{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=4\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=5\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=5\u0026view=list"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":5,"limit_value":10,"offset_value":30,"total_count":44,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_767","type":"collection","attributes":{"title":"Lithograph of The Germania Musical Society, 1848/1850","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#creator","type":"document_value","attributes":{"value":"Sarony \u0026 Major","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"normalized_date_ssm":["1848/1850"],"normalized_title_ssm":["Lithograph of The Germania Musical Society, 1848/1850"],"text":["Lithograph of The Germania Musical Society, 1848/1850","C0542","/repositories/2/resources/767","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. 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Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. 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Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. 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The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. 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Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. 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Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. 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Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:51.434Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767"}},{"id":"vifgm_repositories_2_resources_692","type":"collection","attributes":{"title":"\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#creator","type":"document_value","attributes":{"value":"Rupprecht, Friedrich Karl, 1779-1831","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#abstract_or_scope","type":"document_value","attributes":{"value":"Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_692","ead_ssi":"vifgm_repositories_2_resources_692","_root_":"vifgm_repositories_2_resources_692","_nest_parent_":"vifgm_repositories_2_resources_692","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_692.xml","title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"title_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"unitdate_ssm":["circa 1822"],"unitdate_other_ssim":["circa 1822"],"normalized_date_ssm":["1822"],"normalized_title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"text":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822","C0418","/repositories/2/resources/692","Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings","There are no access restrictions.","This is a single item collection.","\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.","Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.","Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.","The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026 L Baskin, dated 1965.","Public Domain. There are no known restrictions.","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767","German\n."],"collection_title_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"collection_ssim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0418","/repositories/2/resources/692"],"unitid_tesim":["C0418","/repositories/2/resources/692"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rupprecht, Friedrich Karl, 1779-1831"],"creator_ssim":["Rupprecht, Friedrich Karl, 1779-1831"],"creator_persname_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by SCRC from the Book Press, Ltd. in February 2017."],"access_subjects_ssim":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"access_subjects_ssm":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Wood engravings"],"date_range_isim":[1822],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.\u003c/p\u003e","\u003cp\u003eFinefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" \u003cemphp\u003eThe Library of Congress\u003c/emphp\u003e (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.\u003c/p\u003e","\u003cp\u003e\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.\u003c/p\u003e","\u003cp\u003e\"Friedrich Karl Rupprecht.\" 2021. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026amp;oldid=215671760.\u003c/p\u003e","\u003cp\u003e\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167."],"bioghist_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.\u003c/p\u003e","\u003cp\u003eChiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver."],"prefercite_html_tesm":["\u003cp\u003e\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds other woodcut prints and engravings including \u003ca href=\"https://aspace.gmu.edu/resources/c0398\"\u003eNuremberg Chronicle leaf with woodcut illustrations\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0072\"\u003eBroadus Bailey French Revolution print collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Library of Congress Prints and Photographs Division (P\u0026amp;P) holds \u003ca href=\"https://www.loc.gov/rr/print/coll/611_pembroke.html?loclr=blogpic\"\u003eThe Pembroke Album\u003c/a\u003e, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries."],"scopecontent_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026amp; L Baskin, dated 1965.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026 L Baskin, dated 1965."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1675187eaf4b74588fc5ef04b4dbe0ba\"\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.\u003c/abstract\u003e\n    "],"abstract_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42275e66ed7e3e3a96c5063892bafa25\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"names_coll_ssim":["Parmigianino, 1503-1540","Rupprecht, Friedrich Karl, 1779-1831","Zanetti, Antonio Maria, 1680-1767"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"language_ssim":["German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_692","ead_ssi":"vifgm_repositories_2_resources_692","_root_":"vifgm_repositories_2_resources_692","_nest_parent_":"vifgm_repositories_2_resources_692","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_692.xml","title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"title_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"unitdate_ssm":["circa 1822"],"unitdate_other_ssim":["circa 1822"],"normalized_date_ssm":["1822"],"normalized_title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"text":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822","C0418","/repositories/2/resources/692","Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings","There are no access restrictions.","This is a single item collection.","\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.","Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.","Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.","The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. 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There are no known restrictions."],"acqinfo_ssim":["Purchased by SCRC from the Book Press, Ltd. in February 2017."],"access_subjects_ssim":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"access_subjects_ssm":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Wood engravings"],"date_range_isim":[1822],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.\u003c/p\u003e","\u003cp\u003eFinefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" \u003cemphp\u003eThe Library of Congress\u003c/emphp\u003e (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.\u003c/p\u003e","\u003cp\u003e\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.\u003c/p\u003e","\u003cp\u003e\"Friedrich Karl Rupprecht.\" 2021. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026amp;oldid=215671760.\u003c/p\u003e","\u003cp\u003e\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167."],"bioghist_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.\u003c/p\u003e","\u003cp\u003eChiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver."],"prefercite_html_tesm":["\u003cp\u003e\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds other woodcut prints and engravings including \u003ca href=\"https://aspace.gmu.edu/resources/c0398\"\u003eNuremberg Chronicle leaf with woodcut illustrations\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0072\"\u003eBroadus Bailey French Revolution print collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Library of Congress Prints and Photographs Division (P\u0026amp;P) holds \u003ca href=\"https://www.loc.gov/rr/print/coll/611_pembroke.html?loclr=blogpic\"\u003eThe Pembroke Album\u003c/a\u003e, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries."],"scopecontent_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026amp; L Baskin, dated 1965.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026 L Baskin, dated 1965."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1675187eaf4b74588fc5ef04b4dbe0ba\"\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.\u003c/abstract\u003e\n    "],"abstract_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42275e66ed7e3e3a96c5063892bafa25\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"names_coll_ssim":["Parmigianino, 1503-1540","Rupprecht, Friedrich Karl, 1779-1831","Zanetti, Antonio Maria, 1680-1767"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"language_ssim":["German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692"}},{"id":"viw_repositories_2_resources_9778","type":"collection","attributes":{"title":"Marlene K. Jack papers, 1981/1998","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026amp; Mary and in the Virginia peninsula region. 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Jack papers, 1981/1998","UA 5.357","/repositories/2/resources/9778","Art","Art History","College of William and Mary--Faculty.","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection arranged by accession.","The Marlene K. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection arranged by accession.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection arranged by accession."],"prefercite_html_tesm":["\u003cp\u003eMarlene K. Jack papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Marlene K. Jack papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026amp; Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026amp; Mary.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026 Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778"}},{"id":"vifgm_repositories_2_resources_691","type":"collection","attributes":{"title":"Mary Lavigne programs collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#creator","type":"document_value","attributes":{"value":"Lavigne, Mary","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"normalized_title_ssm":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","C0417","/repositories/2/resources/691","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection.","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.","Musical Celebrities: The Concert Magazine, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.","At the Virginia Museum Theatre","Playbill. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.","Playbill. Written by Maxwell Anderson. Removed from binder 1 of 2.","Playbill. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 9.","Includes ticket stub for Mosque Theatre April 29, 1954","The Barber of Seville, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.","Item is in German","Playbill. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.","Playbill. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.","Playbill. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.","Includes cast change note insert","Playbill. Written by Tennessee Williams. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.","Playbill. Written by Enid Bagnold. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.","Written by Arthur Miller","Featuring Emily Frankel and Mark Ryder","Playbill, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.","Playbill. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.","Libretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.","\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026 Company, Inc.","Off-B'way Showbill. Written by Samuel Beckett; American Premiere.","Playbill, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.","Playbill. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.","Libretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.","The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.","Musical Celebrities: The Concert Magazine, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.","Written by Tennessee Williams","Werner Singer at the Piano","\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"","38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.","Playbill. Written by John Van Druten. Removed from binder 1 of 2.","Written by Eugene O'Neill","Manson Hall","Smith Memorial Auditorium","Off-B'way Showbill. Includes ticket stubs.","Includes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958","Musical Celebrities: The Concert Magazine, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on A Streetcar Named Desire.","Playbill. Written by Graham Greene. Removed from binder 1 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 6.","21st Season","Playbill. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 Playbill: Vol. 1, No. 3.","Playbill, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.","Playbill, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.","Libretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.","Libretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.","Playbill. Written by George Bernard Shaw. Removed from binder 1 of 2.","Smith Memorial Hall. Repertory by Marcel Marceau.","Playbill, Vol. 2, No. 4","Inscription on last page","Inscription inside front cover","Playbill. Both programs Vol. 2, No. 14.","Institute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.","Off-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.","Playbill. Written by Thornton Wilder. Both removed from binder 1 of 2.","Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor","Playbill. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.","Playbill. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.","Playbill. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.","Smith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.","Playbill","Playbill, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.","Stagebill, Volume III, No. 8","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.","One Hundred Sixteenth Season (1957-1958)","Manson Hall","Playbill. Written by Ira Levin. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Libretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.","Playbill. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.","Written by Robert E. Sherwood","Musical Celebrities: The Concert Magazine, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.","Playbill. Removed from binder 2 of 2.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.","Smith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.","Robert Shaw, Conductor","Playbill, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.","Formerly the Sadler's Wells Ballet","\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen","Magazine II. Howard Mitchell, Director.","Musical Celebrities: The Concert Magazine, Vol. V, No. 8","Covent Garden Books No. 9","Playbill. Two plays by Terence Rattigan. Removed from binder 2 of 2.","Playbill. Written by Joseph Kramm. Removed from binder 2 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 3","Playbill. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.","Playbill. Written by Robert Anderson. Removed from binder 2 of 2.","Jose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre","Music by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.","Playbill. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.","Playbill, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.","Libretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.","A New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".","Playbill, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.","Two copies","Written by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".","Playbill. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.","Adapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.","Playbill, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Playbill, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.","Includes pamphlet advertising recordings by Bernstein. Both items in German.","David Stimer at the Piano","Playbill. Written by Agatha Christie. Removed from binder 2 of 2.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English\n,       German\n."],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"unitid_tesim":["C0417","/repositories/2/resources/691"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"creators_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e  ","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.\u003c/p\u003e","\u003cp\u003eAt the Virginia Museum Theatre\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Maxwell Anderson. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVIII, No. 9.\u003c/p\u003e","\u003cp\u003eIncludes ticket stub for Mosque Theatre April 29, 1954\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Barber of Seville\u003c/title\u003e, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.\u003c/p\u003e","\u003cp\u003eItem is in German\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eIncludes cast change note insert\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Tennessee Williams. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Enid Bagnold. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Arthur Miller\u003c/p\u003e","\u003cp\u003eFeaturing Emily Frankel and Mark Ryder\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.\u003c/p\u003e","\u003cp\u003e\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026amp; Company, Inc.\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Written by Samuel Beckett; American Premiere.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.\u003c/p\u003e","\u003cp\u003eThe Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.\u003c/p\u003e","\u003cp\u003eWritten by Tennessee Williams\u003c/p\u003e","\u003cp\u003eWerner Singer at the Piano\u003c/p\u003e","\u003cp\u003e\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"\u003c/p\u003e","\u003cp\u003e38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by John Van Druten. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Eugene O'Neill\u003c/p\u003e","\u003cp\u003eManson Hall\u003c/p\u003e","\u003cp\u003eSmith Memorial Auditorium\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Includes ticket stubs.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on \u003ctitle\u003eA Streetcar Named Desire\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Graham Greene. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVIII, No. 6.\u003c/p\u003e","\u003cp\u003e21st Season\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 \u003ctitle\u003ePlaybill\u003c/title\u003e: Vol. 1, No. 3.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.\u003c/p\u003e","\u003cp\u003eLibretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by George Bernard Shaw. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eSmith Memorial Hall. Repertory by Marcel Marceau.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4\u003c/p\u003e","\u003cp\u003eInscription on last page\u003c/p\u003e","\u003cp\u003eInscription inside front cover\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Both programs Vol. 2, No. 14.