{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Broadsides+--+1850-1870\u0026f%5Bdate_range%5D%5B%5D=1862\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Broadsides+--+1850-1870\u0026f%5Bdate_range%5D%5B%5D=1862\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_37","type":"collection","attributes":{"title":"North American 19th century theatre broadside collection, 1850/1867","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"normalized_date_ssm":["1850/1867"],"normalized_title_ssm":["North American 19th century theatre broadside collection, 1850/1867"],"text":["North American 19th century theatre broadside collection, 1850/1867","C0081","/repositories/2/resources/37","Boston (Mass.)","New York (N.Y.)","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)","Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. 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Some single broadsides grouped together.","Series\n      Series 1: National Theatre of Boston, 1850-1857 (Box 1)\n      Series 2: Boston Museum, 1852-1858 (Box 1)\n      Series 3: Boston Theatre, 1854-1858 (Box 1)\n      Series 4: Howard Anthenaeum, 1851-1857 (Box 1)\n      Series 5: Boston Academy of Music, 1860 (Box 1)\n      Series 6: Canada and New York City, 1855-1867 (Box 1)\n      Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. 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The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. 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Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. 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However, this struggle between religious and artistic ideas lasted into the 20th century.","Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees."],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["R29, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:41.383Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37"}},{"id":"vifgm_repositories_2_resources_773","type":"collection","attributes":{"title":"Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_773#creator","type":"document_value","attributes":{"value":"Canterbury, H. Webster","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_773#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_773#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_773","ead_ssi":"vifgm_repositories_2_resources_773","_root_":"vifgm_repositories_2_resources_773","_nest_parent_":"vifgm_repositories_2_resources_773","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_773.xml","title_filing_ssi":"Three Union Civil War songs by H. Webster Canterbury printed broadside","title_ssm":["Three Union Civil War songs by H. Webster Canterbury printed broadside"],"title_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside"],"unitdate_ssm":["circa 1861-1865"],"unitdate_inclusive_ssm":["circa 1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"text":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865","C0548","/repositories/2/resources/773","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music","Broadsides -- 1850-1870","There are no access restrictions.","This is a single item collection.","Gettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.","Manuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.","The New York Public Library: Archives \u0026 Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview.","Broadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.","Throughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear.","Processing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026.","The Special Collections Research Center holds other Civil War collections, including \"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside.","The Library of Congress' digital collections include a similar item, as well as a large collection of American Song Sheets.","The New York State Library holds the Broadside Ballads Collection and The New York Public Library for the Performing Arts holds the American broadsides collection.","Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Canterbury, H. Webster","English"],"collection_title_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"collection_ssim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0548","/repositories/2/resources/773"],"unitid_tesim":["C0548","/repositories/2/resources/773"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"places_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"creator_ssm":["Canterbury, H. Webster"],"creator_ssim":["Canterbury, H. Webster"],"creator_persname_ssim":["Canterbury, H. Webster"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Canterbury, H. Webster","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Caroliniana Rare Books by Lynn Eaton in 2022."],"access_subjects_ssim":["Broadsides -- 1850-1870"],"access_subjects_ssm":["Broadsides -- 1850-1870"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Broadsides -- 1850-1870"],"date_range_isim":[1861,1862,1863,1864,1865],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eGettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.\u003c/p\u003e","\u003cp\u003eManuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.\u003c/p\u003e","\u003cp\u003eThe New York Public Library: Archives \u0026amp; Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Gettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.","Manuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.","The New York Public Library: Archives \u0026 Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview."],"bioghist_html_tesm":["\u003cp\u003eBroadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.\u003c/p\u003e","\u003cp\u003eThroughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Broadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.","Throughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear."],"prefercite_html_tesm":["\u003cp\u003eThree Union Civil War songs by H. Webster Canterbury printed broadside, C0548, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, C0548, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War collections\u003c/a\u003e, including \u003ca href=\"https://aspace.gmu.edu/resources/c0434\"\u003e\"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eThe Library of Congress' digital collections include a \u003ca href=\"https://www.loc.gov/item/amss-cw200350/\"\u003esimilar item\u003c/a\u003e, as well as a large collection of \u003ca href=\"https://www.loc.gov/search/?fa=partof:american+song+sheets\"\u003eAmerican Song Sheets\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eThe New York State Library holds the \u003ca href=\"https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl\"\u003eBroadside Ballads Collection\u003c/a\u003e and The New York Public Library for the Performing Arts holds the \u003ca href=\"https://archives.nypl.org/mus/20429#overview\"\u003eAmerican broadsides collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other Civil War collections, including \"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside.","The Library of Congress' digital collections include a similar item, as well as a large collection of American Song Sheets.","The New York State Library holds the Broadside Ballads Collection and The New York Public Library for the Performing Arts holds the American broadsides collection."