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Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005","Paper","box VA-04 Box 1","folder Folder 1","Item VA04.01.1.024","Mercer County Community College (N.J.)","West Windsor (N.Y.)","Commencement ceremonies","English","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Master of Ceremonies","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 1: Manuscripts, 1947/2005","Sub-Series 1.1: Biographical, 1947/2005"],"normalized_date_ssm":["1999"],"unitdate_inclusive_ssm":["May 26, 1999"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":28,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"physdesc_tesim":["Paper"],"extent_ssm":["9 pages"],"extent_tesim":["9 pages"],"physfacet_tesim":["Publications","Books"],"containers_ssim":["box VA-04 Box 1","folder Folder 1","Item VA04.01.1.024"],"creator_ssim":["Mercer County Community College (N.J.)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"corpname_ssim":["Mercer County Community College (N.J.)"],"names_ssim":["Mercer County Community College (N.J.)"],"geogname_ssim":["West Windsor (N.Y.)"],"geogname_ssm":["West Windsor (N.Y.)"],"places_ssim":["West Windsor (N.Y.)"],"access_subjects_ssim":["Commencement ceremonies"],"access_subjects_ssm":["Commencement ceremonies"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"language_ssim":["English"],"date_range_isim":[1999],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e","\u003cp\u003eDraper was Master of Ceremonies\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","Draper was Master of Ceremonies"],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en"],"_nest_path_":"/components#0/components#0/components#25","timestamp":"2026-08-01T00:01:51.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"normalized_date_ssm":["1945/2005"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"text":["Louis H. Draper Artist Archives (VA-04), 1945/2005","VA-04","/repositories/2/resources/37","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019).","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster","Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Beach, Donald","Felip, John","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Kolovakos, Gregory, 1951-1990","Holford, Mary","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","Rosado, Maria","Price, Pamela","Steele, Diana","Fawcetter, Caroline","Young, John","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Smith, Beuford, 1941-","Morris, Jennifer","Lehman, Arnold L.","Duganne, Erina","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Baum, Ralph","Vestal, David, 1924-2013","Petit, Philippe, 1949-","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Cagan, Steve","Doan-Johnson, Susan","McCoy, Regina","Viksjo, Cathy","Post, Kevin","Bledsoe, Lysbeth","Shipley, Barbara","Heisler, Wendy","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Beres, Derek","Dube, Ilene","Kimbrough, Larry","Fischl and Hartman","General Motors Corporation. Chevrolet Motor Division","Madison, Clarence","Maddox, James","Noyes Museum","Lawrenceville School","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Kenyon, Kathleen","Weems, Carrie Mae, 1953-","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Cobb, Vandell","Romais, Miriam","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","Hinzmann, Hilary","Lawrence, Steve","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","Cowans, Adger W., 1936-","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Kenkeleba Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Dobrynkin, A.","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Stender, Barbara","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Moran, Daniel Thomas","Bateson, Michael A.","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Bower, Sue","Kiley, Frederick S. 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Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. 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(Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. 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American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. 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Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"creators_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom and creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton and Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto","Sawyer, Frank","Reed, Eli, 1946-","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019)."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson and Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl and Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton and Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford and Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. 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Duke at the local courthouse assembly hall.","In subsequent years, the commencement ceremonies followed a similar format (a sermon on the first day, activities in the subsequent days, and diplomas handed out on the final day) over a shorter span of time. For a period of time, all events took place during a single day, until 2011 when commencement ceremonies were held over the course of multiple days during the first weekend of May. All commencement ceremonies that follow 2011 adhere to this three-day format: the Graduate School commencement occurs on the first day, the University Program commencement begins the second day ceremonies, and College/Departmental commencement programs occur on the second and third day. 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All commencement ceremonies that follow 2011 adhere to this three-day format: the Graduate School commencement occurs on the first day, the University Program commencement begins the second day ceremonies, and College/Departmental commencement programs occur on the second and third day. These ceremonies take place in a variety of locations on campus, including the Quadrangle, Bridgeforth Stadium, the lawn of Duke Hall, Alumni Centennial Park, and the Festival Ballroom.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The first commencement program at the State Normal School for Women was held from June 7-14, 1910, as the first commencement programs were held over a period of days with events spread out over the course of the ceremony. 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All commencement ceremonies that follow 2011 adhere to this three-day format: the Graduate School commencement occurs on the first day, the University Program commencement begins the second day ceremonies, and College/Departmental commencement programs occur on the second and third day. These ceremonies take place in a variety of locations on campus, including the Quadrangle, Bridgeforth Stadium, the lawn of Duke Hall, Alumni Centennial Park, and the Festival Ballroom."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], [box #, folder #], James Madison Universtiy Commencement Programs, 1910-2026, UA 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], [box #, folder #], James Madison Universtiy Commencement Programs, 1910-2026, UA 0050, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Commencement Programs, 1910-2024, consist of five boxes of commencement programs and supplementary materials for graduation ceremonies held at James Madison University. 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For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8513fbc428ae351fc7e334e9ef5ccf55\"\u003eThe James Madison University Commencement Programs, 1910-current, consist of five boxes of commencement programs and supplementary materials for graduation ceremonies held at James Madison University.\u003c/abstract\u003e\n    "],"abstract_tesim":["The James Madison University Commencement Programs, 1910-current, consist of five boxes of commencement programs and supplementary materials for graduation ceremonies held at James Madison University."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)"],"names_coll_ssim":["Madison College","James Madison University","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:23.857Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_618","ead_ssi":"vihart_repositories_4_resources_618","_root_":"vihart_repositories_4_resources_618","_nest_parent_":"vihart_repositories_4_resources_618","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_618.xml","title_ssm":["James Madison University Commencement Programs"],"title_tesim":["James Madison University Commencement Programs"],"unitdate_ssm":["1910-2026"],"unitdate_inclusive_ssm":["1910-2026"],"normalized_date_ssm":["1910/2026"],"normalized_title_ssm":["James Madison University Commencement Programs, 1910/2026"],"text":["James Madison University Commencement Programs, 1910/2026","UA 0050","/repositories/4/resources/618","Commencement ceremonies","Programs (documents)","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The most recent commencement programs are added to this collection every semester.","The collection is arranged chronologically.","The first commencement program at the State Normal School for Women was held from June 7-14, 1910, as the first commencement programs were held over a period of days with events spread out over the course of the ceremony. The first commencement program began with a play by the senior class, continued throughout the week with a recital by the music department, commencement services and sermons led by local clergy, and ended with an address by the then-governor of Virginia William Hodges Mann and the presentation of diplomas by Samuel P. Duke at the local courthouse assembly hall.","In subsequent years, the commencement ceremonies followed a similar format (a sermon on the first day, activities in the subsequent days, and diplomas handed out on the final day) over a shorter span of time. For a period of time, all events took place during a single day, until 2011 when commencement ceremonies were held over the course of multiple days during the first weekend of May. All commencement ceremonies that follow 2011 adhere to this three-day format: the Graduate School commencement occurs on the first day, the University Program commencement begins the second day ceremonies, and College/Departmental commencement programs occur on the second and third day. These ceremonies take place in a variety of locations on campus, including the Quadrangle, Bridgeforth Stadium, the lawn of Duke Hall, Alumni Centennial Park, and the Festival Ballroom.","The James Madison University Commencement Programs, 1910-2024, consist of five boxes of commencement programs and supplementary materials for graduation ceremonies held at James Madison University. Some items of note include programs from the very first commencement ceremony held by the university when it was still a State Normal School and programs from the 2019 Nursing School Spring commencement ceremony.","Commencement programs typically document graduates' names, their major or program of study, students graduating with honors, other honors and awards, and speakers.