\u003c/p\u003e","\u003cp\u003eInstitute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Thornton Wilder. Both removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eAntal Dorati, Conductor and Gerard Samuel, Assistant Conductor\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eSmith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eStagebill\u003c/title\u003e, Volume III, No. 8\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eManson Hall\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Ira Levin. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.\u003c/p\u003e","\u003cp\u003eLibretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Robert E. Sherwood\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.\u003c/p\u003e","\u003cp\u003eSmith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.\u003c/p\u003e","\u003cp\u003eRobert Shaw, Conductor\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eFormerly the Sadler's Wells Ballet\u003c/p\u003e","\u003cp\u003e\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen\u003c/p\u003e","\u003cp\u003eMagazine II. Howard Mitchell, Director.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 8\u003c/p\u003e","\u003cp\u003eCovent Garden Books No. 9\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Two plays by Terence Rattigan. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Joseph Kramm. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVII, No. 3\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Robert Anderson. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eJose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre\u003c/p\u003e","\u003cp\u003eMusic by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.\u003c/p\u003e","\u003cp\u003eLibretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.\u003c/p\u003e","\u003cp\u003eA New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eTwo copies\u003c/p\u003e","\u003cp\u003eWritten by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.\u003c/p\u003e","\u003cp\u003eAdapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e","\u003cp\u003eIncludes pamphlet advertising recordings by Bernstein. Both items in German.\u003c/p\u003e","\u003cp\u003eDavid Stimer at the Piano\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Agatha Christie. Removed from binder 2 of 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.","Musical Celebrities: The Concert Magazine, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.","At the Virginia Museum Theatre","Playbill. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.","Playbill. Written by Maxwell Anderson. Removed from binder 1 of 2.","Playbill. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 9.","Includes ticket stub for Mosque Theatre April 29, 1954","The Barber of Seville, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.","Item is in German","Playbill. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.","Playbill. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.","Playbill. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.","Includes cast change note insert","Playbill. Written by Tennessee Williams. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.","Playbill. Written by Enid Bagnold. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.","Written by Arthur Miller","Featuring Emily Frankel and Mark Ryder","Playbill, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.","Playbill. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.","Libretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.","\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026 Company, Inc.","Off-B'way Showbill. Written by Samuel Beckett; American Premiere.","Playbill, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.","Playbill. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.","Libretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.","The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.","Musical Celebrities: The Concert Magazine, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.","Written by Tennessee Williams","Werner Singer at the Piano","\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"","38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.","Playbill. Written by John Van Druten. Removed from binder 1 of 2.","Written by Eugene O'Neill","Manson Hall","Smith Memorial Auditorium","Off-B'way Showbill. Includes ticket stubs.","Includes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958","Musical Celebrities: The Concert Magazine, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on A Streetcar Named Desire.","Playbill. Written by Graham Greene. Removed from binder 1 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 6.","21st Season","Playbill. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 Playbill: Vol. 1, No. 3.","Playbill, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.","Playbill, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.","Libretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.","Libretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.","Playbill. Written by George Bernard Shaw. Removed from binder 1 of 2.","Smith Memorial Hall. Repertory by Marcel Marceau.","Playbill, Vol. 2, No. 4","Inscription on last page","Inscription inside front cover","Playbill. Both programs Vol. 2, No. 14.","Institute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.","Off-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.","Playbill. Written by Thornton Wilder. Both removed from binder 1 of 2.","Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor","Playbill. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.","Playbill. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.","Playbill. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.","Smith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.","Playbill","Playbill, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.","Stagebill, Volume III, No. 8","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.","One Hundred Sixteenth Season (1957-1958)","Manson Hall","Playbill. Written by Ira Levin. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Libretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.","Playbill. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.","Written by Robert E. Sherwood","Musical Celebrities: The Concert Magazine, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.","Playbill. Removed from binder 2 of 2.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.","Smith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.","Robert Shaw, Conductor","Playbill, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.","Formerly the Sadler's Wells Ballet","\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen","Magazine II. Howard Mitchell, Director.","Musical Celebrities: The Concert Magazine, Vol. V, No. 8","Covent Garden Books No. 9","Playbill. Two plays by Terence Rattigan. Removed from binder 2 of 2.","Playbill. Written by Joseph Kramm. Removed from binder 2 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 3","Playbill. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.","Playbill. Written by Robert Anderson. Removed from binder 2 of 2.","Jose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre","Music by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.","Playbill. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.","Playbill, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.","Libretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.","A New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".","Playbill, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.","Two copies","Written by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".","Playbill. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.","Adapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.","Playbill, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Playbill, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.","Includes pamphlet advertising recordings by Bernstein. Both items in German.","David Stimer at the Piano","Playbill. Written by Agatha Christie. Removed from binder 2 of 2."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English\n,       German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"normalized_title_ssm":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","C0417","/repositories/2/resources/691","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection.","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.","Musical Celebrities: The Concert Magazine, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.","At the Virginia Museum Theatre","Playbill. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.","Playbill. Written by Maxwell Anderson. Removed from binder 1 of 2.","Playbill. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 9.","Includes ticket stub for Mosque Theatre April 29, 1954","The Barber of Seville, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.","Item is in German","Playbill. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.","Playbill. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.","Playbill. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.","Includes cast change note insert","Playbill. Written by Tennessee Williams. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.","Playbill. Written by Enid Bagnold. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.","Written by Arthur Miller","Featuring Emily Frankel and Mark Ryder","Playbill, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.","Playbill. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.","Libretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.","\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026 Company, Inc.","Off-B'way Showbill. Written by Samuel Beckett; American Premiere.","Playbill, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.","Playbill. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.","Libretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.","The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.","Musical Celebrities: The Concert Magazine, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.","Written by Tennessee Williams","Werner Singer at the Piano","\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"","38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.","Playbill. Written by John Van Druten. Removed from binder 1 of 2.","Written by Eugene O'Neill","Manson Hall","Smith Memorial Auditorium","Off-B'way Showbill. Includes ticket stubs.","Includes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958","Musical Celebrities: The Concert Magazine, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on A Streetcar Named Desire.","Playbill. Written by Graham Greene. Removed from binder 1 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 6.","21st Season","Playbill. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 Playbill: Vol. 1, No. 3.","Playbill, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.","Playbill, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.","Libretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.","Libretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.","Playbill. Written by George Bernard Shaw. Removed from binder 1 of 2.","Smith Memorial Hall. Repertory by Marcel Marceau.","Playbill, Vol. 2, No. 4","Inscription on last page","Inscription inside front cover","Playbill. Both programs Vol. 2, No. 14.","Institute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.","Off-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.","Playbill. Written by Thornton Wilder. Both removed from binder 1 of 2.","Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor","Playbill. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.","Playbill. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.","Playbill. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.","Smith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.","Playbill","Playbill, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.","Stagebill, Volume III, No. 8","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.","One Hundred Sixteenth Season (1957-1958)","Manson Hall","Playbill. Written by Ira Levin. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Libretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.","Playbill. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.","Written by Robert E. Sherwood","Musical Celebrities: The Concert Magazine, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.","Playbill. Removed from binder 2 of 2.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.","Smith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.","Robert Shaw, Conductor","Playbill, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.","Formerly the Sadler's Wells Ballet","\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen","Magazine II. Howard Mitchell, Director.","Musical Celebrities: The Concert Magazine, Vol. V, No. 8","Covent Garden Books No. 9","Playbill. Two plays by Terence Rattigan. Removed from binder 2 of 2.","Playbill. Written by Joseph Kramm. Removed from binder 2 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 3","Playbill. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.","Playbill. Written by Robert Anderson. Removed from binder 2 of 2.","Jose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre","Music by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.","Playbill. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.","Playbill, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.","Libretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.","A New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".","Playbill, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.","Two copies","Written by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".","Playbill. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.","Adapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.","Playbill, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Playbill, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.","Includes pamphlet advertising recordings by Bernstein. Both items in German.","David Stimer at the Piano","Playbill. Written by Agatha Christie. Removed from binder 2 of 2.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English\n,       German\n."],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"unitid_tesim":["C0417","/repositories/2/resources/691"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"creators_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e  ","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.\u003c/p\u003e","\u003cp\u003eAt the Virginia Museum Theatre\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Maxwell Anderson. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVIII, No. 9.\u003c/p\u003e","\u003cp\u003eIncludes ticket stub for Mosque Theatre April 29, 1954\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Barber of Seville\u003c/title\u003e, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.\u003c/p\u003e","\u003cp\u003eItem is in German\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eIncludes cast change note insert\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Tennessee Williams. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Enid Bagnold. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Arthur Miller\u003c/p\u003e","\u003cp\u003eFeaturing Emily Frankel and Mark Ryder\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.\u003c/p\u003e","\u003cp\u003e\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026amp; Company, Inc.\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Written by Samuel Beckett; American Premiere.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.\u003c/p\u003e","\u003cp\u003eThe Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.\u003c/p\u003e","\u003cp\u003eWritten by Tennessee Williams\u003c/p\u003e","\u003cp\u003eWerner Singer at the Piano\u003c/p\u003e","\u003cp\u003e\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"\u003c/p\u003e","\u003cp\u003e38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by John Van Druten. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Eugene O'Neill\u003c/p\u003e","\u003cp\u003eManson Hall\u003c/p\u003e","\u003cp\u003eSmith Memorial Auditorium\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Includes ticket stubs.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on \u003ctitle\u003eA Streetcar Named Desire\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Graham Greene. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVIII, No. 6.\u003c/p\u003e","\u003cp\u003e21st Season\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 \u003ctitle\u003ePlaybill\u003c/title\u003e: Vol. 1, No. 3.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eLibretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.\u003c/p\u003e","\u003cp\u003eLibretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by George Bernard Shaw. Removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eSmith Memorial Hall. Repertory by Marcel Marceau.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4\u003c/p\u003e","\u003cp\u003eInscription on last page\u003c/p\u003e","\u003cp\u003eInscription inside front cover\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Both programs Vol. 2, No. 14.\u003c/p\u003e","\u003cp\u003eInstitute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.\u003c/p\u003e","\u003cp\u003eOff-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Thornton Wilder. Both removed from binder 1 of 2.\u003c/p\u003e","\u003cp\u003eAntal Dorati, Conductor and Gerard Samuel, Assistant Conductor\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eSmith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eStagebill\u003c/title\u003e, Volume III, No. 8\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.\u003c/p\u003e","\u003cp\u003eOne Hundred Sixteenth Season (1957-1958)\u003c/p\u003e","\u003cp\u003eManson Hall\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Ira Levin. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.\u003c/p\u003e","\u003cp\u003eLibretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eWritten by Robert E. Sherwood\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.\u003c/p\u003e","\u003cp\u003eMusic by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.\u003c/p\u003e","\u003cp\u003eSmith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.\u003c/p\u003e","\u003cp\u003eRobert Shaw, Conductor\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eFormerly the Sadler's Wells Ballet\u003c/p\u003e","\u003cp\u003e\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen\u003c/p\u003e","\u003cp\u003eMagazine II. Howard Mitchell, Director.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. V, No. 8\u003c/p\u003e","\u003cp\u003eCovent Garden Books No. 9\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Two plays by Terence Rattigan. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Joseph Kramm. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMusical Celebrities: The Concert Magazine\u003c/title\u003e, Vol. XXVII, No. 3\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Robert Anderson. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eJose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre\u003c/p\u003e","\u003cp\u003eMusic by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.\u003c/p\u003e","\u003cp\u003eLibretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.\u003c/p\u003e","\u003cp\u003eA New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.\u003c/p\u003e","\u003cp\u003eTwo copies\u003c/p\u003e","\u003cp\u003eWritten by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.