{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1989\u0026page=2","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1989\u0026page=1","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1989\u0026page=3","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1989\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":22,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5371","type":"collection","attributes":{"title":"James E. Davis, Artist, Papers and Artworks, 1845/2013","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#creator","type":"document_value","attributes":{"value":"Davis, James E., 1901-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#abstract_or_scope","type":"document_value","attributes":{"value":"Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:54.405Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:54.405Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371"}},{"id":"wvmturhc_repositories_2_resources_2319","type":"collection","attributes":{"title":"Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2319#creator","type":"document_value","attributes":{"value":"Kreider, Kenneth","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2319#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTwo posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2319#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2319","ead_ssi":"wvmturhc_repositories_2_resources_2319","_root_":"wvmturhc_repositories_2_resources_2319","_nest_parent_":"wvmturhc_repositories_2_resources_2319","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2319.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196387","title_ssm":["Kenneth Kreider, Artist, Illustrations and Prints"],"title_tesim":["Kenneth Kreider, Artist, Illustrations and Prints"],"unitdate_ssm":["circa 1980s-2001, 2012"],"unitdate_inclusive_ssm":["circa 1980s-2001, 2012"],"normalized_date_ssm":["1981/2012"],"normalized_title_ssm":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"text":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012","A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319","Morgantown (W. Va.)","Art and artists","No special access restriction applies.","Two posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).","Addendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Kreider, Kenneth","English\n."],"collection_title_tesim":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"collection_ssim":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319"],"unitid_tesim":["A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Kreider, Kenneth"],"creator_ssim":["Kreider, Kenneth"],"creator_persname_ssim":["Kreider, Kenneth"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Kreider, Kenneth","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Initial acquisition: Gift from Cuthbert, John, 2012/06/18\nAddendum of 2025 April 29: Gift from Swisher, Kevin"],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.02 Linear Feet 2 oversize folders, 0.25 in. total"],"extent_tesim":["0.02 Linear Feet 2 oversize folders, 0.25 in. total"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Kenneth Kreider, Artist, Two Posters of Artistic Renderings of Morgantown Subjects, A\u0026amp;M 3852, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Kenneth Kreider, Artist, Two Posters of Artistic Renderings of Morgantown Subjects, A\u0026M 3852, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eTwo posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).\u003c/p\u003e","\u003cp\u003eAddendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).","Addendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bbf65c02a13b9d1aed8b6fc0c59ee314\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Kreider, Kenneth"],"names_ssim":["West Virginia and Regional History Center","Kreider, Kenneth"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:42.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2319","ead_ssi":"wvmturhc_repositories_2_resources_2319","_root_":"wvmturhc_repositories_2_resources_2319","_nest_parent_":"wvmturhc_repositories_2_resources_2319","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2319.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196387","title_ssm":["Kenneth Kreider, Artist, Illustrations and Prints"],"title_tesim":["Kenneth Kreider, Artist, Illustrations and Prints"],"unitdate_ssm":["circa 1980s-2001, 2012"],"unitdate_inclusive_ssm":["circa 1980s-2001, 2012"],"normalized_date_ssm":["1981/2012"],"normalized_title_ssm":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"text":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012","A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319","Morgantown (W. Va.)","Art and artists","No special access restriction applies.","Two posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).","Addendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Kreider, Kenneth","English\n."],"collection_title_tesim":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"collection_ssim":["Kenneth Kreider, Artist, Illustrations and Prints, 1981/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319"],"unitid_tesim":["A\u0026M 3852","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2319"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Kreider, Kenneth"],"creator_ssim":["Kreider, Kenneth"],"creator_persname_ssim":["Kreider, Kenneth"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Kreider, Kenneth","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Initial acquisition: Gift from Cuthbert, John, 2012/06/18\nAddendum of 2025 April 29: Gift from Swisher, Kevin"],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.02 Linear Feet 2 oversize folders, 0.25 in. total"],"extent_tesim":["0.02 Linear Feet 2 oversize folders, 0.25 in. total"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Kenneth Kreider, Artist, Two Posters of Artistic Renderings of Morgantown Subjects, A\u0026amp;M 3852, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Kenneth Kreider, Artist, Two Posters of Artistic Renderings of Morgantown Subjects, A\u0026M 3852, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eTwo posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).\u003c/p\u003e","\u003cp\u003eAddendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two posters, 12 in. x 15 in. each, consisting of pencil drawings of subjects found in Morgantown, West Virginia, including \"Architectural Landmarks of Morgantown\" (2001) and \"Faces of Morgantown\" (2012).","Addendum of 2025 April 29 includes two inkpen illustrations of Philippi, WV, and the Philippi Covered Bridge and two prints (one of various locations in Morgantown, WV, and another composite print of various locations in Philippi, including the two illustrations) by WV artist Kenneth Kreider."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bbf65c02a13b9d1aed8b6fc0c59ee314\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6319#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6319","ead_ssi":"wvmturhc_repositories_2_resources_6319","_root_":"wvmturhc_repositories_2_resources_6319","_nest_parent_":"wvmturhc_repositories_2_resources_6319","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6319.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/205434","title_ssm":["Malcolm Davis, Artist, Papers"],"title_tesim":["Malcolm Davis, Artist, Papers"],"unitdate_ssm":["1970-2015"],"unitdate_inclusive_ssm":["1970-2015"],"normalized_date_ssm":["1970/2015"],"normalized_title_ssm":["Malcolm Davis, Artist, Papers, 1970/2015"],"text":["Malcolm Davis, Artist, Papers, 1970/2015","A\u0026M 4263","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6319","Art and artists","Ceramics","No special access restriction applies.","Malcolm Herbert Davis, Jr. (1937-2011) was an internationally acclaimed ceramic artist who first began working with clay at the age of forty. Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"","Davis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe.","Davis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.","Known internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.","Though born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.","[This note is based upon contents of a funeral program in this collection.]","Papers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.","This collection is organized into six series:","Series 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.","Series 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.","Series 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes.","Series 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include Ceramics Review, Clay Times, Ceramics Monthly and The Studio Potter.","Series 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.","Series 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis, Malcolm H., 1937-2011","Davis, Judy","English\n."],"collection_title_tesim":["Malcolm Davis, Artist, Papers, 1970/2015"],"collection_ssim":["Malcolm Davis, Artist, Papers, 1970/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4263","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6319"],"unitid_tesim":["A\u0026M 4263","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6319"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davis, Malcolm H., 1937-2011"],"creator_ssim":["Davis, Malcolm H., 1937-2011"],"creator_persname_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Ceramics"],"access_subjects_ssm":["Art and artists","Ceramics"],"has_online_content_ssim":["false"],"extent_ssm":["11.46 Linear Feet 5 record cartons, 15 in. each; 11 document cases, 5 in. each; 3 document cases, 2.5 in. each"],"extent_tesim":["11.46 Linear Feet 5 record cartons, 15 in. each; 11 document cases, 5 in. each; 3 document cases, 2.5 in. each"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eMalcolm Herbert Davis, Jr. (1937-2011) was an internationally acclaimed ceramic artist who first began working with clay at the age of forty. Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"\u003c/p\u003e","\u003cp\u003eDavis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe. \u003c/p\u003e","\u003cp\u003eDavis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.\u003c/p\u003e","\u003cp\u003eKnown internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.\u003c/p\u003e","\u003cp\u003eThough born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.\u003c/p\u003e","\u003cp\u003e[This note is based upon contents of a funeral program in this collection.]\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Malcolm Herbert Davis, Jr. (1937-2011) was an internationally acclaimed ceramic artist who first began working with clay at the age of forty. Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"","Davis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe.","Davis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.","Known internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.","Though born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.","[This note is based upon contents of a funeral program in this collection.]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Malcolm Davis, Artist, Papers, A\u0026amp;M 4263, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Malcolm Davis, Artist, Papers, A\u0026M 4263, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.  \u003c/p\u003e","\u003cp\u003eThis collection is organized into six series:\u003c/p\u003e","\u003cp\u003eSeries 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.\u003c/p\u003e","\u003cp\u003eSeries 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.\u003c/p\u003e","\u003cp\u003eSeries 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes. \u003c/p\u003e","\u003cp\u003eSeries 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include \u003ctitle\u003eCeramics Review\u003c/title\u003e, \u003ctitle\u003eClay Times\u003c/title\u003e, \u003ctitle\u003eCeramics Monthly\u003c/title\u003e and \u003ctitle\u003eThe Studio Potter\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSeries 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.\u003c/p\u003e","\u003cp\u003eSeries 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.","This collection is organized into six series:","Series 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.","Series 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.","Series 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes.","Series 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include Ceramics Review, Clay Times, Ceramics Monthly and The Studio Potter.","Series 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.","Series 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8bb200b75ae77cd80369f3c8e5f5e3f8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"","Davis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe.","Davis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.","Known internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.","Though born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.","[This note is based upon contents of a funeral program in this collection.]","Papers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.","This collection is organized into six series:","Series 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.","Series 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.","Series 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes.","Series 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include Ceramics Review, Clay Times, Ceramics Monthly and The Studio Potter.","Series 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.","Series 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis, Malcolm H., 1937-2011","Davis, Judy","English\n."],"collection_title_tesim":["Malcolm Davis, Artist, Papers, 1970/2015"],"collection_ssim":["Malcolm Davis, Artist, Papers, 1970/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4263","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6319"],"unitid_tesim":["A\u0026M 4263","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6319"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davis, Malcolm H., 1937-2011"],"creator_ssim":["Davis, Malcolm H., 1937-2011"],"creator_persname_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Ceramics"],"access_subjects_ssm":["Art and artists","Ceramics"],"has_online_content_ssim":["false"],"extent_ssm":["11.46 Linear Feet 5 record cartons, 15 in. each; 11 document cases, 5 in. each; 3 document cases, 2.5 in. each"],"extent_tesim":["11.46 Linear Feet 5 record cartons, 15 in. each; 11 document cases, 5 in. each; 3 document cases, 2.5 in. each"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eMalcolm Herbert Davis, Jr. (1937-2011) was an internationally acclaimed ceramic artist who first began working with clay at the age of forty. Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"\u003c/p\u003e","\u003cp\u003eDavis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe. \u003c/p\u003e","\u003cp\u003eDavis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.\u003c/p\u003e","\u003cp\u003eKnown internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.\u003c/p\u003e","\u003cp\u003eThough born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.\u003c/p\u003e","\u003cp\u003e[This note is based upon contents of a funeral program in this collection.]\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Malcolm Herbert Davis, Jr. (1937-2011) was an internationally acclaimed ceramic artist who first began working with clay at the age of forty. Previously, Davis served as a campus minister at the Ecumenical Campus Ministry, George Washington University in Washington, D.C. He was also a well-known social activist. A graduate of Union Theological Seminary in New York City and ordained United Church of Christ clergy, he considered his life in clay as a continued ministry. According to Davis, the making of pots was \"a way to celebrate the mundane rituals of daily life and to make them holy.\"","Davis was most well-known for the shino glaze recipe (known as \"Malcolm's Shino\") that he developed, which is still in use by potters in the United States and Europe.","Davis first exhibited his ceramics in 1991 at the Greenwich House Nancy Hartsock Gallery in New York City. His work was also featured at the Philadelphia Museum of Art Craft Show, the Smithsonian Craft Show, and the American Craft Council Shows, and he was a regular participant in the Annual Pottery Invitational for over 30 years. His work can be found in numerous museum collections, including the American Craft Museum (New York City), the American Museum of Ceramic Art (Pomona, CA), the Chein-Joseph International Museum of Ceramic Art (Alfred, NY), Mobach Collection (Utrecht, Holland) and a permanent collection in Yixing, China. He was the recipient of numerous awards, including four grants from the DC Commission on the Arts and Humanities.","Known internationally for his functional porcelain shinoware, Davis taught and lectured widely throughout the U.S., Canada, and Italy. He was also featured in over 15 books and publications in the U.S. and Europe.","Though born in Newport News, Virginia, Davis spent much of his life in Washington, D.C. and kept his studio and kiln in Tallmansville, West Virginia.","[This note is based upon contents of a funeral program in this collection.]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Malcolm Davis, Artist, Papers, A\u0026amp;M 4263, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Malcolm Davis, Artist, Papers, A\u0026M 4263, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.  \u003c/p\u003e","\u003cp\u003eThis collection is organized into six series:\u003c/p\u003e","\u003cp\u003eSeries 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.\u003c/p\u003e","\u003cp\u003eSeries 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.\u003c/p\u003e","\u003cp\u003eSeries 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes. \u003c/p\u003e","\u003cp\u003eSeries 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include \u003ctitle\u003eCeramics Review\u003c/title\u003e, \u003ctitle\u003eClay Times\u003c/title\u003e, \u003ctitle\u003eCeramics Monthly\u003c/title\u003e and \u003ctitle\u003eThe Studio Potter\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSeries 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.