{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composers+--+United+States","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composers+--+United+States\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_5376","type":"collection","attributes":{"title":"Jay Chattaway, Film Composer, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5376#creator","type":"document_value","attributes":{"value":"Chattaway, Jay","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5376#abstract_or_scope","type":"document_value","attributes":{"value":"Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5376#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5376","ead_ssi":"wvmturhc_repositories_2_resources_5376","_root_":"wvmturhc_repositories_2_resources_5376","_nest_parent_":"wvmturhc_repositories_2_resources_5376","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5376.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198664","title_ssm":["Jay Chattaway, Film Composer, Papers"],"title_tesim":["Jay Chattaway, Film Composer, Papers"],"unitdate_ssm":["1962-2016"],"unitdate_inclusive_ssm":["1962-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376"],"text":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376","Jay Chattaway, Film Composer, Papers","Film composers","Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores","Special access restriction applies to box 7.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Born on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.","Interupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.","In 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026 Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.","In 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.","\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/","Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.","This collection consists of 8 series:","Series 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17. \nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.","Series 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31. \nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.","Series 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44. \nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.","Series 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57. \nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.","Series 5. Miscellaneous; 1998-Undated; box 58. \nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.","Series 6. Assorted Music Charts; 1964-2005; boxes 58-68. \nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.","Series 7. Audio/Visual Materials; 1980-2016; boxes 69-70. \nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.","Series 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.","Materials within series 1-4, and series 6 include:","Sketches  consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.","Their headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.","Instrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Scores  consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.","Headers of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.","Instrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Instrumental assignments in concert scores are indicated with a separate staff for each part.","Cue sheets  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.","Breakdowns of spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".","Following the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.","Spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.","Following the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:","d1:32:15:00 worm shape is visible in the beam and music starts","d1:32:16:10 clearest view on Enterprise - worm in view","d1:32:16:23 Barclay reacts to thing","etc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Chattaway, Jay","English \n.    "],"unitid_tesim":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376"],"normalized_title_ssm":["Jay Chattaway, Film Composer, Papers"],"collection_title_tesim":["Jay Chattaway, Film Composer, Papers"],"collection_ssim":["Jay Chattaway, Film Composer, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Film composers"],"geogname_ssim":["Film composers"],"creator_ssm":["Chattaway, Jay"],"creator_ssim":["Chattaway, Jay"],"creator_persname_ssim":["Chattaway, Jay"],"creators_ssim":["Chattaway, Jay"],"places_ssim":["Film composers"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Chattaway, Jay, 2013/01/29, 2019, and 2022."],"access_subjects_ssim":["Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores"],"access_subjects_ssm":["Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores"],"has_online_content_ssim":["false"],"extent_ssm":["27.25 Linear Feet 27 ft. 3 in. (58 flat storage boxes, 3 in. each); (2 record cartons, 15 in. each); (8 document cases, 5 in. each); (3 document cases, 2.5 in. each); (8 flat storage boxes, 1.5 in. each); (17 flat storage boxes, 3.75 in. each)","6.98 Gigabytes 170 .wav files"],"extent_tesim":["27.25 Linear Feet 27 ft. 3 in. (58 flat storage boxes, 3 in. each); (2 record cartons, 15 in. each); (8 document cases, 5 in. each); (3 document cases, 2.5 in. each); (8 flat storage boxes, 1.5 in. each); (17 flat storage boxes, 3.75 in. each)","6.98 Gigabytes 170 .wav files"],"genreform_ssim":["Television music","Television music -- Scores"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies to box 7.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies to box 7.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eBorn on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.\u003c/p\u003e\n","\u003cp\u003eInterupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.\u003c/p\u003e\n","\u003cp\u003eIn 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026amp; Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.\u003c/p\u003e\n","\u003cp\u003eIn 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.\u003c/p\u003e\n","\u003cp\u003e\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.","Interupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.","In 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026 Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.","In 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.","\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Jay Chattaway, Film Composer, Papers, A\u0026amp;M 3895, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Jay Chattaway, Film Composer, Papers, A\u0026M 3895, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eSketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.\u003c/p\u003e\n","\u003cp\u003eThis collection consists of 8 series:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Miscellaneous; 1998-Undated; box 58.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Assorted Music Charts; 1964-2005; boxes 58-68.