\u003c/p\u003e","\u003cp\u003eAdapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.\u003c/p\u003e","\u003cp\u003eIncludes pamphlet advertising recordings by Bernstein. Both items in German.\u003c/p\u003e","\u003cp\u003eDavid Stimer at the Piano\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePlaybill\u003c/title\u003e. Written by Agatha Christie. Removed from binder 2 of 2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 1. Includes \"Revised Program\" insert.","Musical Celebrities: The Concert Magazine, Vol. V, No. 12. Metropolitan Opera New Production. Libretto by A. Ghislanzoni, music by Giuseppe Verdi.","At the Virginia Museum Theatre","Playbill. Written by Marcelle Murette, English adaptation by Guy Bolton. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by Jerome Lawrence and Robert E. Lee. Removed from binder 1 of 2.","Playbill. Written by Maxwell Anderson. Removed from binder 1 of 2.","Playbill. Fourth performance by the New York City Opera Company. Includes NY City Center flyer and newspaper clipping about the show.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 9.","Includes ticket stub for Mosque Theatre April 29, 1954","The Barber of Seville, libretto by Cesare Sterbini, music by Gioacchino Rossini. Season 1954-1955.","Item is in German","Playbill. Written by Sandy Wilson. July program includes cast change note insert and was removed from binder 1 of 2.","Playbill. Music and lyrics by Irving Berlin, book by Howard Lindsay and Russel Crouse. Removed from binder 1 of 2.","Playbill. Music and lyrics by Cole Porter, book by Abe Burrows. Removed from binder 1 of 2.","Includes cast change note insert","Playbill. Written by Tennessee Williams. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 4. Written by William Saroyan; Bijou Theatre Series Production No. 3. Removed from binder 1 of 2. Includes 3 newspaper clippings, including one duplicate of a review by Brooks Atkinson.","Playbill. Written by Enid Bagnold. Removed from binder 1 of 2.","Playbill, Vol. 1, No. 8. Written by William Wycherley. Removed from binder 1 of 2.","Written by Arthur Miller","Featuring Emily Frankel and Mark Ryder","Playbill, Vol. 2, No. 5. Written by William Inge. Removed from binder 1 of 2. Includes magazine clipping of a cartoon depicting characters from play.","Playbill. Written by Frances Goodrich and Albert Hackett. Removed from binder 1 of 2.","Libretto by Lorenzo Da Ponte, music by Wolfgang Amadeus Mozart. Season 1957-1958.","\"This is the first exhibition of the original works in wax by Degas from which the series of bronzes were cast by A.-A. Hébrard\". M. Knoedler \u0026 Company, Inc.","Off-B'way Showbill. Written by Samuel Beckett; American Premiere.","Playbill, Vol. 2, No. 9. Written by John Osborne. Removed from binder 1 of 2.","Playbill. Book by S.N. Behrman and Joshua Logan, music and lyrics by Harold Rome. Removed from binder 1 of 2.","Libretto by Jules Barbier and Michel Carré, music by Charles Gounod. Season 1955-1956.","The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin.","Musical Celebrities: The Concert Magazine, Vol. V, No. 2. The Metropolitan Opera's New English Version. Music by Johann Strauss, lyrics by Howard Dietz, and book by Garson Kanin. Includes ticket stub and flyer; program has handwritten note on front cover.","Written by Tennessee Williams","Werner Singer at the Piano","\"In Honor of Professor Mabel Kate Whiteside, Teacher of Greek, 1904-1954\"","38th Season, 15th Concert. Featuring The Goldman Band, Edwin Franko Goldman, Conductor.","Playbill. Written by John Van Druten. Removed from binder 1 of 2.","Written by Eugene O'Neill","Manson Hall","Smith Memorial Auditorium","Off-B'way Showbill. Includes ticket stubs.","Includes newspaper clipping on Jose Limon's \"Missa Brevis\" from May 18, 1958","Musical Celebrities: The Concert Magazine, Vol. XXX, No. 12. Metropolitan Opera New Production. Libretto by F. M. Piave, music by Giuseppe Verdi. Includes 2 newspaper clippings on A Streetcar Named Desire.","Playbill. Written by Graham Greene. Removed from binder 1 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVIII, No. 6.","21st Season","Playbill. Written by Eugene O'Neill. Both removed from binder 1 of 2. December 1956 program includes The Actor's Fund donation insert. October 1957 Playbill: Vol. 1, No. 3.","Playbill, Vol. 2, No. 5. Written by John Osborne. Removed from binder 1 of 2. Includes newspaper clipping about the show.","Playbill, Vol. 2, No. 16. Written by Ketti Frings. Removed from binder 1 of 2.","Libretto by Salvatore Cammarano, music by Gaetano Donizetti. Season 1956-1957.","Libretto by Luigi Illica and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958. Includes magazine clipping on the show.","Playbill. Written by George Bernard Shaw. Removed from binder 1 of 2.","Smith Memorial Hall. Repertory by Marcel Marceau.","Playbill, Vol. 2, No. 4","Inscription on last page","Inscription inside front cover","Playbill. Both programs Vol. 2, No. 14.","Institute of Contemporary Arts, Twentieth Anniversary Year. Includes 2 copies of season schedule insert.","Off-B'way Showbill. Written by Friedrich Schiller, new adaptation by Jean Stock Goldstone and John Reich. Includes 2 newspaper clippings about the show.","Playbill. Written by Thornton Wilder. Both removed from binder 1 of 2.","Antal Dorati, Conductor and Gerard Samuel, Assistant Conductor","Playbill. Written by Joshua Logan and Thomas Heggen. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 10. Written by Dorothy and Michael Blankfort. Removed from binder 2 of 2.","Playbill. Book, music, and lyrics by Frank Loesser. Removed from binder 2 of 2. Includes cast change note insert.","Playbill. Lyrics and book/libretto by Alan Jay Lerner, music by Frederick Loewe. Includes two copies of August 1956 program; copy with date written on front and February 1958 programs both removed from binder 2 of 2.","Smith Memorial Hall. Founded by Hans Kindler in 1931, Howard Mitchell Music Director, 26th Season.","Playbill","Playbill, Vol. 1, No. 8 (1957) and Vol. 2, No. 1 (1958). New York City Ballet Company, Winter Season 1957-1958.","Stagebill, Volume III, No. 8","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958)","One Hundred Sixteenth Season (1957-1958). Includes magazine clipping on the show.","One Hundred Sixteenth Season (1957-1958)","Manson Hall","Playbill. Written by Ira Levin. Removed from binder 2 of 2.","Playbill, Vol. 1, No. 8. Written by Noel Coward. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Libretto by Arrigo Boito, music by Guiseppe Verdi. Season 1957-1958. Includes special ticket for Working Rehearsal on March 18 and a magazine and newspaper clipping about the show.","Playbill. Book by George Abbott and Richard Bissell, music and lyrics by Richard Adler, and Jerry Ross. Removed from binder 2 of 2.","Written by Robert E. Sherwood","Musical Celebrities: The Concert Magazine, Vol. V, No. 4. Eugene Ormandy, Music Director-Conductor.","Playbill. Removed from binder 2 of 2.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Radio Station WRVA presentation.","Music by George Gershwin, book and lyrics/libretto by DuBose Heyward and Ira Gershwin. Includes Act scene summary insert and inscription on first page.","Smith Memorial Building; with Lucile Turner, Contralto and The Randolph-Macon Glee Club, Jack Moehlenkamp, Pianist.","Robert Shaw, Conductor","Playbill, Vol. 2, No. 4. Written by Morton Wishengrad. Removed from binder 2 of 2.","Formerly the Sadler's Wells Ballet","\"Under the Patronage of His Majesty King Frederik IX of Denmark, First Visit to America of the Royal Danish Ballet\" from the Royal Theatre in Copenhagen","Magazine II. Howard Mitchell, Director.","Musical Celebrities: The Concert Magazine, Vol. V, No. 8","Covent Garden Books No. 9","Playbill. Two plays by Terence Rattigan. Removed from binder 2 of 2.","Playbill. Written by Joseph Kramm. Removed from binder 2 of 2.","Musical Celebrities: The Concert Magazine, Vol. XXVII, No. 3","Playbill. Music by Richard Rodgers, lyrics and book/libretto by Oscar Hammerstein II, book by Joshua Logan. Removed from binder 2 of 2.","Playbill. Written by Robert Anderson. Removed from binder 2 of 2.","Jose Limon and Dance Company with Pauline Koner, at the Virginia Museum Theatre","Music by Kurt Weill, book and lyrics/libretto by Bertolt (listed in program as Bert) Brecht, English adaptation of book and lyrics by Marc Blitzstein. Each program includes a cast change note insert.","Playbill. Written by Jean Giraudoux, translated by Christopher Fry. Removed from binder 2 of 2.","Playbill, Vol. 2, Nos. 4 and 20. Written by Jean Anouilh, English version by Patricia Moyes. Both removed from binder 2 of 2. January program includes magazine clipping of a cartoon depicting characters from play and May program includes a newspaper clipping photo of Helen Hayes.","Libretto by Victorien Sardou, Luigi Illica, and Giuseppe Giacosa, music by Giacomo Puccini. Season 1957-1958.","A New Play by Norman Rose, based on Dostoyevsky's \"The Brothers Karamazov\".","Playbill, Vol. 2, No. 15. Written by William Gibson. Removed from binder 2 of 2.","Two copies","Written by Anton Chekhov, translated by Stark Young. Third production in \"A Cycle of Four Chekhov Plays\".","Playbill. Written by Arthur Miller. Two copies; one removed from binder 2 of 2 and includes a promotional flyer insert on the show.","Adapted and staged by Margaret Perry. Front cover has possible pencil signature from founder and actor Robert Porterfield.","Playbill, Vol. 2, No. 21. Written by Friedrich Duerrenmatt, adapted by Maurice Valency. Removed from binder 2 of 2. Includes newspaper clipping on the show.","Playbill, Vol. 2, No. 4. Book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim. Removed from binder 2 of 2. Includes cast change note insert.","Includes pamphlet advertising recordings by Bernstein. Both items in German.","David Stimer at the Piano","Playbill. Written by Agatha Christie. Removed from binder 2 of 2."