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Acc. 2008.172","/repositories/2/resources/9331"],"text":["01/Mss. Acc. 2008.172","/repositories/2/resources/9331","John Randolph The Tory Papers","United States--History--Revolution, 1775-1783--Participation, French","United States--Revolutionary War--1775-1783","Booklets","Bookplates","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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After graduating, Jones worked as an educator in Oklahoma as well as at the Rosenwald School in Waynesboro. He was married to Emma Taylor Jones (1908-1958).","After receiving his funeral director's license in 1945, Jones established Kenneth L. Jones Funeral Home and served as its owner/operator until 1994.","Jones was particularly active in his local community and was a member of numerous civic organizations including the Staunton Interracial Commission, Board of Directors of the United Negro College Fund of Virginia, NAACP, Board of Directors for United Way of Staunton and Augusta County, Staunton School Board (1975-1979), Staunton Mental Health Board, and Staunton Democratic Committee. He was a lifetime member of Alpha Phi Alpha Fraternity as well as the Mt. Zion Lodge #18. Jones served as the treasurer of the Effie Ann Johnson Day Nursery for thirty years and was a member of the Augusta Street United Methodist Church. Jones was the first African-American person to be elected to Staunton's city council and also served as vice mayor (1968-1972). His awards include NAACP Lifetime Achievement Award, Shenandoah Valley Hit's 1992 Black History Month Male Business Person of the Year, and the Rosenwald Alumni Award for Service.","Jones died December 1, 2004 at the age of 99.","Acquired by Rolling Hills proprietor Jeff Bradfield at Green Valley Auctions on February 21, 2020.","The Kenneth L. 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A certificate of service recognizes Jones's 46 years of membership as a mason in the Mt. Zion Lodge #18."],"separatedmaterial_html_tesm":["\u003cp\u003eSouvenir Journal of Mount Zion's First Hundred Years, 1868-1968 (1968) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Souvenir Journal of Mount Zion's First Hundred Years, 1868-1968 (1968) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. 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Jones Papers, 1966-1972, comprising photographs and printed ephemera, document Jones's time as a member of Alpha Phi Alpha, the first intercollegiate historically African American fraternity, and as a civic leader in Staunton, Virginia.","The seven photographs document Alpha Phi Alpha Fraternity annual conventions and regional meetings including the 1966 southwestern regional meeting in Muskogee, Oklahoma; the 1969 annual convention in Houston, Texas; the 1971 annual convention in Milwaukee, Wisconsin, and an undated meeting in Norfolk, Virginia.","The printed ephemera includes a 1966 bulletin from West Virginia State University (Jones's alma mater) and an April 19, 1969 program for a testimonial dinner hosted by the Staunton-Augusta County Branch of the National Association for the Advancement of Colored People (NAACP). The program honored Dr. Charles J. Waller, and Jones, who was serving as vice mayor of Staunton at the time, gave one of several testimonies. A certificate of service recognizes Jones's 46 years of membership as a mason in the Mt. Zion Lodge #18."],"separatedmaterial_html_tesm":["\u003cp\u003eSouvenir Journal of Mount Zion's First Hundred Years, 1868-1968 (1968) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Souvenir Journal of Mount Zion's First Hundred Years, 1868-1968 (1968) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9071cc880a39b768f1f2e8a472da9c4a\"\u003eThe Kenneth L. Jones Papers, 1966-1972, comprising photographs and printed ephemera, document Jones's time as a member of Alpha Phi Alpha, the first intercollegiate historically African American fraternity, and as a civic leader in Staunton, Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The Kenneth L. Jones Papers, 1966-1972, comprising photographs and printed ephemera, document Jones's time as a member of Alpha Phi Alpha, the first intercollegiate historically African American fraternity, and as a civic leader in Staunton, Virginia."],"names_coll_ssim":["Rolling Hills Antique Mall","Alpha Phi Alpha Fraternity","West Virginia State University","National Association for the Advancement of Colored People"],"names_ssim":["James Madison University Libraries Special Collections","Rolling Hills Antique Mall","Alpha Phi Alpha Fraternity","West Virginia State University","National Association for the Advancement of Colored People","Jones, Kenneth L. (Kenneth Lee), 1905-2004"],"corpname_ssim":["James Madison University Libraries Special Collections","Rolling Hills Antique Mall","Alpha Phi Alpha Fraternity","West Virginia State University","National Association for the Advancement of Colored People"],"persname_ssim":["Jones, Kenneth L. (Kenneth Lee), 1905-2004"],"language_ssim":["English \n.    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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Items are housed in a legal folder.","Find A Grave. \"Mabel Hancock Holt (1923-2017).\" Find a Grave Memorial no. 183965126. Accessed January https://www.findagrave.com/memorial/183965126","Mabel Hancock Holt was born December 13, 1923 in Martinsville, Virginia. She attended Madison College from 1942-1946, where she was senior class president of the Student Government Association and a member of the Cotillion Club. She died September 25, 2017.","Items were donated to the JMU Advancement Office by Estelle K. Tulloss Wagner, a friend of Mabel Hancock Holt.","This collection is comprised of papers belonging to 1946 Madison College alum, Mabel Hancock Holt. It contains a 1945 Western Union telegram, issues of \"The Breeze\" dated October 12, and October 19, 1945, a 1946 commencement invitation, and photocopies from \"The Schoolma'am\" (undated). It also includes a booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for an alumni reunion.