml","title_filing_ssi":"Larkin family photograph collection","title_ssm":["Larkin family photograph collection"],"title_tesim":["Larkin family photograph collection"],"unitdate_ssm":["circa 1870s-1920s"],"unitdate_inclusive_ssm":["circa 1870s-1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0126","/repositories/2/resources/449"],"text":["C0126","/repositories/2/resources/449","Larkin family photograph collection","Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints","There are no access restrictions.","Organized largely by photograph type.","Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. ","In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). 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Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.","Public domain. There are no known restrictions.","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","George Mason University. Libraries. 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"],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). 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Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. 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Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_05878bc9ed939332480207a759add943\" label=\"Abstract\"\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Larkin family"],"corpname_ssim":["George Mason University. Libraries. 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As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.","Special Collections Research Center also holds the  .","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. 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"],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). 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Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. 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Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. 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