{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":10,"first_page?":true,"last_page?":true}},"data":[{"id":"vilxw_repositories_5_resources_506","type":"collection","attributes":{"title":"Friends and relations of Gilbert and Sullivan (FROGS) collection","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_506#creator","type":"document_value","attributes":{"value":"Friends and relations of Gilbert and Sullivan (FROGS)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_506#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains correspondence, newspaper clippings, and approximately 50 humorous photos from five plays(Iolanthe, H.M.S. 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Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues  Collection"],"title_tesim":["Hard Times Blues  Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues  Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues  Collection"],"collection_title_tesim":["Hard Times Blues  Collection"],"collection_ssim":["Hard Times Blues  Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:26:03.386Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues  Collection"],"title_tesim":["Hard Times Blues  Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues  Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues  Collection"],"collection_title_tesim":["Hard Times Blues  Collection"],"collection_ssim":["Hard Times Blues  Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:26:03.386Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426"}},{"id":"viblbv_repositories_2_resources_3018","type":"collection","attributes":{"title":"John Barnes Performing Arts Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3018#creator","type":"document_value","attributes":{"value":"Barnes, John H. (John Hancock), 1905-1979","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3018#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3018#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:42:02.631Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:42:02.631Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3018"}},{"id":"viblbv_repositories_2_resources_2148","type":"collection","attributes":{"title":"Los Angeles Poverty Department (LAPD) Collection,","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#creator","type":"document_value","attributes":{"value":"Los Angeles Poverty Department (LAPD) (Theatre Company)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2148","ead_ssi":"viblbv_repositories_2_resources_2148","_root_":"viblbv_repositories_2_resources_2148","_nest_parent_":"viblbv_repositories_2_resources_2148","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2148.xml","title_filing_ssi":"Los Angeles Poverty Department (LAPD) Collection","title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"unitdate_ssm":["1986-2000"],"unitdate_inclusive_ssm":["1986-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.014"],"text":["Ms.2001.014","Los Angeles Poverty Department (LAPD) Collection,","Community theater","Collection is open for research.","The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).","The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ .","The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.","Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.014"],"normalized_title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_ssim":["Los Angeles Poverty Department (LAPD) Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_corpname_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creators_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Los Angeles Poverty Department (LAPD) Collection was donated to Special Collections in 2001."],"access_subjects_ssim":["Community theater"],"access_subjects_ssm":["Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"extent_tesim":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7)."],"bioghist_html_tesm":["\u003cp\u003eThe Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website: \u003cextref actuate=\"onRequest\" href=\"https://www.lapovertydept.org/\" show=\"new\" title=\"https://www.lapovertydept.org/\"\u003ehttps://www.lapovertydept.org/\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ ."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  \u003c/p\u003e\n","\u003cp\u003eThe Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b68fca70bbd309dddaea84a1362faf74\" label=\"Abstract\"\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_04924b46d3af9da25f53a23d530e60f2\"\u003eBoxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.\u003c/physloc\u003e"],"physloc_tesim":["Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":207,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:26:59.380Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2148","ead_ssi":"viblbv_repositories_2_resources_2148","_root_":"viblbv_repositories_2_resources_2148","_nest_parent_":"viblbv_repositories_2_resources_2148","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2148.xml","title_filing_ssi":"Los Angeles Poverty Department (LAPD) Collection","title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"unitdate_ssm":["1986-2000"],"unitdate_inclusive_ssm":["1986-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.014"],"text":["Ms.2001.014","Los Angeles Poverty Department (LAPD) Collection,","Community theater","Collection is open for research.","The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).","The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ .","The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.","Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.014"],"normalized_title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_ssim":["Los Angeles Poverty Department (LAPD) Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_corpname_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creators_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Los Angeles Poverty Department (LAPD) Collection was donated to Special Collections in 2001."],"access_subjects_ssim":["Community theater"],"access_subjects_ssm":["Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"extent_tesim":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7)."],"bioghist_html_tesm":["\u003cp\u003eThe Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website: \u003cextref actuate=\"onRequest\" href=\"https://www.lapovertydept.org/\" show=\"new\" title=\"https://www.lapovertydept.org/\"\u003ehttps://www.lapovertydept.org/\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ ."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  \u003c/p\u003e\n","\u003cp\u003eThe Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b68fca70bbd309dddaea84a1362faf74\" label=\"Abstract\"\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_04924b46d3af9da25f53a23d530e60f2\"\u003eBoxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.\u003c/physloc\u003e"],"physloc_tesim":["Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":207,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:26:59.380Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148"}},{"id":"wvmturhc_repositories_2_resources_1610","type":"collection","attributes":{"title":"Maryat Lee, Playwright, Papers","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#creator","type":"document_value","attributes":{"value":"Lee, Maryat, 1923-1989","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#abstract_or_scope","type":"document_value","attributes":{"value":"Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:58.776Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1610","ead_ssi":"wvmturhc_repositories_2_resources_1610","_root_":"wvmturhc_repositories_2_resources_1610","_nest_parent_":"wvmturhc_repositories_2_resources_1610","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1610.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195886","title_ssm":["Maryat Lee, Playwright, Papers"],"title_tesim":["Maryat Lee, Playwright, Papers"],"unitdate_ssm":["1902-1997","1951-1989"],"unitdate_bulk_ssim":["1951-1989"],"unitdate_inclusive_ssm":["1902-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"text":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610","Maryat Lee, Playwright, Papers","Hinton (W. Va.)","New York (N.Y.)","West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  ","This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert","English \n.    "],"unitid_tesim":["A\u0026M 3300","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1610"],"normalized_title_ssm":["Maryat Lee, Playwright, Papers"],"collection_title_tesim":["Maryat Lee, Playwright, Papers"],"collection_ssim":["Maryat Lee, Playwright, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Hinton (W. Va.)","New York (N.Y.)"],"geogname_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"creator_ssm":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"creator_persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"creator_corpname_ssim":["West Virginia University. Art Museum"],"creators_ssim":["Lee, Maryat, 1923-1989","Lee, Robert","West Virginia University. Art Museum"],"places_ssim":["Hinton (W. Va.)","New York (N.Y.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Lee, Robert, 1998 June 5. ","Gift from Lee, Robert, 1998 July 11.","Transfer from West Virginia University Art Museum, 2022 April 29."],"access_subjects_ssim":["West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"access_subjects_ssm":["West Virginia Feminist Activist Collection","Community theater","Community arts projects","Women authors, American   -- 20th century","Women in community organization"],"has_online_content_ssim":["false"],"extent_ssm":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"extent_tesim":["63.54 Linear Feet 63 ft. 6.5 in. (42 records cartons, 15 in. each); (9 document cases, 5 in. each); (3 document cases, 2.5 in.); (1 large flat storage box, 3.5 in.); (7 medium flat storage boxes, 3 in. each); (1 small flat storage box, 1.5 in.); (5 large item boxes, 5 in. each); (1 small item box, 3 in.); (1 large clamshell box, 5 in.); (9 paintings, 1.5 in. each); (1 framed item, 0.5 in.); (1 plaster bust, 7 in.)"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eMaryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  \u003c/p\u003e\n","\u003cp\u003eMaryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.\u003c/p\u003e\n","\u003cp\u003eIn the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  \u003c/p\u003e\n","\u003cp\u003eInspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play, \u003ctitle\u003eDOPE!\u003c/title\u003e which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. \u003c/p\u003e\n","\u003cp\u003eIn 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   \u003c/p\u003e\n","\u003cp\u003eIn 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.\u003c/p\u003e\n","\u003cp\u003eShe founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. \u003c/p\u003e\n","\u003cp\u003eSoon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  \u003c/p\u003e\n","\u003cp\u003eIn 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  \u003c/p\u003e\n","\u003cp\u003eDuring this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including \u003ctitle\u003eJohn Henry\u003c/title\u003e and \u003ctitle\u003eOle Miz Dacey\u003c/title\u003e. Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  \u003c/p\u003e\n","\u003cp\u003eEcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with \u003ctitle\u003eDOPE!\u003c/title\u003e and SALT, used non-actors in its performances.  \u003c/p\u003e\n","\u003cp\u003eIn 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. \u003c/p\u003e\n","\u003cp\u003eMaryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Maryat Lee was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project.  ","Maryat Lee was born as Mary Attaway Lee in Covington, Kentucky on May 26, 1923, to Grace Barbee Dyer Lee and Dewitt Collins Lee. Maryat, as she came to be known, grew up with her musician mother, lawyer and businessman father, and two older brothers, John and Robert. ","She graduated from Wellesley College in Wellesley, Massachusetts with a Bachelor of Arts degree in Bible History in 1945.","In the following years, Lee was employed in various jobs in New York City, including editing religious films, transcribing oral history tapes for Columbia University, and serving as an assistant to Margaret Mead at the Society for Applied Anthropology.  ","Inspired by a conversation with East Harlem storefront church ministers about declining local interest in religion and surging drug usage, Lee sought to become acquainted with the population of Harlem, a largely African American neighborhood in New York City. This led to the writing of her first play,  DOPE!  which began showings in storefront churches, on sidewalks, and in alleys in 1951, using the local people Lee had met in Harlem as actors. Interest in this street theater, as it would come to be known, faded quickly, but it set the foundation for much of Lee's later work. ","In 1957, she met and began a friendship with author Flannery O'Connor that would last until the latter's death in 1964. That same year, in 1957, she married Australian furniture designer David Foulkes Taylor in Japan. The couple parted ways soon after, and Taylor died in a car accident in Australia in 1965.   ","In 1966, Lee began a long business and romantic relationship with photographer Fran Belin, with whom she would go on to co-found the Women's Farm and EcoTheater.","She founded the East Harlem Soul and Latin Theater (SALT) in New York City in 1970, building upon her work with Harlem residents seventeen years prior. SALT used non-actors and encouraged audience reactions in opposition to what Lee viewed as the more stifling contemporary theater. ","Soon after, Lee parted ways with SALT after troupe members became discontented with the way she was handling copyright of the works produced, and the troupe dissolved two years later.  ","In 1971, Lee moved to Powley's Creek, West Virginia with Belin and founded the Women's Farm, as part of a wider Back-to-the-land movement that occurred in America in the 1960s and 1970s. The Women's Farm sought to provide a work retreat for artists and musicians and serve as the foundation for a new type of local theater.  ","During this time, Lee focused on learning about her local community in Hinton, West Virginia, and wrote plays inspired by what she heard, including  John Henry  and  Ole Miz Dacey . Both plays would be shown on Lee's farm and performed by youth from the Governor's Summer Youth Program, marking the beginning of EcoTheater in 1975.  ","EcoTheater, described by Lee as \"indigenous Appalachian theater\" produced plays based on oral histories collected from the local community, and as with  DOPE!  and SALT, used non-actors in its performances.  ","In 1984, Lee moved to Lewisburg, West Virginia, where she worked on her EcoTheater Workbook. From 1987 to 1989, Lee focused her energies on producing several theater workshops in West Virginia and Kentucky. ","Maryat Lee passed away at her home in Lewisburg, West Virginia on September 18, 1989, while working on her EcoTheater Workbook.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026amp;M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Maryat Lee, Playwright, Papers, A\u0026M 3300, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. \u003c/p\u003e\n","\u003cp\u003eMaterials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. \u003c/p\u003e\n","\u003cp\u003eSeries 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. \u003c/p\u003e\n","\u003cp\u003eSeries 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.\u003c/p\u003e\n","\u003cp\u003eSeries 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. \u003c/p\u003e\n","\u003cp\u003eSeries 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.\u003c/p\u003e\n","\u003cp\u003eSeries 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. \u003c/p\u003e\n","\u003cp\u003eThis collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. \u003c/p\u003e\n","\u003cp\u003eSelect audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection mostly contains materials created and collected by Maryat Lee between 1951 and 1989 during her work on a wide variety of art and theatre projects, including Street and Latin Theater (SALT), the Women's Farm, and EcoTheater. Also present in the collection are materials created by Maryat Lee's parents, Grace Barbee Dyer Lee and Dewitt Collins Lee between 1910 and 1945. Materials present beyond Maryat Lee's death in 1989 consist of various EcoTheater and the Women's Farm administrative and promotional writings. ","Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt. ","The collection is divided into seven series based upon Maryat Lee's original folder labeling and the prevalence of certain subject matter. Due to the fact that Lee did not package the materials for donation herself, some boxes and folders within the series are physically out of order in relation to their intellectual arrangement. Addendum are also split between series. ","Series 1. Writings: This series contains writings by Maryat Lee outside of her workshops and various programs, such as notes and manuscripts. ","Series 2. Subjects: This series contains materials labeled as \"subjects\" by Maryat Lee. It includes correspondence and research materials mostly related to individuals involved in theater, writing, and publishing. ","Series 3. Audiovisual Material: This series contains reels, VHS, and cassette tapes created by Maryat Lee or one of her associates. The audiovisual material contains music, plays, family gatherings, workshops, board meetings, and presentations. Box 62 is an addendum of 2005/04/12.","Series 4. Theater Programs and Workshops: This series contains working papers from Maryat Lee's involvement in a wide variety of theater and theater-adjacent programs. Most prominent in this series are materials relating to Soul and Latin Theater (SOUL), the Women's Farm, EcoTheater, the Governor's Summer Youth Program (GSYP), theater workshops, and prison theater programs. Materials include grant applications, correspondence, newspaper articles, manuscripts, notes, proposals, press releases, newsletters, and photographs. Boxes 59-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 5. Personal: This series contains materials personal to Maryat Lee. It includes materials related to her family and friends outside of their associations with Maryat's various theater programs. Included are photographs, photo slides, negatives, correspondence, scrapbooks, journals, medical information, drawings, and planners. Boxes 58-61 are an addendum of 1998/07/22. Boxes 63-64 are an addendum of an unknown date. ","Series 6. Publications: This series contains published plays collected, but not written, by Maryat Lee.","Series 7. Paintings and Busts: This series contains nine paintings by Maryat Lee and a plaster bust of Maryat Lee. Paintings 7-8 are an addendum of 2022/04/29. ","This collection was reprocessed on 2024/11/07. A crosswalk between the original organization and the new organization is available upon request. ","Select audiovisual materials have been digitized. Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41a071f25400b148208ada4216a47db7\"\u003eMaryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt.\u003c/abstract\u003e"],"abstract_tesim":["Maryat Lee (1923-1989) was an American playwright and theater director who made important contributions to post-World War II avant-garde theater. She pioneered street theater in Harlem and later founded EcoTheater in West Virginia, a community-based theater project. Materials include reports, newsletters, correspondence, newspaper clippings, photographs, cassette tapes, VHS tapes, posters, manuscripts, notes, scripts, screenplays, published plays, genealogical research, journals, drawings, and paintings. Also present is a piece of stained glass created by Lee, a dress worn by Lee, and an EcoTheater T-Shirt."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_59b034a3f262570e93a472c5cb053744\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum","Lee, Maryat, 1923-1989","Lee, Robert"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Art Museum"],"persname_ssim":["Lee, Maryat, 1923-1989","Lee, Robert"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1537,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:14:58.776Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1610"}},{"id":"viblbv_repositories_2_resources_3185","type":"collection","attributes":{"title":"Melinda E. Pittman Theatrical Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#creator","type":"document_value","attributes":{"value":"Pittman, Melinda E.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:31:44.096Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185"}},{"id":"viblbv_repositories_2_resources_2066","type":"collection","attributes":{"title":"The Road Company Records,","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2066#creator","type":"document_value","attributes":{"value":"The Road Company (1972-1998)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2066#abstract_or_scope","type":"document_value","attributes":{"value":"The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2066#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2066","ead_ssi":"viblbv_repositories_2_resources_2066","_root_":"viblbv_repositories_2_resources_2066","_nest_parent_":"viblbv_repositories_2_resources_2066","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2066.xml","title_filing_ssi":"The Road Company Records","title_ssm":["The Road Company Records,"],"title_tesim":["The Road Company Records,"],"unitdate_ssm":["1972-1998"],"unitdate_inclusive_ssm":["1972-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.008"],"text":["Ms.1998.008","The Road Company Records,","Local/Regional History and Appalachian South","Community theater","Collection is open to research.","The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.","The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.","The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site.","Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)","The materials in the collection are in English."],"unitid_tesim":["Ms.1998.008"],"normalized_title_ssm":["The Road Company Records,"],"collection_title_tesim":["The Road Company Records,"],"collection_ssim":["The Road Company Records,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["The Road Company (1972-1998)"],"creator_ssim":["The Road Company (1972-1998)"],"creator_corpname_ssim":["The Road Company (1972-1998)"],"creators_ssim":["The Road Company (1972-1998)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Road Company Records were donated to Special Collections in September 1998. An additional 0.2 cu. ft. of material was received in 2008 and 1.4 cu. ft. of materials were received in 2015."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 27 boxes; 1 folder"],"extent_tesim":["38 Cubic Feet 27 boxes; 1 folder"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically. Undated material is at the end.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order."],"bioghist_html_tesm":["\u003cp\u003eThe Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998."],"odd_html_tesm":["\u003cp\u003eThe guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41aec68c51d3217cd7de7070cf6df5c4\" label=\"Abstract\"\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/abstract\u003e"],"abstract_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_956220da20bcf26b1614d629ed0cd0ff\"\u003e\u003cemph render=\"bold\"\u003eMaterial is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.\u003c/emph\u003e The 2008 accrual is on-site.\u003c/physloc\u003e"],"physloc_tesim":["Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site."],"names_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1066,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:46:41.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2066","ead_ssi":"viblbv_repositories_2_resources_2066","_root_":"viblbv_repositories_2_resources_2066","_nest_parent_":"viblbv_repositories_2_resources_2066","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2066.xml","title_filing_ssi":"The Road Company Records","title_ssm":["The Road Company Records,"],"title_tesim":["The Road Company Records,"],"unitdate_ssm":["1972-1998"],"unitdate_inclusive_ssm":["1972-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1998.008"],"text":["Ms.1998.008","The Road Company Records,","Local/Regional History and Appalachian South","Community theater","Collection is open to research.","The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.","The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.","The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site.","Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)","The materials in the collection are in English."],"unitid_tesim":["Ms.1998.008"],"normalized_title_ssm":["The Road Company Records,"],"collection_title_tesim":["The Road Company Records,"],"collection_ssim":["The Road Company Records,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["The Road Company (1972-1998)"],"creator_ssim":["The Road Company (1972-1998)"],"creator_corpname_ssim":["The Road Company (1972-1998)"],"creators_ssim":["The Road Company (1972-1998)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Road Company Records were donated to Special Collections in September 1998. An additional 0.2 cu. ft. of material was received in 2008 and 1.4 cu. ft. of materials were received in 2015."