{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_3426","type":"collection","attributes":{"title":"Hard Times Blues Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426#abstract_or_scope","type":"document_value","attributes":{"value":"The \u003cem\u003eHard Times Blues\u003c/em\u003e Collection contains materials about the play \u003cem\u003eHard Times Blues\u003c/em\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues Collection"],"title_tesim":["Hard Times Blues Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues Collection"],"collection_title_tesim":["Hard Times Blues Collection"],"collection_ssim":["Hard Times Blues Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:00:15.737Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues Collection"],"title_tesim":["Hard Times Blues Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues Collection"],"collection_title_tesim":["Hard Times Blues Collection"],"collection_ssim":["Hard Times Blues Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:00:15.737Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426"}},{"id":"viblbv_repositories_2_resources_2148","type":"collection","attributes":{"title":"Los Angeles Poverty Department (LAPD) Collection,","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#creator","type":"document_value","attributes":{"value":"Los Angeles Poverty Department (LAPD) (Theatre Company)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2148","ead_ssi":"viblbv_repositories_2_resources_2148","_root_":"viblbv_repositories_2_resources_2148","_nest_parent_":"viblbv_repositories_2_resources_2148","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2148.xml","title_filing_ssi":"Los Angeles Poverty Department (LAPD) Collection","title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"unitdate_ssm":["1986-2000"],"unitdate_inclusive_ssm":["1986-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.014"],"text":["Ms.2001.014","Los Angeles Poverty Department (LAPD) Collection,","Community theater","Collection is open for research.","The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).","The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ .","The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.","Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.014"],"normalized_title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_ssim":["Los Angeles Poverty Department (LAPD) Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_corpname_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creators_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Los Angeles Poverty Department (LAPD) Collection was donated to Special Collections in 2001."],"access_subjects_ssim":["Community theater"],"access_subjects_ssm":["Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"extent_tesim":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7)."],"bioghist_html_tesm":["\u003cp\u003eThe Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website: \u003cextref actuate=\"onRequest\" href=\"https://www.lapovertydept.org/\" show=\"new\" title=\"https://www.lapovertydept.org/\"\u003ehttps://www.lapovertydept.org/\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ ."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  \u003c/p\u003e\n","\u003cp\u003eThe Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b68fca70bbd309dddaea84a1362faf74\" label=\"Abstract\"\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_04924b46d3af9da25f53a23d530e60f2\"\u003eBoxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.\u003c/physloc\u003e"],"physloc_tesim":["Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":207,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:44.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2148","ead_ssi":"viblbv_repositories_2_resources_2148","_root_":"viblbv_repositories_2_resources_2148","_nest_parent_":"viblbv_repositories_2_resources_2148","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2148.xml","title_filing_ssi":"Los Angeles Poverty Department (LAPD) Collection","title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"unitdate_ssm":["1986-2000"],"unitdate_inclusive_ssm":["1986-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.014"],"text":["Ms.2001.014","Los Angeles Poverty Department (LAPD) Collection,","Community theater","Collection is open for research.","The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).","The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ .","The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.","Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.","Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.014"],"normalized_title_ssm":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_title_tesim":["Los Angeles Poverty Department (LAPD) Collection,"],"collection_ssim":["Los Angeles Poverty Department (LAPD) Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creator_corpname_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"creators_ssim":["Los Angeles Poverty Department (LAPD) (Theatre Company)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Los Angeles Poverty Department (LAPD) Collection was donated to Special Collections in 2001."],"access_subjects_ssim":["Community theater"],"access_subjects_ssm":["Community