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4bf1210762e9839a9825a67db1100e1e\"\u003eSingle-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b29533518130eb21d8236406f97d55ef\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Canterbury, H. Webster"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Canterbury, H. Webster"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:23.237Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_773","ead_ssi":"vifgm_repositories_2_resources_773","_root_":"vifgm_repositories_2_resources_773","_nest_parent_":"vifgm_repositories_2_resources_773","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_773.xml","title_filing_ssi":"Three Union Civil War songs by H. Webster Canterbury printed broadside","title_ssm":["Three Union Civil War songs by H. Webster Canterbury printed broadside"],"title_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside"],"unitdate_ssm":["circa 1861-1865"],"unitdate_inclusive_ssm":["circa 1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"text":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865","C0548","/repositories/2/resources/773","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music","Broadsides -- 1850-1870","There are no access restrictions.","This is a single item collection.","Gettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.","Manuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.","The New York Public Library: Archives \u0026 Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview.","Broadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.","Throughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear.","Processing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026.","The Special Collections Research Center holds other Civil War collections, including \"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside.","The Library of Congress' digital collections include a similar item, as well as a large collection of American Song Sheets.","The New York State Library holds the Broadside Ballads Collection and The New York Public Library for the Performing Arts holds the American broadsides collection.","Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Canterbury, H. Webster","English"],"collection_title_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"collection_ssim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0548","/repositories/2/resources/773"],"unitid_tesim":["C0548","/repositories/2/resources/773"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"places_ssim":["United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Songs and music"],"creator_ssm":["Canterbury, H. Webster"],"creator_ssim":["Canterbury, H. Webster"],"creator_persname_ssim":["Canterbury, H. Webster"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Canterbury, H. Webster","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Caroliniana Rare Books by Lynn Eaton in 2022."],"access_subjects_ssim":["Broadsides -- 1850-1870"],"access_subjects_ssm":["Broadsides -- 1850-1870"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Broadsides -- 1850-1870"],"date_range_isim":[1861,1862,1863,1864,1865],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eGettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.\u003c/p\u003e","\u003cp\u003eManuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.\u003c/p\u003e","\u003cp\u003eThe New York Public Library: Archives \u0026amp; Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Gettysburg National Military Park (U.S. National Park Service). 2025. \"Traveling Trunk Additional Activities: Civil War Music.\" September 23. https://www.nps.gov/gett/learn/education/a-nation-at-war-traveling-trunk-additional-activities-civil-war-music.htm.","Manuscripts and Special Collections: NYS Library. n.d. \"Broadside Ballads Catalog.\" Accessed July 5, 2024. https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl.","The New York Public Library: Archives \u0026 Manuscripts. n.d. \"American Broadsides Collection.\" Accessed July 5, 2024. https://archives.nypl.org/mus/20429#overview."],"bioghist_html_tesm":["\u003cp\u003eBroadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.\u003c/p\u003e","\u003cp\u003eThroughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Broadsides (also known as \"broadside ballads\") were an inexpensive format of mass publication consisting of a single printed sheet, usually single-sided, containing song lyrics that were often topical in nature and meant to document or comment on current events. As such, broadsides were particularly popular in the United States during the Revolutionary War, the War of 1812, and the Civil War, many containing lyrics that documented events with humor, often satirically.","Throughout the Civil War these newly written songs served many functions for both the Union and Confederate armies, including entertaining soldiers and communicating orders on the battlefield, and the style and tone of these songs changed as the war itself evolved, with the beginning years seeing an emphasis on patriotic songs and the later years transitioning to an emphasis on homesickness and lamentations on the long duration of the conflict. Broadside ballads contained no musical notation and were intended to be sung to existing melodies, such as the \"The Star-Spangled Banner.\" H. Webster Canterbury appears to have written a number of these patriotic songs for the Union army, but his role in the war itself and personal history beyond these songs is unclear."],"prefercite_html_tesm":["\u003cp\u003eThree Union Civil War songs by H. Webster Canterbury printed broadside, C0548, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Three Union Civil War songs by H. Webster Canterbury printed broadside, C0548, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in March 2026. Finding aid completed by Meghan Glasbrenner in April 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85140205\"\u003eCivil War collections\u003c/a\u003e, including \u003ca href=\"https://aspace.gmu.edu/resources/c0434\"\u003e\"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eThe Library of Congress' digital collections include a \u003ca href=\"https://www.loc.gov/item/amss-cw200350/\"\u003esimilar item\u003c/a\u003e, as well as a large collection of \u003ca href=\"https://www.loc.gov/search/?fa=partof:american+song+sheets\"\u003eAmerican Song Sheets\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003eThe New York State Library holds the \u003ca href=\"https://www.nysl.nysed.gov/msscfa/broadsides.htm#nysl\"\u003eBroadside Ballads Collection\u003c/a\u003e and The New York Public Library for the Performing Arts holds the \u003ca href=\"https://archives.nypl.org/mus/20429#overview\"\u003eAmerican broadsides collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other Civil War collections, including \"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside.","The Library of Congress' digital collections include a similar item, as well as a large collection of American Song Sheets.","The New York State Library holds the Broadside Ballads Collection and The New York Public Library for the Performing Arts holds the American broadsides collection."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury including \"The American Nation,\" \"Jedidiah's Trip to Washington,\" and \"Our Yankee Boys Are Marching On.\" The song lyrics are divided into three columns and the broadside appears to have been previously folded into a trifold pamphlet. \"The American Nation\" includes a sub-heading before the beginning of the lyrics reading \"Air – Star Spangled Banner,\" indicating that the lyrics were to be sung to this existing melody."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4bf1210762e9839a9825a67db1100e1e\"\u003eSingle-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided printed broadside featuring lyrics for three Union Civil War songs by H. Webster Canterbury."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b29533518130eb21d8236406f97d55ef\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Canterbury, H. Webster"],"names_ssim":["George Mason University. Libraries. 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