{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_4_resources_645","type":"collection","attributes":{"title":"Ernest L. Folk III papers","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_645#creator","type":"document_value","attributes":{"value":"Folk, Ernest L., III, 1930-1989","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_645#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_645#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_645","ead_ssi":"viu_repositories_4_resources_645","_root_":"viu_repositories_4_resources_645","_nest_parent_":"viu_repositories_4_resources_645","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_645.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132832","title_ssm":["Ernest L. Folk III papers"],"title_tesim":["Ernest L. Folk III papers"],"unitdate_ssm":["1963-1989"],"unitdate_inclusive_ssm":["1963-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645"],"text":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645","Ernest L. Folk III papers","Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching","\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the  Law Review  and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the  Securities Law Review . As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published  The Delaware General Corporation Law: A Commentary and Analysis .","Folk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the  Virginia Law Weekly  noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\"","The Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989","English"],"unitid_tesim":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645"],"normalized_title_ssm":["Ernest L. Folk III papers"],"collection_title_tesim":["Ernest L. Folk III papers"],"collection_ssim":["Ernest L. Folk III papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Folk, Ernest L., III, 1930-1989"],"creator_ssim":["Folk, Ernest L., III, 1930-1989"],"creator_persname_ssim":["Folk, Ernest L., III, 1930-1989"],"creators_ssim":["Folk, Ernest L., III, 1930-1989"],"acqinfo_ssim":["This collection was donated to the Law School by the executor of Folk's estate in March of 1990."],"access_subjects_ssim":["Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching"],"access_subjects_ssm":["Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Cubic Feet 12 archival boxes"],"extent_tesim":["4.5 Cubic Feet 12 archival boxes"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"bioghist_html_tesm":["\u003cp\u003e\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the \u003cemph render=\"italic\"\u003eLaw Review\u003c/emph\u003e and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the \u003cemph render=\"italic\"\u003eSecurities Law Review\u003c/emph\u003e. As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published \u003cemph render=\"italic\"\u003eThe Delaware General Corporation Law: A Commentary and Analysis\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eFolk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the \u003cemph render=\"italic\"\u003eVirginia Law Weekly\u003c/emph\u003e noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the  Law Review  and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the  Securities Law Review . As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published  The Delaware General Corporation Law: A Commentary and Analysis .","Folk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the  Virginia Law Weekly  noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts."],"names_coll_ssim":["University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989"],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"persname_ssim":["Folk, Ernest L., III, 1930-1989"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:11:04.434Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_645","ead_ssi":"viu_repositories_4_resources_645","_root_":"viu_repositories_4_resources_645","_nest_parent_":"viu_repositories_4_resources_645","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_645.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132832","title_ssm":["Ernest L. Folk III papers"],"title_tesim":["Ernest L. Folk III papers"],"unitdate_ssm":["1963-1989"],"unitdate_inclusive_ssm":["1963-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645"],"text":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645","Ernest L. Folk III papers","Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching","\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the  Law Review  and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the  Securities Law Review . As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published  The Delaware General Corporation Law: A Commentary and Analysis .","Folk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the  Virginia Law Weekly  noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\"","The Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989","English"],"unitid_tesim":["MSS.90.2","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/645"],"normalized_title_ssm":["Ernest L. Folk III papers"],"collection_title_tesim":["Ernest L. Folk III papers"],"collection_ssim":["Ernest L. Folk III papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Folk, Ernest L., III, 1930-1989"],"creator_ssim":["Folk, Ernest L., III, 1930-1989"],"creator_persname_ssim":["Folk, Ernest L., III, 1930-1989"],"creators_ssim":["Folk, Ernest L., III, 1930-1989"],"acqinfo_ssim":["This collection was donated to the Law School by the executor of Folk's estate in March of 1990."],"access_subjects_ssim":["Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching"],"access_subjects_ssm":["Arts","lawyers -- Virginia","Corporation law","Corporation law -- Delaware","Law  -- Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Cubic Feet 12 archival boxes"],"extent_tesim":["4.5 Cubic Feet 12 archival boxes"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"bioghist_html_tesm":["\u003cp\u003e\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the \u003cemph render=\"italic\"\u003eLaw Review\u003c/emph\u003e and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the \u003cemph render=\"italic\"\u003eSecurities Law Review\u003c/emph\u003e. As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published \u003cemph render=\"italic\"\u003eThe Delaware General Corporation Law: A Commentary and Analysis\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eFolk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the \u003cemph render=\"italic\"\u003eVirginia Law Weekly\u003c/emph\u003e noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nA graduate of Roanoke College and of UVA Law School in 1958, Ernest Linwood Folk III was a known scholar in the fields of corporate and securities law, as well as arts and entertainment law. At UVA, he earned both an LLB and MA, and was a member of the editorial board of the  Law Review  and elected to the Order of the Coif. He joined the UVA law faculty after teaching at the law schools of the University of North Carolina and the University of South Carolina. He had previously been an attorney with the U.S. Department of Justice, Antitrust Division, from 1956-59, as well as a visiting professor at Columbia, Michigan, and Duke law schools. He was a Reporter for the 1967 revision of the Delaware General Corporation Law, a statute governing more than half the nation's Fortune 500 companies. From 1970 to 1976, he edited the  Securities Law Review . As a professor at UVA, he taught such classes as Corporate Finance, Non-Profit Corporations, Business Planning, Law and the Visual Arts, Law and the Performing Arts, and Securities Regulation. He published  The Delaware General Corporation Law: A Commentary and Analysis .","Folk, who himself was wheelchair-bound, impacted the community by raising awareness of the issue of handicapped access, serving as Chairman of the University's Handicapped Concerns Committee. In this role, he succeeded in obtaining from the Virginia General Assembly special appropriations to pay for handicapped access to sidewalks and special handicapped parking spaces throughout campus. When Folk died suddenly in 1989, the  Virginia Law Weekly  noted, \"He will best be remembered by the student body as a friendly professor who made every effort to interact with his students.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ernest L. Folk papers is comprised of professional files, working files concerning consulting work; drafts, notes, etc., for articles; and a few folders regarding his home in Ivy. In addition, there are assorted teaching materials concerning law and the arts."],"names_coll_ssim":["University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989"],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","Folk, Ernest L., III, 1930-1989"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"persname_ssim":["Folk, Ernest L., III, 1930-1989"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:11:04.434Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_4_resources_645"}},{"id":"viu_repositories_3_resources_1050","type":"collection","attributes":{"title":"John Barber papers","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050#creator","type":"document_value","attributes":{"value":"Barber , John, 1893-1965","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1050","ead_ssi":"viu_repositories_3_resources_1050","_root_":"viu_repositories_3_resources_1050","_nest_parent_":"viu_repositories_3_resources_1050","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1050.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132885","title_filing_ssi":"Barber, John papers","title_ssm":["John Barber papers"],"title_tesim":["John Barber papers"],"unitdate_ssm":["Circa 1910-1999"],"unitdate_inclusive_ssm":["Circa 1910-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"text":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050","John Barber papers","Arts","fair","This collection is minimally processed and open for research.","John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. ","This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.","Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965","English French Italian German"],"unitid_tesim":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"normalized_title_ssm":["John Barber papers"],"collection_title_tesim":["John Barber papers"],"collection_ssim":["John Barber papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Barber , John, 1893-1965"],"creator_ssim":["Barber , John, 1893-1965"],"creator_persname_ssim":["Barber , John, 1893-1965"],"creators_ssim":["Barber , John, 1893-1965"],"acqinfo_ssim":["Transfered by Sandra Cintron, Chief Registrar and Collections of the Fralin Art Museum, 22 April 2021. ","These material were orginally acquired by the Fralin Art Museum. The materials were brought to the museum for study related to the 1988 retrospective exhibition of the artist. A number of paintings, drawings and other works were donated to the museum in 1985, 1988, 1999, and 2011. The archive was also given with the intent that it would become part of the UVA Library."],"access_subjects_ssim":["Arts"],"access_subjects_ssm":["Arts"],"has_online_content_ssim":["false"],"physdesc_tesim":["fair"],"extent_ssm":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"extent_tesim":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper,\u003cemph render=\"italic\"\u003eThe Masses\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Liberator\u003c/emph\u003e. Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) \u003c/p\u003e\n","\u003cp\u003eBarber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.