theater"],"has_online_content_ssim":["false"],"extent_ssm":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"extent_tesim":["8.6 Cubic Feet 7 boxes; 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection in arranged in two series: Paper and Photographs and Audio (Cassettes and Reels). For the most part, the Papers and Photographs are the original order received at the time of their donation. Audio materials are organized by material type; cassette tapes were removed to an appropriate box (Box 7)."],"bioghist_html_tesm":["\u003cp\u003eThe Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website: \u003cextref actuate=\"onRequest\" href=\"https://www.lapovertydept.org/\" show=\"new\" title=\"https://www.lapovertydept.org/\"\u003ehttps://www.lapovertydept.org/\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Los Angeles Poverty Department is a theatre and community activism group made up of artists, residence, and people who work on Skid Row in Los Angeles, dedicated to creating change and sharing stories. The group began in 1985 and remains active within the community and performs throughout the world. More information about the group and its mission is available on the Los Angels Poverty Department website:  https://www.lapovertydept.org/ ."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Los Angeles Poverty Department (LAPD) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Los Angeles Poverty Department (LAPD) Collection, Ms2001-014, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some minimal processing and description was completed after the collection was acquired in 2001. In 2012, additional description, including the creation of a finding aid, was completed."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  \u003c/p\u003e\n","\u003cp\u003eThe Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group from the time of the organization's founding in 1985 until about 2000. The collection is organized into two series: Papers and Photographs and Audio (Cassettes and Reels).  ","The Papers and Photographs contains administrative documents, grant applications and proposals, programs, promotional materials, announcements and publicity, production notes and pictures from a several performances and productions. The Audio series includes cassette tapes and reels with performances, interviews, and panel discussions, as well as unidentified recordings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b68fca70bbd309dddaea84a1362faf74\" label=\"Abstract\"\u003eThe collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes papers, photographs, and audio materials from the Los Angeles Poverty Department (LAPD), a LA-based theatre and arts group. Materials date from the founding of the organization in 1985 until about 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_04924b46d3af9da25f53a23d530e60f2\"\u003eBoxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections.\u003c/physloc\u003e"],"physloc_tesim":["Boxes 1-6 of this collection are located in off-site storage and may require 2-3 days notice for retrieval. Boxes may be requested through the library's catalog or by contacting Special Collections."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Los Angeles Poverty Department (LAPD) (Theatre Company)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":207,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:44.826Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2148"}},{"id":"viblbv_repositories_2_resources_3185","type":"collection","attributes":{"title":"Melinda E. Pittman Theatrical Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#creator","type":"document_value","attributes":{"value":"Pittman, Melinda E.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Includes clips from  Fat and Sassy ,  WonderBroads , and  Homeland In-Security .","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e","\u003cp\u003eIncludes clips from \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eWonderBroads\u003c/i\u003e, and \u003ci\u003eHomeland In-Security\u003c/i\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Includes clips from  Fat and Sassy ,  WonderBroads , and  Homeland In-Security ."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:09:02.779Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3185","ead_ssi":"viblbv_repositories_2_resources_3185","_root_":"viblbv_repositories_2_resources_3185","_nest_parent_":"viblbv_repositories_2_resources_3185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3185.xml","title_filing_ssi":"Pittman, Melinda E. Theatrical Collection","title_ssm":["Melinda E. Pittman Theatrical Collection"],"title_tesim":["Melinda E. Pittman Theatrical Collection"],"unitdate_ssm":["1974-2012","1990-2008"],"unitdate_bulk_ssim":["1990-2008"],"unitdate_inclusive_ssm":["1974-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.009"],"text":["Ms.2017.009","Melinda E. Pittman Theatrical Collection","Portland (Or.)","Community theater","Social justice","Notated music","Political satire","Collection is open for research.","The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.","Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.","The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Includes clips from  Fat and Sassy ,  WonderBroads , and  Homeland In-Security .","Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information.","The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E.","English \n.    "],"unitid_tesim":["Ms.2017.009"],"normalized_title_ssm":["Melinda E. Pittman Theatrical Collection"],"collection_title_tesim":["Melinda E. Pittman Theatrical Collection"],"collection_ssim":["Melinda E. Pittman Theatrical Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Portland (Or.)"],"geogname_ssim":["Portland (Or.)"],"creator_ssm":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creator_persname_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"creators_ssim":["Pittman, Melinda E.","Pittman, Melinda E."],"places_ssim":["Portland (Or.)"],"access_terms_ssm":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"acqinfo_ssim":["The Melinda E. Pittman Theatrical Collection was donated to Special Collections in 2016."],"access_subjects_ssim":["Community theater","Social justice","Notated music","Political satire"],"access_subjects_ssm":["Community theater","Social justice","Notated music","Political satire"],"has_online_content_ssim":["false"],"extent_ssm":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"extent_tesim":["4.4 Cubic Feet 6 boxes, 1 oversize folder"],"genreform_ssim":["Notated music","Political satire"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay, \u003ci\u003eNo Brainer\u003c/i\u003e, and her notes on non-profits and political action are not contained within one of the series.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: University Records\u003c/b\u003e includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026amp; State University, Tulane University, and Marylhurst University.\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series I: Virginia Polytechnic Institute \u0026amp; State University\u003c/b\u003e includes material from Pittman's time at VPI\u0026amp;SU, including production notebooks for \u003ci\u003ePigeons\u003c/i\u003e and \u003ci\u003eChamber Music\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series II: Tulane University\u003c/b\u003e includes material from Pittman's time at Tulane University, including material about productions of \u003ci\u003eThe Lover\u003c/i\u003e and \u003ci\u003eThe Country Wife\u003c/i\u003e.\u003c/li\u003e\n\u003cli\u003e\n\u003cb\u003eSub-Series III: Marylhurst University\u003c/b\u003e includes material from Pittman's time at Marylhurst University, including her masters thesis.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Oregon Shakespeare Festival Association\u003c/b\u003e includes material from various productions at the Oregon Shakespeare Festival, including \u003ci\u003eThe Breasts of Tiresius\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: Theatre Workshop\u003c/b\u003e includes material from the Theatre Workshop production company including \u003ci\u003eYou Can't Take it With You\u003c/i\u003e, and \u003ci\u003eThe Real Inspector Hound\u003c/i\u003e. There is one sub-series: \u003ci\u003ePower\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: Critical Mass Productions\u003c/b\u003e includes material from the Critical Mass Productions production of \u003ci\u003eBits and Pieces\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Portland Labor Players II\u003c/b\u003e includes material from various productions by the Portland Labor Players II company, including \u003ci\u003eSeason of Silence\u003c/i\u003e. There is one sub-series: \u003ci\u003e1934: Blood and Roses\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Portland Civic Theatre\u003c/b\u003e includes material from the Portland Civic Theatre production of \u003ci\u003eThe Hot L Baltimore\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: \u003ci\u003eAtlantis\u003c/i\u003e\u003c/b\u003e includes material from the original musical \u003ci\u003eAtlantis\u003c/i\u003e written, composed, and directed by Pittman.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: The Fallen Angel Choir\u003c/b\u003e includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Summer Angels, Some Are Not!\u003c/b\u003e includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: AngelTime Productions, Inc.\u003c/b\u003e includes material from shows produced by AngelTime Productions, Inc. There are three sub-series: \u003ci\u003eParadise Flossed\u003c/i\u003e, \u003ci\u003eAngels: The Next Generation\u003c/i\u003e, and Melinda \u0026amp; Angels DotComedy.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XI: \u003ci\u003eWonderBroads\u003c/i\u003e\u003c/b\u003e includes material from Pittman's show \u003ci\u003eWonderBroads\u003c/i\u003e, including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XII: BroadArts Theatre\u003c/b\u003e includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show \u003ci\u003eBunkin' With You in the Afterlife\u003c/i\u003e. There are seven sub-series: \u003ci\u003eRead a Wild Tale\u003c/i\u003e, \u003ci\u003eHomeland In-Security\u003c/i\u003e, \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eAmBushed!\u003c/i\u003e, \u003ci\u003eIf I Were Queen of the Forest\u003c/i\u003e, \u003ci\u003eWonderBroader\u003c/i\u003e, and \u003ci\u003eA/Broad for All Seasons\u003c/i\u003e.