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["38 Cubic Feet 27 boxes; 1 folder"],"extent_tesim":["38 Cubic Feet 27 boxes; 1 folder"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically. Undated material is at the end.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically. Undated material is at the end.","The 2008 accrual is in an oversize folder housed in Special Collections. The 2015 accrual is at the end of the collection and remains in its original order."],"bioghist_html_tesm":["\u003cp\u003eThe Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Road Company was a community-based theater company in Johnson City, Tennessee, dedicated to the production of new theater reflecting the concerns and interests of the community, based on the premise that theater is a community event. Established in 1972, produced plays about southern community history, frontier experiences in democracy, ancient and modern myths, the moonshine trade, land issues, wild lemons, love stories, and the impact of the world energy situation on Johnson City. Many of the plays performed were original works created for the company. The company worked collaboratively with other community theaters. They closed up production in 1998."],"odd_html_tesm":["\u003cp\u003eThe guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the The Road Company Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], The Road Company Records, Ms1998-008, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of The Road Company Records commenced and was completed in April 1999. The 2008 and 2015 accrual were processed in March and April 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/p\u003e\n","\u003cp\u003eThe 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.","The 2008 accrual includes show posters. The 2015 accrual includes financial documents from 1993-1994 and 1998, as well as several folders of administrative files from 1993-1994."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_41aec68c51d3217cd7de7070cf6df5c4\" label=\"Abstract\"\u003eThe Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material.\u003c/abstract\u003e"],"abstract_tesim":["The Road Company records consist of administrative files, touring information, scripts, video and audiocassettes of productions, and public relations material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_956220da20bcf26b1614d629ed0cd0ff\"\u003e\u003cemph render=\"bold\"\u003eMaterial is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.\u003c/emph\u003e The 2008 accrual is on-site.\u003c/physloc\u003e"],"physloc_tesim":["Material is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for further information.  The 2008 accrual is on-site."],"names_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","The Road Company (1972-1998)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1066,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:46:41.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2066"}},{"id":"viblbv_repositories_2_resources_2016","type":"collection","attributes":{"title":"Thomas Adriance Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2016#creator","type":"document_value","attributes":{"value":"Adriance, Thomas","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2016#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2016#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2016","ead_ssi":"viblbv_repositories_2_resources_2016","_root_":"viblbv_repositories_2_resources_2016","_nest_parent_":"viblbv_repositories_2_resources_2016","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2016.xml","title_filing_ssi":"Adriance, Thomas, Papers","title_ssm":["Thomas Adriance Papers"],"title_tesim":["Thomas Adriance Papers"],"unitdate_ssm":["1957-1996"],"unitdate_inclusive_ssm":["1957-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1996.003"],"text":["Ms.1996.003","Thomas Adriance Papers","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs","Collection is open to research.","The collection is arranged by event location.","Thomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles.","The guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996.","The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Adriance, Thomas","The materials in the collection are in English."],"unitid_tesim":["Ms.1996.003"],"normalized_title_ssm":["Thomas Adriance Papers"],"collection_title_tesim":["Thomas Adriance Papers"],"collection_ssim":["Thomas Adriance Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Adriance, Thomas"],"creator_ssim":["Adriance, Thomas"],"creator_persname_ssim":["Adriance, Thomas"],"creators_ssim":["Adriance, Thomas"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Thomas Adriance Papers were donated to Special Collections in 1996."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.2 Cubic Feet 3 boxes"],"extent_tesim":["4.2 Cubic Feet 3 boxes"],"genreform_ssim":["Theater programs"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by event location.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by event location."],"bioghist_html_tesm":["\u003cp\u003eThomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Thomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles."],"odd_html_tesm":["\u003cp\u003eThe guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Thomas Adriance Papers, Ms1996-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Thomas Adriance Papers, Ms1996-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_711c24d16b1055a7d79155898e20c1be\" label=\"Abstract\"\u003eThe collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Adriance, Thomas"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Adriance, Thomas"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:34:08.