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","This collection contains the booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for the alumni reunion, and Madison College ephemera belonging to 1946 alum, Mabel Hancock Holt.","James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History","Holt, Mabel Hancock","English"],"unitid_tesim":["SC 0260","/repositories/4/resources/442"],"normalized_title_ssm":["Mabel Hancock Holt Papers"],"collection_title_tesim":["Mabel Hancock Holt Papers"],"collection_ssim":["Mabel Hancock Holt Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Holt, Mabel Hancock"],"creator_ssim":["Holt, Mabel Hancock"],"creator_persname_ssim":["Holt, Mabel Hancock"],"creators_ssim":["Holt, Mabel Hancock"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. 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Accessed January https://www.findagrave.com/memorial/183965126\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Find A Grave. \"Mabel Hancock Holt (1923-2017).\" Find a Grave Memorial no. 183965126. Accessed January https://www.findagrave.com/memorial/183965126"],"bioghist_html_tesm":["\u003cp\u003eMabel Hancock Holt was born December 13, 1923 in Martinsville, Virginia. She attended Madison College from 1942-1946, where she was senior class president of the Student Government Association and a member of the Cotillion Club. She died September 25, 2017.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Mabel Hancock Holt was born December 13, 1923 in Martinsville, Virginia. She attended Madison College from 1942-1946, where she was senior class president of the Student Government Association and a member of the Cotillion Club. She died September 25, 2017."],"custodhist_html_tesm":["\u003cp\u003eItems were donated to the JMU Advancement Office by Estelle K. Tulloss Wagner, a friend of Mabel Hancock Holt.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Items were donated to the JMU Advancement Office by Estelle K. Tulloss Wagner, a friend of Mabel Hancock Holt."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Mabel Hancock Holt Papers, 1945-1946, 2006, SC 0260, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Mabel Hancock Holt Papers, 1945-1946, 2006, SC 0260, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised of papers belonging to 1946 Madison College alum, Mabel Hancock Holt. It contains a 1945 Western Union telegram, issues of \"The Breeze\" dated October 12, and October 19, 1945, a 1946 commencement invitation, and photocopies from \"The Schoolma'am\" (undated). It also includes a booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for an alumni reunion.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection is comprised of papers belonging to 1946 Madison College alum, Mabel Hancock Holt. It contains a 1945 Western Union telegram, issues of \"The Breeze\" dated October 12, and October 19, 1945, a 1946 commencement invitation, and photocopies from \"The Schoolma'am\" (undated). It also includes a booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for an alumni reunion."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e6c13da949e5181ef2dd70528b9cab91\"\u003eThis collection contains the booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for the alumni reunion, and Madison College ephemera belonging to 1946 alum, Mabel Hancock Holt.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for the alumni reunion, and Madison College ephemera belonging to 1946 alum, Mabel Hancock Holt."],"names_coll_ssim":["Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History","Holt, Mabel Hancock"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History"],"persname_ssim":["Holt, Mabel Hancock"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:59:39.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_442","ead_ssi":"vihart_repositories_4_resources_442","_root_":"vihart_repositories_4_resources_442","_nest_parent_":"vihart_repositories_4_resources_442","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_442.xml","title_ssm":["Mabel Hancock Holt Papers"],"title_tesim":["Mabel Hancock Holt Papers"],"unitdate_ssm":["1945-1946","2006"],"unitdate_inclusive_ssm":["1945-1946"],"unitdate_other_ssim":["2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0260","/repositories/4/resources/442"],"text":["SC 0260","/repositories/4/resources/442","Mabel Hancock Holt Papers","Harrisonburg (Va.) -- History","Telegrams","Alumni directories","Booklets","Newspapers","Collection open to research. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e6c13da949e5181ef2dd70528b9cab91\"\u003eThis collection contains the booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for the alumni reunion, and Madison College ephemera belonging to 1946 alum, Mabel Hancock Holt.