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIII: Sheet Music\u003c/b\u003e includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries XIV: Theatrical Career\u003c/b\u003e includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in fourteen series. For the most part, the series reflect the arrangement in which the collection was received from the donor. Material is primarily organized by production company and show. Some items, including a copy of Pittman's screenplay,  No Brainer , and her notes on non-profits and political action are not contained within one of the series.","Series I: University Records  includes material from Pittman's time attending institutions of higher education. It has three sub-series: Virginia Polytechnic Institute \u0026 State University, Tulane University, and Marylhurst University.\n Sub-Series I: Virginia Polytechnic Institute \u0026 State University  includes material from Pittman's time at VPI\u0026SU, including production notebooks for  Pigeons  and  Chamber Music . Sub-Series II: Tulane University  includes material from Pittman's time at Tulane University, including material about productions of  The Lover  and  The Country Wife . Sub-Series III: Marylhurst University  includes material from Pittman's time at Marylhurst University, including her masters thesis.","Series II: Oregon Shakespeare Festival Association  includes material from various productions at the Oregon Shakespeare Festival, including  The Breasts of Tiresius .","Series III: Theatre Workshop  includes material from the Theatre Workshop production company including  You Can't Take it With You , and  The Real Inspector Hound . There is one sub-series:  Power .","Series IV: Critical Mass Productions  includes material from the Critical Mass Productions production of  Bits and Pieces .","Series V: Portland Labor Players II  includes material from various productions by the Portland Labor Players II company, including  Season of Silence . There is one sub-series:  1934: Blood and Roses .","Series VI: Portland Civic Theatre  includes material from the Portland Civic Theatre production of  The Hot L Baltimore .","Series VII:  Atlantis  includes material from the original musical  Atlantis  written, composed, and directed by Pittman.","Series VIII: The Fallen Angel Choir  includes material from Pittman's time as part of The Fallen Angel Choir, including many audio and video recordings.","Series IX: Summer Angels, Some Are Not!  includes material from Pittman's time as part of the group Summer Angels, Some Are Not!, including many audio and video recordings.","Series X: AngelTime Productions, Inc.  includes material from shows produced by AngelTime Productions, Inc. There are three sub-series:  Paradise Flossed ,  Angels: The Next Generation , and Melinda \u0026 Angels DotComedy.","Series XI:  WonderBroads  includes material from Pittman's show  WonderBroads , including different versions of the show, production books, marketing materials, video recordings, and correspondence with the Oregon Book Awards.","Series XII: BroadArts Theatre  includes material from Pittman's production company BroadArts Theatre, including video recordings, notes on running the non-profit business, and material about the show  Bunkin' With You in the Afterlife . There are seven sub-series:  Read a Wild Tale ,  Homeland In-Security ,  Fat and Sassy ,  AmBushed! ,  If I Were Queen of the Forest ,  WonderBroader , and  A/Broad for All Seasons .","Series XIII: Sheet Music  includes copies of Pittman's original music, set lists from shows, popular music used in her parodies, and notes about lyrics.","Series XIV: Theatrical Career  includes promotional materials, videos, audio recordings, headshots, résumés, press, and portfolios related to Pittman's career in the theatre."],"bioghist_html_tesm":["\u003cp\u003eMelinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026amp;SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show \u003cemph\u003eWonderBroads: The Babes \u0026amp; Broads Who Broke the Rules\u003c/emph\u003e highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Melinda E. Pittman was born June 21, 1953 in Falls Church, Virginia. She graduated from Virginia Polytechnic Institute and State University's (VPI\u0026SU) Theatre Arts Department in 1975 with a Bachelor of Arts in Honors with Distinction. She then spent a year studying Theatre Directing at Tulane University in New Orleans, Louisiana before moving to Portland, Oregon. In Portland, Pittman worked with various theatrical companies including the Portland Labor Players II, The Fallen Angel Choir, and BroadArts Theatre. She received the 2000 Angus L. Bowmer Drama Award from the Oregon Book Awards for her show  WonderBroads: The Babes \u0026 Broads Who Broke the Rules  highlighting the contributions of women throughout history. In 2013, she received a Master of Arts in Interdisciplinary Studies focusing on Women's Social Justice Theatre from Marylhurst University in Marylhurst, Oregon."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Melinda E. Pittman Theatrical Collection, Ms2017-009, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melinda E. Pittman Theatrical Collection commenced in October 2016 and completed in July 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works \u003ci\u003eAtlantis\u003c/i\u003e and \u003ci\u003eWonderBroads\u003c/i\u003e. Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.