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Commencement Programs, 1910-current, consist of five boxes of commencement programs and supplementary materials for graduation ceremonies held at James Madison University.","James Madison University Libraries Special Collections","James Madison University","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)","English"],"collection_title_tesim":["James Madison University Commencement Programs, 1910/2026"],"collection_ssim":["James Madison University Commencement Programs, 1910/2026"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0050","/repositories/4/resources/618"],"unitid_tesim":["UA 0050","/repositories/4/resources/618"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University"],"creator_ssim":["James Madison University"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)"],"creators_ssim":["James Madison University Libraries Special Collections","James Madison University","Madison College","State Teachers College at Harrisonburg (Harrisonburg, Va.)","State Normal School for Women at Harrisonburg (Harrisonburg, Va.)","State Normal and Industrial School for Women (Harrisonburg, Va.)"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Commencement programs have been collected from multiple sources over time, including official university affiliates and alumni collections."],"access_subjects_ssim":["Commencement ceremonies","Programs (documents)"],"access_subjects_ssm":["Commencement ceremonies","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["2 cubic feet 5 boxes"],"extent_tesim":["2 cubic feet 5 boxes"],"genreform_ssim":["Programs (documents)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. 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All commencement ceremonies that follow 2011 adhere to this three-day format: the Graduate School commencement occurs on the first day, the University Program commencement begins the second day ceremonies, and College/Departmental commencement programs occur on the second and third day. 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For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. 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Roberts collection, 1949/1950","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1229#creator","type":"document_value","attributes":{"value":"Roberts, Lee F.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1229#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes items kept by Lee F. Roberts while a student at Washington and Lee University during 1949-1950. Items include tickets to events such as the Fancy Dress Ball, sophomore and junior proms, Phi Gamma Delta and Phi Delta Theta concerts, the senior ball, finals ball, and Cotillion Club formal. Also included are the 1950 Fancy Dress Ball program, an invitation from President and Mrs. Gaines, the 1950 Finals Week program, the June 4, 1950 Baccalaureate Service program, the June 9, 1950 commencement program, Roberts' Phi Beta Kappa membership certificate and six black and white photographs from the 1950 Francy Dress Ball.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1229#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_1229","ead_ssi":"vilxw_repositories_5_resources_1229","_root_":"vilxw_repositories_5_resources_1229","_nest_parent_":"vilxw_repositories_5_resources_1229","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1229.xml","title_filing_ssi":"Lee F. Roberts collection","title_ssm":["Lee F. Roberts collection"],"title_tesim":["Lee F. 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Also included are  the 1950 Fancy Dress Ball program, an invitation from President and Mrs. Gaines, the 1950 Finals Week program, the June 4, 1950 Baccalaureate Service program, the June 9, 1950 commencement program, Roberts' Phi Beta Kappa membership certificate and six black and white photographs from the 1950 Francy Dress Ball.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Alumni  and alumnae","Washington and Lee University. 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Roberts collection"],"unitdate_ssm":["1949-1950"],"unitdate_inclusive_ssm":["1949-1950"],"normalized_date_ssm":["1949/1950"],"normalized_title_ssm":["Lee F. Roberts collection, 1949/1950"],"text":["Lee F. Roberts collection, 1949/1950","WLU.RG.62.0050","/repositories/5/resources/1229","Commencement ceremonies","This collection is open for research.","Lee Francis Roberts graduated with a B.A. from Washington and Lee University in 1950. He was born on March 12, 1927 in Washington, DC and died on November 25, 2007 in Maryland.","This collection includes items kept by Lee F. Roberts while a student at Washington and Lee University during 1949-1950. Items include tickets to events such as the Fancy Dress Ball, sophomore and junior proms, Phi Gamma Delta and Phi Delta Theta concerts, the senior ball, finals ball, and Cotillion Club formal. Also included are  the 1950 Fancy Dress Ball program, an invitation from President and Mrs. Gaines, the 1950 Finals Week program, the June 4, 1950 Baccalaureate Service program, the June 9, 1950 commencement program, Roberts' Phi Beta Kappa membership certificate and six black and white photographs from the 1950 Francy Dress Ball.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Alumni  and alumnae","Washington and Lee University. Fancy Dress Ball","Roberts, Lee F.","Yarchin, Sandy","English"],"collection_title_tesim":["Lee F. Roberts collection, 1949/1950"],"collection_ssim":["Lee F. Roberts collection, 1949/1950"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.62.0050","/repositories/5/resources/1229"],"unitid_tesim":["WLU.RG.62.0050","/repositories/5/resources/1229"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Roberts, Lee F.","Yarchin, Sandy"],"creator_ssim":["Roberts, Lee F.","Yarchin, Sandy"],"creator_persname_ssim":["Roberts, Lee F.","Yarchin, Sandy"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Alumni  and alumnae","Washington and Lee University. Fancy Dress Ball"],"creators_ssim":["Roberts, Lee F.","Yarchin, Sandy","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Alumni  and alumnae","Washington and Lee University. Fancy Dress Ball"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"access_subjects_ssim":["Commencement ceremonies"],"access_subjects_ssm":["Commencement ceremonies"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet 1 folder"],"extent_tesim":["0.01 Linear Feet 1 folder"],"date_range_isim":[1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eLee Francis Roberts graduated with a B.A. from Washington and Lee University in 1950. He was born on March 12, 1927 in Washington, DC and died on November 25, 2007 in Maryland.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lee Francis Roberts graduated with a B.A. from Washington and Lee University in 1950. He was born on March 12, 1927 in Washington, DC and died on November 25, 2007 in Maryland."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Lee F. Roberts Collection (RG 62.0050), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Lee F. Roberts Collection (RG 62.0050), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes items kept by Lee F. Roberts while a student at Washington and Lee University during 1949-1950. Items include tickets to events such as the Fancy Dress Ball, sophomore and junior proms, Phi Gamma Delta and Phi Delta Theta concerts, the senior ball, finals ball, and Cotillion Club formal. Also included are  the 1950 Fancy Dress Ball program, an invitation from President and Mrs. Gaines, the 1950 Finals Week program, the June 4, 1950 Baccalaureate Service program, the June 9, 1950 commencement program, Roberts' Phi Beta Kappa membership certificate and six black and white photographs from the 1950 Francy Dress Ball.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes items kept by Lee F. Roberts while a student at Washington and Lee University during 1949-1950. Items include tickets to events such as the Fancy Dress Ball, sophomore and junior proms, Phi Gamma Delta and Phi Delta Theta concerts, the senior ball, finals ball, and Cotillion Club formal. Also included are  the 1950 Fancy Dress Ball program, an invitation from President and Mrs. Gaines, the 1950 Finals Week program, the June 4, 1950 Baccalaureate Service program, the June 9, 1950 commencement program, Roberts' Phi Beta Kappa membership certificate and six black and white photographs from the 1950 Francy Dress Ball."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Alumni  and alumnae","Washington and Lee University. Fancy Dress Ball"],"names_coll_ssim":["Washington and Lee University--Alumni  and alumnae","Washington and Lee University. 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Letter regards commencement at the VMI and a speech by the governor of Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_615_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_615_c01","ref_ssm":["vilxv_repositories_3_resources_615_c01"],"id":"vilxv_repositories_3_resources_615_c01","ead_ssi":"vilxv_repositories_3_resources_615","_root_":"vilxv_repositories_3_resources_615","_nest_parent_":"vilxv_repositories_3_resources_615","parent_ssi":"vilxv_repositories_3_resources_615","parent_ssim":["Giles Gunn papers, 1848/1854"],"parent_ids_ssim":["vilxv_repositories_3_resources_615"],"title_filing_ssi":"Letter to Mary Gunn","title_ssm":["Letter to Mary Gunn"],"title_tesim":["Letter to Mary Gunn"],"normalized_title_ssm":["Letter to Mary Gunn, 1848"],"text":["Letter to Mary Gunn, 1848","Giles Gunn papers, 1848/1854","Commencement ceremonies","Virginia Military Institute—Cadet life—1840-1849","Correspondence","English","Lexington, VA\nJuly 8th, 1848","Dear Sister Mary,\nHaving a few spare moments I will improve them by commencing a letter to you and if I get it begun I know that I shall finish it some time or other.","You are at school I suppose taking in learning in junks as big as my fist and then to settle it go home and trot little May on your knee. Wa'll there is nothing like improvement \"go it while you are young\", if I could live over my life again I would study and no mistake. Oliver is well or was last Sunday he was down here and as fine as a new band boy, it would make you laugh and no mistake to see him try to drink buttermilk. The people here use that as \"the drink\" as much as we do water, if you should drop into where he is about noon, you would find him seated on a stump with what is call a \"corn dogger\" in his hand that is made of indian meal wet up with water and baked in the ashes and is his other  hand a gourd of buttermilk that is as thick as ice cream, on this he is growing fat, it is enough to make any one grin their eye teeth out, to see what a pretty face he makes as he devours this tempting feast. He looks as though he would have \"snake and mild\" that father used to tell of before it.","I suppose that you are all well. It is healthy here I have not heard of half a dozen deaths since I have been round here. The farmers have all finished harvest and never was better weather but it has rained now two days and looks as though it meant to keep it up.","Last Tuesday was the fourth of July. I left out school and went into town. It was commencement day at the Virginia Military Institute and the Governor of the State was there to sign the diplomas attended by the State Brass Band.  