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the booklet, \"Class of 1946 Madison Memories,\" printed in 2006 for the alumni reunion, and Madison College ephemera belonging to 1946 alum, Mabel Hancock Holt."],"names_coll_ssim":["Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History","Holt, Mabel Hancock"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","James Madison University -- Students -- History"],"persname_ssim":["Holt, Mabel Hancock"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:59:39.623Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_442"}},{"id":"viw_repositories_2_resources_4430","type":"collection","attributes":{"title":"Medieval and Renaissance Studies Program Records, 1988-2012","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4430#creator","type":"document_value","attributes":{"value":"Dept. of Religious Studies","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4430#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFliers for films and lectures sponsored by the Medieval and Renaissance Studies Program at William \u0026amp; Mary. The program combines courses from the departments of Art History, Classical Studies, English, History, Modern Languages, Music, Philosophy, and Religious Studies. Also included are booklets from a Virginia Medieval Symposium and course offerings in Medieval and Renaissance Studies.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4430#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_4430","ead_ssi":"viw_repositories_2_resources_4430","_root_":"viw_repositories_2_resources_4430","_nest_parent_":"viw_repositories_2_resources_4430","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4430.xml","title_filing_ssi":"Medieval and Renaissance Studies Program  Records","title_ssm":["Medieval and Renaissance Studies Program Records, 1988-2012"],"title_tesim":["Medieval and Renaissance Studies Program Records, 1988-2012"],"unitdate_ssm":["1989-2012","1989-1996"],"unitdate_bulk_ssim":["1989-1996"],"unitdate_inclusive_ssm":["1989-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 257","/repositories/2/resources/4430"],"text":["UA 257","/repositories/2/resources/4430","Medieval and Renaissance Studies Program Records, 1988-2012","Booklets","Fliers (printed matter)","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection was previously part of the University Archives Publications Collection.","Acc. 2012.161 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2012.","Fliers for films and lectures sponsored by the Medieval and Renaissance Studies Program at William \u0026 Mary. The program combines courses from the departments of Art History, Classical Studies, English, History, Modern Languages, Music, Philosophy, and Religious Studies.  Also included are booklets from a Virginia Medieval Symposium and course offerings in Medieval and Renaissance Studies.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library","Special Collections Research Center","Dept. of Religious Studies","College of William and Mary. 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Metropolitan Criminal Justice Center"],"language_ssim":["English"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:56:39.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2355"}},{"id":"viw_repositories_2_resources_8984","type":"collection","attributes":{"title":"Muscarelle Museum of Art records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8984#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026amp; Mary. It includes fliers, catalogs and booklets from exhibits, dedications, classes, calendars, press releases, newsletters, and annual reports that were previously part of the University Archives Publications Collection. Also included are material from the \"So Good a Design\" exhibit primarily about the Wren Building and proposals for a Fine and Performing Arts Complex.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8984#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8984","ead_ssi":"viw_repositories_2_resources_8984","_root_":"viw_repositories_2_resources_8984","_nest_parent_":"viw_repositories_2_resources_8984","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8984.xml","title_filing_ssi":"Muscarelle Museum of Art Records","title_ssm":["Muscarelle Museum of Art records"],"title_tesim":["Muscarelle Museum of Art records"],"unitdate_ssm":["1981-2024"],"unitdate_inclusive_ssm":["1981-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 120","/repositories/2/resources/8984"],"text":["UA 120","/repositories/2/resources/8984","Muscarelle Museum of Art records","Art Gallery","Booklets","Fliers (printed matter)","Press releases","Reports","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William \u0026 Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received and dispersed throughout the campus. The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026 Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.","The Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.","Subsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.","In 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum."," The Muscarelle Museum of Art was accredited by the American Association of Museums (AAM) (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and in 2012. The Museum was the first university or college museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.","The collection has continued to grow and now numbers over 5,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper."," The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia.","Portions of this collection were previously part of the University Archives Publications Collection.","Box and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010.","University Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)","The collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026 Mary. It includes fliers, catalogs and booklets from exhibits, dedications, classes, calendars, press releases, newsletters, and annual reports that were previously part of the University Archives Publications Collection. Also included are material from the \"So Good a Design\" exhibit primarily about the Wren Building and proposals for a Fine and Performing Arts Complex.