{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Caricatures+and+cartoons","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Caricatures+and+cartoons\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1846","type":"collection","attributes":{"title":"Ange Denis M'Quin \"Series of Heads\" Album","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#creator","type":"document_value","attributes":{"value":"Davis Brass Rare Books, Inc.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1846","ead_ssi":"viu_repositories_3_resources_1846","_root_":"viu_repositories_3_resources_1846","_nest_parent_":"viu_repositories_3_resources_1846","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1846.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/240173","title_filing_ssi":"M'Quin, Ange Denis \"Series of Heads\" Album","title_ssm":["Ange Denis M'Quin \"Series of Heads\" Album"],"title_tesim":["Ange Denis M'Quin \"Series of Heads\" Album"],"unitdate_ssm":["1812-1819"],"unitdate_inclusive_ssm":["1812-1819"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16934","Archival Resource Key","/repositories/3/resources/1846"],"text":["MSS 16934","Archival Resource Key","/repositories/3/resources/1846","Ange Denis M'Quin \"Series of Heads\" Album","Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)","Good. The front cover is bowed.","This collection ism open for research.","The Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  ","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  ","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  ","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  ","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  ","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). ","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n ","This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  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(Ange Denis), 1756-1823","Davis Brass Rare Books, Inc."],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Brass Rare Books, Inc., 7 August 2023. Acquired by Brenda Gunn."],"access_subjects_ssim":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"access_subjects_ssm":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good. The front cover is bowed."],"extent_ssm":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"extent_tesim":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1812,1813,1814,1815,1816,1817,1818,1819],"accessrestrict_html_tesm":["\u003cp\u003eThis collection ism open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection ism open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  \u003c/p\u003e\n","\u003cp\u003eIn 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  \u003c/p\u003e\n","\u003cp\u003eM'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  \u003c/p\u003e\n","\u003cp\u003eDevoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  \u003c/p\u003e\n","\u003cp\u003eAfter the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. 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Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  ","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  ","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  ","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  ","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  ","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). ","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n "],"prefercite_html_tesm":["\u003cp\u003eMSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e\n","\u003cp\u003eThe remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.\u003c/p\u003e","\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","CONTENT WARNING"],"scopecontent_tesim":["This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_coll_ssim":["Davis Brass Rare Books, Inc."],"names_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  (Ange Denis), 1756-1823"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc."],"persname_ssim":["M'Quin , A. D.  (Ange Denis), 1756-1823"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1846","ead_ssi":"viu_repositories_3_resources_1846","_root_":"viu_repositories_3_resources_1846","_nest_parent_":"viu_repositories_3_resources_1846","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1846.