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English\n,       German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691"}},{"id":"vifgm_repositories_2_resources_518","type":"collection","attributes":{"title":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_518#abstract_or_scope","type":"document_value","attributes":{"value":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_518#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_518","ead_ssi":"vifgm_repositories_2_resources_518","_root_":"vifgm_repositories_2_resources_518","_nest_parent_":"vifgm_repositories_2_resources_518","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_518.xml","title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"unitdate_ssm":["circa 1790"],"unitdate_other_ssim":["circa 1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"text":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","C0457","/repositories/2/resources/518","Art","Ballet","There are no access restrictions.","This is a single item collection.","\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.","Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette","English\n      French"],"collection_title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"collection_ssim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0457","/repositories/2/resources/518"],"unitid_tesim":["C0457","/repositories/2/resources/518"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_persname_ssim":["Didelot, Rose Colinette"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Didelot, Rose Colinette","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"access_subjects_ssim":["Art","Ballet"],"access_subjects_ssm":["Art","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1790],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.\u003c/p\u003e","\u003cp\u003eGatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026amp;gbpv=0\u003c/p\u003e","\u003cp\u003e\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246 \u003c/p\u003e","\u003cp\u003eNational Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280."],"bioghist_html_tesm":["\u003cp\u003e\nRose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.\u003c/p\u003e","\u003cp\u003e\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.\u003c/p\u003e","\u003cp\u003ePantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters."],"prefercite_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_62d437950333c42973e06c7329bdc17b\"\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.\u003c/abstract\u003e\n    "],"abstract_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f02fd6961d8c6ec379c4633adf59b1ca\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Didelot, Rose Colinette"],"names_coll_ssim":["Didelot, Rose Colinette"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette"],"language_ssim":["English\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:36.211Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_518","ead_ssi":"vifgm_repositories_2_resources_518","_root_":"vifgm_repositories_2_resources_518","_nest_parent_":"vifgm_repositories_2_resources_518","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_518.xml","title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"unitdate_ssm":["circa 1790"],"unitdate_other_ssim":["circa 1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"text":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","C0457","/repositories/2/resources/518","Art","Ballet","There are no access restrictions.","This is a single item collection.","\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.","Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard.","R 72, C 3, S 1","George Mason University. Libraries. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"access_subjects_ssim":["Art","Ballet"],"access_subjects_ssm":["Art","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1790],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.\u003c/p\u003e","\u003cp\u003eGatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026amp;gbpv=0\u003c/p\u003e","\u003cp\u003e\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246 \u003c/p\u003e","\u003cp\u003eNational Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280."],"bioghist_html_tesm":["\u003cp\u003e\nRose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.\u003c/p\u003e","\u003cp\u003e\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.\u003c/p\u003e","\u003cp\u003ePantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters."],"prefercite_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_62d437950333c42973e06c7329bdc17b\"\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.\u003c/abstract\u003e\n    "],"abstract_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f02fd6961d8c6ec379c4633adf59b1ca\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Didelot, Rose Colinette"],"names_coll_ssim":["Didelot, Rose Colinette"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette"],"language_ssim":["English\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:36.211Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_518"}},{"id":"vilxw_repositories_5_resources_392","type":"collection","attributes":{"title":"Museums at Washington and Lee records, 1649/2016","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_392#creator","type":"document_value","attributes":{"value":"Washington and Lee University. Chapel","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_392#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_392#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_392","ead_ssi":"vilxw_repositories_5_resources_392","_root_":"vilxw_repositories_5_resources_392","_nest_parent_":"vilxw_repositories_5_resources_392","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_392.xml","title_filing_ssi":"Museums at Washington and Lee records","title_ssm":["Museums at Washington and Lee records"],"title_tesim":["Museums at Washington and Lee records"],"unitdate_ssm":["1649-2016"],"unitdate_inclusive_ssm":["1649-2016"],"normalized_date_ssm":["1649/2016"],"normalized_title_ssm":["Museums at Washington and Lee records, 1649/2016"],"text":["Museums at Washington and Lee records, 1649/2016","WLU.RG.34","/repositories/5/resources/392","Art","The collection is open for research use.","View materials from this collection online via W\u0026L's Digital Archive","The bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.","The University Library has captured this website using Archive-It.  You can view captures online.","Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"","This record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.","This website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. Also includes box of assorted and unmarked VHS tapes and other video-taping technologies.","One betacam tape of L. Dobyns speaking about the Reeves Collection.","These 15 audio cassettes contain the recordings of the talks given on Decorative Arts Trust and Washington and Lee University during the 1982 Chinan Trade Symposium.  These talks occurred for the opening of the Reeves Center.","Program from an exhibit entitled American Painting at Washington and Lee University: Some Nineteenth-Century Examples, which was held from January 5-22, 1976.  The project was sponsored by the National Endowment for the Arts.","Brochure about the Stan Kamen Collection of Western Art at Washington and Lee.","These videos about pieces of art in Washington and Lee University's Art Collection were created by student interns during the summer of 2011.  Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.","This is the first box of the James Whitehead Papers, and includes materials related to the Bicentennial in 1976, as well as correspondence with people and organizations between letters \"A\" through \"Cha.\"","This box contains correspondence and related files between letters \"Che\" through \"Lu.\" Also contains files related to Foreign Advisory Services.","This file contains correspondence from \"Lu\" to \"Reeves Center,\" and also includes files related to the Morris House and the Reeves Center.","This box contains files from \"Reeves Students\" to \"Washington Trip,\" and also includes files related to Skylar and Wamsutta Mills.","This box contains files from \"George Washington\" until the end of the alphabet, then going into a run of files dedicated to Louise Herreshoff, her paintings, and Whitehead's efforts to share her art with museums.","This box contains files related to Louise Herreshoff's paintings and exhibitions, as well as Euchlin Reeves and his collection of fine China that was donated to Washington and Lee.","This collection includes files related to Whitehead's efforts to share Louise Herreshoff's paintings, as well as miscellaneous correspondence.","This box contains files of miscellaneous correspondence.","Program from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow","English"],"collection_title_tesim":["Museums at Washington and Lee records, 1649/2016"],"collection_ssim":["Museums at Washington and Lee records, 1649/2016"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.34","/repositories/5/resources/392"],"unitid_tesim":["WLU.RG.34","/repositories/5/resources/392"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_ssim":["Washington and Lee University. Chapel","Washington and Lee University. 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ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"access_subjects_ssim":["Art"],"access_subjects_ssm":["Art"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/32500\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"arrangement_html_tesm":["\u003cp\u003eThe bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically."],"originalsloc_html_tesm":["\u003cp\u003eThe University Library has captured this website using Archive-It.  