The cadets marched from the Institute which is about half of a mile from the town preceded by the band which consisted of about a dozen old rusty looking fellows that blew a soul stirring march with fury enough to wake the dead and make live ones hold their ears. The cadets were about 90 in number dressed in gray coats with skirts about as wide as my hand an 8 inches long and white pants, they are a good looking company and after going through with their evolutions they marched into the meeting house then the cadets made several speeches in praise of war of the institute telling what her sons had done on the plains of Mexico and with what pride the people ought to cherish it.  After they were all through, Gov. Smith was introduced.  He was received with much applause and with many bows commenced. He was just about as venerable looking a man as Uncle Gersham  Finn. He said \"that he was happy to be called upon to give advice to young men like them just entering upon life and the first thing that he wished them to do was to hope for a bright day for tomorrow. The next thing that he advised them to do was to get married no young man could be any thing till he was married.  He never heard of a smart man that was a bachelor, (never heard of John Randolph) never knew of a quarrel to take place between a man and a woman but the man was to blame.  He had lived a long life and was capable of giving advice to young men as a father to his children. There was two books that he would recommend to all young men The first was the Bible, the next Shakespeare, all young men should read and profit by both\" and so he went on in a regular stirring speech praising the ladies then telling the young men they must not try to win them by flattery for they were rational beings and despised flattery. He went into the praise of Va, he said that while other states were progressing in dollars Va was progressing in the mind, and so he went on in a soul stirring amid cheers that were deafening. This was my first sight of a real Gov. and it did not give me a very good opinion of the race.","My knife is just about as good as a tool one would be.  Tell father if he will send by Orve Platt to Litchfield and get one of the Holleys pen knives I will pay him for his trouble, get on about the size of this if he can. If he can find more of Holleys send me a good hard one of somebodies that is sharp to begin with and I will send him another dollar as soon as I receive it.","I have got some flower seeds and will send them one of these days, my school is half out and then I don't know what I shall do, whether I shall come home or stay, or\nThere is no news stirring here not so much as a weeding, it is too hot even for that. Give my love to all and write soon, have you heard anything of Julia yet and where is she, I expect a letter from home at the office if it is there I will put a mark on the outside of this to let you know it is rec'd.","I have not got a letter from Mrs. Garnett yet if she has written send no word.\nFrom your brother,\nGiles Gunn","Written from Lexington, Virginia. Letter regards commencement at the VMI and a speech by the governor of Virginia."],"parent_unittitles_ssm":["Giles Gunn papers, 1848/1854"],"parent_unittitles_tesim":["Giles Gunn papers, 1848/1854"],"normalized_date_ssm":["1848"],"unitdate_other_ssim":["1848 July 8"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Giles Gunn papers, 1848/1854"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Commencement ceremonies","Virginia Military Institute—Cadet life—1840-1849","Correspondence"],"access_subjects_ssm":["Commencement ceremonies","Virginia Military Institute—Cadet life—1840-1849","Correspondence"],"language_ssim":["English"],"date_range_isim":[1848],"odd_html_tesm":["\u003cp\u003eLexington, VA\u003cbr\u003e\nJuly 8th, 1848\u003c/p\u003e","\u003cp\u003eDear Sister Mary,\u003cbr\u003e\nHaving a few spare moments I will improve them by commencing a letter to you and if I get it begun I know that I shall finish it some time or other. \u003c/p\u003e","\u003cp\u003eYou are at school I suppose taking in learning in junks as big as my fist and then to settle it go home and trot little May on your knee. Wa'll there is nothing like improvement \"go it while you are young\", if I could live over my life again I would study and no mistake. Oliver is well or was last Sunday he was down here and as fine as a new band boy, it would make you laugh and no mistake to see him try to drink buttermilk. The people here use that as \"the drink\" as much as we do water, if you should drop into where he is about noon, you would find him seated on a stump with what is call a \"corn dogger\" in his hand that is made of indian meal wet up with water and baked in the ashes and is his other  hand a gourd of buttermilk that is as thick as ice cream, on this he is growing fat, it is enough to make any one grin their eye teeth out, to see what a pretty face he makes as he devours this tempting feast. He looks as though he would have \"snake and mild\" that father used to tell of before it.\u003c/p\u003e","\u003cp\u003eI suppose that you are all well. It is healthy here I have not heard of half a dozen deaths since I have been round here. The farmers have all finished harvest and never was better weather but it has rained now two days and looks as though it meant to keep it up.  \u003c/p\u003e","\u003cp\u003eLast Tuesday was the fourth of July. I left out school and went into town. It was commencement day at the Virginia Military Institute and the Governor of the State was there to sign the diplomas attended by the State Brass Band.  The cadets marched from the Institute which is about half of a mile from the town preceded by the band which consisted of about a dozen old rusty looking fellows that blew a soul stirring march with fury enough to wake the dead and make live ones hold their ears. The cadets were about 90 in number dressed in gray coats with skirts about as wide as my hand an 8 inches long and white pants, they are a good looking company and after going through with their evolutions they marched into the meeting house then the cadets made several speeches in praise of war of the institute telling what her sons had done on the plains of Mexico and with what pride the people ought to cherish it.  After they were all through, Gov. Smith was introduced.  He was received with much applause and with many bows commenced. He was just about as venerable looking a man as Uncle Gersham  Finn. He said \"that he was happy to be called upon to give advice to young men like them just entering upon life and the first thing that he wished them to do was to hope for a bright day for tomorrow. The next thing that he advised them to do was to get married no young man could be any thing till he was married.  He never heard of a smart man that was a bachelor, (never heard of John Randolph) never knew of a quarrel to take place between a man and a woman but the man was to blame.  He had lived a long life and was capable of giving advice to young men as a father to his children. There was two books that he would recommend to all young men The first was the Bible, the next Shakespeare, all young men should read and profit by both\" and so he went on in a regular stirring speech praising the ladies then telling the young men they must not try to win them by flattery for they were rational beings and despised flattery. He went into the praise of Va, he said that while other states were progressing in dollars Va was progressing in the mind, and so he went on in a soul stirring amid cheers that were deafening. This was my first sight of a real Gov. and it did not give me a very good opinion of the race.\u003c/p\u003e","\u003cp\u003eMy knife is just about as good as a tool one would be.  Tell father if he will send by Orve Platt to Litchfield and get one of the Holleys pen knives I will pay him for his trouble, get on about the size of this if he can. If he can find more of Holleys send me a good hard one of somebodies that is sharp to begin with and I will send him another dollar as soon as I receive it. \u003c/p\u003e","\u003cp\u003eI have got some flower seeds and will send them one of these days, my school is half out and then I don't know what I shall do, whether I shall come home or stay, or\nThere is no news stirring here not so much as a weeding, it is too hot even for that. Give my love to all and write soon, have you heard anything of Julia yet and where is she, I expect a letter from home at the office if it is there I will put a mark on the outside of this to let you know it is rec'd. \u003c/p\u003e","\u003cp\u003eI have not got a letter from Mrs. Garnett yet if she has written send no word.\u003cbr\u003e\nFrom your brother,\u003cbr\u003e\nGiles Gunn\u003c/p\u003e"],"odd_heading_ssm":["Transcription"],"odd_tesim":["Lexington, VA\nJuly 8th, 1848","Dear Sister Mary,\nHaving a few spare moments I will improve them by commencing a letter to you and if I get it begun I know that I shall finish it some time or other.","You are at school I suppose taking in learning in junks as big as my fist and then to settle it go home and trot little May on your knee. Wa'll there is nothing like improvement \"go it while you are young\", if I could live over my life again I would study and no mistake. Oliver is well or was last Sunday he was down here and as fine as a new band boy, it would make you laugh and no mistake to see him try to drink buttermilk. The people here use that as \"the drink\" as much as we do water, if you should drop into where he is about noon, you would find him seated on a stump with what is call a \"corn dogger\" in his hand that is made of indian meal wet up with water and baked in the ashes and is his other  hand a gourd of buttermilk that is as thick as ice cream, on this he is growing fat, it is enough to make any one grin their eye teeth out, to see what a pretty face he makes as he devours this tempting feast. He looks as though he would have \"snake and mild\" that father used to tell of before it.","I suppose that you are all well. It is healthy here I have not heard of half a dozen deaths since I have been round here. The farmers have all finished harvest and never was better weather but it has rained now two days and looks as though it meant to keep it up.","Last Tuesday was the fourth of July. I left out school and went into town. It was commencement day at the Virginia Military Institute and the Governor of the State was there to sign the diplomas attended by the State Brass Band.  