\u003c/p\u003e","\u003cp\u003eSeries 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Malcolm Davis, noted potter and ceramic artist. The collection includes slides of his work, some correspondence, shino glaze recipe cards, sketchbooks, photographs, and research books regarding ceramics. Davis was known for his shino pottery with a distinctive glaze, and much of the collection relates to that work.","This collection is organized into six series:","Series 1. Slides and Photographs, 1970s-2000s: Images of Davis's work, exhibitions and glaze samples, as well as his West Virginia studio and various teaching engagements. Works include shino and celadon teapots, vases, jars, platters, \"white pots,\" Penland celadon miniatures, sake sets, casseroles, vessels, honey jars and planters.","Series 2. Notebooks and Sketchbooks, undated: Notes including Davis's designs, glaze experimentation, kiln logs, international travels and more.","Series 3. Professional Papers, 1970-2015: Materials relating to Davis's career, such as workshop handouts, exhibitions, grants awarded and resumes.","Series 4. Publications, 1977-2012: Books, magazines and journals related to ceramists and their work from the United States, Europe, Asia, Eastern Russia and the Middle East. Magazine and journal titles include Ceramics Review, Clay Times, Ceramics Monthly and The Studio Potter.","Series 5. Shino Recipes, undated: Hundreds of recipe cards for Davis's famous shino glazes.","Series 6. Correspondence and Personal Papers, 1993-2012: Letters and emails from friends and fellow artists including Jack Troy, Jim Robinson, Val Cushing, David Woodin, Tom Coleman, Pete Pennel and David Leach, as well as materials from Davis's memorial and career retrospective and miscellaneous articles of personal significance."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8bb200b75ae77cd80369f3c8e5f5e3f8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy"],"names_coll_ssim":["Davis, Malcolm H., 1937-2011","Davis, Judy"],"names_ssim":["West Virginia and Regional History Center","Davis, Malcolm H., 1937-2011","Davis, Judy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:58:40.403Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6319"}},{"id":"wvmturhc_repositories_2_resources_2266","type":"collection","attributes":{"title":"Max Hayslette, Artist, Papers and Artwork, 1927/2019","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2266#creator","type":"document_value","attributes":{"value":"Hayslette, Max","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2266#abstract_or_scope","type":"document_value","attributes":{"value":"Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2266#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2266","ead_ssi":"wvmturhc_repositories_2_resources_2266","_root_":"wvmturhc_repositories_2_resources_2266","_nest_parent_":"wvmturhc_repositories_2_resources_2266","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2266.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196334","title_ssm":["Max Hayslette, Artist, Papers and Artwork"],"title_tesim":["Max Hayslette, Artist, Papers and Artwork"],"unitdate_ssm":["1927-2019"],"unitdate_inclusive_ssm":["1927-2019"],"normalized_date_ssm":["1927/2019"],"normalized_title_ssm":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"text":["Max Hayslette, Artist, Papers and Artwork, 1927/2019","A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266","Rainelle (W. Va.)","Art and artists","No special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Max Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.","Following art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.","In the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.","Hayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image.","Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","The collection is divided into the following 9 series:","Series 1. Scrapbook (1947-1969), box 1\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\nSeries 5. Writings (2007-2011), box 2, folder 9\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\nSeries 7. Artifacts (2011, undated), box 1\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\nSeries 14. Addendum of 2020 February 20 (1927), box 8\nSeries 15. Addendum of 2021 November 4 (undated), digital files","The following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:","Biennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003. Firenze: Arte studio, 2003.","Wright, John S., and Daniel S. Warner. Advertising. New York: McGraw-Hill, 1966.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Hayslette, Max","English\n."],"collection_title_tesim":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"collection_ssim":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266"],"unitid_tesim":["A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Rainelle (W. Va.)"],"geogname_ssim":["Rainelle (W. Va.)"],"places_ssim":["Rainelle (W. Va.)"],"creator_ssm":["Hayslette, Max"],"creator_ssim":["Hayslette, Max"],"creator_persname_ssim":["Hayslette, Max"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Hayslette, Max","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["3.7 Linear Feet 1 flat storage box, 3.5 in.; 1 newspaper box, 3 in.; 3 flat storage boxes, 1.5 in. each; 1 record carton, 15 in.; 1 oversize record carton, 18 in.; 5 unboxed paintings","10.70 Gigabytes 50 files, formats include .wma, .docx, .avi, .mp4"],"extent_tesim":["3.7 Linear Feet 1 flat storage box, 3.5 in.; 1 newspaper box, 3 in.; 3 flat storage boxes, 1.5 in. each; 1 record carton, 15 in.; 1 oversize record carton, 18 in.; 5 unboxed paintings","10.70 Gigabytes 50 files, formats include .wma, .docx, .avi, .mp4"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection. \u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eMax Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.\u003c/p\u003e","\u003cp\u003eFollowing art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.\u003c/p\u003e","\u003cp\u003eIn the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.\u003c/p\u003e","\u003cp\u003eHayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Max Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.","Following art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.","In the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.","Hayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Max Hayslette, Artist, Papers and Artwork, A\u0026amp;M 3817, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Max Hayslette, Artist, Papers and Artwork, A\u0026M 3817, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.\u003c/p\u003e","\u003cp\u003eThe collection is divided into the following 9 series:\u003c/p\u003e","\u003cp\u003eSeries 1. Scrapbook (1947-1969), box 1\u003clb\u003e\u003c/lb\u003e\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\u003clb\u003e\u003c/lb\u003e\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\u003clb\u003e\u003c/lb\u003e\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\u003clb\u003e\u003c/lb\u003e\nSeries 5. Writings (2007-2011), box 2, folder 9\u003clb\u003e\u003c/lb\u003e\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\u003clb\u003e\u003c/lb\u003e\nSeries 7. Artifacts (2011, undated), box 1\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\u003clb\u003e\u003c/lb\u003e\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\u003clb\u003e\u003c/lb\u003e\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\u003clb\u003e\u003c/lb\u003e\nSeries 14. Addendum of 2020 February 20 (1927), box 8\u003clb\u003e\u003c/lb\u003e\nSeries 15. Addendum of 2021 November 4 (undated), digital files\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","The collection is divided into the following 9 series:","Series 1. Scrapbook (1947-1969), box 1\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\nSeries 5. Writings (2007-2011), box 2, folder 9\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\nSeries 7. Artifacts (2011, undated), box 1\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\nSeries 14. Addendum of 2020 February 20 (1927), box 8\nSeries 15. Addendum of 2021 November 4 (undated), digital files"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eBiennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003\u003c/title\u003e. Firenze: Arte studio, 2003.\u003c/p\u003e","\u003cp\u003eWright, John S., and Daniel S. Warner. \u003ctitle render=\"italic\"\u003eAdvertising\u003c/title\u003e. New York: McGraw-Hill, 1966.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:","Biennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003. Firenze: Arte studio, 2003.","Wright, John S., and Daniel S. Warner. Advertising. New York: McGraw-Hill, 1966."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6234cb81a26c7793b96f3429d025f7a8\"\u003ePapers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_86eaeea922bbde3c56f66b9543a29c1b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Hayslette, Max"],"names_coll_ssim":["Hayslette, Max"],"names_ssim":["West Virginia and Regional History Center","Hayslette, Max"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:42.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2266","ead_ssi":"wvmturhc_repositories_2_resources_2266","_root_":"wvmturhc_repositories_2_resources_2266","_nest_parent_":"wvmturhc_repositories_2_resources_2266","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2266.