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2016","ead_ssi":"viblbv_repositories_2_resources_2016","_root_":"viblbv_repositories_2_resources_2016","_nest_parent_":"viblbv_repositories_2_resources_2016","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2016.xml","title_filing_ssi":"Adriance, Thomas, Papers","title_ssm":["Thomas Adriance Papers"],"title_tesim":["Thomas Adriance Papers"],"unitdate_ssm":["1957-1996"],"unitdate_inclusive_ssm":["1957-1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1996.003"],"text":["Ms.1996.003","Thomas Adriance Papers","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs","Collection is open to research.","The collection is arranged by event location.","Thomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles.","The guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996.","The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Adriance, Thomas","The materials in the collection are in English."],"unitid_tesim":["Ms.1996.003"],"normalized_title_ssm":["Thomas Adriance Papers"],"collection_title_tesim":["Thomas Adriance Papers"],"collection_ssim":["Thomas Adriance Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Adriance, Thomas"],"creator_ssim":["Adriance, Thomas"],"creator_persname_ssim":["Adriance, Thomas"],"creators_ssim":["Adriance, Thomas"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Thomas Adriance Papers were donated to Special Collections in 1996."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Faculty and staff","Community theater","Theater  -- United States","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["4.2 Cubic Feet 3 boxes"],"extent_tesim":["4.2 Cubic Feet 3 boxes"],"genreform_ssim":["Theater programs"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by event location.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by event location."],"bioghist_html_tesm":["\u003cp\u003eThomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Thomas Adriance was born in 1937 and educated at Dartmouth College (B.A., 1959) and Columbia University (Ph.D., 1968). He served as an Assistant and then Associate Professor of History at Virginia Tech from 1968 until his death in February 1996, specializing in French History and military battles."],"odd_html_tesm":["\u003cp\u003eThe guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Thomas Adriance Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Thomas Adriance Papers, Ms1996-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Thomas Adriance Papers, Ms1996-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Thomas Adriance Papers commenced in April 1996 and was completed in June 1996."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance. The performances were given in Blacksburg, Virginia, and other regional, national, and international locations. Includes programs from performances at the Barter Theatre in Abingdon, Virginia, the Kennedy Center in Washington, D.C., and the Opera de Paris in France."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_711c24d16b1055a7d79155898e20c1be\" label=\"Abstract\"\u003eThe collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists almost exclusively of performance programs, playbills, and other threater literature of theater, dance, and music performances attended by Adriance."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Adriance, Thomas"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Adriance, Thomas"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:34:08.124Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2016"}},{"id":"viw_repositories_2_resources_8763","type":"collection","attributes":{"title":"Virginia Cities Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8763#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eArtificial collection of papers relating to various cities in the Commonwealth of Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8763#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8763","ead_ssi":"viw_repositories_2_resources_8763","_root_":"viw_repositories_2_resources_8763","_nest_parent_":"viw_repositories_2_resources_8763","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8763.xml","title_filing_ssi":"Virginia Cities Collection","title_ssm":["Virginia Cities Collection"],"title_tesim":["Virginia Cities Collection"],"unitdate_ssm":["1663-1980"],"unitdate_inclusive_ssm":["1663-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 39.4 V82ci","/repositories/2/resources/8763"],"text":["Mss. 39.4 V82ci","/repositories/2/resources/8763","Virginia Cities Collection","Alexandria (Va.)--History","Blue Ridge Springs (Va.)","Charlottesville (Va.)--History","Danville (Va.)--History","Fredericksburg (Va.)--History","Hanover Courthouse (Va.)--History","Harrisonburg (Va.)--History","Hopewell (Va.)--History","James City County (Va.)--Tercentenary","Jamestown (Va.)--History--20th century","Lexington (Va.)--History","Norfolk (Va.)--History","Petersburg (Va.)--History","Providence Forge (Va.)--History","Strasburg (Va.)--History","Virginia--History--17th century","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--20th century","Washington (Va.)--History","Williamsburg (Va.)--History--Civil War, 1861-1865","Woodstock (Va.)--History","African Americans--Virginia--Williamsburg","College of William and Mary--History--20th century","College of William and Mary--History--Civil War, 1861-1865","College of William and Mary--Students","College theater--United States","Community theater","Education--Virginia--Williamsburg--19th century","Gardening--Virginia","Horticultural literature","Jamestown Exposition (1907)","Jamestown Festival (1957)","Jamestown Ter-centennial Exposition (1907)","Legal documents","Lynchburg (Va.)