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/240173","title_filing_ssi":"M'Quin, Ange Denis \"Series of Heads\" Album","title_ssm":["Ange Denis M'Quin \"Series of Heads\" Album"],"title_tesim":["Ange Denis M'Quin \"Series of Heads\" Album"],"unitdate_ssm":["1812-1819"],"unitdate_inclusive_ssm":["1812-1819"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16934","Archival Resource Key","/repositories/3/resources/1846"],"text":["MSS 16934","Archival Resource Key","/repositories/3/resources/1846","Ange Denis M'Quin \"Series of Heads\" Album","Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)","Good. The front cover is bowed.","This collection ism open for research.","The Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  ","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  ","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  ","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  ","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  ","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). ","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n ","This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  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(Ange Denis), 1756-1823","Davis Brass Rare Books, Inc."],"access_terms_ssm":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Brass Rare Books, Inc., 7 August 2023. Acquired by Brenda Gunn."],"access_subjects_ssim":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"access_subjects_ssm":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good. The front cover is bowed."],"extent_ssm":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"extent_tesim":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1812,1813,1814,1815,1816,1817,1818,1819],"accessrestrict_html_tesm":["\u003cp\u003eThis collection ism open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection ism open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  \u003c/p\u003e\n","\u003cp\u003eIn 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  \u003c/p\u003e\n","\u003cp\u003eM'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  \u003c/p\u003e\n","\u003cp\u003eDevoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  \u003c/p\u003e\n","\u003cp\u003eAfter the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  \u003c/p\u003e\n","\u003cp\u003eHe died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). \u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eA Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  ","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  ","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  ","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  ","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  ","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). ","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n "],"prefercite_html_tesm":["\u003cp\u003eMSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e\n","\u003cp\u003eThe remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.\u003c/p\u003e","\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","CONTENT WARNING"],"scopecontent_tesim":["This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_coll_ssim":["Davis Brass Rare Books, Inc."],"names_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  (Ange Denis), 1756-1823"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc."],"persname_ssim":["M'Quin , A. D.  (Ange Denis), 1756-1823"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846"}},{"id":"vilxv_repositories_3_resources_801","type":"collection","attributes":{"title":"Drawings by notable cartoonists for 1959 Bomb","creator":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_801#creator","type":"document_value","attributes":{"value":"Ketcham, Hank, 1920-2001","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_801#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOriginal drawings by three notable cartoonists created for inclusion in the \"It's an Outrage\" section of the 1959 VMI yearbook. 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The three artists produced VMI-themed versions of the comic strips Dennis the Menace, Steve Canyon, and Beetle Bailey.","Copyright restrictions apply","Oversized case 7","Virginia Military Institute Archives","Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988","English \n.    "],"unitid_tesim":["GR.Cartoons.1959 Bomb","/repositories/3/resources/801"],"normalized_title_ssm":["Drawings by notable cartoonists for 1959 Bomb"],"collection_title_tesim":["Drawings by notable cartoonists for 1959 Bomb"],"collection_ssim":["Drawings by notable cartoonists for 1959 Bomb"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creator_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creator_persname_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creators_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"access_terms_ssm":["Copyright restrictions apply"],"access_subjects_ssim":["Caricatures and cartoons","Virginia Military Institute—Cadet life—1950-1959"],"access_subjects_ssm":["Caricatures and cartoons","Virginia Military Institute—Cadet life—1950-1959"],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"dimensions_tesim":["11 x 14, 11 x 9, 8.5 x 11 in inches."],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions"],"scopecontent_html_tesm":["\u003cp\u003eOriginal drawings by three notable cartoonists created for inclusion in the \"It's an Outrage\" section of the 1959 VMI yearbook.  