\u003c/p\u003e\n","\u003cp\u003e\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the \u003cemph render=\"italic\"\u003eVecko-Journalen of Stockholm\u003c/emph\u003e. His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16530, John Barber papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16530, John Barber papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber."],"names_ssim":["Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Barber , John, 1893-1965"],"language_ssim":["English French Italian German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:40:41.031Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1050","ead_ssi":"viu_repositories_3_resources_1050","_root_":"viu_repositories_3_resources_1050","_nest_parent_":"viu_repositories_3_resources_1050","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1050.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/132885","title_filing_ssi":"Barber, John papers","title_ssm":["John Barber papers"],"title_tesim":["John Barber papers"],"unitdate_ssm":["Circa 1910-1999"],"unitdate_inclusive_ssm":["Circa 1910-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"text":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050","John Barber papers","Arts","fair","This collection is minimally processed and open for research.","John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. ","This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.","Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965","English French Italian German"],"unitid_tesim":["MSS 16530","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1050"],"normalized_title_ssm":["John Barber papers"],"collection_title_tesim":["John Barber papers"],"collection_ssim":["John Barber papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Barber , John, 1893-1965"],"creator_ssim":["Barber , John, 1893-1965"],"creator_persname_ssim":["Barber , John, 1893-1965"],"creators_ssim":["Barber , John, 1893-1965"],"acqinfo_ssim":["Transfered by Sandra Cintron, Chief Registrar and Collections of the Fralin Art Museum, 22 April 2021. ","These material were orginally acquired by the Fralin Art Museum. The materials were brought to the museum for study related to the 1988 retrospective exhibition of the artist. A number of paintings, drawings and other works were donated to the museum in 1985, 1988, 1999, and 2011. The archive was also given with the intent that it would become part of the UVA Library."],"access_subjects_ssim":["Arts"],"access_subjects_ssm":["Arts"],"has_online_content_ssim":["false"],"physdesc_tesim":["fair"],"extent_ssm":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"extent_tesim":["12.5 Cubic Feet 7 legal size document boxes, 2  small oversize flat folders, one box set of 2 volumes, and 6 cubics of books"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eJohn Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper,\u003cemph render=\"italic\"\u003eThe Masses\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Liberator\u003c/emph\u003e. Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) \u003c/p\u003e\n","\u003cp\u003eBarber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.\u003c/p\u003e\n","\u003cp\u003e\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the \u003cemph render=\"italic\"\u003eVecko-Journalen of Stockholm\u003c/emph\u003e. His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Barber (1893-1965) who became an American artist, was born in Galatz,Rumania to an English businessman Frederick Barber and Esther Jola \"Betty\" Barber who was Rumanian. John Barber's birthdate was changed to 1898 so that he could immigrate with his family to America. His affluent family moved to the United States in 1908 due to the heated political climate in Europe. As a child, Barber loved to draw, particularly maps. His parents encouraged his studies in art. In order to make his own living, Barber worked as an art reporter for newspapers and illustrated cartoons. He held a job with the political newspaper, The Masses  and  The Liberator . Through this employment, he became friends with the famous \"Eight\" in American art, (Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.) ","Barber continued to study art from a historical and universal point of view identifying the drama that exists in individuals no matter what particular nationality of the individual. He returned to Paris at the beginning of World War I where he studied art from the Fourteenth and Fifteenth century in Paris with Andre L'Hote and Jules Pascin. He visited the Louvre where he modeled his work after the classic great artists such as Michelangelo and Rembrandt. He travelled to Europe and North Africa often. He spent months in Italy, Spain, Portugal, Greece, Holland, and Belgium. On his way back to America, he spent six months in Mexico where he was inpired by the colors and scenery and felt that he did some of his best work. His paintings often depict peasants or men and women working in industries such as fishing, marketing, baking, building, or playing music. He returned to New York in 1934 folowing the world depression.He had some successful shows in New York but was frustrated with the way in which art shows had selected juries and did not open itself to new artists. He became the President of Harcum Junior College in Byrn Mawr, Pennsylvania and talught art classes from 1943 to 1946 to support his mother and sister who had left Tunisia to be in his care.","\nThe French government purchased his painting \"Portuguese Women making Bread,\" for the Luxembourg Museum in Paris. He also did a series of pictures of Paris life for the  Vecko-Journalen of Stockholm . His paintings were exhibited at the Salon d'Automne and Salon des Tuileries. He also had an art show in Paris, called \"Hundred Drawings by Modern Masters\". He did a series of paintings in Mexico that were popular. He had exhibits in New York, Detroit, Boston, and Philadelphia. Barber spoke nine languages and completely immersed himself in the culture of the places that he visited and painted. His paintings were more successful in Europe than America. He married psychiatrist, Dr. Margaret de Ronde (1905-1998) in 1948 and they were life long partners. He died in 1965. They had both hoped that the world would one day recognize the classical and universal elements of his paintings. He was often commended for the lighter colors that he could make vibrant and the important effects of light in his paintings. Film star and art collector Vincent Price was an admirer and buyer of John Barber's paintings. Hollywood actor Edward G. Robinson also corresponded with John Barber because he was born in Rumania and was an admirer of his paintings. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16530, John Barber papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16530, John Barber papers, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the personal art library and papers of the artist and educator John Barber (1893-1965). The collection contains correspondence, clippings, photographs, slides, exhibition catalogues and brochures, biographical information, books, and engraving plates for Christmas cards. These materials document primarily the professional life of John Barber but also includes some of his personal life. There are letters from Hollywood actors Vincent Price who was an art collector and Edward G. Robinson who was born in Rumania like John Barber."],"names_ssim":["Albert and Shirley Small Special Collections Library","Barber , John, 1893-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Barber , John, 1893-1965"],"language_ssim":["English French Italian German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":156,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:40:41.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1050"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Ernest L. Folk III papers","value":"Ernest L. Folk III papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bcollection%5D%5B%5D=Ernest+L.+Folk+III+papers\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"John Barber papers","value":"John Barber papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bcollection%5D%5B%5D=John+Barber+papers\u0026f%5Bdate_range%5D%5B%5D=1976"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1910","value":"1910","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1910"}},{"attributes":{"label":"1911","value":"1911","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1911"}},{"attributes":{"label":"1912","value":"1912","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1912"}},{"attributes":{"label":"1913","value":"1913","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1913"}},{"attributes":{"label":"1914","value":"1914","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1914"}},{"attributes":{"label":"1915","value":"1915","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1915"}},{"attributes":{"label":"1916","value":"1916","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1916"}},{"attributes":{"label":"1917","value":"1917","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1917"}},{"attributes":{"label":"1918","value":"1918","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1918"}},{"attributes":{"label":"1919","value":"1919","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1920","value":"1920","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1920"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Barber , John, 1893-1965","value":"Barber , John, 1893-1965","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bcreators%5D%5B%5D=Barber+%2C+John%2C+1893-1965\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"Folk, Ernest L., III, 1930-1989","value":"Folk, Ernest L., III, 1930-1989","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bcreators%5D%5B%5D=Folk%2C+Ernest+L.%2C+III%2C+1930-1989\u0026f%5Bdate_range%5D%5B%5D=1976"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Albert and Shirley Small Special Collections Library","value":"Albert and Shirley Small Special Collections Library","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bnames%5D%5B%5D=Albert+and+Shirley+Small+Special+Collections+Library"}},{"attributes":{"label":"Arthur J. Morris Law Library Special Collections","value":"Arthur J. Morris Law Library Special Collections","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bnames%5D%5B%5D=Arthur+J.+Morris+Law+Library+Special+Collections"}},{"attributes":{"label":"Barber , John, 1893-1965","value":"Barber , John, 1893-1965","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bnames%5D%5B%5D=Barber+%2C+John%2C+1893-1965"}},{"attributes":{"label":"Folk, Ernest L., III, 1930-1989","value":"Folk, Ernest L., III, 1930-1989","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bnames%5D%5B%5D=Folk%2C+Ernest+L.%2C+III%2C+1930-1989"}},{"attributes":{"label":"University of Virginia. School of Law","value":"University of Virginia. School of Law","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bnames%5D%5B%5D=University+of+Virginia.+School+of+Law"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Arts","value":"Arts","hits":2},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"Corporation law","value":"Corporation law","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Baccess_subjects%5D%5B%5D=Corporation+law\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"Corporation law -- Delaware","value":"Corporation law -- Delaware","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Baccess_subjects%5D%5B%5D=Corporation+law+--+Delaware\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"Law  -- Study and teaching","value":"Law  -- Study and teaching","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Baccess_subjects%5D%5B%5D=Law++--+Study+and+teaching\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"lawyers -- Virginia","value":"lawyers -- Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Baccess_subjects%5D%5B%5D=lawyers+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=1976"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Arts\u0026f%5Bdate_range%5D%5B%5D=1976\u0026sort=title_sort+desc"}}]}