{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1967\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vifrem_repositories_2_resources_21","type":"collection","attributes":{"title":"Jean Slater Edson Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_21#creator","type":"document_value","attributes":{"value":"Edson, Jean Slater","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_21#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:35:37.666Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. 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All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:35:37.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_21"}},{"id":"wvmturhc_repositories_2_resources_3915","type":"collection","attributes":{"title":"John Beall, Professor of Music, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#creator","type":"document_value","attributes":{"value":"Beall, John, 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:49.024Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:49.024Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915"}},{"id":"vifgm_repositories_2_resources_747","type":"collection","attributes":{"title":"John U. Guillory, Jr. music compositions","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#creator","type":"document_value","attributes":{"value":"Guillory, Jr., John Ural, 1940-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"text":["C0533","/repositories/2/resources/747","John U. Guillory, Jr. music compositions","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. 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