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The three artists produced VMI-themed versions of the comic strips Dennis the Menace, Steve Canyon, and Beetle Bailey."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions apply\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions apply"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f2d217e918e8395f98d9f9e1e86c7b38\"\u003eOversized case 7\u003c/physloc\u003e"],"physloc_tesim":["Oversized case 7"],"names_ssim":["Virginia Military Institute Archives","Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"language_ssim":["English \n.    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The three artists produced VMI-themed versions of the comic strips Dennis the Menace, Steve Canyon, and Beetle Bailey.","Copyright restrictions apply","Oversized case 7","Virginia Military Institute Archives","Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988","English \n.    "],"unitid_tesim":["GR.Cartoons.1959 Bomb","/repositories/3/resources/801"],"normalized_title_ssm":["Drawings by notable cartoonists for 1959 Bomb"],"collection_title_tesim":["Drawings by notable cartoonists for 1959 Bomb"],"collection_ssim":["Drawings by notable cartoonists for 1959 Bomb"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creator_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creator_persname_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"creators_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"access_terms_ssm":["Copyright restrictions apply"],"access_subjects_ssim":["Caricatures and cartoons","Virginia Military Institute—Cadet life—1950-1959"],"access_subjects_ssm":["Caricatures and cartoons","Virginia Military Institute—Cadet life—1950-1959"],"has_online_content_ssim":["false"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"dimensions_tesim":["11 x 14, 11 x 9, 8.5 x 11 in inches."],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions"],"scopecontent_html_tesm":["\u003cp\u003eOriginal drawings by three notable cartoonists created for inclusion in the \"It's an Outrage\" section of the 1959 VMI yearbook.  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The three artists produced VMI-themed versions of the comic strips Dennis the Menace, Steve Canyon, and Beetle Bailey."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions apply\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions apply"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f2d217e918e8395f98d9f9e1e86c7b38\"\u003eOversized case 7\u003c/physloc\u003e"],"physloc_tesim":["Oversized case 7"],"names_ssim":["Virginia Military Institute Archives","Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Ketcham, Hank, 1920-2001","Walker, Mort","Caniff, Milton Arthur, 1907-1988"],"language_ssim":["English \n.    "],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:11:53.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_801"}},{"id":"viu_repositories_7_resources_57_c03","type":"Series","attributes":{"title":"English and French Medical Caricatures","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_57_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_57_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_57_c03","ref_ssm":["viu_repositories_7_resources_57_c03"],"id":"viu_repositories_7_resources_57_c03","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","parent_ssi":"viu_repositories_7_resources_57","parent_ssim":["viu_repositories_7_resources_57"],"parent_ids_ssim":["viu_repositories_7_resources_57"],"parent_unittitles_ssm":["University of Virginia Medical Illustrations collection"],"parent_unittitles_tesim":["University of Virginia Medical Illustrations collection"],"text":["University of Virginia Medical Illustrations collection","English and French Medical Caricatures","Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818","Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)","box 7, MS-67","item 9, 21-49","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"title_filing_ssi":"English and French Medical Caricatures","title_ssm":["English and French Medical Caricatures"],"title_tesim":["English and French Medical Caricatures"],"unitdate_inclusive_ssm":["circa 1760-1835"],"normalized_date_ssm":["1760/1835"],"normalized_title_ssm":["English and French Medical Caricatures"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia Medical Illustrations collection"],"creator_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"has_online_content_ssim":["true"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":37,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Some materials may be subject to copyright restrictions."],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"date_range_isim":[1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"names_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818"],"access_subjects_ssim":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"access_subjects_ssm":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"containers_ssim":["box 7, MS-67","item 9, 21-49"],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"scopecontent_html_tesm":["\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"_nest_path_":"/components#2","timestamp":"2026-05-24T23:24:18.