The cadets marched from the Institute which is about half of a mile from the town preceded by the band which consisted of about a dozen old rusty looking fellows that blew a soul stirring march with fury enough to wake the dead and make live ones hold their ears. The cadets were about 90 in number dressed in gray coats with skirts about as wide as my hand an 8 inches long and white pants, they are a good looking company and after going through with their evolutions they marched into the meeting house then the cadets made several speeches in praise of war of the institute telling what her sons had done on the plains of Mexico and with what pride the people ought to cherish it.  After they were all through, Gov. Smith was introduced.  He was received with much applause and with many bows commenced. He was just about as venerable looking a man as Uncle Gersham  Finn. He said \"that he was happy to be called upon to give advice to young men like them just entering upon life and the first thing that he wished them to do was to hope for a bright day for tomorrow. The next thing that he advised them to do was to get married no young man could be any thing till he was married.  He never heard of a smart man that was a bachelor, (never heard of John Randolph) never knew of a quarrel to take place between a man and a woman but the man was to blame.  He had lived a long life and was capable of giving advice to young men as a father to his children. There was two books that he would recommend to all young men The first was the Bible, the next Shakespeare, all young men should read and profit by both\" and so he went on in a regular stirring speech praising the ladies then telling the young men they must not try to win them by flattery for they were rational beings and despised flattery. He went into the praise of Va, he said that while other states were progressing in dollars Va was progressing in the mind, and so he went on in a soul stirring amid cheers that were deafening. This was my first sight of a real Gov. and it did not give me a very good opinion of the race.","My knife is just about as good as a tool one would be.  Tell father if he will send by Orve Platt to Litchfield and get one of the Holleys pen knives I will pay him for his trouble, get on about the size of this if he can. If he can find more of Holleys send me a good hard one of somebodies that is sharp to begin with and I will send him another dollar as soon as I receive it.","I have got some flower seeds and will send them one of these days, my school is half out and then I don't know what I shall do, whether I shall come home or stay, or\nThere is no news stirring here not so much as a weeding, it is too hot even for that. Give my love to all and write soon, have you heard anything of Julia yet and where is she, I expect a letter from home at the office if it is there I will put a mark on the outside of this to let you know it is rec'd.","I have not got a letter from Mrs. Garnett yet if she has written send no word.\nFrom your brother,\nGiles Gunn"],"scopecontent_html_tesm":["\u003cp\u003eWritten from Lexington, Virginia. Letter regards commencement at the VMI and a speech by the governor of Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Written from Lexington, Virginia. Letter regards commencement at the VMI and a speech by the governor of Virginia."],"_nest_path_":"/components#0","timestamp":"2026-07-23T21:23:37.080Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_615","ead_ssi":"vilxv_repositories_3_resources_615","_root_":"vilxv_repositories_3_resources_615","_nest_parent_":"vilxv_repositories_3_resources_615","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_615.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vmi/vilxv00030.xml","title_ssm":["Giles Gunn papers"],"title_tesim":["Giles Gunn papers"],"unitdate_ssm":["1848-1854"],"unitdate_inclusive_ssm":["1848-1854"],"normalized_date_ssm":["1848/1854"],"normalized_title_ssm":["Giles Gunn papers, 1848/1854"],"text":["Giles Gunn papers, 1848/1854","MS.0292","/repositories/3/resources/615","Lexington (Va.)—History","Virginia Military Institute—Band—19th century","Virginia Military Institute—Cadet life—1840-1849","Virginia Military Institute—History—19th century","Virginia Military Institute—Cadet life—1850-1859","Correspondence","There are no restrictions.","Giles Gunn was born on December 19, 1825 in Connecticut, most likely in Washington, Litchfield County. He was the son of John Northrup Gunn, Jr. (1798-1883) and Lora Smith (1800-1841), who were married on June 16, 1819.","By 1848, Gunn was working as a teacher in Lexington, Virginia, where he married Virginia W. Morrison of Rockbridge County on December 19, 1859. Birth records indicate that the couple had several children, all born in Rockbridge: Lora (1860-?), Johnella (1871-?), Effa (or Effie) (1875-?), Fred (187?-?). This listing of children may not be complete.","Gunn died on November 24, 1892. No other biographical information was available at the time the collection was processed.","This collection consists of five letters (dated 1848 to 1854) written by Giles Gunn while he was a schoolteacher in Lexington, Virginia. The letters, addressed primarily to his sister Mary (living at the Gunn home in Washington, Litchfield County, Connecticut), include discussions of interesting local events as well as references to family. Topics include:\n\nVMI commencement\nA detailed description of his school and his methods of instruction\nA description of the communion service at a local church, including references to black communicants\nReferences to the townspeople's reaction to a rumored slave insurrection\nA discussion of the murder of VMI cadet Thomas Blackburn.","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks","Virginia Military Institute Archives","Gunn, Giles, 1825-1892","Blackburn, Thomas, 1834-1854","Christian, Charles B. (Charles Burks)","English"],"collection_title_tesim":["Giles Gunn papers, 1848/1854"],"collection_ssim":["Giles Gunn papers, 1848/1854"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0292","/repositories/3/resources/615"],"unitid_tesim":["MS.0292","/repositories/3/resources/615"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Gunn, Giles, 1825-1892"],"creator_ssim":["Gunn, Giles, 1825-1892"],"creator_persname_ssim":["Gunn, Giles, 1825-1892","Blackburn, Thomas, 1834-1854","Christian, Charles B. (Charles Burks)"],"creator_corpname_ssim":["Virginia Military Institute Archives"],"creators_ssim":["Gunn, Giles, 1825-1892","Blackburn, Thomas, 1834-1854","Christian, Charles B. (Charles Burks)","Virginia Military Institute Archives"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"acqinfo_ssim":["The Giles Gunn papers were donated to the Virginia\n            Military Institute in 1933 by Mary Maigret, Gunn's\n            niece."],"access_subjects_ssim":["Lexington (Va.)—History","Virginia Military Institute—Band—19th century","Virginia Military Institute—Cadet life—1840-1849","Virginia Military Institute—History—19th century","Virginia Military Institute—Cadet life—1850-1859","Correspondence"],"access_subjects_ssm":["Lexington (Va.)—History","Virginia Military Institute—Band—19th century","Virginia Military Institute—Cadet life—1840-1849","Virginia Military Institute—History—19th century","Virginia Military Institute—Cadet life—1850-1859","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["5 items"],"extent_tesim":["5 items"],"genreform_ssim":["Correspondence"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003eGiles Gunn was born on December 19, 1825 in Connecticut, most likely in Washington, Litchfield County. He was the son of John Northrup Gunn, Jr. (1798-1883) and Lora Smith (1800-1841), who were married on June 16, 1819. \u003c/p\u003e","\u003cp\u003eBy 1848, Gunn was working as a teacher in Lexington, Virginia, where he married Virginia W. Morrison of Rockbridge County on December 19, 1859. Birth records indicate that the couple had several children, all born in Rockbridge: Lora (1860-?), Johnella (1871-?), Effa (or Effie) (1875-?), Fred (187?-?). This listing of children may not be complete. \u003c/p\u003e","\u003cp\u003eGunn died on November 24, 1892. No other biographical information was available at the time the collection was processed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Giles Gunn was born on December 19, 1825 in Connecticut, most likely in Washington, Litchfield County. He was the son of John Northrup Gunn, Jr. (1798-1883) and Lora Smith (1800-1841), who were married on June 16, 1819.","By 1848, Gunn was working as a teacher in Lexington, Virginia, where he married Virginia W. Morrison of Rockbridge County on December 19, 1859. Birth records indicate that the couple had several children, all born in Rockbridge: Lora (1860-?), Johnella (1871-?), Effa (or Effie) (1875-?), Fred (187?-?). This listing of children may not be complete.","Gunn died on November 24, 1892. No other biographical information was available at the time the collection was processed."],"prefercite_html_tesm":["\u003cp\u003eGiles Gunn papers, MS 0292, Virginia Military\n            Institute Archives, Lexington, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Giles Gunn papers, MS 0292, Virginia Military\n            Institute Archives, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of five letters (dated 1848 to 1854) written by Giles Gunn while he was a schoolteacher in Lexington, Virginia. The letters, addressed primarily to his sister Mary (living at the Gunn home in Washington, Litchfield County, Connecticut), include discussions of interesting local events as well as references to family. Topics include:\n\u003cul\u003e\n\u003cli\u003eVMI commencement\u003c/li\u003e\n\u003cli\u003eA detailed description of his school and his methods of instruction\u003c/li\u003e\n\u003cli\u003eA description of the communion service at a local church, including references to black communicants\u003c/li\u003e\n\u003cli\u003eReferences to the townspeople's reaction to a rumored slave insurrection\u003c/li\u003e\n\u003cli\u003eA discussion of the murder of VMI cadet Thomas Blackburn.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of five letters (dated 1848 to 1854) written by Giles Gunn while he was a schoolteacher in Lexington, Virginia. The letters, addressed primarily to his sister Mary (living at the Gunn home in Washington, Litchfield County, Connecticut), include discussions of interesting local events as well as references to family. Topics include:\n\nVMI commencement\nA detailed description of his school and his methods of instruction\nA description of the communion service at a local church, including references to black communicants\nReferences to the townspeople's reaction to a rumored slave insurrection\nA discussion of the murder of VMI cadet Thomas Blackburn."