{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+--+Private+collections+--+Virginia+--+Richmond\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+--+Private+collections+--+Virginia+--+Richmond\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"virmu_repositories_2_resources_15998","type":"collection","attributes":{"title":"Frederic H. Morgan, Jr. Photo and Postcard Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_15998#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_15998#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_15998","ead_ssi":"virmu_repositories_2_resources_15998","_root_":"virmu_repositories_2_resources_15998","_nest_parent_":"virmu_repositories_2_resources_15998","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15998.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15998","title_filing_ssi":"Frederic H. Morgan, Jr. Photo and Postcard Collection (PH-07)","title_ssm":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"title_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"unitdate_ssm":["1943-1945"],"unitdate_inclusive_ssm":["1943-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-07","/repositories/2/resources/15998"],"text":["PH-07","/repositories/2/resources/15998","Frederic H. Morgan, Jr. Photo and Postcard Collection","Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards.","Open for research.","The collection is organized into two series, and items are generally arranged chronologically within each series.","Frederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. ","From Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\"","This collection was transferred from the Archives Department in Summer 2024.","This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.","Virginia Museum of Fine Arts Archives","English"],"unitid_tesim":["PH-07","/repositories/2/resources/15998"],"normalized_title_ssm":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"collection_title_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"collection_ssim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards."],"access_subjects_ssm":["Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["1 box 1 box"],"extent_tesim":["1 box 1 box"],"genreform_ssim":["Postcards."],"date_range_isim":[1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series."],"bioghist_html_tesm":["\u003cp\u003eFrederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. \u003c/p\u003e\n","\u003cp\u003eFrom Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. ","From Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\""],"custodhist_html_tesm":["\u003cp\u003eThis collection was transferred from the Archives Department in Summer 2024.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was transferred from the Archives Department in Summer 2024."],"prefercite_html_tesm":["\u003cp\u003eFrederic H. Morgan, Jr. Photo and Postcard Collection (PH-07). VMFA Photo Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection (PH-07). VMFA Photo Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fcd8bbaac36e373af1d0cc594839c8b1\"\u003eThis collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English"],"total_component_count_is":136,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:58:38.920Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_15998","ead_ssi":"virmu_repositories_2_resources_15998","_root_":"virmu_repositories_2_resources_15998","_nest_parent_":"virmu_repositories_2_resources_15998","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15998.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15998","title_filing_ssi":"Frederic H. Morgan, Jr. Photo and Postcard Collection (PH-07)","title_ssm":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"title_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"unitdate_ssm":["1943-1945"],"unitdate_inclusive_ssm":["1943-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-07","/repositories/2/resources/15998"],"text":["PH-07","/repositories/2/resources/15998","Frederic H. Morgan, Jr. Photo and Postcard Collection","Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards.","Open for research.","The collection is organized into two series, and items are generally arranged chronologically within each series.","Frederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. ","From Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\"","This collection was transferred from the Archives Department in Summer 2024.","This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.","Virginia Museum of Fine Arts Archives","English"],"unitid_tesim":["PH-07","/repositories/2/resources/15998"],"normalized_title_ssm":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"collection_title_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"collection_ssim":["Frederic H. Morgan, Jr. Photo and Postcard Collection"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards."],"access_subjects_ssm":["Art -- Private collections -- Virginia -- Richmond","Photographs","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["1 box 1 box"],"extent_tesim":["1 box 1 box"],"genreform_ssim":["Postcards."],"date_range_isim":[1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series."],"bioghist_html_tesm":["\u003cp\u003eFrederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. \u003c/p\u003e\n","\u003cp\u003eFrom Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederic H. Morgan, Jr. (Aug 30, 1923-Nov 28, 1988) was a Richmond resident who was stationed for 2 years on the South Pacific island of New Caledonia during World War II. During his time there, he amassed an impressive collection of tools, sculptures, arms and armor, architectural elements, as well as photographs and photo postcards. The VMFA currently has 23 objects that Morgan had donated over the years. In November-December of 1946, some of Morgan's collection was featured in the VMFA's exhibition \"Souvenirs from the Pacific,\" a showcase of objects collected by Virginians in the Pacific theatre of World War II. The photographs and photo postcards in this collection are a recent donation from Frederic H. Morgan, Jr's son. ","From Director Thomas C. Colt, Jr's foreward to the exhibition catalogue: \"Fred Morgan was stationed for two years on New Caledonia. As the war moved farther north and west, Fred improved his time exploring this large and interesting island. Under French rule the natives have been brought to an approximation of western civilization, and the aboriginal, cannibal culture of the island is a thing of the past. But, Fred, who has returned to Richmond to complete his studies at the Medical College of Virginia, is an inveterate and a trained collector. Starting at the age of twelve, he had cut his teeth on beetles, butterflies, stamps, coins, and arrowheads, encouraged and guided by sympathetic parents. Where ninety-nine percent of the many thousands of servicemen who saw duty on New Caledonia probably sent back grass skirts and sea shells, Fred Morgan sent back as complete, representative and selective a collection of the nearly extinct culture of that island as exists today in this country. The intelligence, energy, persistence, and resource that went into the formation of this collection was probably matched only by the pleasure he got out of it. The Museum of Natural History in New York has asked for various objects from it to improve their own collection. May we be permitted to hope that this complete performance finds its permanent home here; may we welcome Fred Morgan to the select fellowship of gifted collectors; and may we hope that he finds frequent future opportunity for the exercise of his gift.\""],"custodhist_html_tesm":["\u003cp\u003eThis collection was transferred from the Archives Department in Summer 2024.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was transferred from the Archives Department in Summer 2024."],"prefercite_html_tesm":["\u003cp\u003eFrederic H. Morgan, Jr. Photo and Postcard Collection (PH-07). VMFA Photo Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Frederic H. Morgan, Jr. Photo and Postcard Collection (PH-07). VMFA Photo Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fcd8bbaac36e373af1d0cc594839c8b1\"\u003eThis collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains 23 photographs and 111 photo postcards from Frederic H. Morgan, Jr.'s personal collection that he amassed during his World War II military service on New Caledonia, an island in the South Pacific."],"names_ssim":["Virginia Museum of Fine Arts Archives"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"language_ssim":["English"],"total_component_count_is":136,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:58:38.920Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_15998"}},{"id":"virmu_repositories_2_resources_265","type":"collection","attributes":{"title":"Records of the Fischer Collection (RG-31)","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_265#creator","type":"document_value","attributes":{"value":"Virginia Museum of Fine Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_265#abstract_or_scope","type":"document_value","attributes":{"value":"The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_265#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_265","ead_ssi":"virmu_repositories_2_resources_265","_root_":"virmu_repositories_2_resources_265","_nest_parent_":"virmu_repositories_2_resources_265","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_265.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/265","title_filing_ssi":"Fischer Collection (RG-31)","title_ssm":["Records of the Fischer Collection (RG-31)"],"title_tesim":["Records of the Fischer Collection (RG-31)"],"unitdate_ssm":["1967-2013"],"unitdate_inclusive_ssm":["1967-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-31","/repositories/2/resources/265"],"text":["RG-31","/repositories/2/resources/265","Records of the Fischer Collection (RG-31)","Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond","The collection is open for research.","The collection is organized into seven series, and items are generally arranged chronologically within each series.","Series 1 History Files, 1986-2013 Series 2 Director's Files, 1984-2004 Series 3 Collections Files, 1985-1998, undated Series 4 Registration Files, 1987-1989 Series 5 Marketing and Communications, 1995 Series 6 Collectors' Circle Files, 1987 Series 7 Exhibition Files, 1967-1987, undated","These titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.","J. B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 ","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) ","Virginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)","Ludwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.","The Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. ","Source:  German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA","The collection was artificially created by the VMFA Archives in February 2016.","The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990","English \n.    "],"unitid_tesim":["RG-31","/repositories/2/resources/265"],"normalized_title_ssm":["Records of the Fischer Collection (RG-31)"],"collection_title_tesim":["Records of the Fischer Collection (RG-31)"],"collection_ssim":["Records of the Fischer Collection (RG-31)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"access_subjects_ssm":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 1 box; 34 files"],"extent_tesim":["1.25 Linear Feet 1 box; 34 files"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are generally arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eHistory Files, 1986-2013\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Files, 1984-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCollections Files, 1985-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eRegistration Files, 1987-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMarketing and Communications, 1995\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eCollectors' Circle Files, 1987\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1967-1987, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are generally arranged chronologically within each series.","Series 1 History Files, 1986-2013 Series 2 Director's Files, 1984-2004 Series 3 Collections Files, 1985-1998, undated Series 4 Registration Files, 1987-1989 Series 5 Marketing and Communications, 1995 Series 6 Collectors' Circle Files, 1987 Series 7 Exhibition Files, 1967-1987, undated"],"bibliography_html_tesm":["\u003cp\u003eThese titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.\u003c/p\u003e","\u003cbibref\u003eJ. B. Neumanns Bilderhefte, 19--?\u003c/bibref\u003e","\u003cbibref\u003eMax Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?\u003c/bibref\u003e","\u003cbibref\u003eHans von Marées: Sein Leben und Sein Werk, 1909\u003c/bibref\u003e","\u003cbibref\u003eFritz Boehle, 1909\u003c/bibref\u003e","\u003cbibref\u003eNoa Noa, 1912\u003c/bibref\u003e","\u003cbibref\u003eAuguste Rodin die Kunst: Gespräche des Meisters, 1913\u003c/bibref\u003e","\u003cbibref\u003eHandbuch der Kunstgeschichte, 1915\u003c/bibref\u003e","\u003cbibref\u003eHiob: Ein Drama, 1917\u003c/bibref\u003e","\u003cbibref\u003eGenius: Zeitschrift für Werdende und Alte Kunst, 1919-1921\u003c/bibref\u003e","\u003cbibref\u003eArchipenko-Album, 1921\u003c/bibref\u003e","\u003cbibref\u003eDas Egon Schiele Buch, 1921\u003c/bibref\u003e","\u003cbibref\u003eNeben der Heerstrasse, 1923\u003c/bibref\u003e","\u003cbibref\u003eUmbra Vitae: Nachgelassene Gedichte, 1924\u003c/bibref\u003e","\u003cbibref\u003eDei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 \u003c/bibref\u003e","\u003cbibref\u003eKirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925\u003c/bibref\u003e","\u003cbibref\u003eKommende Baukunst, 1926\u003c/bibref\u003e","\u003cbibref\u003eDas Werk Ernst Ludwig Kirchners, 1926\u003c/bibref\u003e","\u003cbibref\u003eE.L. Kirchner: German Expressionist: A Loan Exhibition, 1958\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978\u003c/bibref\u003e","\u003cbibref\u003eConrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979\u003c/bibref\u003e","\u003cbibref\u003eThe Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987\u003c/bibref\u003e","\u003cbibref\u003eExpressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: Selections from the Fischer Collection, 2010\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Fischer Family\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art\u003c/bibref\u003e","\u003cbibref\u003eFischer Family Papers, 1900s-2009 (Record Group 23)\u003c/bibref\u003e","\u003cbibref\u003eGuide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials: VMFA Library - Rare Books","Related Materials: VMFA Library - Catalogs","Related Materials: VMFA Library - Exhibition Files","Related Materials: VMFA Library - Subject Files","Related Materials: Virginia Holocaust Museum","Related Materials: Leo Baeck Institute","Related Materials: Library of Virginia"],"bibliography_tesim":["These titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.","J. B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 ","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) ","Virginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)"],"bioghist_html_tesm":["\u003cp\u003eLudwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.\u003c/p\u003e\n","\u003cp\u003eThe Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. \u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"https://www.vmfa.museum/pressroom/news/german-expressionist-work-is-reunited-with-ludwig-and-rosy-fischer-collection-at-vmfa/\"\u003eGerman Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Ludwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.","The Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. ","Source:  German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA"],"custodhist_html_tesm":["\u003cp\u003eThe collection was artificially created by the VMFA Archives in February 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was artificially created by the VMFA Archives in February 2016."