You can view captures \u003ca href=\"https://wayback.archive-it.org/6143/*/http://teachingwithucah.academic.wlu.edu\"\u003eonline\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Online Access"],"originalsloc_tesim":["The University Library has captured this website using Archive-It.  You can view captures online."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  ","\u003cp\u003ePreferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","Preferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\""],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.\u003c/p\u003e  ","\u003cp\u003eThis website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  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Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. 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It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. Also includes box of assorted and unmarked VHS tapes and other video-taping technologies.","One betacam tape of L. Dobyns speaking about the Reeves Collection.","These 15 audio cassettes contain the recordings of the talks given on Decorative Arts Trust and Washington and Lee University during the 1982 Chinan Trade Symposium.  These talks occurred for the opening of the Reeves Center.","Program from an exhibit entitled American Painting at Washington and Lee University: Some Nineteenth-Century Examples, which was held from January 5-22, 1976.  The project was sponsored by the National Endowment for the Arts.","Brochure about the Stan Kamen Collection of Western Art at Washington and Lee.","These videos about pieces of art in Washington and Lee University's Art Collection were created by student interns during the summer of 2011.  Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.","This is the first box of the James Whitehead Papers, and includes materials related to the Bicentennial in 1976, as well as correspondence with people and organizations between letters \"A\" through \"Cha.\"","This box contains correspondence and related files between letters \"Che\" through \"Lu.\" Also contains files related to Foreign Advisory Services.","This file contains correspondence from \"Lu\" to \"Reeves Center,\" and also includes files related to the Morris House and the Reeves Center.","This box contains files from \"Reeves Students\" to \"Washington Trip,\" and also includes files related to Skylar and Wamsutta Mills.","This box contains files from \"George Washington\" until the end of the alphabet, then going into a run of files dedicated to Louise Herreshoff, her paintings, and Whitehead's efforts to share her art with museums.","This box contains files related to Louise Herreshoff's paintings and exhibitions, as well as Euchlin Reeves and his collection of fine China that was donated to Washington and Lee.","This collection includes files related to Whitehead's efforts to share Louise Herreshoff's paintings, as well as miscellaneous correspondence.","This box contains files of miscellaneous correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eProgram from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Program from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.\u003c/p\u003e  ","\u003cp\u003eThe materials from Washington \u0026amp; Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"persname_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow"],"names_coll_ssim":["Lee, Robert E. (Robert Edward), 1807-1870"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. 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Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.","The University Library has captured this website using Archive-It.  You can view captures online.","Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"","This record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.","This website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. Also includes box of assorted and unmarked VHS tapes and other video-taping technologies.","One betacam tape of L. Dobyns speaking about the Reeves Collection.","These 15 audio cassettes contain the recordings of the talks given on Decorative Arts Trust and Washington and Lee University during the 1982 Chinan Trade Symposium.  These talks occurred for the opening of the Reeves Center.","Program from an exhibit entitled American Painting at Washington and Lee University: Some Nineteenth-Century Examples, which was held from January 5-22, 1976.  The project was sponsored by the National Endowment for the Arts.","Brochure about the Stan Kamen Collection of Western Art at Washington and Lee.","These videos about pieces of art in Washington and Lee University's Art Collection were created by student interns during the summer of 2011.  Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.","This is the first box of the James Whitehead Papers, and includes materials related to the Bicentennial in 1976, as well as correspondence with people and organizations between letters \"A\" through \"Cha.\"","This box contains correspondence and related files between letters \"Che\" through \"Lu.\" Also contains files related to Foreign Advisory Services.","This file contains correspondence from \"Lu\" to \"Reeves Center,\" and also includes files related to the Morris House and the Reeves Center.","This box contains files from \"Reeves Students\" to \"Washington Trip,\" and also includes files related to Skylar and Wamsutta Mills.","This box contains files from \"George Washington\" until the end of the alphabet, then going into a run of files dedicated to Louise Herreshoff, her paintings, and Whitehead's efforts to share her art with museums.","This box contains files related to Louise Herreshoff's paintings and exhibitions, as well as Euchlin Reeves and his collection of fine China that was donated to Washington and Lee.","This collection includes files related to Whitehead's efforts to share Louise Herreshoff's paintings, as well as miscellaneous correspondence.","This box contains files of miscellaneous correspondence.","Program from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow","English"],"collection_title_tesim":["Museums at Washington and Lee records, 1649/2016"],"collection_ssim":["Museums at Washington and Lee records, 1649/2016"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.34","/repositories/5/resources/392"],"unitid_tesim":["WLU.RG.34","/repositories/5/resources/392"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_ssim":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_persname_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"creators_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"access_subjects_ssim":["Art"],"access_subjects_ssm":["Art"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/32500\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"arrangement_html_tesm":["\u003cp\u003eThe bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically."],"originalsloc_html_tesm":["\u003cp\u003eThe University Library has captured this website using Archive-It.  You can view captures \u003ca href=\"https://wayback.archive-it.org/6143/*/http://teachingwithucah.academic.wlu.edu\"\u003eonline\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Online Access"],"originalsloc_tesim":["The University Library has captured this website using Archive-It.  You can view captures online."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  ","\u003cp\u003ePreferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","Preferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\""],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.\u003c/p\u003e  ","\u003cp\u003eThis website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  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Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. 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It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. 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Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.","This is the first box of the James Whitehead Papers, and includes materials related to the Bicentennial in 1976, as well as correspondence with people and organizations between letters \"A\" through \"Cha.\"","This box contains correspondence and related files between letters \"Che\" through \"Lu.\" Also contains files related to Foreign Advisory Services.","This file contains correspondence from \"Lu\" to \"Reeves Center,\" and also includes files related to the Morris House and the Reeves Center.","This box contains files from \"Reeves Students\" to \"Washington Trip,\" and also includes files related to Skylar and Wamsutta Mills.","This box contains files from \"George Washington\" until the end of the alphabet, then going into a run of files dedicated to Louise Herreshoff, her paintings, and Whitehead's efforts to share her art with museums.","This box contains files related to Louise Herreshoff's paintings and exhibitions, as well as Euchlin Reeves and his collection of fine China that was donated to Washington and Lee.","This collection includes files related to Whitehead's efforts to share Louise Herreshoff's paintings, as well as miscellaneous correspondence.","This box contains files of miscellaneous correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eProgram from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Program from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"persname_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. 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Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.","Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.","Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers.","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.","R 71, C 2, S 6","George Mason University. Libraries. 