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4b69e904f0eac0cc1658da5c7475032f\"\u003eManuscripts stacks\u003c/physloc\u003e\n    "],"physloc_tesim":["Manuscripts stacks"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Gunn, Giles, 1825-1892","Blackburn, Thomas, 1834-1854","Christian, Charles B. (Charles Burks)"],"names_coll_ssim":["Blackburn, Thomas, 1834-1854"],"names_ssim":["Virginia Military Institute Archives","Gunn, Giles, 1825-1892","Blackburn, Thomas, 1834-1854","Christian, Charles B. (Charles Burks)"],"language_ssim":["English"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:23:37.080Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_615_c01"}},{"id":"vilxv_repositories_3_resources_600_c01_c01_c07","type":"Item","attributes":{"title":"Letter to Perry L. Derby, 1847","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_600_c01_c01_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWritten from VMI, Lexington, Virginia. Letter regards future teaching positions and graduation class speakers. Letter also discusses a controversy in the Lexington Presbyterian Church as the pastor, Dr. Skinner, is \"on trial\" before the presbytery.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_600_c01_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_600_c01_c01_c07","ref_ssm":["vilxv_repositories_3_resources_600_c01_c01_c07"],"id":"vilxv_repositories_3_resources_600_c01_c01_c07","ead_ssi":"vilxv_repositories_3_resources_600","_root_":"vilxv_repositories_3_resources_600","_nest_parent_":"vilxv_repositories_3_resources_600_c01_c01","parent_ssi":"vilxv_repositories_3_resources_600_c01_c01","parent_ssim":["Charles A. Derby papers, 1839/1891","Charles A. Derby papers, 1844/1862","Correspondence, 1844/1849"],"parent_ids_ssim":["vilxv_repositories_3_resources_600","vilxv_repositories_3_resources_600_c01","vilxv_repositories_3_resources_600_c01_c01"],"title_filing_ssi":"Letter to Perry L. Derby","title_ssm":["Letter to Perry L. Derby"],"title_tesim":["Letter to Perry L. Derby"],"normalized_title_ssm":["Letter to Perry L. Derby, 1847"],"text":["Letter to Perry L. Derby, 1847","Charles A. Derby papers, 1839/1891","Charles A. Derby papers, 1844/1862","Correspondence, 1844/1849","Presbyterian Church in the U.S.—Presbytery of Lexington","Commencement ceremonies","Virginia Military Institute—Class of 1848","Virginia Military Institute—Cadet life—1840-1849","Correspondence","English","Virginia Military Institute\nFeb 26th 1847","Dear Father,\nI received in due time your of the Inst in which was enclosed the half of a twenty dollar note. Of course all your advice I believe to be salutary. The most of it I have endeavored to follow from my infancy. Whatever may have been my misfortunes, I profess to be old enough to be able to preserve a moderate share of spirits. I have endeavored to banish all childish folly. For the present I will forebear writing in that metaphysical strain which has characterized the letters which I have written for the last three months. Please tell sister Mary that I received her letter; also tell sister Martha Ann that I received hers and that I inadvertently omitted to mention it in my last letter. Col. Smith has placed my name on the list of applicants as teachers. It is probably that ??????? Mr. Pendleton or myself will obtain a situation in Charles City County near the residence of Mr. Hill Carter. The salary which is offered is five hundred dollars. This it is true is a small salary; but it is much better than six hundred dollars in a town. However it is possible that I may have a chance of getting a situation better than this.  Col. Smith did not mention anything in regard to the gentleman in Charles City who wishes to obtain a teacher nor do I even know as yet, his name. I shall endeavor to gather as much information on this point as possible. One serious objection which i have to living in that country is that it thought by some to be rent-wealthy. Considerable excitement has been produced in Lexington for the last month by the Skinner case of which you have probably heard. Dr. Skinner the recent pastor of the Presbyterian Church at this place, is now undergoing a trial before the Lexington Presbytery. Of all the ingenious men I ever saw I think that he is the most ingenious. It is said that he was expelled from Scotland on account of some disturbance in the church which he raised in that country.  But for the disturbance which has occurred here he would in all probability been the next president of Washington College, as Dr. Ruffner will resign in the course of a few months. It is certainly astonishing to hear the debates which occur in the Presbytery. In that religious body there is sometimes created almost as much confusion as there is usually created by those sinners in Congress.  This affair has several times called off Maj. Preston from his collegiate duties. I have been teaching Latin in the Institute for the last three or four weeks. The first class have elected the Speakers who are to represent them at the time of graduation as well as a speaker to represent them upon the reception of their diplomas from The Society of Cadets.  Mr. B. G. Baldwin will deliver the Salutatory addresses.  Messrs J. B. Jones, and Finney, orations,  Mr. Councill, the Valedictory addresses and the address to the Society will be delivered by myself. The Day of the Twenty Second was exceedingly inclement and on that account but for persons attended the addresses which were delivered in behalf of the Three Societies. The Washington Society was represented by Mr. Barton, the Graham Society by Mr. Crockett, and the Society of Cadets by Mr. Finney.\nGive my love to all.\nYour affectionate son, [signed] Chas A. Derby","Written from VMI, Lexington, Virginia. Letter regards future teaching positions and graduation class speakers. Letter also discusses a controversy in the Lexington Presbyterian Church as the pastor, Dr. Skinner, is \"on trial\" before the presbytery."],"parent_unittitles_ssm":["Charles A. Derby papers, 1839/1891","Charles A. Derby papers, 1844/1862","Correspondence, 1844/1849"],"parent_unittitles_tesim":["Charles A. Derby papers, 1839/1891","Charles A. Derby papers, 1844/1862","Correspondence, 1844/1849"],"normalized_date_ssm":["1847"],"unitdate_other_ssim":["1847 February 26"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":9,"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Charles A. Derby papers, 1839/1891"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions"],"parent_access_terms_tesm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Presbyterian Church in the U.S.—Presbytery of Lexington","Commencement ceremonies","Virginia Military Institute—Class of 1848","Virginia Military Institute—Cadet life—1840-1849","Correspondence"],"access_subjects_ssm":["Presbyterian Church in the U.S.—Presbytery of Lexington","Commencement ceremonies","Virginia Military Institute—Class of 1848","Virginia Military Institute—Cadet life—1840-1849","Correspondence"],"language_ssim":["English"],"date_range_isim":[1847],"odd_html_tesm":["\u003cp\u003eVirginia Military Institute\u003cbr\u003e\nFeb 26th 1847\u003c/p\u003e","\u003cp\u003eDear Father,\u003cbr\u003e\nI received in due time your of the Inst in which was enclosed the half of a twenty dollar note. Of course all your advice I believe to be salutary. The most of it I have endeavored to follow from my infancy. Whatever may have been my misfortunes, I profess to be old enough to be able to preserve a moderate share of spirits. I have endeavored to banish all childish folly. For the present I will forebear writing in that metaphysical strain which has characterized the letters which I have written for the last three months. Please tell sister Mary that I received her letter; also tell sister Martha Ann that I received hers and that I inadvertently omitted to mention it in my last letter. Col. Smith has placed my name on the list of applicants as teachers. It is probably that ??????? Mr. Pendleton or myself will obtain a situation in Charles City County near the residence of Mr. Hill Carter. The salary which is offered is five hundred dollars. This it is true is a small salary; but it is much better than six hundred dollars in a town. However it is possible that I may have a chance of getting a situation better than this.  Col. Smith did not mention anything in regard to the gentleman in Charles City who wishes to obtain a teacher nor do I even know as yet, his name. I shall endeavor to gather as much information on this point as possible. One serious objection which i have to living in that country is that it thought by some to be rent-wealthy. Considerable excitement has been produced in Lexington for the last month by the Skinner case of which you have probably heard. Dr. Skinner the recent pastor of the Presbyterian Church at this place, is now undergoing a trial before the Lexington Presbytery. Of all the ingenious men I ever saw I think that he is the most ingenious. It is said that he was expelled from Scotland on account of some disturbance in the church which he raised in that country.  But for the disturbance which has occurred here he would in all probability been the next president of Washington College, as Dr. Ruffner will resign in the course of a few months. It is certainly astonishing to hear the debates which occur in the Presbytery. In that religious body there is sometimes created almost as much confusion as there is usually created by those sinners in Congress.  This affair has several times called off Maj. Preston from his collegiate duties. I have been teaching Latin in the Institute for the last three or four weeks. The first class have elected the Speakers who are to represent them at the time of graduation as well as a speaker to represent them upon the reception of their diplomas from The Society of Cadets.  Mr. B. G. Baldwin will deliver the Salutatory addresses.  Messrs J. B. Jones, and Finney, orations,  Mr. Councill, the Valedictory addresses and the address to the Society will be delivered by myself. The Day of the Twenty Second was exceedingly inclement and on that account but for persons attended the addresses which were delivered in behalf of the Three Societies. The Washington Society was represented by Mr. Barton, the Graham Society by Mr. Crockett, and the Society of Cadets by Mr. Finney.\u003cbr\u003e\nGive my love to all.\u003cbr\u003e\nYour affectionate son, [signed] Chas A. Derby\u003c/p\u003e"],"odd_heading_ssm":["Transcription"],"odd_tesim":["Virginia Military Institute\nFeb 26th 1847","Dear Father,\nI received in due time your of the Inst in which was enclosed the half of a twenty dollar note. Of course all your advice I believe to be salutary. The most of it I have endeavored to follow from my infancy. Whatever may have been my misfortunes, I profess to be old enough to be able to preserve a moderate share of spirits. I have endeavored to banish all childish folly. For the present I will forebear writing in that metaphysical strain which has characterized the letters which I have written for the last three months. Please tell sister Mary that I received her letter; also tell sister Martha Ann that I received hers and that I inadvertently omitted to mention it in my last letter. Col. Smith has placed my name on the list of applicants as teachers. It is probably that ??????? Mr. Pendleton or myself will obtain a situation in Charles City County near the residence of Mr. Hill Carter. The salary which is offered is five hundred dollars. This it is true is a small salary; but it is much better than six hundred dollars in a town. However it is possible that I may have a chance of getting a situation better than this.  