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3fcdd74e19500ea00c5eb753331241f6\"\u003eThe collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.\u003c/abstract\u003e"],"abstract_tesim":["The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections."],"names_coll_ssim":["Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"language_ssim":["English \n.    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B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 ","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. 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In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. ","Source:  German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA","The collection was artificially created by the VMFA Archives in February 2016.","The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.","The collection is subject to all copyright laws. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"access_subjects_ssm":["Art, German -- 20th century","Expressionism (Art) -- Germany","Art -- Private collections -- Germany","Art -- Private collections -- Virginia -- Richmond","Prints -- Private collections -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 1 box; 34 files"],"extent_tesim":["1.25 Linear Feet 1 box; 34 files"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into seven series, and items are generally arranged chronologically within each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eHistory Files, 1986-2013\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eDirector's Files, 1984-2004\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCollections Files, 1985-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eRegistration Files, 1987-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMarketing and Communications, 1995\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eCollectors' Circle Files, 1987\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1967-1987, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into seven series, and items are generally arranged chronologically within each series.","Series 1 History Files, 1986-2013 Series 2 Director's Files, 1984-2004 Series 3 Collections Files, 1985-1998, undated Series 4 Registration Files, 1987-1989 Series 5 Marketing and Communications, 1995 Series 6 Collectors' Circle Files, 1987 Series 7 Exhibition Files, 1967-1987, undated"],"bibliography_html_tesm":["\u003cp\u003eThese titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.\u003c/p\u003e","\u003cbibref\u003eJ. B. Neumanns Bilderhefte, 19--?\u003c/bibref\u003e","\u003cbibref\u003eMax Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?\u003c/bibref\u003e","\u003cbibref\u003eHans von Marées: Sein Leben und Sein Werk, 1909\u003c/bibref\u003e","\u003cbibref\u003eFritz Boehle, 1909\u003c/bibref\u003e","\u003cbibref\u003eNoa Noa, 1912\u003c/bibref\u003e","\u003cbibref\u003eAuguste Rodin die Kunst: Gespräche des Meisters, 1913\u003c/bibref\u003e","\u003cbibref\u003eHandbuch der Kunstgeschichte, 1915\u003c/bibref\u003e","\u003cbibref\u003eHiob: Ein Drama, 1917\u003c/bibref\u003e","\u003cbibref\u003eGenius: Zeitschrift für Werdende und Alte Kunst, 1919-1921\u003c/bibref\u003e","\u003cbibref\u003eArchipenko-Album, 1921\u003c/bibref\u003e","\u003cbibref\u003eDas Egon Schiele Buch, 1921\u003c/bibref\u003e","\u003cbibref\u003eNeben der Heerstrasse, 1923\u003c/bibref\u003e","\u003cbibref\u003eUmbra Vitae: Nachgelassene Gedichte, 1924\u003c/bibref\u003e","\u003cbibref\u003eDei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 \u003c/bibref\u003e","\u003cbibref\u003eKirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925\u003c/bibref\u003e","\u003cbibref\u003eKommende Baukunst, 1926\u003c/bibref\u003e","\u003cbibref\u003eDas Werk Ernst Ludwig Kirchners, 1926\u003c/bibref\u003e","\u003cbibref\u003eE.L. Kirchner: German Expressionist: A Loan Exhibition, 1958\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978\u003c/bibref\u003e","\u003cbibref\u003eConrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979\u003c/bibref\u003e","\u003cbibref\u003eThe Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987\u003c/bibref\u003e","\u003cbibref\u003eExpressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987\u003c/bibref\u003e","\u003cbibref\u003eGerman Expressionist Art: Selections from the Fischer Collection, 2010\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Fischer Family\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art\u003c/bibref\u003e","\u003cbibref\u003eFischer Family Papers, 1900s-2009 (Record Group 23)\u003c/bibref\u003e","\u003cbibref\u003eGuide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials: VMFA Library - Rare Books","Related Materials: VMFA Library - Catalogs","Related Materials: VMFA Library - Exhibition Files","Related Materials: VMFA Library - Subject Files","Related Materials: Virginia Holocaust Museum","Related Materials: Leo Baeck Institute","Related Materials: Library of Virginia"],"bibliography_tesim":["These titles belonged to Ludwig and Rosy Fischer, and were donated to the museum in December 1995 by Anne Fischer.","J. B. Neumanns Bilderhefte, 