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May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516."],"bioghist_html_tesm":["\u003cp\u003eBest known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, \u003ctitle\u003eThe Weary Blues\u003c/title\u003e, was published in 1926 and in 1930 his first novel \u003ctitle\u003eNot Without Laughter\u003c/title\u003e won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection \u003ctitle\u003eThe Negro Mother and Other Dramatic Recitations\u003c/title\u003e. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.\u003c/p\u003e","\u003cp\u003eCharles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California."],"prefercite_html_tesm":["\u003cp\u003ePamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2025. 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When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bd347158a9241c662f81156721d9f0c2\"\u003eBifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.\u003c/abstract\u003e\n    "],"abstract_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3ce5a21a95a27d68c29e8756e8589895\"\u003eR 71, C 2, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 6"],"corpname_ssim":["George Mason University. 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White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.","\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.","\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.","\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.","Laskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.","Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.","Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers.","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.","R 71, C 2, S 6","George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)","Hughes, Langston, 1901-1967","White, Charles, 1918-1979","English\n."],"collection_title_tesim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, 1961"],"collection_ssim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, 1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0447","/repositories/2/resources/748"],"unitid_tesim":["C0447","/repositories/2/resources/748"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creator_ssim":["Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creator_persname_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creators_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979","George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Ian Brabner Rare Americana in 2021."],"access_subjects_ssim":["American poetry -- 20th century","Art","African Americans","African American poets","African American artists","Poetry"],"access_subjects_ssm":["American poetry -- 20th century","Art","African Americans","African American poets","African American artists","Poetry"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Poetry"],"date_range_isim":[1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Biographical Note | A Finding Aid to the Charles W. White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.\u003c/p\u003e","\u003cp\u003e\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.\u003c/p\u003e","\u003cp\u003e\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.\u003c/p\u003e","\u003cp\u003e\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.\u003c/p\u003e","\u003cp\u003eLaskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.\u003c/p\u003e","\u003cp\u003e\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Biographical Note | A Finding Aid to the Charles W. White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.","\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.","\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.","\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.","Laskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516."],"bioghist_html_tesm":["\u003cp\u003eBest known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, \u003ctitle\u003eThe Weary Blues\u003c/title\u003e, was published in 1926 and in 1930 his first novel \u003ctitle\u003eNot Without Laughter\u003c/title\u003e won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection \u003ctitle\u003eThe Negro Mother and Other Dramatic Recitations\u003c/title\u003e. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.\u003c/p\u003e","\u003cp\u003eCharles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California."],"prefercite_html_tesm":["\u003cp\u003ePamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds \u003ca href=\"https://aspace.gmu.edu/resources/c0097\"\u003ePaul Robeson sound recording collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Smithsonian Archives of American Art holds the \u003ca href=\"https://www.aaa.si.edu/collections/charles-w-white-papers-9350\"\u003eCharles W. White papers\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers."],"scopecontent_html_tesm":["\u003cp\u003eBifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bd347158a9241c662f81156721d9f0c2\"\u003eBifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.\u003c/abstract\u003e\n    "],"abstract_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3ce5a21a95a27d68c29e8756e8589895\"\u003eR 71, C 2, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 6"],"corpname_ssim":["George Mason University. 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Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)","Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:51.434Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_748"}},{"id":"vifgm_repositories_2_resources_712","type":"collection","attributes":{"title":"Paper Cuts zine and small press collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#creator","type":"document_value","attributes":{"value":"Kardambikis, Christopher","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_712","ead_ssi":"vifgm_repositories_2_resources_712","_root_":"vifgm_repositories_2_resources_712","_nest_parent_":"vifgm_repositories_2_resources_712","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_712.xml","title_filing_ssi":"Paper Cuts zine and small press collection","title_ssm":["Paper Cuts zine and small press collection"],"title_tesim":["Paper Cuts zine and small press collection"],"unitdate_ssm":["2000s-circa 2020s"],"unitdate_inclusive_ssm":["2000s-circa 2020s"],"normalized_title_ssm":["Paper Cuts zine and small press collection"],"text":["Paper Cuts zine and small press collection","C0518","/repositories/2/resources/712","Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc.","There are no access restrictions.","Arranged by acquisition date.","Christopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art.","Processed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024.","The Special Collections Research Center holds the  and the . It also holds an extensive collection of .","This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.","Materials were created between 2000s-circa 2020s. Topics vary - see inventory for more details.","Content Warning: graphic sexual content.","Publisher: Perfectly Acceptable Press.","Publisher: Pegacorn Press.","Publisher: Temporary Services.","Publisher: Wool \u0026 Brick Press.","Publisher: Half Letter Press.","Publisher: Interference Archive and Pound the Pavement.","Publisher: Pound the Pavement Press.","Publisher: Temporary Services.","Publisher: Temporary Services.","Publisher: Half Letter Press.","Publisher: Half Letter Press.","Publisher: Half Letter Press.","Publisher: Half Letter Press.","Content Warning: Graphic sexual content.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Issue Press.","Publisher: Gravity and Trajectory.","Publisher: Gravity and Trajectory.","Content warning: nudity.","Publisher: Gravity and Trajectory.","Publisher: Short Run.","Publisher: Pegacorn Press.","Publisher: Do Anything.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.","R 55, C 1, S 1","George Mason University. Libraries. Special Collections Research Center","Kardambikis, Christopher","English\n."],"collection_title_tesim":["Paper Cuts zine and small press collection"],"collection_ssim":["Paper Cuts zine and small press collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0518","/repositories/2/resources/712"],"unitid_tesim":["C0518","/repositories/2/resources/712"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Kardambikis, Christopher"],"creator_ssim":["Kardambikis, Christopher"],"creator_persname_ssim":["Kardambikis, Christopher"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Kardambikis, Christopher","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Christopher Kardambikis and Stephanie Grimm."],"access_subjects_ssim":["Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc."],"access_subjects_ssm":["Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 boxes"],"extent_tesim":["1 Linear Feet 2 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003eChristopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Christopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art."],"prefercite_html_tesm":["\u003cp\u003ePaper Cuts zine and small press collection, C0518, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Paper Cuts zine and small press collection, C0518, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the \u003cextptr show=\"new\" title=\"Mid-Atlantic minicomic and zines collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"International art publishing collection\" href=\"https://aspace.gmu.edu/resources/c0517\"\u003e\u003c/extptr\u003e. It also holds an extensive collection of \u003cextptr show=\"new\" title=\"Artists' Books\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds the  and the . It also holds an extensive collection of ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2000s-circa 2020s. 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