Col. Smith did not mention anything in regard to the gentleman in Charles City who wishes to obtain a teacher nor do I even know as yet, his name. I shall endeavor to gather as much information on this point as possible. One serious objection which i have to living in that country is that it thought by some to be rent-wealthy. Considerable excitement has been produced in Lexington for the last month by the Skinner case of which you have probably heard. Dr. Skinner the recent pastor of the Presbyterian Church at this place, is now undergoing a trial before the Lexington Presbytery. Of all the ingenious men I ever saw I think that he is the most ingenious. It is said that he was expelled from Scotland on account of some disturbance in the church which he raised in that country.  But for the disturbance which has occurred here he would in all probability been the next president of Washington College, as Dr. Ruffner will resign in the course of a few months. It is certainly astonishing to hear the debates which occur in the Presbytery. In that religious body there is sometimes created almost as much confusion as there is usually created by those sinners in Congress.  This affair has several times called off Maj. Preston from his collegiate duties. I have been teaching Latin in the Institute for the last three or four weeks. The first class have elected the Speakers who are to represent them at the time of graduation as well as a speaker to represent them upon the reception of their diplomas from The Society of Cadets.  Mr. B. G. Baldwin will deliver the Salutatory addresses.  Messrs J. B. Jones, and Finney, orations,  Mr. Councill, the Valedictory addresses and the address to the Society will be delivered by myself. The Day of the Twenty Second was exceedingly inclement and on that account but for persons attended the addresses which were delivered in behalf of the Three Societies. The Washington Society was represented by Mr. Barton, the Graham Society by Mr. Crockett, and the Society of Cadets by Mr. Finney.\nGive my love to all.\nYour affectionate son, [signed] Chas A. Derby"],"scopecontent_html_tesm":["\u003cp\u003eWritten from VMI, Lexington, Virginia. Letter regards future teaching positions and graduation class speakers. Letter also discusses a controversy in the Lexington Presbyterian Church as the pastor, Dr. Skinner, is \"on trial\" before the presbytery.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Written from VMI, Lexington, Virginia. Letter regards future teaching positions and graduation class speakers. Letter also discusses a controversy in the Lexington Presbyterian Church as the pastor, Dr. Skinner, is \"on trial\" before the presbytery."],"_nest_path_":"/components#0/components#0/components#6","timestamp":"2026-07-23T21:23:37.080Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_600","ead_ssi":"vilxv_repositories_3_resources_600","_root_":"vilxv_repositories_3_resources_600","_nest_parent_":"vilxv_repositories_3_resources_600","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_600.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vmi/vilxv00015.xml","title_ssm":["Charles A. Derby papers"],"title_tesim":["Charles A. Derby papers"],"unitdate_ssm":["1839-1891"],"unitdate_inclusive_ssm":["1839-1891"],"normalized_date_ssm":["1839/1891"],"normalized_title_ssm":["Charles A. Derby papers, 1839/1891"],"text":["Charles A. Derby papers, 1839/1891","MS.0030","/repositories/3/resources/600","Confederate States of America. Army—Alabama Infantry Regiment, 44th","Virginia Military Institute—Cadet life—1840-1849","Military education—Georgia—History","Education—Georgia—History","Military education—Alabama—History","Education—Alabama—History","Presbyterian Church in the U.S.—Presbytery of Lexington","Episcopal Church—Alabama—History","United States—History—Civil War, 1861-1865—Personal narratives—Confederate","Virginia Military Institute—Class of 1848","Correspondence","There are no restrictions","Charles A. Derby was born in Dinwiddie County, Virginia on September 12, 1828 to Perry L. Derby and Martha Jones. His early years were spent on his father's plantation and as a student at Winfield Academy in Dinwiddie County. He entered VMI on August 8, 1845 and graduated on July 4, 1848, standing 5th in a class of 24.","Following his graduation from VMI, Derby began a teaching career that continued through the late 1850s. His various positions included:\n\nPrivate tutor for a family in Northumberland County, Virginia\nHead of the Fairfax (Virginia) Academy\nHead of an academy in Sumterville, Alabama\nProfessor of mathematics at military schools in Kentucky and Georgia\nPrincipal of a private academy in Eutaw, Alabama\n\nIn 1856-1857, Derby began the study of theology and was ordained in the Episcopal ministry. He was named deacon at St. Stephens's Church in Eutaw, while also continuing his private school there. He subsequently gave up teaching as his primary interest and served at a church in Camden, Alabama, and then at St. Peter's Church, Lowndes County, Alabama.","Derby married twice during the 1850s. His first wife, Clara J. Hunt of Marietta, Georgia, died within a year of their marriage. On December 28, 1859, he married Charlotte Basset of Cahaba, Alabama and the couple had two daughters, Martha (October 1860-?) and Harriet (April 1862-February 1927).","A year after the outbreak of the Civil War, Derby joined the Confederate Army. He was elected Lieutenant Colonel of the 44th Alabama Infantry Regiment on May 16, 1862 and entered service at Selma, Alabama circa June 5, 1862. He was killed in action at the Battle of Antietam (Maryland) on September 17, 1862 and his body was not recovered.","The bulk of the Charles A. Derby papers consists of Derby family correspondence. Approximately twenty-eight letters were written by Charles A. Derby (dated 1844-1862) and cover the period from late boyhood up to his death in battle in 1862. Included are letters (dated 1846-1847) written while he was a cadet at VMI, as well as correspondence dating from his careers as a teacher and Episcopal clergyman. Two items were written during his brief service in the Confederate Army.","The papers also include fourteen letters written by other members of the Derby family, primarily Mary Derby Stancell (\"Mollie\") and her husband, Samuel. Other items in the papers are clippings, wedding announcements, poetry, and other family documents.","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks and Oversized Case 1","Virginia Military Institute Archives","Derby Family","Stancell Family","Derby, Charles A., 1828-1862","Gilham, William, 1818-1872","Collier, Henry W., Governor, 1801-1855","Scott, Winfield, 1786-1866","Harding, Cyrus, 1834-1893","Smith, Francis H. (Francis Henney), 1812-1890","English"],"collection_title_tesim":["Charles A. Derby papers, 1839/1891"],"collection_ssim":["Charles A. 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(Francis Henney), 1812-1890","Virginia Military Institute Archives","Derby Family","Stancell Family"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Confederate States of America. Army—Alabama Infantry Regiment, 44th","Virginia Military Institute—Cadet life—1840-1849","Military education—Georgia—History","Education—Georgia—History","Military education—Alabama—History","Education—Alabama—History","Presbyterian Church in the U.S.—Presbytery of Lexington","Episcopal Church—Alabama—History","United States—History—Civil War, 1861-1865—Personal narratives—Confederate","Virginia Military Institute—Class of 1848","Correspondence"],"access_subjects_ssm":["Confederate States of America. 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Derby was born in Dinwiddie County, Virginia on September 12, 1828 to Perry L. Derby and Martha Jones. His early years were spent on his father's plantation and as a student at Winfield Academy in Dinwiddie County. He entered VMI on August 8, 1845 and graduated on July 4, 1848, standing 5th in a class of 24.\u003c/p\u003e","\u003cp\u003eFollowing his graduation from VMI, Derby began a teaching career that continued through the late 1850s. His various positions included:\n\u003cul\u003e\n\u003cli\u003ePrivate tutor for a family in Northumberland County, Virginia\u003c/li\u003e\n\u003cli\u003eHead of the Fairfax (Virginia) Academy\u003c/li\u003e\n\u003cli\u003eHead of an academy in Sumterville, Alabama\u003c/li\u003e\n\u003cli\u003eProfessor of mathematics at military schools in Kentucky and Georgia\u003c/li\u003e\n\u003cli\u003ePrincipal of a private academy in Eutaw, Alabama\u003c/li\u003e\n\u003c/ul\u003e\nIn 1856-1857, Derby began the study of theology and was ordained in the Episcopal ministry. He was named deacon at St. Stephens's Church in Eutaw, while also continuing his private school there. He subsequently gave up teaching as his primary interest and served at a church in Camden, Alabama, and then at St. Peter's Church, Lowndes County, Alabama.\u003c/p\u003e","\u003cp\u003eDerby married twice during the 1850s. His first wife, Clara J. Hunt of Marietta, Georgia, died within a year of their marriage. 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He entered VMI on August 8, 1845 and graduated on July 4, 1848, standing 5th in a class of 24.","Following his graduation from VMI, Derby began a teaching career that continued through the late 1850s. His various positions included:\n\nPrivate tutor for a family in Northumberland County, Virginia\nHead of the Fairfax (Virginia) Academy\nHead of an academy in Sumterville, Alabama\nProfessor of mathematics at military schools in Kentucky and Georgia\nPrincipal of a private academy in Eutaw, Alabama\n\nIn 1856-1857, Derby began the study of theology and was ordained in the Episcopal ministry. He was named deacon at St. Stephens's Church in Eutaw, while also continuing his private school there. He subsequently gave up teaching as his primary interest and served at a church in Camden, Alabama, and then at St. Peter's Church, Lowndes County, Alabama.","Derby married twice during the 1850s. His first wife, Clara J. Hunt of Marietta, Georgia, died within a year of their marriage. On December 28, 1859, he married Charlotte Basset of Cahaba, Alabama and the couple had two daughters, Martha (October 1860-?) and Harriet (April 1862-February 1927).","A year after the outbreak of the Civil War, Derby joined the Confederate Army. He was elected Lieutenant Colonel of the 44th Alabama Infantry Regiment on May 16, 1862 and entered service at Selma, Alabama circa June 5, 1862. He was killed in action at the Battle of Antietam (Maryland) on September 17, 1862 and his body was not recovered."],"prefercite_html_tesm":["\u003cp\u003eCharles A. Derby papers, 1839-1891. MS 0030. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Charles A. Derby papers, 1839-1891. MS 0030. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the Charles A. Derby papers consists of Derby family correspondence. Approximately twenty-eight letters were written by Charles A. 