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_coll_ssim":["Gans, Sigismund, 1829-1831 ","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. 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Kinney, around 1950 describing his brief tenure as a writer for the Disney studio, including the workings of the studio and the personality and leadership of Walt Disney.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_205#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_205","ead_ssi":"vilxw_repositories_5_resources_205","_root_":"vilxw_repositories_5_resources_205","_nest_parent_":"vilxw_repositories_5_resources_205","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_205.xml","title_ssm":["George Harding Foster Correspondence"],"title_tesim":["George Harding Foster Correspondence"],"unitdate_ssm":["1950"],"unitdate_other_ssim":["1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0363","/repositories/5/resources/205"],"text":["WLU.Coll.0363","/repositories/5/resources/205","George Harding Foster Correspondence","Correspondence","Broadcasting studios","Caricatures and cartoons","George Harding Foster was a Professor of English from 1947 to 1959 at Washington and Lee University in Lexington, Virginia, with a brief time as a writer at the Disney Studio in the 1950's.","Blue sheet prepared by Betty Kondayan (Dec. 2, 2009)","This collection consists of a letter from Foster to his former student, Harrison B. Kinney, around 1950 describing his brief tenure as a writer for the Disney studio, including the workings of the studio and the personality and leadership of Walt Disney.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Walt Disney Productions","Foster, George Harding","Kinney, Harrison (Harrison Burton)","Disney, Walt","English"],"unitid_tesim":["WLU.Coll.0363","/repositories/5/resources/205"],"normalized_title_ssm":["George Harding Foster Correspondence"],"collection_title_tesim":["George Harding Foster Correspondence"],"collection_ssim":["George Harding Foster Correspondence"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Foster, George Harding","Kinney, Harrison (Harrison Burton)"],"creator_ssim":["Foster, George Harding","Kinney, Harrison (Harrison Burton)"],"creator_persname_ssim":["Foster, George Harding","Kinney, Harrison (Harrison Burton)"],"creators_ssim":["Foster, George Harding","Kinney, Harrison (Harrison Burton)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Correspondence","Broadcasting studios","Caricatures and cartoons"],"access_subjects_ssm":["Correspondence","Broadcasting studios","Caricatures and cartoons"],"has_online_content_ssim":["false"],"extent_ssm":["1 Item"],"extent_tesim":["1 Item"],"date_range_isim":[1950],"bioghist_html_tesm":["\u003cp\u003eGeorge Harding Foster was a Professor of English from 1947 to 1959 at Washington and Lee University in Lexington, Virginia, with a brief time as a writer at the Disney Studio in the 1950's.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George Harding Foster was a Professor of English from 1947 to 1959 at Washington and Lee University in Lexington, Virginia, with a brief time as a writer at the Disney Studio in the 1950's."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], George Harding Foster Correspondence, WLU Coll. 0363, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], George Harding Foster Correspondence, WLU Coll. 0363, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (Dec. 2, 2009)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (Dec. 2, 2009)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a letter from Foster to his former student, Harrison B. Kinney, around 1950 describing his brief tenure as a writer for the Disney studio, including the workings of the studio and the personality and leadership of Walt Disney.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a letter from Foster to his former student, Harrison B. Kinney, around 1950 describing his brief tenure as a writer for the Disney studio, including the workings of the studio and the personality and leadership of Walt Disney."