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7. Audio/Visual Materials; 1980-2016; boxes 69-70.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials within series 1-4, and series 6 include:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSketches\u003c/emph\u003e consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.\u003c/p\u003e\n","\u003cp\u003eTheir headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eScores\u003c/emph\u003e consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.\u003c/p\u003e\n","\u003cp\u003eHeaders of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments in concert scores are indicated with a separate staff for each part.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eCue sheets\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBreakdowns of spotting notes\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".\u003c/p\u003e\n","\u003cp\u003eFollowing the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSpotting notes\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.\u003c/p\u003e\n","\u003cp\u003eFollowing the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:\u003c/p\u003e\n","\u003cp\u003ed1:32:15:00 worm shape is visible in the beam and music starts\u003c/p\u003e\n","\u003cp\u003ed1:32:16:10 clearest view on Enterprise - worm in view\u003c/p\u003e\n","\u003cp\u003ed1:32:16:23 Barclay reacts to thing\u003c/p\u003e\n","\u003cp\u003eetc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.","This collection consists of 8 series:","Series 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17. \nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.","Series 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31. \nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.","Series 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44. \nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.","Series 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57. \nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.","Series 5. Miscellaneous; 1998-Undated; box 58. \nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.","Series 6. Assorted Music Charts; 1964-2005; boxes 58-68. \nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.","Series 7. Audio/Visual Materials; 1980-2016; boxes 69-70. \nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.","Series 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.","Materials within series 1-4, and series 6 include:","Sketches  consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.","Their headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.","Instrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Scores  consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.","Headers of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.","Instrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Instrumental assignments in concert scores are indicated with a separate staff for each part.","Cue sheets  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.","Breakdowns of spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".","Following the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.","Spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.","Following the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:","d1:32:15:00 worm shape is visible in the beam and music starts","d1:32:16:10 clearest view on Enterprise - worm in view","d1:32:16:23 Barclay reacts to thing","etc."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3f31a5c5cb75d544907a89a88235e28b\"\u003eSketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details.\u003c/abstract\u003e"],"abstract_tesim":["Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ffbdc22024007eda15f479bc4211b205\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Chattaway, Jay"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Chattaway, Jay"],"persname_ssim":["Chattaway, Jay"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6015,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:10:56.560Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5376","ead_ssi":"wvmturhc_repositories_2_resources_5376","_root_":"wvmturhc_repositories_2_resources_5376","_nest_parent_":"wvmturhc_repositories_2_resources_5376","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5376.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198664","title_ssm":["Jay Chattaway, Film Composer, Papers"],"title_tesim":["Jay Chattaway, Film Composer, Papers"],"unitdate_ssm":["1962-2016"],"unitdate_inclusive_ssm":["1962-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376"],"text":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376","Jay Chattaway, Film Composer, Papers","Film composers","Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores","Special access restriction applies to box 7.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Born on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.","Interupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.","In 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026 Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.","In 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.","\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/","Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.","This collection consists of 8 series:","Series 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17. \nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.","Series 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31. \nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.","Series 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44. \nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.","Series 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57. \nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.","Series 5. Miscellaneous; 1998-Undated; box 58. \nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.","Series 6. Assorted Music Charts; 1964-2005; boxes 58-68. \nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.","Series 7. Audio/Visual Materials; 1980-2016; boxes 69-70. \nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.","Series 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.","Materials within series 1-4, and series 6 include:","Sketches  consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.","Their headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.","Instrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Scores  consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.","Headers of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.","Instrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Instrumental assignments in concert scores are indicated with a separate staff for each part.","Cue sheets  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.","Breakdowns of spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".","Following the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.","Spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.","Following the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:","d1:32:15:00 worm shape is visible in the beam and music starts","d1:32:16:10 clearest view on Enterprise - worm in view","d1:32:16:23 Barclay reacts to thing","etc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Chattaway, Jay","English \n.    "],"unitid_tesim":["A\u0026M 3895","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5376"],"normalized_title_ssm":["Jay Chattaway, Film Composer, Papers"],"collection_title_tesim":["Jay Chattaway, Film Composer, Papers"],"collection_ssim":["Jay Chattaway, Film Composer, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Film composers"],"geogname_ssim":["Film composers"],"creator_ssm":["Chattaway, Jay"],"creator_ssim":["Chattaway, Jay"],"creator_persname_ssim":["Chattaway, Jay"],"creators_ssim":["Chattaway, Jay"],"places_ssim":["Film composers"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Chattaway, Jay, 2013/01/29, 2019, and 2022."],"access_subjects_ssim":["Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores"],"access_subjects_ssm":["Motion picture music","Star trek.","Composers -- United States","Television music","Television music -- Scores"],"has_online_content_ssim":["false"],"extent_ssm":["27.25 Linear Feet 27 ft. 3 in. (58 flat storage boxes, 3 in. each); (2 record cartons, 15 in. each); (8 document cases, 5 in. each); (3 document cases, 2.5 in. each); (8 flat storage boxes, 1.5 in. each); (17 flat storage boxes, 3.75 in. each)","6.98 Gigabytes 170 .wav files"],"extent_tesim":["27.25 Linear Feet 27 ft. 3 in. (58 flat storage boxes, 3 in. each); (2 record cartons, 15 in. each); (8 document cases, 5 in. each); (3 document cases, 2.5 in. each); (8 flat storage boxes, 1.5 in. each); (17 flat storage boxes, 3.75 in. each)","6.98 Gigabytes 170 .wav files"],"genreform_ssim":["Television music","Television music -- Scores"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies to box 7.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies to box 7.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eBorn on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.\u003c/p\u003e\n","\u003cp\u003eInterupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.\u003c/p\u003e\n","\u003cp\u003eIn 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026amp; Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.\u003c/p\u003e\n","\u003cp\u003eIn 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.\u003c/p\u003e\n","\u003cp\u003e\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born on July 8, 1946, Jay Chattaway was raised in Monongahela, Pennsylvania where he began playing piano at the age of 7 before later adding the trumpet at age 10. Shortly after he began writing music for his junior high band and the band at Monongahela High School where he graduated from in 1964. Awarded with a Board of Governors' scholorship to study composition and music education at West Virginia University (WVU), Chattaway continued his studies at WVU, earning his master's degree while working as the Assistant Band Director.","Interupted by the Vietnam War, Chattaway's graduate studies ended when he joined the arranging staff of the U.S. Navy Band where he was soon promoted to Chief Arranger and Composer-in-Residence. Many years later, Chattaway returned and completed his master's degree before being inducted into the Academy of Distinguished Alumni. Chattaway also undertook post-graduate studies at The Eastman School of Music. After leaving the Navy, Chattaway moved to New York City and began writing and producing music for CBS. His first album contained the hit version of the theme from the movie \"Rocky,\" earning him a gold album and the first of many Grammy nominations. Chattaway has worked with such musical luminaries as Carly Simon, Herb Alpert, Maynard Ferguson, Bob James, Doc Severinson and the Von Trapp children and has written music for over 30 feature films, including \"Red Scorpion,\" Chuck Norris's \"Missing-in-Action\" and Stephen King's \"Silver Bullet.\"  He has also composed for National Geographic and Jacques Cousteau.","In 1991, Chattaway was asked to be a guest composer for \"Star Trek: The Next Generation,\" and subsequently worked on scores for \"Star Trek: The Next Generation,\" \"Deep Space Nine,\" \"Voyager\" and \"Enterprise.\"  His television work has garnered nine Emmy nominations and one Emmy. In addition to his work composing music, Chattaway also served as Director of Artists \u0026 Repertoire for CBS Records and has been the President of the Society of Composers and Lyricists and Governor of the Academy of Television of Arts and Sciences.","In 2019, Chattaway was awarded an Honorary Doctorate of Music from West Virginia University.","\n*adopted from https://honorarydegrees.wvu.edu/past-recipients/2000s/2019/jay-allen-chattaway and https://barnhouse.com/composer/jay-chattaway/"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Jay Chattaway, Film Composer, Papers, A\u0026amp;M 3895, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Jay Chattaway, Film Composer, Papers, A\u0026M 3895, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eSketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.\u003c/p\u003e\n","\u003cp\u003eThis collection consists of 8 series:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Miscellaneous; 1998-Undated; box 58.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Assorted Music Charts; 1964-2005; boxes 58-68.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7. Audio/Visual Materials; 1980-2016; boxes 69-70.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials within series 1-4, and series 6 include:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSketches\u003c/emph\u003e consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.\u003c/p\u003e\n","\u003cp\u003eTheir headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eScores\u003c/emph\u003e consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.\u003c/p\u003e\n","\u003cp\u003eHeaders of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).\u003c/p\u003e\n","\u003cp\u003eInstrumental assignments in concert scores are indicated with a separate staff for each part.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eCue sheets\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBreakdowns of spotting notes\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".\u003c/p\u003e\n","\u003cp\u003eFollowing the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSpotting notes\u003c/emph\u003e are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.\u003c/p\u003e\n","\u003cp\u003eThe headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.