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","Taylor, Charles Holt","Taylor, William","Telford, Robert Lee","Thompson, William M. , 1864-1955","Tilson, Warren Edward","Tracy, Betty (Elizabeth Kilbourne), 1908-1993","Tucker, Robert Henry","Turnbull, Walter Jonathan","Twombly, Cy","Valentine, Edward Virginius, 1838-1930","Vethake, Henry","Wade, Wada Phyllis","Walker, Forrest Edward","Warren, Mame (Mary Elizabeth)","Washburn, William Crane","Washington, Booker T., 1856-1915","Watkin, Lawrence Edward","Watkins, Richard","Watt, William Joseph","Weaver, William","White, Annie Jo","White, Archibald S., Jr","White, B.D.","White, Henry Alexander","Whitney, George S. (George Stephen)","Williams, Bob","Williams, Boyd H.","Williams, Charles Wiley","Williamson, Thomas Hoomes","Willis, Henry Parker","Wilson, William Lyne","Winchester, James R. ","Winston, Daniel","Wolfe, Thomas","Woods, Magdalene","Woods, Michael","Wu, Nelson I. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"date_range_isim":[1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Washington and Lee University and Regional Virginia History Research Collection, WLU Coll. 0668, Special Collections and Archives, James G. 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Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Rockbridge Historical Society","First Baptist Church (Lexington, Va.)","Randolph Street Methodist Church (Lexington, Va.)","Lylburn Downing School (Lexington, Va.)","Washington Post Company","African-Americans.  Staunton, Virginia","Agricultural Society of Rockbridge","Agriculture","Rockbridge Farmers Exchange","John Deere Centennial","United Way of America","Lee Memorial Association","Lexington Fire Department (Lexington, Va.)","Virginia Cooperative Extension","Rockbridge County Cooperative Extension","Southern Association of Colleges and Schools","Blue Ridge CASA for Children","Washington and Lee University. Board of Trustees","The Roanoke Times","Washington and Lee University. University Library. Special Collections and Archives","Lexington Gazette. 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S.","Ailstock, Private","Taylor, Alex","Alexander, Archibald","Alexander, Hortense","Tucker, John Randolph","Allan, William, 1837-1889","Reasons, George","Anderson, Jo","McCormick, Cyrus Hall, 1809-1884","Anderson, Mary P. , - 1885","Armstrong, George D.","Armstrong, Rick","Auden, W.H.","Auden, Constance Rosalie, 1870-1941","Ballangee, James","Barclay, Ted, II (Alexander Tedford)","Barclay, William Houston","Barclay, Elizabeth","Telford, Jane Edmondson","Barclay, Polly Culbertson","Paxton, Phebe Alexander","Moore, Andrew, 1752-1821","Turner, Charles W. (Charles Wilson)","Barkley, Alben William, 1877-1956","Johnson, Edward","Baxter, George Addison","Barton, Benjamin Smith, Dr., 1766-1815","Jefferson, Thomas","Basse, Edgar Alfred, Jr.","Blackburn, Thomas","Boatwright, Robert McDearmon","Boatwright, John G. ","Booth, Augustus Lea","Borden, Benjamin, Sr.","Brady, Douglas Ellinipsico, Jr.","Hoffmann, August Carl","Brcin, John David","Brooks, William","White, James J. 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The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1050","ead_ssi":"viu_repositories_3_resources_1050","_root_":"viu_repositories_3_resources_1050","_nest_parent_":"viu_repositories_3_resources_1050","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1050.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132885","title_filing_ssi":"Barber, John papers","title_ssm":["John Barber papers"],"title_tesim":["John Barber papers"],"unitdate_ssm":["Circa 1910-1999"],"unitdate_inclusive_ssm":["Circa 1910-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"text":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050","John Barber papers","Arts","fair","This collection is minimally processed and open for research.","John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. ","This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.","Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965","English French Italian German"],"unitid_tesim":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"normalized_title_ssm":["John Barber papers"],"collection_title_tesim":["John Barber papers"],"collection_ssim":["John Barber papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Barber , John, 1893-1965"],"creator_ssim":["Barber , John, 1893-1965"],"creator_persname_ssim":["Barber , John, 1893-1965"],"creators_ssim":["Barber , John, 1893-1965"],"acqinfo_ssim":["Transfered by Sandra Cintron, Chief Registrar and Collections of the Fralin Art Museum, 22 April 2021. ","These material were orginally acquired by the Fralin Art Museum. The materials were brought to the museum for study related to the 1988 retrospective exhibition of the artist. A number of paintings, drawings and other works were donated to the museum in 1985, 1988, 1999, and 2011. The archive was also given with the intent that it would become part of the UVA Library."],"access_subjects_ssim":["Arts"],"access_subjects_ssm":["Arts"],"has_online_content_ssim":["false"],"physdesc_tesim":["fair"],"extent_ssm":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"extent_tesim":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper,\u003cemph render=\"italic\"\u003eThe Masses\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Liberator\u003c/emph\u003e. Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) \u003c/p\u003e\n","\u003cp\u003eBarber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.\u003c/p\u003e\n","\u003cp\u003e\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the \u003cemph render=\"italic\"\u003eVecko-Journalen of Stockholm\u003c/emph\u003e. His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16530, John Barber papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16530, John Barber papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. 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John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. ","This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. 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","These material were orginally acquired by the Fralin Art Museum. The materials were brought to the museum for study related to the 1988 retrospective exhibition of the artist. A number of paintings, drawings and other works were donated to the museum in 1985, 1988, 1999, and 2011. The archive was also given with the intent that it would become part of the UVA Library."],"access_subjects_ssim":["Arts"],"access_subjects_ssm":["Arts"],"has_online_content_ssim":["false"],"physdesc_tesim":["fair"],"extent_ssm":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"extent_tesim":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper,\u003cemph render=\"italic\"\u003eThe Masses\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Liberator\u003c/emph\u003e. Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) \u003c/p\u003e\n","\u003cp\u003eBarber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.\u003c/p\u003e\n","\u003cp\u003e\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the \u003cemph render=\"italic\"\u003eVecko-Journalen of Stockholm\u003c/emph\u003e. His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. 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Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16530, John Barber papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16530, John Barber papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. 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","An extensive and varied receipt book with formulas for both the arts and household\n                activities, signed by James Booth. Included for the arts are recipes for oriental,\n                black and red inks, gold lacquer, Japan blacking, French polish, many varnishes,\n                Prussian dye, reproducing ancient cameos, and washing leather and vellum\n                bookbindings. Household recipes include polishing liquid, paint removers, poison for\n                rats, Miss Crossley's scented powder, \"bluing and washing woolen goods after the\n                Welch method,\" French polish, remedies for burns, tooth powder, and shampoos.\n                Thought to be English in origin. Many of the items are dated, the earliest being\n                1826. 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