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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The book, bound in crushed red morocco by C. \u0026amp; C. McLeish sometime in the early twentieth century, contains the inlaid drawings and manuscript pages. The book begins with two calligraphic frontispieces, one titled \"The Envelope\" with an angel holding a brush and canvas. This image was likely the front panel of an envelope that stored the contents before binding. Then follows three pen and ink title pages with letters in the Victorian grotesque tradition, eight manuscript leaves with limericks for each letter, twenty-six calligraphic leaves of alphabet limericks in pencil and pen, twelve watercolors, and forty-six total drawings. The bulk of the manuscript is the drawings and watercolors that illustrate the alphabet, some referencing the subject of the limericks and others alternative subjects. These are humorous and often satirical images. 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Johnston made a few copies of this book for his friends and family.   "],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. 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McLeish","James Aresenault \u0026 Company","Small Special Collections Library"],"persname_ssim":["Johnston, George Liddell, 1817-1902","Reverend George Liddell Johnston"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:51:30.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1701"}},{"id":"vilxv_repositories_3_resources_777_c01_c07","type":"File","attributes":{"title":"William H. Dabney caricature drawing and resolution","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxv_repositories_3_resources_777_c01_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis folder contains one cartoon/caricature (1981) presented to William H. 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Dabney caricature drawing and resolution","Dabney, William H. (William Howard), 1934-2012","Dabney, William H. (William Howard), 1934-2012","Caricatures and cartoons","English","This folder contains one cartoon/caricature (1981) presented to William H. Dabney relating to his assignment at the National Emergency Airborne Command Post, and one memorial resolution (2012) passed by the Virginia senate honoring the contributions of Dabney."],"title_filing_ssi":"William H. Dabney caricature drawing and resolution","title_ssm":["William H. Dabney caricature drawing and resolution"],"title_tesim":["William H. Dabney caricature drawing and resolution"],"unitdate_inclusive_ssm":["1981-2012"],"normalized_date_ssm":["1981/2012"],"normalized_title_ssm":["William H. 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Contact the VMI Archives for additional information."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"names_ssim":["Dabney, William H. (William Howard), 1934-2012","Dabney, William H. (William Howard), 1934-2012"],"persname_ssim":["Dabney, William H. (William Howard), 1934-2012"],"access_subjects_ssim":["Caricatures and cartoons"],"access_subjects_ssm":["Caricatures and cartoons"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains one cartoon/caricature (1981) presented to William H. 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He was killed in action while leading an assaulting platoon ahead of his regiment, near Verdun, France on October 2, 1918.","John H. Lattin, Jr. was killed in action in Vietnam on December 15, 1967.","J. Andrew Morson is the brother of VMI New Market cadet William A. Morson.","Kiffin Yates Rockwell attended VMI in 1909. During World War I he was accepted by the Service Aeronautique, began flight training in September 1915, and in April became one of the founding pilots in the squadron initially known as the Escadrille Americaine (later called the Lafayette Escadrille). In May 1916 while on patrol at the front, he became the first American pilot to down an enemy plane. Rockwell subsequently flew dozens of patrols and fought in many air battles, gaining fame for his skill and courage. His final combat took place on September 23, 1916, when his Nieuport was downed by the gunner in a German Albatross observation plane. Rockwell is buried in the cemetery at Luxeuil-les-Bains, France.","January 23, 1918. \nNumber 3. \nLa Fayette Flying Corps.","In recognition of the services rendered to France and her Allies for the cause of humanity, this certificate has been issued to S/Lieut Kiffin Yates Rockwell who served during the European war in the capacity of Pilot in the LaFayette Escadrille. Killed on Sept. 23, 1916.  