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196334","title_ssm":["Max Hayslette, Artist, Papers and Artwork"],"title_tesim":["Max Hayslette, Artist, Papers and Artwork"],"unitdate_ssm":["1927-2019"],"unitdate_inclusive_ssm":["1927-2019"],"normalized_date_ssm":["1927/2019"],"normalized_title_ssm":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"text":["Max Hayslette, Artist, Papers and Artwork, 1927/2019","A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266","Rainelle (W. Va.)","Art and artists","No special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Max Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.","Following art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.","In the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.","Hayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image.","Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","The collection is divided into the following 9 series:","Series 1. Scrapbook (1947-1969), box 1\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\nSeries 5. Writings (2007-2011), box 2, folder 9\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\nSeries 7. Artifacts (2011, undated), box 1\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\nSeries 14. Addendum of 2020 February 20 (1927), box 8\nSeries 15. Addendum of 2021 November 4 (undated), digital files","The following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:","Biennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003. Firenze: Arte studio, 2003.","Wright, John S., and Daniel S. Warner. Advertising. New York: McGraw-Hill, 1966.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Hayslette, Max","English\n."],"collection_title_tesim":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"collection_ssim":["Max Hayslette, Artist, Papers and Artwork, 1927/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266"],"unitid_tesim":["A\u0026M 3817","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2266"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Rainelle (W. Va.)"],"geogname_ssim":["Rainelle (W. Va.)"],"places_ssim":["Rainelle (W. Va.)"],"creator_ssm":["Hayslette, Max"],"creator_ssim":["Hayslette, Max"],"creator_persname_ssim":["Hayslette, Max"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Hayslette, Max","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["3.7 Linear Feet 1 flat storage box, 3.5 in.; 1 newspaper box, 3 in.; 3 flat storage boxes, 1.5 in. each; 1 record carton, 15 in.; 1 oversize record carton, 18 in.; 5 unboxed paintings","10.70 Gigabytes 50 files, formats include .wma, .docx, .avi, .mp4"],"extent_tesim":["3.7 Linear Feet 1 flat storage box, 3.5 in.; 1 newspaper box, 3 in.; 3 flat storage boxes, 1.5 in. each; 1 record carton, 15 in.; 1 oversize record carton, 18 in.; 5 unboxed paintings","10.70 Gigabytes 50 files, formats include .wma, .docx, .avi, .mp4"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection. \u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access condition applies to the archival component of this collection, including scrapbook, photographs, clippings, photographs, etc.  An access condition, however, applies to the artwork in this collection.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eMax Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.\u003c/p\u003e","\u003cp\u003eFollowing art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.\u003c/p\u003e","\u003cp\u003eIn the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.\u003c/p\u003e","\u003cp\u003eHayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Max Hayslette was born in 1929 in Rupert, West Virginia (WV). He was raised by his mother, Lolita, and father, Ellis, who worked for the Meadow River Lumber Company in Rainelle, WV. He graduated from the American Academy of Art in Chicago in 1951. He then studied briefly with Egon Weiner and Alexander Archipenko at the Art Institute of Chicago, which had a profound impact on his art. He earned an internship with Kenneth Olson, and remained on staff for ten years. In early 1962, he relocated to Seattle, Washington (WA), and was a principal at the Berg, Hayslette, Dupar design firm.","Following art school much of Hayslette's work was in the field of industrial design. He completed a variety of projects, including work with Herbert Bayer on the restoration of Colonial Williamsburg, Virginia in the late 1950s, the design of four pavilions for World's Fairs from 1962 to 1974, and work with New York design firm Walter Dorwin Teague on a project for the Boeing Company's Design and Developmental Center in Seattle, WA. In 1973, Hayslette founded Olympus Atelier and Olympus Graphics, Inc., a silk screen printing business, on Bainbridge Island, WA.","In the late 2000s, Hayslette was asked by the Rainelle Area Planning Commission to help the town's historical restoration efforts. His resulting painting of the Meadow River Lumber Company mill, donated to the Planning Commission for auction and print sales, helped raise money for the restoration project.","Hayslette is known for his abstract, modernist works as well as his landscapes. He frequently cites the influence of and draws inspiration from Asian masters. He has traveled extensively in Europe to paint, particularly in southern France and northern Italy. Through his longtime partnership with Larry Winn, Hayslette's works have been available through Winn Devon Art Group, and are currently available through Grand Image."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Max Hayslette, Artist, Papers and Artwork, A\u0026amp;M 3817, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Max Hayslette, Artist, Papers and Artwork, A\u0026M 3817, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.\u003c/p\u003e","\u003cp\u003eThe collection is divided into the following 9 series:\u003c/p\u003e","\u003cp\u003eSeries 1. Scrapbook (1947-1969), box 1\u003clb\u003e\u003c/lb\u003e\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\u003clb\u003e\u003c/lb\u003e\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\u003clb\u003e\u003c/lb\u003e\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\u003clb\u003e\u003c/lb\u003e\nSeries 5. Writings (2007-2011), box 2, folder 9\u003clb\u003e\u003c/lb\u003e\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\u003clb\u003e\u003c/lb\u003e\nSeries 7. Artifacts (2011, undated), box 1\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\u003clb\u003e\u003c/lb\u003e\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\u003clb\u003e\u003c/lb\u003e\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\u003clb\u003e\u003c/lb\u003e\nSeries 14. Addendum of 2020 February 20 (1927), box 8\u003clb\u003e\u003c/lb\u003e\nSeries 15. Addendum of 2021 November 4 (undated), digital files\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. Also included are items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.","The collection is divided into the following 9 series:","Series 1. Scrapbook (1947-1969), box 1\nSeries 2. Artwork (1962-2012), boxes 1-2, folders 1-4\nSeries 3. Photographs (1932-2010), box 2, folders 5-6\nSeries 4. Printed Materials (1962-2011), box 2, folders 7-8\nSeries 5. Writings (2007-2011), box 2, folder 9\nSeries 6. Subject Files (1998-2011), box 2, folders 10-14\nSeries 7. Artifacts (2011, undated), box 1\nSeries 8. Miscellaneous (1995-2011), box 2, folder 15\nSeries 9. Oversize Materials (2001-2019) boxes 3-5 and unboxed material\nSeries 10. Addendum of 2014 November 20 (ca. 1968-2007), box 6\nSeries 11. Addendum of 2015 January 22 (2011-2014, undated), box 3 and unboxed material\nSeries 12. Addendum of 2015 May 29 (2014), unboxed\nSeries 13. Addendum of 2019 August 27 (2013-2014), box 7 and digital files\nSeries 14. Addendum of 2020 February 20 (1927), box 8\nSeries 15. Addendum of 2021 November 4 (undated), digital files"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eBiennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003\u003c/title\u003e. Firenze: Arte studio, 2003.\u003c/p\u003e","\u003cp\u003eWright, John S., and Daniel S. Warner. \u003ctitle render=\"italic\"\u003eAdvertising\u003c/title\u003e. New York: McGraw-Hill, 1966.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been separated to the Rare Book Room and the WVU Libraries general collection, respectively, with the pertinent pages photocopied and retained with the collection:","Biennale internazionale dell'arte contemporanea: [catalogo] Citta di Firenze: quarta edizione 2003. Firenze: Arte studio, 2003.","Wright, John S., and Daniel S. Warner. Advertising. New York: McGraw-Hill, 1966."