--History","United States--History--Civil War, 1861-1865","United States--History--Civil War, 1861-1865--Destruction and pillage","Williamsburg, Battle of, Williamsburg, Va., 1862","Physicians--Virginia--Williamsburg","African American physicians","Account books","Catalogs","Correspondence","Financial records","Petitions","Photographs","Receipts (financial records)","Surveys (documents)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Alphabetical by name of city.","Reprocessed by Anne Johnson in 2011.","Mss. 39.4 V82co Virginia Counties Collection, Special Collections Research Center, Swem Library"," Mss. 65 V82 Virginia Quitrents Collection, 1704-1705, Special Collections Research Center, Swem Library"," Many other accessions relating to cities in the Commonwealth of Virginia are in the Special Collections Research Center, Swem Library.  Please check the subject index for the name of the city. Also, you can use the search box on the top right corner, being sure to check the \"Include Box Lists.\""," Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)","Artificial collection of papers relating to various cities in the Commonwealth of Virginia.","Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. Massachusetts Volunteer Infantry Regiment, 25th","Williamsburg Businessmen's Association (Va.)","Williamsburg Female Academy (Williamsburg, Va)","Williamsburg Male Academy (Williamsburg, Va)","Williamsburg Military School (Williamsburg, Va)","Crump family","Dunlop family","Blayton, James Blaine, Sr., (Dr.)","Jefferson, Thomas, 1743-1826","Michaux, Lightfoot Solomon","English"],"unitid_tesim":["Mss. 39.4 V82ci","/repositories/2/resources/8763"],"normalized_title_ssm":["Virginia Cities Collection"],"collection_title_tesim":["Virginia Cities Collection"],"collection_ssim":["Virginia Cities Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Alexandria (Va.)--History","Blue Ridge Springs (Va.)","Charlottesville (Va.)--History","Danville (Va.)--History","Fredericksburg (Va.)--History","Hanover Courthouse (Va.)--History","Harrisonburg (Va.)--History","Hopewell (Va.)--History","James City County (Va.)--Tercentenary","Jamestown (Va.)--History--20th century","Lexington (Va.)--History","Norfolk (Va.)--History","Petersburg (Va.)--History","Providence Forge (Va.)--History","Strasburg (Va.)--History","Virginia--History--17th century","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--20th century","Washington (Va.)--History","Williamsburg (Va.)--History--Civil War, 1861-1865","Woodstock (Va.)--History"],"geogname_ssim":["Alexandria (Va.)--History","Blue Ridge Springs (Va.)","Charlottesville (Va.)--History","Danville (Va.)--History","Fredericksburg (Va.)--History","Hanover Courthouse (Va.)--History","Harrisonburg (Va.)--History","Hopewell (Va.)--History","James City County (Va.)--Tercentenary","Jamestown (Va.)--History--20th century","Lexington (Va.)--History","Norfolk (Va.)--History","Petersburg (Va.)--History","Providence Forge (Va.)--History","Strasburg (Va.)--History","Virginia--History--17th century","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--20th century","Washington (Va.)--History","Williamsburg (Va.)--History--Civil War, 1861-1865","Woodstock (Va.)--History"],"places_ssim":["Alexandria (Va.)--History","Blue Ridge Springs (Va.)","Charlottesville (Va.)--History","Danville (Va.)--History","Fredericksburg (Va.)--History","Hanover Courthouse (Va.)--History","Harrisonburg (Va.)--History","Hopewell (Va.)--History","James City County (Va.)--Tercentenary","Jamestown (Va.)--History--20th century","Lexington (Va.)--History","Norfolk (Va.)--History","Petersburg (Va.)--History","Providence Forge (Va.)--History","Strasburg (Va.)--History","Virginia--History--17th century","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--20th century","Washington (Va.)--History","Williamsburg (Va.)--History--Civil War, 1861-1865","Woodstock (Va.)--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts and purchases, from the 1930's to the present."],"access_subjects_ssim":["African Americans--Virginia--Williamsburg","College of William and Mary--History--20th century","College of William and Mary--History--Civil War, 1861-1865","College of William and Mary--Students","College theater--United States","Community theater","Education--Virginia--Williamsburg--19th century","Gardening--Virginia","Horticultural literature","Jamestown Exposition (1907)","Jamestown Festival (1957)","Jamestown Ter-centennial Exposition (1907)","Legal documents","Lynchburg (Va.)--History","United States--History--Civil War, 1861-1865","United States--History--Civil War, 1861-1865--Destruction and pillage","Williamsburg, Battle of, Williamsburg, Va., 1862","Physicians--Virginia--Williamsburg","African American physicians","Account books","Catalogs","Correspondence","Financial records","Petitions","Photographs","Receipts (financial records)","Surveys (documents)"],"access_subjects_ssm":["African Americans--Virginia--Williamsburg","College of William and Mary--History--20th century","College of William and Mary--History--Civil War, 1861-1865","College of William and Mary--Students","College theater--United States","Community theater","Education--Virginia--Williamsburg--19th century","Gardening--Virginia","Horticultural literature","Jamestown Exposition (1907)","Jamestown Festival (1957)","Jamestown Ter-centennial Exposition (1907)","Legal documents","Lynchburg (Va.)--History","United States--History--Civil War, 1861-1865","United States--History--Civil War, 1861-1865--Destruction and pillage","Williamsburg, Battle of, Williamsburg, Va., 1862","Physicians--Virginia--Williamsburg","African American physicians","Account books","Catalogs","Correspondence","Financial records","Petitions","Photographs","Receipts (financial records)","Surveys (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet"],"extent_tesim":["10.00 Linear Feet"],"genreform_ssim":["Account books","Catalogs","Correspondence","Financial records","Petitions","Photographs","Receipts (financial records)","Surveys 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is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by name of city.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Alphabetical by name of city."],"prefercite_html_tesm":["\u003cp\u003eVirginia Cities Collection: [City name], Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Virginia Cities Collection: [City name], Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eReprocessed by Anne Johnson in 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Reprocessed by Anne Johnson in 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 39.4 V82co Virginia Counties Collection, Special Collections Research Center, Swem Library\u003c/p\u003e\n","\u003cp\u003e Mss. 65 V82 Virginia Quitrents Collection, 1704-1705, Special Collections Research Center, Swem Library\u003c/p\u003e\n","\u003cp\u003e Many other accessions relating to cities in the Commonwealth of Virginia are in the Special Collections Research Center, Swem Library.  