\u003c/p\u003e","\u003cp\u003eIncludes clips from \u003ci\u003eFat and Sassy\u003c/i\u003e, \u003ci\u003eWonderBroads\u003c/i\u003e, and \u003ci\u003eHomeland In-Security\u003c/i\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career, including material about Pittman's original works  Atlantis  and  WonderBroads . Also included are some alumni newsletters from the Virginia Tech Theatre Arts program and a copy of Pittman's Masters Thesis. The collection includes materials from 1974 to 2012 with the majority of material from the 1990's and 2000's. See the Arrangement note for additional information on the contents of the collection.","Includes clips from  Fat and Sassy ,  WonderBroads , and  Homeland In-Security ."],"userestrict_html_tesm":["\u003cp\u003eSome materials, such as photos, posters, etc. may be copyrighted to their original creators.\u003c/p\u003e\n","\u003cp\u003eUse of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.\u003c/p\u003e\n","\u003cp\u003eContact Special Collections for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials, such as photos, posters, etc. may be copyrighted to their original creators.","Use of materials for commercial purposes or for the purposes of theatrical performance, republication, broadcast, or related usage is restricted. Usage rights for these purposes may be requested from Melinda E. Pittman.","Contact Special Collections for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d4de0c79881c94cc9cd4ef8c976fef61\"\u003eThe collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes scripts, songs, lyrics, production designs, directing and production notebooks, press, interviews, audio and video recordings, and other materials related to Melinda Pittman's theatrical career."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)","Pittman, Melinda E."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","Virginia Polytechnic Institute and State University. Theatre Arts Department","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Pittman, Melinda E."],"language_ssim":["English \n.    "],"total_component_count_is":187,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:09:02.779Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3185"}},{"id":"viw_repositories_2_resources_3069","type":"collection","attributes":{"title":"Williamsburg Players Records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3069#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3069#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3069","ead_ssi":"viw_repositories_2_resources_3069","_root_":"viw_repositories_2_resources_3069","_nest_parent_":"viw_repositories_2_resources_3069","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3069.xml","title_filing_ssi":"Williamsburg Players Records","title_ssm":["Williamsburg Players Records"],"title_tesim":["Williamsburg Players Records"],"unitdate_ssm":["1956-2004"],"unitdate_inclusive_ssm":["1956-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069"],"text":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069","Williamsburg Players Records","Williamsburg (Va.)--History","Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Williamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958.","Processed by Derek Stepp (1991) and Becky Russell (1992)","Collection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.","Mss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.","Mss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.","One folder of ephemera from various sources added to Box 7. 1967-2004.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)","English"],"unitid_tesim":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069"],"normalized_title_ssm":["Williamsburg Players Records"],"collection_title_tesim":["Williamsburg Players Records"],"collection_ssim":["Williamsburg Players Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History"],"geogname_ssim":["Williamsburg (Va.)--History"],"places_ssim":["Williamsburg (Va.)--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts in 1987, 1988, 1993 and 1995."],"access_subjects_ssim":["Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"access_subjects_ssm":["Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet"],"extent_tesim":["8.00 Linear Feet"],"genreform_ssim":["Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Williamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958."],"prefercite_html_tesm":["\u003cp\u003eWilliamsburg Players Records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Williamsburg Players Records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Derek Stepp (1991) and Becky Russell (1992)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Derek Stepp (1991) and Becky Russell (1992)"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.\u003c/p\u003e\n","\u003cp\u003eMss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.\u003c/p\u003e\n","\u003cp\u003eOne folder of ephemera from various sources added to Box 7. 1967-2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.","Mss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.","Mss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.","One folder of ephemera from various sources added to Box 7. 1967-2004."