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6234cb81a26c7793b96f3429d025f7a8\"\u003ePapers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers of artist Max Hayslette, native West Virginian and longtime resident of Washington state, documenting his early life, his travels, and his work in industrial design and painting. There is a scrapbook from his youth in Rupert, West Virginia, prints of his artwork, photographs documenting his travels, and articles and news clippings about him and his work. There are also items related to his donation of a painting to the Rainelle Area Planning Commission to assist with their town restoration (in West Virginia). These items include an album of Rainelle student artwork given to him, a key to the city of Rainelle, a Distinguished West Virginian Award, and various clippings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_86eaeea922bbde3c56f66b9543a29c1b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Hayslette, Max"],"names_coll_ssim":["Hayslette, Max"],"names_ssim":["West Virginia and Regional History Center","Hayslette, Max"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:42.141Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2266"}},{"id":"wvmturhc_repositories_2_resources_3197","type":"collection","attributes":{"title":"Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3197#creator","type":"document_value","attributes":{"value":"Miller, Richard Kidwell","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3197#abstract_or_scope","type":"document_value","attributes":{"value":"Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3197#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3197","ead_ssi":"wvmturhc_repositories_2_resources_3197","_root_":"wvmturhc_repositories_2_resources_3197","_nest_parent_":"wvmturhc_repositories_2_resources_3197","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3197.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197158","title_ssm":["Richard Kidwell Miller, Artist, Papers and Artwork"],"title_tesim":["Richard Kidwell Miller, Artist, Papers and Artwork"],"unitdate_ssm":["1939-2012, undated"],"unitdate_inclusive_ssm":["1939-2012, undated"],"normalized_date_ssm":["1939/2012"],"normalized_title_ssm":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"text":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012","A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197","Fairmont (W. Va.)","Art and artists","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Richard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.","A more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection.","Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.","This collection is organized into nine series:","Series 1. Paintings; 1969-1999; unboxed","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6","Series 4. Art Exhibits; 1947-2001; box 1, folder 7","Series 5. Publications; 2005; box 1, folder 8","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17","Series 1. Paintings; 1969-1999; unboxed. Contains three oil paintings by Miller.","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4. Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6. Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.","Series 4. Art Exhibits; 1947-2001; box 1, folder 7. Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.","Series 5. Publications; 2005; box 1, folder 8. Contains a book regarding Miller written by a Russian author.","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11. Contains newspaper and magazine articles regarding Miller and his artwork.","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13. Contains photographs of Miller, including photographs of Miller with his artwork.","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16. Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17. Contains programs for three musical theater productions and one church service in which Miller performed.","See also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Miller, Richard Kidwell","English"],"collection_title_tesim":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"collection_ssim":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197"],"unitid_tesim":["A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont (W. Va.)"],"geogname_ssim":["Fairmont (W. Va.)"],"places_ssim":["Fairmont (W. Va.)"],"creator_ssm":["Miller, Richard Kidwell"],"creator_ssim":["Miller, Richard Kidwell"],"creator_persname_ssim":["Miller, Richard Kidwell"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Miller, Richard Kidwell","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet Summary: 5 in. (1 document case, 5 in.; 3 unboxed paintings)","0.02 Gigabytes 27 .jpg files"],"extent_tesim":["0.4 Linear Feet Summary: 5 in. (1 document case, 5 in.; 3 unboxed paintings)","0.02 Gigabytes 27 .jpg files"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eRichard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.\u003c/p\u003e","\u003cp\u003eA more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.","A more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Richard Kidwell Miller, Artist, Papers and Artwork, A\u0026amp;M 3982, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Richard Kidwell Miller, Artist, Papers and Artwork, A\u0026M 3982, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.\u003c/p\u003e","\u003cp\u003eThis collection is organized into nine series:\u003c/p\u003e","\u003cp\u003eSeries 1. Paintings; 1969-1999; unboxed\u003c/p\u003e","\u003cp\u003eSeries 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4\u003c/p\u003e","\u003cp\u003eSeries 3. Correspondence; 1947-2003, undated; box 1, folders 5-6\u003c/p\u003e","\u003cp\u003eSeries 4. Art Exhibits; 1947-2001; box 1, folder 7\u003c/p\u003e","\u003cp\u003eSeries 5. Publications; 2005; box 1, folder 8\u003c/p\u003e","\u003cp\u003eSeries 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11\u003c/p\u003e","\u003cp\u003eSeries 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13\u003c/p\u003e","\u003cp\u003eSeries 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16\u003c/p\u003e","\u003cp\u003eSeries 9. Theater and Music Programs; 1949-1961; box 1, folder 17\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. Paintings; 1969-1999; unboxed.\u003c/emph\u003e Contains three oil paintings by Miller.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4.\u003c/emph\u003e Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Correspondence; 1947-2003, undated; box 1, folders 5-6.\u003c/emph\u003e Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Art Exhibits; 1947-2001; box 1, folder 7.\u003c/emph\u003e Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Publications; 2005; box 1, folder 8.\u003c/emph\u003e Contains a book regarding Miller written by a Russian author.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11.\u003c/emph\u003e Contains newspaper and magazine articles regarding Miller and his artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13.\u003c/emph\u003e Contains photographs of Miller, including photographs of Miller with his artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16.\u003c/emph\u003e Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 9. Theater and Music Programs; 1949-1961; box 1, folder 17.\u003c/emph\u003e Contains programs for three musical theater productions and one church service in which Miller performed. \u003c/p\u003e","\u003cp\u003eSee also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.","This collection is organized into nine series:","Series 1. Paintings; 1969-1999; unboxed","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6","Series 4. Art Exhibits; 1947-2001; box 1, folder 7","Series 5. Publications; 2005; box 1, folder 8","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17","Series 1. Paintings; 1969-1999; unboxed. Contains three oil paintings by Miller.","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4. Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6. Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.","Series 4. Art Exhibits; 1947-2001; box 1, folder 7. Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.","Series 5. Publications; 2005; box 1, folder 8. Contains a book regarding Miller written by a Russian author.","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11. Contains newspaper and magazine articles regarding Miller and his artwork.","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13. Contains photographs of Miller, including photographs of Miller with his artwork.","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16. Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17. Contains programs for three musical theater productions and one church service in which Miller performed.","See also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef793ba91fbc37be3cb0aff4a8ac467b\"\u003eArtwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f69c4a98be0744306dab660f11ab06dc\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Miller, Richard Kidwell"],"names_coll_ssim":["Miller, Richard Kidwell"],"names_ssim":["West Virginia and Regional History Center","Miller, Richard Kidwell"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3197","ead_ssi":"wvmturhc_repositories_2_resources_3197","_root_":"wvmturhc_repositories_2_resources_3197","_nest_parent_":"wvmturhc_repositories_2_resources_3197","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3197.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197158","title_ssm":["Richard Kidwell Miller, Artist, Papers and Artwork"],"title_tesim":["Richard Kidwell Miller, Artist, Papers and Artwork"],"unitdate_ssm":["1939-2012, undated"],"unitdate_inclusive_ssm":["1939-2012, undated"],"normalized_date_ssm":["1939/2012"],"normalized_title_ssm":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"text":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012","A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197","Fairmont (W. Va.)","Art and artists","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Richard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.","A more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection.","Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.","This collection is organized into nine series:","Series 1. Paintings; 1969-1999; unboxed","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6","Series 4. Art Exhibits; 1947-2001; box 1, folder 7","Series 5. Publications; 2005; box 1, folder 8","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17","Series 1. Paintings; 1969-1999; unboxed. Contains three oil paintings by Miller.","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4. Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6. Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.","Series 4. Art Exhibits; 1947-2001; box 1, folder 7. Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.","Series 5. Publications; 2005; box 1, folder 8. Contains a book regarding Miller written by a Russian author.","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11. Contains newspaper and magazine articles regarding Miller and his artwork.","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13. Contains photographs of Miller, including photographs of Miller with his artwork.","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16. Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17. Contains programs for three musical theater productions and one church service in which Miller performed.","See also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Miller, Richard Kidwell","English"],"collection_title_tesim":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"collection_ssim":["Richard Kidwell Miller, Artist, Papers and Artwork, 1939/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197"],"unitid_tesim":["A\u0026M 3982","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3197"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Fairmont (W. Va.)"],"geogname_ssim":["Fairmont (W. Va.)"],"places_ssim":["Fairmont (W. Va.)"],"creator_ssm":["Miller, Richard Kidwell"],"creator_ssim":["Miller, Richard Kidwell"],"creator_persname_ssim":["Miller, Richard Kidwell"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Miller, Richard Kidwell","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet Summary: 5 in. (1 document case, 5 in.; 3 unboxed paintings)","0.02 Gigabytes 27 .jpg files"],"extent_tesim":["0.4 Linear Feet Summary: 5 in. (1 document case, 5 in.; 3 unboxed paintings)","0.02 Gigabytes 27 .jpg files"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eRichard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.\u003c/p\u003e","\u003cp\u003eA more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Kidwell Miller was born on 15 March 1930 in Fairmont, West Virginia. Miller demonstrated a talent for painting from a very early age. He received art instruction both in and out of school, including taking classes at the Works Progress Administration art center in Fairmont. When Miller was eleven years old, he had a painting included in an exhibit of children's art at the Metropolitan Museum in New York. Miller's family moved to Washington, DC in 1943. After graduating from high school, he studied art at the Pennsylvania Academy for the Fine Arts, then at American University. Miller was awarded a Fulbright Scholarship to travel to Paris, France and further his art studies. Upon returning to the United States, he began to teach art and also pursued a Master of Fine Arts at Columbia University. Miller had a prestigious career painting, teaching, and exhibiting; he was also a professional singer and actor. He married Theresa Robinson in 1957. Miller died in New York on 29 August 2012.","A more detailed biography as well as copies of Miller's resume can be found in Series 2 of this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Richard Kidwell Miller, Artist, Papers and Artwork, A\u0026amp;M 3982, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Richard Kidwell Miller, Artist, Papers and Artwork, A\u0026M 3982, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.\u003c/p\u003e","\u003cp\u003eThis collection is organized into nine series:\u003c/p\u003e","\u003cp\u003eSeries 1. Paintings; 1969-1999; unboxed\u003c/p\u003e","\u003cp\u003eSeries 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4\u003c/p\u003e","\u003cp\u003eSeries 3. Correspondence; 1947-2003, undated; box 1, folders 5-6\u003c/p\u003e","\u003cp\u003eSeries 4. Art Exhibits; 1947-2001; box 1, folder 7\u003c/p\u003e","\u003cp\u003eSeries 5. Publications; 2005; box 1, folder 8\u003c/p\u003e","\u003cp\u003eSeries 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11\u003c/p\u003e","\u003cp\u003eSeries 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13\u003c/p\u003e","\u003cp\u003eSeries 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16\u003c/p\u003e","\u003cp\u003eSeries 9. Theater and Music Programs; 1949-1961; box 1, folder 17\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. Paintings; 1969-1999; unboxed.\u003c/emph\u003e Contains three oil paintings by Miller.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4.\u003c/emph\u003e Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Correspondence; 1947-2003, undated; box 1, folders 5-6.\u003c/emph\u003e Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Art Exhibits; 1947-2001; box 1, folder 7.\u003c/emph\u003e Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Publications; 2005; box 1, folder 8.\u003c/emph\u003e Contains a book regarding Miller written by a Russian author.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11.\u003c/emph\u003e Contains newspaper and magazine articles regarding Miller and his artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13.\u003c/emph\u003e Contains photographs of Miller, including photographs of Miller with his artwork.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16.\u003c/emph\u003e Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 9. Theater and Music Programs; 1949-1961; box 1, folder 17.\u003c/emph\u003e Contains programs for three musical theater productions and one church service in which Miller performed. \u003c/p\u003e","\u003cp\u003eSee also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material.","This collection is organized into nine series:","Series 1. Paintings; 1969-1999; unboxed","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6","Series 4. Art Exhibits; 1947-2001; box 1, folder 7","Series 5. Publications; 2005; box 1, folder 8","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17","Series 1. Paintings; 1969-1999; unboxed. Contains three oil paintings by Miller.","Series 2. Biographical Material; 1990-2012, undated; box 1, folders 1-4. Contains material written by Miller, including a brief autobiography, resumes, and reminiscences, as well as material written by others about Miller, including articles copied from books and other sources. Also contains a card from his funeral.","Series 3. Correspondence; 1947-2003, undated; box 1, folders 5-6. Contains letters to Miller regarding his early artwork and other subjects and letters from Miller to John Cuthbert regarding an exhibit and catalog of artwork.","Series 4. Art Exhibits; 1947-2001; box 1, folder 7. Contains material regarding Miller's art exhibits, including an advertisement, a program, a poster, and a catalog.","Series 5. Publications; 2005; box 1, folder 8. Contains a book regarding Miller written by a Russian author.","Series 6. Newspaper Clippings; 1947-1990, undated; box 1, folders 9-11. Contains newspaper and magazine articles regarding Miller and his artwork.","Series 7. Photographs; ca. 1947-1982, undated; box 1, folders 12-13. Contains photographs of Miller, including photographs of Miller with his artwork.","Series 8. Artwork Reproductions; 1939-2002, undated; box 1, folders 14-16. Contains reproductions (photographs, prints, slides, digital copies, etc.) of artworks by Miller. Some of the reproductions include labels and other information recorded on the reverse by Miller.","Series 9. Theater and Music Programs; 1949-1961; box 1, folder 17. Contains programs for three musical theater productions and one church service in which Miller performed.","See also the book \"Richard Kidwell Miller\" by John Cuthbert, regarding the artist and the 2004 exhibit of Miller's work at West Virginia University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef793ba91fbc37be3cb0aff4a8ac467b\"\u003eArtwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork and Papers of Richard Kidwell Miller (1930-2012), a Fairmont-born artist, teacher, singer, and actor. Includes paintings (3 items), biographical material, correspondence, programs and catalogs for exhibits, newspaper and magazine clippings, photographs, reproductions of artwork, and other material. Please see \"Scope and Content Note\" and \"Historical Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f69c4a98be0744306dab660f11ab06dc\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Miller, Richard Kidwell"],"names_coll_ssim":["Miller, Richard Kidwell"],"names_ssim":["West Virginia and Regional History Center","Miller, Richard Kidwell"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3197"}},{"id":"wvmturhc_repositories_2_resources_2339","type":"collection","attributes":{"title":"Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2339#abstract_or_scope","type":"document_value","attributes":{"value":"Two prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2339#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2339","ead_ssi":"wvmturhc_repositories_2_resources_2339","_root_":"wvmturhc_repositories_2_resources_2339","_nest_parent_":"wvmturhc_repositories_2_resources_2339","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2339.