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Included are letters (dated 1846-1847) written while he was a cadet at VMI, as well as correspondence dating from his careers as a teacher and Episcopal clergyman. Two items were written during his brief service in the Confederate Army.","The papers also include fourteen letters written by other members of the Derby family, primarily Mary Derby Stancell (\"Mollie\") and her husband, Samuel. Other items in the papers are clippings, wedding announcements, poetry, and other family documents."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a99018bbaf530d0adbfbbb07d3e700f4\"\u003eManuscripts stacks and Oversized Case 1\u003c/physloc\u003e\n    "],"physloc_tesim":["Manuscripts stacks and Oversized Case 1"],"corpname_ssim":["Virginia Military Institute Archives"],"famname_ssim":["Derby Family","Stancell Family"],"names_coll_ssim":["Derby Family","Stancell Family","Derby, Charles A., 1828-1862"],"persname_ssim":["Derby, Charles A., 1828-1862","Gilham, William, 1818-1872","Collier, Henry W., Governor, 1801-1855","Scott, Winfield, 1786-1866","Harding, Cyrus, 1834-1893","Smith, Francis H. (Francis Henney), 1812-1890"],"names_ssim":["Virginia Military Institute Archives","Derby Family","Stancell Family","Derby, Charles A., 1828-1862","Gilham, William, 1818-1872","Collier, Henry W., Governor, 1801-1855","Scott, Winfield, 1786-1866","Harding, Cyrus, 1834-1893","Smith, Francis H. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)","English"],"collection_title_tesim":["Lexington High School Commencement Program, 1934"],"collection_ssim":["Lexington High School Commencement Program, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0515","/repositories/5/resources/575"],"unitid_tesim":["WLU.Coll.0515","/repositories/5/resources/575"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Lexington"],"geogname_ssim":["Virginia -- Lexington"],"places_ssim":["Virginia -- Lexington"],"creator_ssm":["Lexington High School (Lexington, Va.)"],"creator_ssim":["Lexington High School (Lexington, Va.)"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"creators_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Commencement ceremonies","Printed ephemera","High schools"],"access_subjects_ssm":["Commencement ceremonies","Printed ephemera","High schools"],"has_online_content_ssim":["false"],"extent_ssm":["1 Item"],"extent_tesim":["1 Item"],"date_range_isim":[1934],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Lexington High School Commencement Program, WLU Coll. 0515, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Lexington High School Commencement Program, WLU Coll. 0515, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:24:40.101Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_575","ead_ssi":"vilxw_repositories_5_resources_575","_root_":"vilxw_repositories_5_resources_575","_nest_parent_":"vilxw_repositories_5_resources_575","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_575.xml","title_ssm":["Lexington High School Commencement Program"],"title_tesim":["Lexington High School Commencement Program"],"unitdate_ssm":["1934-06-01"],"unitdate_other_ssim":["1934-06-01"],"normalized_date_ssm":["1934"],"normalized_title_ssm":["Lexington High School Commencement Program, 1934"],"text":["Lexington High School Commencement Program, 1934","WLU.Coll.0515","/repositories/5/resources/575","Virginia -- Lexington","Commencement ceremonies","Printed ephemera","High schools","This collection contains the commencement program for Lexington High School in Lexington, Virginia from June 1, 1934.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)","English"],"collection_title_tesim":["Lexington High School Commencement Program, 1934"],"collection_ssim":["Lexington High School Commencement Program, 1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0515","/repositories/5/resources/575"],"unitid_tesim":["WLU.Coll.0515","/repositories/5/resources/575"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Lexington"],"geogname_ssim":["Virginia -- Lexington"],"places_ssim":["Virginia -- Lexington"],"creator_ssm":["Lexington High School (Lexington, Va.)"],"creator_ssim":["Lexington High School (Lexington, Va.)"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"creators_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lexington High School (Lexington, Va.)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Commencement ceremonies","Printed ephemera","High schools"],"access_subjects_ssm":["Commencement ceremonies","Printed ephemera","High schools"],"has_online_content_ssim":["false"],"extent_ssm":["1 Item"],"extent_tesim":["1 Item"],"date_range_isim":[1934],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Lexington High School Commencement Program, WLU Coll. 0515, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. 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Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the commencement program for Lexington High School in Lexington, Virginia from June 1, 1934.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the commencement program for Lexington High School in Lexington, Virginia from June 1, 1934."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in the order in which it was received. The printed materials are foldered separately from the photograph album and loose photographs.","The Schoolma'am, 1954. Harrisonburg (Va.): Madison College.","Obituary of Mary Frances Funk, The Capital Gazette, December 20, 2020.","Mary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995.","An envelope containing loose photographs was included in the photograph album when it was donated to Special Collections. The photographs were placed in an acid-free paper enclosure and placed back in the photograph album.","The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.","The photographs feature campus scenes, buildings and grounds, the kissing rock, students in their caps and gowns, Funk and her fellow classmates, May Day celebrations, dormitory interiors, and general student life. The bulk of the pages are blank without any photographs. None of the photographs are captioned or include descriptions. The front cover of the photograph album is embossed with the Madison College seal.","Two programs document the 1954 commencement exercises. A satirical news release, written by fellow members of the class of 1954, provides ficticious updates on members of the graduating class upon the celebration of their future ten-year reunion.","Mary Sue Deal's 1924 State Teachers College diploma, which was part of the same donation, was separated from this collection and incorporated into UA 0036. Deal was Mary Frances Funk's mother. Funk's 1954 yearbook, embossed with her name, was added to Special Collections's yearbook holdings.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. 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For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated to Special Collections in August 2021 by Richard Marcus, Mary Frances Funk's nephew."],"access_subjects_ssim":["Commencement ceremonies","Photograph albums","Photographs","Programs (documents)","Speeches (Documents)"],"access_subjects_ssm":["Commencement ceremonies","Photograph albums","Photographs","Programs (documents)","Speeches (Documents)"],"has_online_content_ssim":["false"],"extent_ssm":["0.16 cubic feet 2 folders"],"extent_tesim":["0.16 cubic feet 2 folders"],"genreform_ssim":["Photograph albums","Photographs","Programs (documents)","Speeches (Documents)"],"date_range_isim":[1954],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. 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The printed materials are foldered separately from the photograph album and loose photographs."],"bibliography_html_tesm":["\u003cbibref\u003eThe Schoolma'am, 1954. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n    ","\u003cbibref\u003eObituary of Mary Frances Funk, The Capital Gazette, December 20, 2020.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am, 1954. Harrisonburg (Va.): Madison College.","Obituary of Mary Frances Funk, The Capital Gazette, December 20, 2020."],"bioghist_html_tesm":["\u003cp\u003eMary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Mary Frances Funk Papers, circa 1954, SC 0319, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Mary Frances Funk Papers, circa 1954, SC 0319, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAn envelope containing loose photographs was included in the photograph album when it was donated to Special Collections. 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The front cover of the photograph album is embossed with the Madison College seal.\u003c/p\u003e","\u003cp\u003eTwo programs document the 1954 commencement exercises. A satirical news release, written by fellow members of the class of 1954, provides ficticious updates on members of the graduating class upon the celebration of their future ten-year reunion.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.","The photographs feature campus scenes, buildings and grounds, the kissing rock, students in their caps and gowns, Funk and her fellow classmates, May Day celebrations, dormitory interiors, and general student life. The bulk of the pages are blank without any photographs. None of the photographs are captioned or include descriptions. The front cover of the photograph album is embossed with the Madison College seal.","Two programs document the 1954 commencement exercises. A satirical news release, written by fellow members of the class of 1954, provides ficticious updates on members of the graduating class upon the celebration of their future ten-year reunion."],"separatedmaterial_html_tesm":["\u003cp\u003eMary Sue Deal's 1924 State Teachers College diploma, which was part of the same donation, was separated from this collection and incorporated into UA 0036. Deal was Mary Frances Funk's mother. Funk's 1954 yearbook, embossed with her name, was added to Special Collections's yearbook holdings.