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Joseph and Margaret Muscarelle Museum of Art","English"],"unitid_tesim":["UA 120","/repositories/2/resources/8984"],"normalized_title_ssm":["Muscarelle Museum of Art records"],"collection_title_tesim":["Muscarelle Museum of Art records"],"collection_ssim":["Muscarelle Museum of Art records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1989.127 transferred from Muscarelle Museum spring 1989; Acc. 1999.079 received 07/28/1999. Acc. 2009.193 was transferred from Muscarelle Museum on 5/8/2009. Accession 2022.216 was donated by the Muscarelle Museum."],"access_subjects_ssim":["Art Gallery","Booklets","Fliers (printed matter)","Press releases","Reports"],"access_subjects_ssm":["Art Gallery","Booklets","Fliers (printed matter)","Press releases","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["5.51 Linear Feet"],"extent_tesim":["5.51 Linear Feet"],"genreform_ssim":["Booklets","Fliers (printed matter)","Press releases","Reports"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. 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The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026amp; Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.\u003c/p\u003e\n","\u003cp\u003eThe Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026amp;M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.\u003c/p\u003e\n","\u003cp\u003eSubsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.\u003c/p\u003e\n","\u003cp\u003eIn 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. 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Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper.\u003c/p\u003e\n","\u003cp\u003e The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["William \u0026 Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received and dispersed throughout the campus. The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026 Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.","The Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.","Subsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.","In 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum."," The Muscarelle Museum of Art was accredited by the American Association of Museums (AAM) (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and in 2012. The Museum was the first university or college museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.","The collection has continued to grow and now numbers over 5,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper."," The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia."],"custodhist_html_tesm":["\u003cp\u003ePortions of this collection were previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Portions of this collection were previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eMuscarelle Museum of Art Records, Special Collections Research Center, College of William \u0026amp; Mary.\u003c/p\u003e"],"prefercite_tesim":["Muscarelle Museum of Art Records, Special Collections Research Center, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026amp; Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William \u0026 Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received and dispersed throughout the campus. The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026 Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.","The Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.","Subsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.","In 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum."," The Muscarelle Museum of Art was accredited by the American Association of Museums (AAM) (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and in 2012. The Museum was the first university or college museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.","The collection has continued to grow and now numbers over 5,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper."," The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia.","Portions of this collection were previously part of the University Archives Publications Collection.","Box and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010.","University Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)","The collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026 Mary. It includes fliers, catalogs and booklets from exhibits, dedications, classes, calendars, press releases, newsletters, and annual reports that were previously part of the University Archives Publications Collection. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received and dispersed throughout the campus. The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026amp; Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.\u003c/p\u003e\n","\u003cp\u003eThe Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026amp;M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.\u003c/p\u003e\n","\u003cp\u003eSubsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.\u003c/p\u003e\n","\u003cp\u003eIn 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum.\u003c/p\u003e\n","\u003cp\u003e The Muscarelle Museum of Art was accredited by the American Association of Museums (AAM) (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and in 2012. The Museum was the first university or college museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.\u003c/p\u003e\n","\u003cp\u003eThe collection has continued to grow and now numbers over 5,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper.\u003c/p\u003e\n","\u003cp\u003e The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["William \u0026 Mary received its first gift of art in 1732. Throughout the centuries, numerous gifts of art were received and dispersed throughout the campus. The College art collection held American and English Colonial painters as well as modern works such as White Flower by Georgia O'Keeffe, given by Mrs. John D. Rockefeller, Jr. in 1934. Early advocates for preservation and cataloguing the College's art include Dr. Earl Gregg Swem and Thomas Thorne. During the 1970s, Dr. Miles Chappell along with art history students conducted a survey to determine what artworks The College owned. The survey revealed that over 300 years, William \u0026 Mary amassed a sizeable collection of art and established the need for a museum to preserve and protect the artwork.","The Muscarelle Museum of Art was made possible by generous funds from alumni and friends. The Museum opened in 1983 with Dr. Glenn Lowry (director at the Museum of Modern Art, MoMA, in New York), serving as the first Director, who oversaw the building construction. The major benefactor was Joseph L. Muscarelle (W\u0026M '27) and his wife, Margaret who generously supported the formation of a museum and whose family has continued their support throughout the years.","Subsequent gifts extended the collection beyond its roots in American portraiture; the collection spans centuries, including works by Hans Hofmann, Pablo Picasso, Henri Matisse, and John Singleton Copley. Integrated into the design of the building was the \"world's first solar painting,\" designed by Gene Davis, the noted Washington Color School painter. This design transforms the south façade of the Museum into a work of art when multi-colored tubes are illuminated from behind.","In 1987, the Museum underwent an expansion to nearly double its original size. At this time, Mark Johnson succeeded Glenn Lowry and oversaw the expansion. Mr. Johnson is now the Director at the Montgomery Museum of Fine Arts in Alabama. The third Director was Dr. Bonnie G. Kelm, who served from 1996 – 2002, and who recently retired from the University of California-Santa Barbara Art Museum."," The Muscarelle Museum of Art was accredited by the American Association of Museums (AAM) (now American Alliance of Museums) in 1988 and received subsequent accreditations in 2000 and in 2012. The Museum was the first university or college museum of art in the Commonwealth of Virginia to be accredited by the AAM. This distinction is held by fewer than five percent of museums in the U.S.","The collection has continued to grow and now numbers over 5,000 works of art from many cultures and historical eras. The strength of the collection is the holdings in English and American portraits of the seventeenth and eighteenth centuries that have national importance. Also included are a survey collection of European and American prints and drawings from the sixteenth through the twentieth centuries, Japanese prints, African art, Asian ceramics, and a remarkable collection of German Expressionist works on paper."," The Museum collection is supplemented and enhanced by numerous special exhibitions that bring works of art from public and private collections worldwide. These exhibitions provide opportunities for the viewing and study of material not otherwise available in this area. The Museum collaborates on special thematic exhibitions with academic departments at The College as well as with other cultural institutions and organizations. Numerous educational opportunities are offered throughout the year in conjunction with the Museum collection and loan exhibitions, including lectures, gallery talks, demonstrations, seminars, and symposia."],"custodhist_html_tesm":["\u003cp\u003ePortions of this collection were previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Portions of this collection were previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eMuscarelle Museum of Art Records, Special Collections Research Center, College of William \u0026amp; Mary.\u003c/p\u003e"],"prefercite_tesim":["Muscarelle Museum of Art Records, Special Collections Research Center, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and Folder List for Series 1 compiled by Amy White, SCRC staff, in January-February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Audiovisual Collection (Muscarelle's dedication ceremony, 21 October 1983, Acc. 1989.090); University Archives Artifact Collection (Bricks from the Groundbreaking Ceremony, Acc. 1999.079)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026amp; Mary. It includes fliers, catalogs and booklets from exhibits, dedications, classes, calendars, press releases, newsletters, and annual reports that were previously part of the University Archives Publications Collection. Also included are material from the \"So Good a Design\" exhibit primarily about the Wren Building and proposals for a Fine and Performing Arts Complex.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed of materials documenting the public activities of the Muscarelle Museum of Art at William \u0026 Mary. It includes fliers, catalogs and booklets from exhibits, dedications, classes, calendars, press releases, newsletters, and annual reports that were previously part of the University Archives Publications Collection. Also included are material from the \"So Good a Design\" exhibit primarily about the Wren Building and proposals for a Fine and Performing Arts Complex."