Please check the subject index for the name of the city. Also, you can use the search box on the top right corner, being sure to check the \"Include Box Lists.\"\u003c/p\u003e\n","\u003cp\u003e Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 39.4 V82co Virginia Counties Collection, Special Collections Research Center, Swem Library"," Mss. 65 V82 Virginia Quitrents Collection, 1704-1705, Special Collections Research Center, Swem Library"," Many other accessions relating to cities in the Commonwealth of Virginia are in the Special Collections Research Center, Swem Library.  Please check the subject index for the name of the city. Also, you can use the search box on the top right corner, being sure to check the \"Include Box Lists.\""," Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)"],"scopecontent_html_tesm":["\u003cp\u003eArtificial collection of papers relating to various cities in the Commonwealth of Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artificial collection of papers relating to various cities in the Commonwealth of Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. Massachusetts Volunteer Infantry Regiment, 25th","Williamsburg Businessmen's Association (Va.)","Williamsburg Female Academy (Williamsburg, Va)","Williamsburg Male Academy (Williamsburg, Va)","Williamsburg Military School (Williamsburg, Va)","Crump family","Dunlop family","Blayton, James Blaine, Sr., (Dr.)","Jefferson, Thomas, 1743-1826","Michaux, Lightfoot Solomon"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Alphabetical by name of city.","Reprocessed by Anne Johnson in 2011.","Mss. 39.4 V82co Virginia Counties Collection, Special Collections Research Center, Swem Library"," Mss. 65 V82 Virginia Quitrents Collection, 1704-1705, Special Collections Research Center, Swem Library"," Many other accessions relating to cities in the Commonwealth of Virginia are in the Special Collections Research Center, Swem Library.  Please check the subject index for the name of the city. Also, you can use the search box on the top right corner, being sure to check the \"Include Box Lists.\""," Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)","Artificial collection of papers relating to various cities in the Commonwealth of Virginia.","Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. 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Also, you can use the search box on the top right corner, being sure to check the \"Include Box Lists.\""," Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)"],"scopecontent_html_tesm":["\u003cp\u003eArtificial collection of papers relating to various cities in the Commonwealth of Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artificial collection of papers relating to various cities in the Commonwealth of Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts tranferred to the Manuscripts Artifact Collection include: Presbyterian Student Choir Badge (39.4V82.A01.1), Presbyterian Junior Choir Badges (39.4V82.A01.2a-e), York River Ink Wash Drawing (39.4V82ci.02), Yorktown Sesquicentennial Commission Medal (39.4V82ci.03), Yorktown Sesquicentennial Commemorative Coin (39.4V82ci.04)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. Massachusetts Volunteer Infantry Regiment, 25th","Williamsburg Businessmen's Association (Va.)","Williamsburg Female Academy (Williamsburg, Va)","Williamsburg Male Academy (Williamsburg, Va)","Williamsburg Military School (Williamsburg, Va)","Crump family","Dunlop family","Blayton, James Blaine, Sr., (Dr.)","Jefferson, Thomas, 1743-1826","Michaux, Lightfoot Solomon"],"names_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. Massachusetts Volunteer Infantry Regiment, 25th","Williamsburg Businessmen's Association (Va.)","Williamsburg Female Academy (Williamsburg, Va)","Williamsburg Male Academy (Williamsburg, Va)","Williamsburg Military School (Williamsburg, Va)","Crump family","Dunlop family","Blayton, James Blaine, Sr., (Dr.)","Jefferson, Thomas, 1743-1826","Michaux, Lightfoot Solomon"],"corpname_ssim":["Special Collections Research Center","Bruton Parish Church (Williamsburg, Va.)","Colonial Williamsburg Foundation","Grace Street Gardens (Richmond, Va.)","Richmond Theatre (Richmond, Va.)","The Virginia Comedians","United States. Army. Massachusetts Volunteer Infantry Regiment, 25th","Williamsburg Businessmen's Association (Va.)","Williamsburg Female Academy (Williamsburg, Va)","Williamsburg Male Academy (Williamsburg, Va)","Williamsburg Military School (Williamsburg, Va)"],"famname_ssim":["Crump family","Dunlop family"],"persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Jefferson, Thomas, 1743-1826","Michaux, Lightfoot Solomon"],"language_ssim":["English"],"total_component_count_is":390,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:22:21.072Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8763"}},{"id":"viw_repositories_2_resources_3069","type":"collection","attributes":{"title":"Williamsburg Players Records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3069#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3069#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3069","ead_ssi":"viw_repositories_2_resources_3069","_root_":"viw_repositories_2_resources_3069","_nest_parent_":"viw_repositories_2_resources_3069","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3069.xml","title_filing_ssi":"Williamsburg Players Records","title_ssm":["Williamsburg Players Records"],"title_tesim":["Williamsburg Players Records"],"unitdate_ssm":["1956-2004"],"unitdate_inclusive_ssm":["1956-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069"],"text":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069","Williamsburg Players Records","Williamsburg (Va.)--History","Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs","Collection is open to all researchers. 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