Thereby in a measure repaying the great debt which America owes to France and contributing to the victory of Liberty and Civilization over military Autocracy and Barbarism.","This collection consists of certificates, citations, commissions, and similar documentation associated with VMI alumni, faculty, staff, or VMI as a whole. The collection does not include VMI diplomas or literary society certificates, which are filed separately.","Certificate presented to Richard Baldwin (VMI Class of 1942) that commemorates his passage across the International Dateline.","A certificate (in French) appointing Lieutenant Colonel Arthur W. Belden, Jr. an honorary member of the French Foreign Legion in recognition of services rendered.","A certificate of honorary membership for faculty member Robert P. Carroll in the Phi Psi Chapter at the Medical College of Virginia.","This folder contains one cartoon/caricature (1981) presented to William H. Dabney relating to his assignment at the National Emergency Airborne Command Post, and one memorial resolution (2012) passed by the Virginia senate honoring the contributions of Dabney.","Certificate awarded to Samuel G. Davis for completion of courses in physics and astronomy.","Certificate from the Rockne-Meanwell School for Coaches, Football, and Basketball held at Washington and Lee University.","Includes the citation: \"In grateful memory of Major Frederick A. Hippey who died in the service of his country in the Asiatic Area, August 6, 1945\".  Signed by President Truman. ","Also included are three certificates in Chinese:\n Appointment of Hippey as an instructor in the artillery section of the Training Corps, Yunnan Branch of Military Council of China signed by Chiang Kai-shek, Head of Training Corps Certificate of award in consideration of meritorious services The Special Breast Order of the Cloud and Banner, presented by the National Government of China, Chiang Chung-Cheng, President, January 30, 1946","Two certificates, including an Honorary degree from Washington and Lee University and a membership certificate for the Sons of the American Revolution.","Two track and field team certificates for the 220 yard low hurdles.","Includes a citation (1946) that reads \"in grateful memory of Charles M. Millar who died in the service of his country,\" signed by President Harry S. Truman. Also includes a certificate (1943), humorous, U.S.S. Henderson, \"Solemn Mysteries of the Ancient Order of the Deep.\"","Citation for extraordinary heroism at Lucy le Bocage, France, June 1918.","\"Military Order of the Carabao\"","Commonwealth of Virginia recognition of Chesty Puller Day, June 26, 1998.","Certificates of course of study completion in various academic classes at VMI.","Certificates that appoint James T. Tosh as a sergeant in the 1st Infantry, and Medical Department, Virginia Volunteers.","Appoints Martin B. Wood as Judge, Scott County, Virginia.","Appointment certificates for the following honorary alumnus:\n Baldwin G. Locher Mary Moody Northe Virgil D. Bradley Richard H. Kemper, Sr. Robert Patterson Fredrik Wachtmeister Louis G. Kuchuris","VMI faculty traditionally receive commissions in the Virginia Militia, unorganized. This file contains historical examples of these documents.","Issued by New York Governor Nelson A. Rockefeller on the occasion of the opening of the Virginia Civil War Centennial Center in Richmond, Virginia. Confederate banners of the Fifth Virginia Cavalry captured during the Civil War were returned by the State of New York.","Certificate of appreciation for coaches clinic.","Awarded to cadet publications \"The Bomb\" and \"The Sniper.\"","Resolution honors VMI for winning the Southern Conference championship.","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Oversized Case 1, Drawer 4","Virginia Military Institute Archives","Washington and Lee University","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Alumni Association","Sigma Nu","Phi Kapp Phi","Amory, Thomas D. (Thomas Dwyer), 1893-1918","Baldwin, Richard","Belden, Arthur W., Jr. (Arthur Williams)","Bissell, Norman M. (Norman Michael), 1938-2019","Brister, Charles M. (Charles Melville), 1889-?","Carroll, Robert P. \"Doc\"","Dabney, William H. (William Howard), 1934-2012","Daniels, Jonathan M. (Jonathan Myrick), 1939-1965","Davis, Samuel G. (Samuel Griffith), ?-1943","Elliott, Thomas N., Jr.","Foster, Charles E., Jr. (Charles Edgar), 1903-1938","Heflin, S. Murray (Sterling Murray)","Hippey, Frederick A. (Frederick Allen), ?-1945","Jamerson, Osmond T. (Osmond Tower), 1906-1975","Johnson, H. B., Jr. (Henry Belton), ?-1931","Lattin, John H., Jr., ?-1967","Mallory, Francis","Mapp, John A.","Millar, Charles M. (Charles Maynard), 1910-1946","Miller, Giles H., Jr. (Giles Henry)","Miller, John C. (John Craig)","Morson, William A. (William Alexander), 1843-1903","Pate, Randolph M. (Randolph McCall)","Pitkethly, David T.","Puller, Chesty, 1898-1971","Richards, James N. C. (James Neville Cocke), ?-1918","Rockwell, Kiffin Y. (Kiffin Yates), 1892-1916","Rosenbaum, Joseph M. (Joseph Marx), ?-1928","Selvage, Donald H., Jr. (Donald Hollis)","Sydnor, George W., Jr. (George Woodson)","Talman, Woods G. (Woods Garth)","Tosh, James T. (James Thomas), 1838-1894","Wise, Henry A. (Henry Alexander), 1874-1968","Wood, Martin B., 1845?-1908","Rockne, Knute, 1888-1931","Truman, Harry S., 1884-1972","Morson, J. 