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Mary Sue Deal's 1924 State Teachers College diploma, which was part of the same donation, was separated from this collection and incorporated into UA 0036. Deal was Mary Frances Funk's mother. Funk's 1954 yearbook, embossed with her name, was added to Special Collections's yearbook holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_08cdf57e40209cf016f812668e3deea3\"\u003eThe Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings"],"names_coll_ssim":["Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings","Marcus, Richard"],"persname_ssim":["Funk, Mary Frances, 1932-2020","Marcus, Richard"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings","Funk, Mary Frances, 1932-2020","Marcus, Richard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:23.857Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_662","ead_ssi":"vihart_repositories_4_resources_662","_root_":"vihart_repositories_4_resources_662","_nest_parent_":"vihart_repositories_4_resources_662","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_662.xml","title_ssm":["Mary Frances Funk papers"],"title_tesim":["Mary Frances Funk papers"],"unitdate_ssm":["circa 1954"],"unitdate_other_ssim":["circa 1954"],"normalized_date_ssm":["1954"],"normalized_title_ssm":["Mary Frances Funk papers, 1954"],"text":["Mary Frances Funk papers, 1954","SC 0319","/repositories/4/resources/662","Harrisonburg (Va.) -- History","Commencement ceremonies","Photograph albums","Photographs","Programs (documents)","Speeches (Documents)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in the order in which it was received. The printed materials are foldered separately from the photograph album and loose photographs.","The Schoolma'am, 1954. Harrisonburg (Va.): Madison College.","Obituary of Mary Frances Funk, The Capital Gazette, December 20, 2020.","Mary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995.","An envelope containing loose photographs was included in the photograph album when it was donated to Special Collections. The photographs were placed in an acid-free paper enclosure and placed back in the photograph album.","The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.","The photographs feature campus scenes, buildings and grounds, the kissing rock, students in their caps and gowns, Funk and her fellow classmates, May Day celebrations, dormitory interiors, and general student life. The bulk of the pages are blank without any photographs. None of the photographs are captioned or include descriptions. The front cover of the photograph album is embossed with the Madison College seal.","Two programs document the 1954 commencement exercises. A satirical news release, written by fellow members of the class of 1954, provides ficticious updates on members of the graduating class upon the celebration of their future ten-year reunion.","Mary Sue Deal's 1924 State Teachers College diploma, which was part of the same donation, was separated from this collection and incorporated into UA 0036. Deal was Mary Frances Funk's mother. Funk's 1954 yearbook, embossed with her name, was added to Special Collections's yearbook holdings.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).","The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.","James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings","Funk, Mary Frances, 1932-2020","Marcus, Richard","English"],"collection_title_tesim":["Mary Frances Funk papers, 1954"],"collection_ssim":["Mary Frances Funk papers, 1954"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0319","/repositories/4/resources/662"],"unitid_tesim":["SC 0319","/repositories/4/resources/662"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Funk, Mary Frances, 1932-2020","Marcus, Richard"],"creator_ssim":["Funk, Mary Frances, 1932-2020","Marcus, Richard"],"creator_persname_ssim":["Funk, Mary Frances, 1932-2020","Marcus, Richard"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings"],"creators_ssim":["Funk, Mary Frances, 1932-2020","Marcus, Richard","James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. 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The printed materials are foldered separately from the photograph album and loose photographs."],"bibliography_html_tesm":["\u003cbibref\u003eThe Schoolma'am, 1954. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n    ","\u003cbibref\u003eObituary of Mary Frances Funk, The Capital Gazette, December 20, 2020.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am, 1954. Harrisonburg (Va.): Madison College.","Obituary of Mary Frances Funk, The Capital Gazette, December 20, 2020."],"bioghist_html_tesm":["\u003cp\u003eMary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Frances \"Fran\" Funk (1932-2020) was born in Berryville, Virginia to Mary Sue Deal Funk and Charles Richard Funk. Funk matriculated at Madison College in the fall of 1950 and majored in elementary education. She graduated in 1954 with a bachelor's degree in education. While a student at Madison College, Funk was a member of Alpha Sigma Tau, Association for Childhood Education, and Young Women's Christian Association (YWCA). In 1968, she received a master's degree in education from the University of Maryland. Funk taught elementary school for forty years in Virginia and Maryland before retiring in 1995."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Mary Frances Funk Papers, circa 1954, SC 0319, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Mary Frances Funk Papers, circa 1954, SC 0319, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAn envelope containing loose photographs was included in the photograph album when it was donated to Special Collections. 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Funk's 1954 yearbook, embossed with her name, was added to Special Collections's yearbook holdings."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk. (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_08cdf57e40209cf016f812668e3deea3\"\u003eThe Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Mary Frances Funk Papers, circa 1954, comprise one photograph album, loose photographs, and ephemera documenting Funk's time as a student at Madison College."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings"],"names_coll_ssim":["Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings","Marcus, Richard"],"persname_ssim":["Funk, Mary Frances, 1932-2020","Marcus, Richard"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Buildings","Funk, Mary Frances, 1932-2020","Marcus, Richard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:22:23.857Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_662"}},{"id":"vihart_repositories_4_resources_649","type":"collection","attributes":{"title":"Maude Wescott Brown Photographs, 1910/1913","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_649#creator","type":"document_value","attributes":{"value":"Brown, Maude Wescott, 1893-1982","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_649#abstract_or_scope","type":"document_value","attributes":{"value":"The Maude Wescott Brown Photographs, 1910-1913, comprise ten photographs and photographic postcards documenting the Haas family of Harrisonburg as well as 1911 commencement activities of the State Normal and Industrial School for Women at Harrisonburg.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_649#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_649","ead_ssi":"vihart_repositories_4_resources_649","_root_":"vihart_repositories_4_resources_649","_nest_parent_":"vihart_repositories_4_resources_649","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_649.xml","title_ssm":["Maude Wescott Brown Photographs"],"title_tesim":["Maude Wescott Brown Photographs"],"unitdate_ssm":["1910-1913"],"unitdate_inclusive_ssm":["1910-1913"],"normalized_date_ssm":["1910/1913"],"normalized_title_ssm":["Maude Wescott Brown Photographs, 1910/1913"],"text":["Maude Wescott Brown Photographs, 1910/1913","SC 0307","/repositories/4/resources/649","Harrisonburg (Va.) -- History","Commencement ceremonies","Photographs","Photographic postcards","Letters (correspondence)","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is housed is a single folder. The photographs are arranged according to the order in which they were received by the donor.","Maude Tyson Wescott (1893-1982), of Painter, Virginia, matriculated into the State Normal and Industrial School for Women at Harrisonburg as part of the school's first incoming class of students in 1909 and was a member of the school's first graduating class in 1911.","While a student, Wescott was a member of the Lanier Literary Society, YWCA, Athletic Association, Glee Club, Scalpers Basketball Team, and Pinquet Tennis Club. She married Joseph Leo Brown in 1921 and resided on Virginia's Eastern Shore.","The Haas family members who are documented in most of the photographs were residents of Harrisonburg while Wescott was a student. Judge T. N. Haas was a graduate of the University of Virginia, a member of the Harrisonburg town council from 1901 to 1906, and presided over the 25th judicial circuit courts (Rockingham and Page Counties). He was also involved in local street expansion and improvement efforts. Haas was married to Margaret Elizabeth \"Bettie\" Conrad. They had two children together—Hamilton and Elizabeth—in addition to a son, Conrad, from Betty's first marriage. It is unclear the exact relationship between Wescott and the Haases.","The Maude Wescott Brown Photographs, 1910-1913, comprise ten photographs and photographic postcards documenting the Haas family of Harrisonburg as well as 1911 commencement activities of the State Normal and Industrial School for Women at Harrisonburg. Brown was a member of this first graduating class.","The photographs include portraits of Judge Talfourd Noon Haas, his wife Margaret Elizabeth \"Bettie\" Conrad Haas, and their children Hamilton and Elizabeth. Some photographs are unidentified. One photographic postcard dated June 1910 features Elizabeth Haas, Hamilton Haas, and the family's donkey Julius Caesar with the message \"Your neighbors three.\" Addressed to Miss Maude Wescott, Harrisonburg Normal School.","Two identical images of downtown Harrisonburg labeled \"Sunday Commencement Sermon, Class of 1911, Entire student body\" document part of the 1911 commencement services for the State Normal and Industrial School during which graduates, students, and faculty walked downtown to participate in a commencement sermon at the Presbyterian church on Court Square. W. L. Dechert Insurance and W. A. Meserole \u0026 Bro. dry goods store can be seen in the background.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Maude Wescott Brown Photographs, 1910-1913, comprise ten photographs and photographic postcards documenting the Haas family of Harrisonburg as well as 1911 commencement activities of the State Normal and Industrial School for Women at Harrisonburg.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Haas family","Brown, Maude Wescott, 1893-1982","Wescott, Bob","Haas, T. N. 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(Talfourd Noon), 1864-1939"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Alumni and alumnae","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History"],"creator_famname_ssim":["Haas family"],"creators_ssim":["Brown, Maude Wescott, 1893-1982","Wescott, Bob","Haas, T. N. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bob Wescott, nephew of Maude Wescott Brown, sent the photographs and postcards to Special Collections in March 2015."],"access_subjects_ssim":["Commencement ceremonies","Photographs","Photographic postcards","Letters (correspondence)"],"access_subjects_ssm":["Commencement ceremonies","Photographs","Photographic postcards","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.08 cubic feet 1 folder"],"extent_tesim":["0.08 cubic feet 1 folder"],"genreform_ssim":["Photographs","Photographic postcards","Letters (correspondence)"],"date_range_isim":[1910,1911,1912,1913],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. 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