\u003c/p\u003e\n","\u003cp\u003eFollowing the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:\u003c/p\u003e\n","\u003cp\u003ed1:32:15:00 worm shape is visible in the beam and music starts\u003c/p\u003e\n","\u003cp\u003ed1:32:16:10 clearest view on Enterprise - worm in view\u003c/p\u003e\n","\u003cp\u003ed1:32:16:23 Barclay reacts to thing\u003c/p\u003e\n","\u003cp\u003eetc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). These material types are described in greater detail below.","This collection consists of 8 series:","Series 1. The Next Generation, Seasons 3-7; 1990-1994; boxes 1-17. \nIncludes production materials related to music by Chattaway for 42 episodes (nos. 168-276) of The Next Generation television series.","Series 2. Deep Space Nine, Seasons 1-6; 1992-1999; boxes 18-31. \nIncludes production materials related to music by Chattaway for 47 episodes (nos. 403-570) of the Deep Space Nine television series.","Series 3. Voyager, Seasons 1-7; 1994-2001; boxes 31-44. \nIncludes production materials related to music by Chattaway for 35 episodes (nos. 721, 104-272) of the Voyager television series.","Series 4. Enterprise, Seasons 1-4; 2001-2005; boxes 45-57. \nIncludes production materials related to music by Chattaway for 28 episodes (nos. 003-097) of the Enterprise television series.","Series 5. Miscellaneous; 1998-Undated; box 58. \nIncludes miscellaneous items related to music by Chattaway and shipping the original collection to West Virginia University. Materials included are a book detailing the production and other behind-the-scenes looks at Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Insurrection, a floppy disc, and shipping information.","Series 6. Assorted Music Charts; 1964-2005; boxes 58-68. \nIncludes various music charts/scores for concert pieces, television and movie scores, and jazz pieces along with others.","Series 7. Audio/Visual Materials; 1980-2016; boxes 69-70. \nIncludes audio/visual materials relating to the career works of Chattaway. Materials included are vinyl LPs and 45s, cassette tapes, CDs, VHS tapes, and a DVD.","Series 8. Addendum of 2022 October 28, Jay Chattaway, Film Composer, Papers, Audio Recordings; 1962, 1976, undated.","Materials within series 1-4, and series 6 include:","Sketches  consist of manuscript music notations on pre-printed, letter-size, music manuscript paper of two or four staves.","Their headers include the production's title (e.g., Voyager), cue title with related alpha-numberic code (e.g., M53 -- Still Friends), creation date, and page number. Durations (measured and indicated in minutes and seconds) are printed above the staves; subdivsions by beat are indicated between time codes.","Instrumental assignments are indicated by abbreviations (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Scores  consist of manuscript notations on letter-sized pre-printed, or tabloid-sized (11 in. x 17 in.) blank, manuscript paper.","Headers of letter-sized scores include the production's title (e.g., Voyager), and cue title with related alpha-numeric code (e.g., M53 -- Still Friends). Creation dates, page numbers, and durations (measured in minutes and seconds) are indicated within the headers for letter-size scores only.","Instrumental assignments in letter-size scores (identified by \"scores\" in the contents list below) are indicated by abbreviations for groups of instruments (e.g., \"ww\" for woodwinds, \"tpts\" for trumpets, etc.).","Instrumental assignments in concert scores are indicated with a separate staff for each part.","Cue sheets  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings of each cue sheet indicate the \"studio\" (i.e., Fox), \"date\", \"series\", \"episode number\", \"composer\", and \"orchestrator\" (orchestrators are usually not indicated) for an episode. Following the heading is a listing of cue titles with their related alpha-numeric codes (e.g., M12 -- \"Mr. Worf's Distortion\", etc.), durations (measured in minutes and seconds), and instrumentation. The ordering of the cues in the list corresponds to the order in which they appear in an episode.","Breakdowns of spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for these documents indicate the \"series\", \"composer\", \"show number\" (episode number), \"spotting date\", \"editor submitting\", and \"score date\".","Following the heading is a listing of alpha-numeric cue codes (without titles) and durations. The footers contain general remarks, and the total length of time in an episode for which music has been composed.","Spotting notes  are pre-printed letter-sized documents that contain production-related information for an episode. They are for planning the assignment of music within an episode.","The headings for each spotting notes sheet include the production name (e.g., \"STAR TREK: TNG\"), production number (e.g., 40275-209), episode title (e.g., \"A MATTER OF TIME\"), and cue name. The footers contain page numbers and creation dates.","Following the heading is a listing of time codes (in \"SMPTE\" standard) with their corresponding scripted events. For example, for episode 228 of Season Six of \"The Next Generation\", the spotting notes include:","d1:32:15:00 worm shape is visible in the beam and music starts","d1:32:16:10 clearest view on Enterprise - worm in view","d1:32:16:23 Barclay reacts to thing","etc."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3f31a5c5cb75d544907a89a88235e28b\"\u003eSketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details.\u003c/abstract\u003e"],"abstract_tesim":["Sketches and scores of music by WVU alumnus Jay Chattaway (born July 8, 1946), an Emmy Award winning American composer of film and television music. He is best known for his work as composer for several Star Trek television series, including Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise. This collection includes production materials related to music composed by Chattaway for these series and other projects, including sketches, scores, cue sheets, breakdowns of spotting notes, spotting notes, and other material (such as manuscript notes, letters, etc.). See scope and content note for details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ffbdc22024007eda15f479bc4211b205\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Chattaway, Jay"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Chattaway, Jay"],"persname_ssim":["Chattaway, Jay"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6015,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:10:56.560Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5376"}},{"id":"wvmturhc_repositories_2_resources_3915","type":"collection","attributes":{"title":"John Beall, Professor of Music, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#creator","type":"document_value","attributes":{"value":"Beall, John, 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:22:49.024Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. 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