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His final combat took place on September 23, 1916, when his Nieuport was downed by the gunner in a German Albatross observation plane. Rockwell is buried in the cemetery at Luxeuil-les-Bains, France.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Thomas Dwyer Amory (VMI Class of 1916) was a First Lieutenant, 26th Infantry (Regular), 1st Division, American Expeditionary Forces. He was killed in action while leading an assaulting platoon ahead of his regiment, near Verdun, France on October 2, 1918.","John H. Lattin, Jr. was killed in action in Vietnam on December 15, 1967.","J. Andrew Morson is the brother of VMI New Market cadet William A. Morson.","Kiffin Yates Rockwell attended VMI in 1909. During World War I he was accepted by the Service Aeronautique, began flight training in September 1915, and in April became one of the founding pilots in the squadron initially known as the Escadrille Americaine (later called the Lafayette Escadrille). In May 1916 while on patrol at the front, he became the first American pilot to down an enemy plane. Rockwell subsequently flew dozens of patrols and fought in many air battles, gaining fame for his skill and courage. His final combat took place on September 23, 1916, when his Nieuport was downed by the gunner in a German Albatross observation plane. Rockwell is buried in the cemetery at Luxeuil-les-Bains, France."],"odd_html_tesm":["\u003cp\u003eJanuary 23, 1918.\u003cbr\u003e\nNumber 3.\u003cbr\u003e\nLa Fayette Flying Corps.\u003c/p\u003e\n","\u003cp\u003eIn recognition of the services rendered to France and her Allies for the cause of humanity, this certificate has been issued to S/Lieut Kiffin Yates Rockwell who served during the European war in the capacity of Pilot in the LaFayette Escadrille. Killed on Sept. 23, 1916.  Thereby in a measure repaying the great debt which America owes to France and contributing to the victory of Liberty and Civilization over military Autocracy and Barbarism.\u003c/p\u003e"],"odd_heading_ssm":["Transcription"],"odd_tesim":["January 23, 1918. \nNumber 3. \nLa Fayette Flying Corps.","In recognition of the services rendered to France and her Allies for the cause of humanity, this certificate has been issued to S/Lieut Kiffin Yates Rockwell who served during the European war in the capacity of Pilot in the LaFayette Escadrille. Killed on Sept. 23, 1916.  Thereby in a measure repaying the great debt which America owes to France and contributing to the victory of Liberty and Civilization over military Autocracy and Barbarism."],"prefercite_html_tesm":["\u003cp\u003eAlumni and VMI certificates and citations collection, 1860-2013. MS 0226. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Alumni and VMI certificates and citations collection, 1860-2013. MS 0226. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of certificates, citations, commissions, and similar documentation associated with VMI alumni, faculty, staff, or VMI as a whole. The collection does not include VMI diplomas or literary society certificates, which are filed separately.\u003c/p\u003e","\u003cp\u003eCertificate presented to Richard Baldwin (VMI Class of 1942) that commemorates his passage across the International Dateline.\u003c/p\u003e","\u003cp\u003eA certificate (in French) appointing Lieutenant Colonel Arthur W. Belden, Jr. an honorary member of the French Foreign Legion in recognition of services rendered.\u003c/p\u003e","\u003cp\u003eA certificate of honorary membership for faculty member Robert P. Carroll in the Phi Psi Chapter at the Medical College of Virginia.\u003c/p\u003e","\u003cp\u003eThis folder contains one cartoon/caricature (1981) presented to William H. Dabney relating to his assignment at the National Emergency Airborne Command Post, and one memorial resolution (2012) passed by the Virginia senate honoring the contributions of Dabney.\u003c/p\u003e","\u003cp\u003eCertificate awarded to Samuel G. Davis for completion of courses in physics and astronomy.\u003c/p\u003e","\u003cp\u003eCertificate from the Rockne-Meanwell School for Coaches, Football, and Basketball held at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eIncludes the citation: \"In grateful memory of Major Frederick A. Hippey who died in the service of his country in the Asiatic Area, August 6, 1945\".  Signed by President Truman. \u003c/p\u003e\n","\u003cp\u003eAlso included are three certificates in Chinese:\n\u003cul\u003e\n\u003cli\u003eAppointment of Hippey as an instructor in the artillery section of the Training Corps, Yunnan Branch of Military Council of China signed by Chiang Kai-shek, Head of Training Corps\u003c/li\u003e\n\u003cli\u003eCertificate of award in consideration of meritorious services\u003c/li\u003e\n\u003cli\u003eThe Special Breast Order of the Cloud and Banner, presented by the National Government of China, Chiang Chung-Cheng, President, January 30, 1946\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eTwo certificates, including an Honorary degree from Washington and Lee University and a membership certificate for the Sons of the American Revolution.