19--?","Max Liebermann: Mit einem Porträt nach einer Photographischen Aufnahme und Vierzig Tafeln mit 100 Abbildungen nach Gemälden, Zeichnungen und Radierungen, 1906?","Hans von Marées: Sein Leben und Sein Werk, 1909","Fritz Boehle, 1909","Noa Noa, 1912","Auguste Rodin die Kunst: Gespräche des Meisters, 1913","Handbuch der Kunstgeschichte, 1915","Hiob: Ein Drama, 1917","Genius: Zeitschrift für Werdende und Alte Kunst, 1919-1921","Archipenko-Album, 1921","Das Egon Schiele Buch, 1921","Neben der Heerstrasse, 1923","Umbra Vitae: Nachgelassene Gedichte, 1924","Dei Graphik Ernst Ludwig Kirchners bis 1924, 1924-1926 ","Kirchner-Zeichnungen: 100 Tafeln und Zahlreiche Holzschnitte im Text, 1925","Kommende Baukunst, 1926","Das Werk Ernst Ludwig Kirchners, 1926","E.L. Kirchner: German Expressionist: A Loan Exhibition, 1958","German Expressionism, Die Brücke: Paintings, Prints and Watercolors from the Collection of Dr. and Mrs. Ernst Fischer: University of Virginia Art Museum, 1978","Conrad Felixmüller, 1897-1977: Prints and Drawings from the Collection of Dr. Ernst and Anne Fischer, 1979","The Passionate Collectors: Ludwig and Rosi Fischer and German Expressionism: Essays, 1985","German Expressionist Art: The Ludwig and Rosy Fischer Collection, 1987","Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt am Main, 1990","German Expressionist Art: Selections From The Ludwig And Rosy Fischer Collection, 1987","German Expressionist Art: Selections from the Fischer Collection, 2010","VMFA Donors: Fischer Family","VMFA Collections: Special Collections: Fischer, Ludwig and Rosy: German Expressionist Art","Fischer Family Papers, 1900s-2009 (Record Group 23)","Guide to the Papers of Anne Fischer, 1884-1982 (Coll. No. AR 10519/MF 992) ","Virginia Museum of Fine Arts Exhibition Files, 1986-1987 (Coll. No. 34679)"],"bioghist_html_tesm":["\u003cp\u003eLudwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.\u003c/p\u003e\n","\u003cp\u003eThe Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. \u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"https://www.vmfa.museum/pressroom/news/german-expressionist-work-is-reunited-with-ludwig-and-rosy-fischer-collection-at-vmfa/\"\u003eGerman Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Ludwig and Rosy Fischer acquired examples of German Expressionism between 1905 and 1925 and their collection included works by artists who were key figures in the Die Brücke movement: Max Beckmann, Peter August Böckstiegel, Otto Dix, Conrad Felixmüeller, Erich Heckel, Ernst Ludwig Kirchner, and Emil Nolde. Die Brücke (\"the Bridge\") was a pivotal movement within German Expressionism, comprised of artists who responded subjectively to the changing world around them. Their style was defined by vivid colors, strong lines, and distorted forms—characteristics that have come to symbolize German Expressionism as a whole.","The Fischer's collection was divided evenly between their sons, and after Ernst and his wife, Anne, left Germany and settled in Richmond, Virginia, their half of the collection was preserved for more than 70 years in their home. In 2009, the Fischer Collection became the last refugee collection of German Expressionism to enter a U.S. museum when it was acquired by VMFA through a gift-purchase agreement with Ernst's widow, Anne Fischer. ","Source:  German Expressionist Work is Reunited with Ludwig and Rosy Fischer Collection at VMFA"],"custodhist_html_tesm":["\u003cp\u003eThe collection was artificially created by the VMFA Archives in February 2016.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was artificially created by the VMFA Archives in February 2016."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Fischer Collection (RG-31). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1967-2013, with the bulk of the material dating from 1985-1987. The collection is comprised of correspondence, memorandums, clippings, publicity, copies of photographs and slides and other ephemeral material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3fcdd74e19500ea00c5eb753331241f6\"\u003eThe collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections.\u003c/abstract\u003e"],"abstract_tesim":["The collection was artifically created in order to bring together records about the Fischer collection residing in multiple collections in the VMFA Archives, as well as in the museum's records at the Library of Virginia. As such, the collection is entirely comprised of photocopies of records from the 1960s to the 2010s. To date, the museum has not located a collection of contemporaneous Fischer family records within its collections."],"names_coll_ssim":["Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"persname_ssim":["Fischer, Rosy, 1869-1926","Fischer, Ludwig, 1860-1922","Fischer, Anne, 1902-2008","Fischer, Ernst, 1896-","Simon, Hermann, 1900-1990"],"language_ssim":["English \n.    "],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:57:20.894Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_265"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+--+Private+collections+--+Virginia+--+Richmond\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art+--+Private+collections+--+Virginia+--+Richmond\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Frederic H. 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