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Williamsburg Players (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)"],"corpname_ssim":["Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)"],"language_ssim":["English"],"total_component_count_is":127,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:39:45.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_3069","ead_ssi":"viw_repositories_2_resources_3069","_root_":"viw_repositories_2_resources_3069","_nest_parent_":"viw_repositories_2_resources_3069","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3069.xml","title_filing_ssi":"Williamsburg Players Records","title_ssm":["Williamsburg Players Records"],"title_tesim":["Williamsburg Players Records"],"unitdate_ssm":["1956-2004"],"unitdate_inclusive_ssm":["1956-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069"],"text":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069","Williamsburg Players Records","Williamsburg (Va.)--History","Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Williamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958.","Processed by Derek Stepp (1991) and Becky Russell (1992)","Collection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.","Mss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.","Mss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.","One folder of ephemera from various sources added to Box 7. 1967-2004.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)","English"],"unitid_tesim":["Mss. 91 W67 and 1995.11","/repositories/2/resources/3069"],"normalized_title_ssm":["Williamsburg Players Records"],"collection_title_tesim":["Williamsburg Players Records"],"collection_ssim":["Williamsburg Players Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History"],"geogname_ssim":["Williamsburg (Va.)--History"],"places_ssim":["Williamsburg (Va.)--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts in 1987, 1988, 1993 and 1995."],"access_subjects_ssim":["Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"access_subjects_ssm":["Community theater","Legal documents","Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet"],"extent_tesim":["8.00 Linear Feet"],"genreform_ssim":["Account books","Broadsides","Correspondence","Financial records","Minutes","Photographs"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Williamsburg Players is a theater group located in Williamsburg, Virginia. Their first production was Teahouse of the August Moon, written by Arthur Sircom and held during their first season 1957/1958."],"prefercite_html_tesm":["\u003cp\u003eWilliamsburg Players Records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Williamsburg Players Records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Derek Stepp (1991) and Becky Russell (1992)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Derek Stepp (1991) and Becky Russell (1992)"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.\u003c/p\u003e\n","\u003cp\u003eMss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.\u003c/p\u003e\n","\u003cp\u003eOne folder of ephemera from various sources added to Box 7. 1967-2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of correspondence, financial and legal documents, receipts, meeting minutes, photographs, newspaper articles, slides, as well as other material of the Williamsburg Players.","Mss. 91 W67 Twelve scrapbooks of publicity, photographs, newsclippings, and programs, from its founding in 1956 to 1987.","Mss. Acc. 1995.11 Programs, newsletters, minutes, news clippings, play reading committee material, correspondence regarding grants, photographs and drawings of stage arrangement.","One folder of ephemera from various sources added to Box 7. 1967-2004."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Williamsburg Players (Williamsburg, Va.)"],"names_ssim":["Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)"],"corpname_ssim":["Special Collections Research Center","Williamsburg Players (Williamsburg, Va.)"],"language_ssim":["English"],"total_component_count_is":127,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:39:45.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3069"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Hard Times Blues Collection","value":"Hard Times Blues Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcollection%5D%5B%5D=Hard+Times+Blues+Collection\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Los Angeles Poverty Department (LAPD) Collection,","value":"Los Angeles Poverty Department (LAPD) Collection,","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcollection%5D%5B%5D=Los+Angeles+Poverty+Department+%28LAPD%29+Collection%2C\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Melinda E. Pittman Theatrical Collection","value":"Melinda E. Pittman Theatrical Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcollection%5D%5B%5D=Melinda+E.