\u003c/p\u003e","\u003cp\u003eTwo track and field team certificates for the 220 yard low hurdles.\u003c/p\u003e","\u003cp\u003eIncludes a citation (1946) that reads \"in grateful memory of Charles M. Millar who died in the service of his country,\" signed by President Harry S. Truman. Also includes a certificate (1943), humorous, U.S.S. Henderson, \"Solemn Mysteries of the Ancient Order of the Deep.\"\u003c/p\u003e","\u003cp\u003eCitation for extraordinary heroism at Lucy le Bocage, France, June 1918.\u003c/p\u003e","\u003cp\u003e\"Military Order of the Carabao\"\u003c/p\u003e","\u003cp\u003eCommonwealth of Virginia recognition of Chesty Puller Day, June 26, 1998.\u003c/p\u003e","\u003cp\u003eCertificates of course of study completion in various academic classes at VMI.\u003c/p\u003e","\u003cp\u003eCertificates that appoint James T. Tosh as a sergeant in the 1st Infantry, and Medical Department, Virginia Volunteers.\u003c/p\u003e","\u003cp\u003eAppoints Martin B. Wood as Judge, Scott County, Virginia.\u003c/p\u003e","\u003cp\u003eAppointment certificates for the following honorary alumnus:\n\u003cul\u003e\n\u003cli\u003eBaldwin G. Locher\u003c/li\u003e\n\u003cli\u003eMary Moody Northe\u003c/li\u003e\n\u003cli\u003eVirgil D. Bradley\u003c/li\u003e\n\u003cli\u003eRichard H. Kemper, Sr.\u003c/li\u003e\n\u003cli\u003eRobert Patterson\u003c/li\u003e\n\u003cli\u003eFredrik Wachtmeister\u003c/li\u003e\n\u003cli\u003eLouis G. Kuchuris\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eVMI faculty traditionally receive commissions in the Virginia Militia, unorganized. This file contains historical examples of these documents.\u003c/p\u003e","\u003cp\u003eIssued by New York Governor Nelson A. Rockefeller on the occasion of the opening of the Virginia Civil War Centennial Center in Richmond, Virginia. Confederate banners of the Fifth Virginia Cavalry captured during the Civil War were returned by the State of New York.\u003c/p\u003e","\u003cp\u003eCertificate of appreciation for coaches clinic.\u003c/p\u003e","\u003cp\u003eAwarded to cadet publications \"The Bomb\" and \"The Sniper.\"\u003c/p\u003e","\u003cp\u003eResolution honors VMI for winning the Southern Conference championship.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of certificates, citations, commissions, and similar documentation associated with VMI alumni, faculty, staff, or VMI as a whole. The collection does not include VMI diplomas or literary society certificates, which are filed separately.","Certificate presented to Richard Baldwin (VMI Class of 1942) that commemorates his passage across the International Dateline.","A certificate (in French) appointing Lieutenant Colonel Arthur W. Belden, Jr. an honorary member of the French Foreign Legion in recognition of services rendered.","A certificate of honorary membership for faculty member Robert P. Carroll in the Phi Psi Chapter at the Medical College of Virginia.","This folder contains one cartoon/caricature (1981) presented to William H. Dabney relating to his assignment at the National Emergency Airborne Command Post, and one memorial resolution (2012) passed by the Virginia senate honoring the contributions of Dabney.","Certificate awarded to Samuel G. Davis for completion of courses in physics and astronomy.","Certificate from the Rockne-Meanwell School for Coaches, Football, and Basketball held at Washington and Lee University.","Includes the citation: \"In grateful memory of Major Frederick A. Hippey who died in the service of his country in the Asiatic Area, August 6, 1945\".  Signed by President Truman. ","Also included are three certificates in Chinese:\n Appointment of Hippey as an instructor in the artillery section of the Training Corps, Yunnan Branch of Military Council of China signed by Chiang Kai-shek, Head of Training Corps Certificate of award in consideration of meritorious services The Special Breast Order of the Cloud and Banner, presented by the National Government of China, Chiang Chung-Cheng, President, January 30, 1946","Two certificates, including an Honorary degree from Washington and Lee University and a membership certificate for the Sons of the American Revolution.","Two track and field team certificates for the 220 yard low hurdles.","Includes a citation (1946) that reads \"in grateful memory of Charles M. Millar who died in the service of his country,\" signed by President Harry S. Truman. Also includes a certificate (1943), humorous, U.S.S. 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