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196407","title_ssm":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings"],"title_tesim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings"],"unitdate_ssm":["1983, 1984, 1992"],"unitdate_inclusive_ssm":["1983, 1984, 1992"],"normalized_date_ssm":["1983/1992"],"normalized_title_ssm":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"text":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992","A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339","Ohio River","Art and artists","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Two prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Riethmiller, Roy.","English"],"collection_title_tesim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"collection_ssim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339"],"unitid_tesim":["A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Ohio River"],"geogname_ssim":["Ohio River"],"places_ssim":["Ohio River"],"creator_persname_ssim":["Riethmiller, Roy."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Riethmiller, Roy.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet Summary: 2 items (1 folder)"],"extent_tesim":["0.01 Linear Feet Summary: 2 items (1 folder)"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Roy Riethmiller, Artist, Three Prints of Artistic Renderings, A\u0026amp;M 3858, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Roy Riethmiller, Artist, Three Prints of Artistic Renderings, A\u0026M 3858, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c535f00eb1b30a34733c4f3312bbf33d\"\u003eTwo prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250).\u003c/abstract\u003e\n    "],"abstract_tesim":["Two prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7decd85df4906d79afd70ce88102bd0e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Riethmiller, Roy."],"names_coll_ssim":["Riethmiller, Roy."],"names_ssim":["West Virginia and Regional History Center","Riethmiller, Roy."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:42.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2339","ead_ssi":"wvmturhc_repositories_2_resources_2339","_root_":"wvmturhc_repositories_2_resources_2339","_nest_parent_":"wvmturhc_repositories_2_resources_2339","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2339.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196407","title_ssm":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings"],"title_tesim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings"],"unitdate_ssm":["1983, 1984, 1992"],"unitdate_inclusive_ssm":["1983, 1984, 1992"],"normalized_date_ssm":["1983/1992"],"normalized_title_ssm":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"text":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992","A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339","Ohio River","Art and artists","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Two prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Riethmiller, Roy.","English"],"collection_title_tesim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"collection_ssim":["Roy Riethmiller, Artist, Three Prints of Artistic Renderings, 1983/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339"],"unitid_tesim":["A\u0026M 3858","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2339"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Ohio River"],"geogname_ssim":["Ohio River"],"places_ssim":["Ohio River"],"creator_persname_ssim":["Riethmiller, Roy."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Riethmiller, Roy.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet Summary: 2 items (1 folder)"],"extent_tesim":["0.01 Linear Feet Summary: 2 items (1 folder)"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Roy Riethmiller, Artist, Three Prints of Artistic Renderings, A\u0026amp;M 3858, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Roy Riethmiller, Artist, Three Prints of Artistic Renderings, A\u0026M 3858, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c535f00eb1b30a34733c4f3312bbf33d\"\u003eTwo prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250).\u003c/abstract\u003e\n    "],"abstract_tesim":["Two prints of artistic renderings of Ohio River scenes by artist Roy Riethmiller, including 1) Ohio Power Company -- Cardinal Plant -- Brilliant, Ohio (1983; 16 1/2 in. x 29 in.; 58/250); 2) Henry Covered Bridge, Pennsylvania (1984; 13 1/2 in. x 17 in.); 3) Veteran's Memorial Bridge -- Weirton, West Virginia (1992; 16 1/2 in. x 24 in.; 22/250)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7decd85df4906d79afd70ce88102bd0e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Riethmiller, Roy."],"names_coll_ssim":["Riethmiller, Roy."],"names_ssim":["West Virginia and Regional History Center","Riethmiller, Roy."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:42.141Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2339"}},{"id":"wvmturhc_repositories_2_resources_3338","type":"collection","attributes":{"title":"Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#creator","type":"document_value","attributes":{"value":"McColloch, Samuel Wilbur, 1931-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#abstract_or_scope","type":"document_value","attributes":{"value":"Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3338","ead_ssi":"wvmturhc_repositories_2_resources_3338","_root_":"wvmturhc_repositories_2_resources_3338","_nest_parent_":"wvmturhc_repositories_2_resources_3338","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3338.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208299","title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"unitdate_ssm":["1904-2014"],"unitdate_inclusive_ssm":["1904-2014"],"normalized_date_ssm":["1904/2014"],"normalized_title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"text":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338","Arizona","Korea","Art and artists","Korean Conflict.","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","English"],"collection_title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"collection_ssim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"unitid_tesim":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Arizona","Korea"],"geogname_ssim":["Arizona","Korea"],"places_ssim":["Arizona","Korea"],"creator_ssm":["McColloch, Samuel Wilbur, 1931-"],"creator_ssim":["McColloch, Samuel Wilbur, 1931-"],"creator_persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["McCullough family"],"creators_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","West Virginia and Regional History Center","McCullough family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Korean Conflict."],"access_subjects_ssm":["Art and artists","Korean Conflict."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"extent_tesim":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026amp;M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eContents List\u003c/emph\u003e:\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Archie and Mahala McColloch\"; 1999\u003c/p\u003e","\u003cp\u003eBox 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001\u003c/p\u003e","\u003cp\u003eBox 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014\u003c/p\u003e","\u003cp\u003eBox 1; folder 3; Compacts discs containing digital copies of compilations; 2014\u003c/p\u003e","\u003cp\u003eThe following information was adapted from descriptions provided by the donor of this collection.\u003c/p\u003e","\u003cp\u003e1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.\u003c/p\u003e","\u003cp\u003eA compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.\u003c/p\u003e","\u003cp\u003e2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.\u003c/p\u003e","\u003cp\u003eA compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.\u003c/p\u003e","\u003cp\u003eLeona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.\u003c/p\u003e","\u003cp\u003e3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.\u003c/p\u003e","\u003cp\u003eA compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs. \u003c/p\u003e","\u003cp\u003eHatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.\u003c/p\u003e","\u003cp\u003eTwo particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.\u003c/p\u003e","\u003cp\u003eFifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_de013eaa37d4f5f3341f7730e35a946a\"\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9c352626f19b5ce462fdfd133cb1976\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["McCullough family"],"names_coll_ssim":["McCullough family","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"names_ssim":["West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3338","ead_ssi":"wvmturhc_repositories_2_resources_3338","_root_":"wvmturhc_repositories_2_resources_3338","_nest_parent_":"wvmturhc_repositories_2_resources_3338","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3338.