+Pittman+Theatrical+Collection\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Williamsburg Players Records","value":"Williamsburg Players Records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcollection%5D%5B%5D=Williamsburg+Players+Records\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1956","value":"1956","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1956\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1958\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1959\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1960\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1961\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1962\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1963\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1964\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1965\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bdate_range%5D%5B%5D=1966\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Los Angeles Poverty Department (LAPD) (Theatre Company)","value":"Los Angeles Poverty Department (LAPD) (Theatre Company)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcreators%5D%5B%5D=Los+Angeles+Poverty+Department+%28LAPD%29+%28Theatre+Company%29\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Pittman, Melinda E.","value":"Pittman, Melinda E.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bcreators%5D%5B%5D=Pittman%2C+Melinda+E.\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Los Angeles Poverty Department (LAPD) (Theatre Company)","value":"Los Angeles Poverty Department (LAPD) (Theatre Company)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Los+Angeles+Poverty+Department+%28LAPD%29+%28Theatre+Company%29\u0026view=compact"}},{"attributes":{"label":"Pittman, Melinda E.","value":"Pittman, Melinda E.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Pittman%2C+Melinda+E.\u0026view=compact"}},{"attributes":{"label":"Special Collections Research Center","value":"Special Collections Research Center","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Special+Collections+Research+Center\u0026view=compact"}},{"attributes":{"label":"Special Collections and University Archives, Virginia Tech","value":"Special Collections and University Archives, Virginia Tech","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Special+Collections+and+University+Archives%2C+Virginia+Tech\u0026view=compact"}},{"attributes":{"label":"Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","value":"Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Virginia+Agricultural+and+Mechanical+College+and+Polytechnic+Institute+%281896-1944%29\u0026view=compact"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University (1970-)","value":"Virginia Polytechnic Institute and State University (1970-)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University+%281970-%29\u0026view=compact"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","value":"Virginia Polytechnic Institute and State University. Dept. of Performing Arts and Communications","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University.+Dept.+of+Performing+Arts+and+Communications\u0026view=compact"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University. Theatre Arts Department","value":"Virginia Polytechnic Institute and State University. Theatre Arts Department","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University.+Theatre+Arts+Department\u0026view=compact"}},{"attributes":{"label":"Williamsburg Players (Williamsburg, Va.)","value":"Williamsburg Players (Williamsburg, Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bnames%5D%5B%5D=Williamsburg+Players+%28Williamsburg%2C+Va.%29\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Blacksburg (Va.)","value":"Blacksburg (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bplaces%5D%5B%5D=Blacksburg+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Portland (Or.)","value":"Portland (Or.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bplaces%5D%5B%5D=Portland+%28Or.%29\u0026view=compact"}},{"attributes":{"label":"Williamsburg (Va.)--History","value":"Williamsburg (Va.)--History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Bplaces%5D%5B%5D=Williamsburg+%28Va.%29--History\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Account books","value":"Account books","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Account+books\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"African Americans -- History","value":"African Americans -- History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+History\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Broadsides","value":"Broadsides","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Broadsides\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Community theater","value":"Community theater","hits":4},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Faculty and staff","value":"Faculty and staff","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Faculty+and+staff\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Financial records","value":"Financial records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Financial+records\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Local/Regional History and Appalachian South","value":"Local/Regional History and Appalachian South","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Local%2FRegional+History+and+Appalachian+South\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Minutes","value":"Minutes","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Minutes\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Notated music","value":"Notated music","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Baccess_subjects%5D%5B%5D=Notated+music\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Community+theater\u0026f%5Bdate_range%5D%5B%5D=2000\u0026sort=title_sort+desc\u0026view=compact"}}]}