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Joseph and Margaret Muscarelle Museum of Art"],"names_ssim":["Special Collections Research Center","Joseph and Margaret Muscarelle Museum of Art"],"corpname_ssim":["Special Collections Research Center","Joseph and Margaret Muscarelle Museum of Art"],"language_ssim":["English"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:14:43.246Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8984"}},{"id":"viw_repositories_2_resources_1291","type":"collection","attributes":{"title":"National Institute of American History and Democracy (NIAHD) Records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1291#creator","type":"document_value","attributes":{"value":"National Institute of American History and Democracy (NIAHD)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1291#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains fliers and booklets from the National Institute of American History and Democracy (NIAHD) at The College of William and Mary. The collection includes a booklet for a Summer Program in Early American History for High School Juniors and Seniors conducted by The College of William and Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1291#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1291","ead_ssi":"viw_repositories_2_resources_1291","_root_":"viw_repositories_2_resources_1291","_nest_parent_":"viw_repositories_2_resources_1291","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1291.xml","title_filing_ssi":"National Institute of American History and Democracy (NIAHD) Records","title_ssm":["National Institute of American History and Democracy (NIAHD) Records"],"title_tesim":["National Institute of American History and Democracy (NIAHD) Records"],"unitdate_ssm":["2002-2006"],"unitdate_inclusive_ssm":["2002-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 262","/repositories/2/resources/1291"],"text":["UA 262","/repositories/2/resources/1291","National Institute of American History and Democracy (NIAHD) Records","College of William and Mary--Students","Booklets","Fliers (printed matter)","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The National Institute of American History and Democracy (NIAHD) is a partnership between the College of William and Mary and the Colonial Williamsburg Foundation. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe National Institute of American History and Democracy (NIAHD) is a partnership between the College of William and Mary and the Colonial Williamsburg Foundation. 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It is dedicated to the study of the American past, material culture, and museums Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eThis collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["This collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eNational Institute of American History and Democracy Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["National Institute of American History and Democracy Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains fliers and booklets from the National Institute of American History and Democracy (NIAHD) at The College of William and Mary.  The collection includes a booklet for a Summer Program in Early American History for High School Juniors and Seniors conducted by The College of William and Mary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains fliers and booklets from the National Institute of American History and Democracy (NIAHD) at The College of William and Mary.  The collection includes a booklet for a Summer Program in Early American History for High School Juniors and Seniors conducted by The College of William and Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"names_coll_ssim":["College of William and Mary.","College of William and Mary. College of Arts and Sciences"],"names_ssim":["Special Collections Research Center","National Institute of American History and Democracy (NIAHD)","College of William and Mary.","College of William and Mary. College of Arts and Sciences"],"corpname_ssim":["Special Collections Research Center","National Institute of American History and Democracy (NIAHD)","College of William and Mary.","College of William and Mary. 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College of Arts and Sciences","English"],"unitid_tesim":["UA 262","/repositories/2/resources/1291"],"normalized_title_ssm":["National Institute of American History and Democracy (NIAHD) Records"],"collection_title_tesim":["National Institute of American History and Democracy (NIAHD) Records"],"collection_ssim":["National Institute of American History and Democracy (NIAHD) Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["National Institute of American History and Democracy (NIAHD)"],"creator_ssim":["National Institute of American History and Democracy (NIAHD)"],"creator_corpname_ssim":["National Institute of American History and Democracy (NIAHD)"],"creators_ssim":["National Institute of American History and Democracy (NIAHD)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"access_subjects_ssim":["College of William and Mary--Students","Booklets","Fliers (printed matter)"],"access_subjects_ssm":["College of William and Mary--Students","Booklets","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["0.20 Linear Feet"],"extent_tesim":["0.20 Linear Feet"],"genreform_ssim":["Booklets","Fliers (printed matter)"],"date_range_isim":[2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe National Institute of American History and Democracy (NIAHD) is a partnership between the College of William and Mary and the Colonial Williamsburg Foundation. 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College of Arts and Sciences"],"names_ssim":["Special Collections Research Center","National Institute of American History and Democracy (NIAHD)","College of William and Mary.","College of William and Mary. College of Arts and Sciences"],"corpname_ssim":["Special Collections Research Center","National Institute of American History and Democracy (NIAHD)","College of William and Mary.","College of William and Mary. 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