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208299","title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"unitdate_ssm":["1904-2014"],"unitdate_inclusive_ssm":["1904-2014"],"normalized_date_ssm":["1904/2014"],"normalized_title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"text":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338","Arizona","Korea","Art and artists","Korean Conflict.","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","English"],"collection_title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"collection_ssim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"unitid_tesim":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Arizona","Korea"],"geogname_ssim":["Arizona","Korea"],"places_ssim":["Arizona","Korea"],"creator_ssm":["McColloch, Samuel Wilbur, 1931-"],"creator_ssim":["McColloch, Samuel Wilbur, 1931-"],"creator_persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["McCullough family"],"creators_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","West Virginia and Regional History Center","McCullough family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Korean Conflict."],"access_subjects_ssm":["Art and artists","Korean Conflict."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"extent_tesim":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026amp;M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eContents List\u003c/emph\u003e:\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Archie and Mahala McColloch\"; 1999\u003c/p\u003e","\u003cp\u003eBox 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001\u003c/p\u003e","\u003cp\u003eBox 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014\u003c/p\u003e","\u003cp\u003eBox 1; folder 3; Compacts discs containing digital copies of compilations; 2014\u003c/p\u003e","\u003cp\u003eThe following information was adapted from descriptions provided by the donor of this collection.\u003c/p\u003e","\u003cp\u003e1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.\u003c/p\u003e","\u003cp\u003eA compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.\u003c/p\u003e","\u003cp\u003e2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.\u003c/p\u003e","\u003cp\u003eA compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.\u003c/p\u003e","\u003cp\u003eLeona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.\u003c/p\u003e","\u003cp\u003e3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.\u003c/p\u003e","\u003cp\u003eA compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs. \u003c/p\u003e","\u003cp\u003eHatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.\u003c/p\u003e","\u003cp\u003eTwo particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.\u003c/p\u003e","\u003cp\u003eFifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_de013eaa37d4f5f3341f7730e35a946a\"\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9c352626f19b5ce462fdfd133cb1976\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["McCullough family"],"names_coll_ssim":["McCullough family","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"names_ssim":["West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338"}},{"id":"wvmturhc_repositories_2_resources_2255","type":"collection","attributes":{"title":"Sam McColloch, Photographer, Photographic Prints, 1983/1999","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2255#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePhotographic prints by photographic artist Sam McColloch. Includes 25 artworks, some of which juxtapose images of contemporary architecture with natural scenes. Locations of his photographs include Texas, West Virginia, the Pacific Northwest, the United Kingdom, and Paris. Also includes two calendars, one from 2012 with miscellaneous photos, and one from 2019 with photos of scenes in Big Bend National Park, Texas. Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2255#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2255","ead_ssi":"wvmturhc_repositories_2_resources_2255","_root_":"wvmturhc_repositories_2_resources_2255","_nest_parent_":"wvmturhc_repositories_2_resources_2255","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2255.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196323","title_ssm":["Sam McColloch, Photographer, Photographic Prints"],"title_tesim":["Sam McColloch, Photographer, Photographic Prints"],"unitdate_ssm":["1983-1999"],"unitdate_inclusive_ssm":["1983-1999"],"normalized_date_ssm":["1983/1999"],"normalized_title_ssm":["Sam McColloch, Photographer, Photographic Prints, 1983/1999"],"text":["Sam McColloch, Photographer, Photographic Prints, 1983/1999","A\u0026M 3771","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2255","Art and artists","No special access restriction applies.","Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977. The subject matter of his imagery consists of natural and architectural structures. Locations of his photographs include Texas, West Virginia, The Pacific Northwest, Great Britain, and Paris. His photos have been published in several publications, and have exhibited at a number of galleries.","Photographic prints by photographic artist Sam McColloch. Includes 25 artworks, some of which juxtapose images of contemporary architecture with natural scenes. Locations of his photographs include Texas, West Virginia, the Pacific Northwest, the United Kingdom, and Paris.  Also includes two calendars, one from 2012 with miscellaneous photos, and one from 2019 with photos of scenes in Big Bend National Park, Texas. Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McColloch, Samuel Wilbur, 1931-","English"],"collection_title_tesim":["Sam McColloch, Photographer, Photographic Prints, 1983/1999"],"collection_ssim":["Sam McColloch, Photographer, Photographic Prints, 1983/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3771","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2255"],"unitid_tesim":["A\u0026M 3771","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2255"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_persname_ssim":["McColloch, Samuel Wilbur, 1931-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["McColloch, Samuel Wilbur, 1931-","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Linear Feet Summary: 1 ft. 2 in. (1 flat storage box, 3 in.); (1 stack of unboxed, framed items, 11 in.)"],"extent_tesim":["1.2 Linear Feet Summary: 1 ft. 2 in. (1 flat storage box, 3 in.); (1 stack of unboxed, framed items, 11 in.)"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eSam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977. The subject matter of his imagery consists of natural and architectural structures. Locations of his photographs include Texas, West Virginia, The Pacific Northwest, Great Britain, and Paris. His photos have been published in several publications, and have exhibited at a number of galleries.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977. The subject matter of his imagery consists of natural and architectural structures. Locations of his photographs include Texas, West Virginia, The Pacific Northwest, Great Britain, and Paris. His photos have been published in several publications, and have exhibited at a number of galleries."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sam McColloch, Photographer, Photographic Prints, A\u0026amp;M 3771, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sam McColloch, Photographer, Photographic Prints, A\u0026M 3771, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographic prints by photographic artist Sam McColloch. Includes 25 artworks, some of which juxtapose images of contemporary architecture with natural scenes. Locations of his photographs include Texas, West Virginia, the Pacific Northwest, the United Kingdom, and Paris.  Also includes two calendars, one from 2012 with miscellaneous photos, and one from 2019 with photos of scenes in Big Bend National Park, Texas. Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographic prints by photographic artist Sam McColloch. Includes 25 artworks, some of which juxtapose images of contemporary architecture with natural scenes. Locations of his photographs include Texas, West Virginia, the Pacific Northwest, the United Kingdom, and Paris.  Also includes two calendars, one from 2012 with miscellaneous photos, and one from 2019 with photos of scenes in Big Bend National Park, Texas. Sam McColloch grew up in New Martinsville, West Virginia, earning degrees in Geology and Chemistry from West Virginia University in 1953 and 1957. While employed as a geologist by Shell Oil Company from 1957 to 1985, he took up photography as an artistic medium, which he began pursuing seriously in 1977."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04f193299b9a699b6cc86de26592cb49\"\u003eRecords of the WVU. College of Creative Arts. Publicity Office. Includes clippings (Music Dept., 1953-54; CAC, 1964-69); newsletters (Music Dept., 1950-66; CAC, 1982-83, 1992-95); and news releases (CAC, 1969-77, 1986-95). There are scrapbooks for the Women's Music Club (1 volume, 1904-1919), Music Dept. (1 volume, 1951-59), and CAC events (9 volumes, 1966-92). 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