{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=2\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=4\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=5\u0026view=compact"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":5,"limit_value":10,"offset_value":20,"total_count":43,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_711","type":"collection","attributes":{"title":"International art publishing collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"text":["C0517","/repositories/2/resources/711","International art publishing collection","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    "],"unitid_tesim":["C0517","/repositories/2/resources/711"],"normalized_title_ssm":["International art publishing collection"],"collection_title_tesim":["International art publishing collection"],"collection_ssim":["International art publishing collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e\n","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"text":["C0517","/repositories/2/resources/711","International art publishing collection","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    "],"unitid_tesim":["C0517","/repositories/2/resources/711"],"normalized_title_ssm":["International art publishing collection"],"collection_title_tesim":["International art publishing collection"],"collection_ssim":["International art publishing collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e\n","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711"}},{"id":"vifgm_repositories_2_resources_544","type":"collection","attributes":{"title":"Jean-Jacques de Boissieu etching print of a country scene","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#creator","type":"document_value","attributes":{"value":"Boissieu, Jean-Jacques de, 1736-1810","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#abstract_or_scope","type":"document_value","attributes":{"value":"Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_544","ead_ssi":"vifgm_repositories_2_resources_544","_root_":"vifgm_repositories_2_resources_544","_nest_parent_":"vifgm_repositories_2_resources_544","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_544.xml","title_ssm":["Jean-Jacques de Boissieu etching print of a country scene"],"title_tesim":["Jean-Jacques de Boissieu etching print of a country scene"],"unitdate_ssm":["1773"],"unitdate_other_ssim":["1773"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0475","/repositories/2/resources/544"],"text":["C0475","/repositories/2/resources/544","Jean-Jacques de Boissieu etching print of a country scene","Art","Domestic life","Etching","There are no access restrictions.","This is a single item collection.","Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.","Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds other prints from the 18th century of various methods.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.","Public Domain. There are no restrictions on personal use.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Boissieu, Jean-Jacques de, 1736-1810","No linguistic content; Not applicable \n.    "],"unitid_tesim":["C0475","/repositories/2/resources/544"],"normalized_title_ssm":["Jean-Jacques de Boissieu etching print of a country scene"],"collection_title_tesim":["Jean-Jacques de Boissieu etching print of a country scene"],"collection_ssim":["Jean-Jacques de Boissieu etching print of a country scene"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Boissieu, Jean-Jacques de, 1736-1810"],"creator_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"creator_persname_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"creators_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"access_terms_ssm":["Public Domain. There are no restrictions on personal use."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians on 10/13/2011."],"access_subjects_ssim":["Art","Domestic life","Etching"],"access_subjects_ssm":["Art","Domestic life","Etching"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1773],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eDel Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.\u003c/p\u003e\n","\u003cp\u003e\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/."],"bioghist_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals."],"prefercite_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other prints from the 18th century of various methods.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other prints from the 18th century of various methods."],"scopecontent_html_tesm":["\u003cp\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no restrictions on personal use.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b8e4ba35df78979ed34d92db93ebaabe\" label=\"Abstract\"\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.\u003c/abstract\u003e"],"abstract_tesim":["Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a8714d3ad829b1ca73d13bcd7c3a84b3\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boissieu, Jean-Jacques de, 1736-1810"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"language_ssim":["No linguistic content; Not applicable \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_544","ead_ssi":"vifgm_repositories_2_resources_544","_root_":"vifgm_repositories_2_resources_544","_nest_parent_":"vifgm_repositories_2_resources_544","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_544.xml","title_ssm":["Jean-Jacques de Boissieu etching print of a country scene"],"title_tesim":["Jean-Jacques de Boissieu etching print of a country scene"],"unitdate_ssm":["1773"],"unitdate_other_ssim":["1773"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0475","/repositories/2/resources/544"],"text":["C0475","/repositories/2/resources/544","Jean-Jacques de Boissieu etching print of a country scene","Art","Domestic life","Etching","There are no access restrictions.","This is a single item collection.","Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.","Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds other prints from the 18th century of various methods.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.","Public Domain. There are no restrictions on personal use.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Boissieu, Jean-Jacques de, 1736-1810","No linguistic content; Not applicable \n.    "],"unitid_tesim":["C0475","/repositories/2/resources/544"],"normalized_title_ssm":["Jean-Jacques de Boissieu etching print of a country scene"],"collection_title_tesim":["Jean-Jacques de Boissieu etching print of a country scene"],"collection_ssim":["Jean-Jacques de Boissieu etching print of a country scene"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Boissieu, Jean-Jacques de, 1736-1810"],"creator_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"creator_persname_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"creators_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"access_terms_ssm":["Public Domain. There are no restrictions on personal use."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians on 10/13/2011."],"access_subjects_ssim":["Art","Domestic life","Etching"],"access_subjects_ssm":["Art","Domestic life","Etching"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1773],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eDel Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.\u003c/p\u003e\n","\u003cp\u003e\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/."],"bioghist_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals."],"prefercite_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other prints from the 18th century of various methods.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other prints from the 18th century of various methods."],"scopecontent_html_tesm":["\u003cp\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no restrictions on personal use.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no restrictions on personal use."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b8e4ba35df78979ed34d92db93ebaabe\" label=\"Abstract\"\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.\u003c/abstract\u003e"],"abstract_tesim":["Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a8714d3ad829b1ca73d13bcd7c3a84b3\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boissieu, Jean-Jacques de, 1736-1810"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Boissieu, Jean-Jacques de, 1736-1810"],"language_ssim":["No linguistic content; Not applicable \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_544"}},{"id":"vifgm_repositories_2_resources_21","type":"collection","attributes":{"title":"Jerry Clapsaddle papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_21#creator","type":"document_value","attributes":{"value":"Clapsaddle, Jerry, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_21#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_21#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_21","ead_ssi":"vifgm_repositories_2_resources_21","_root_":"vifgm_repositories_2_resources_21","_nest_parent_":"vifgm_repositories_2_resources_21","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_21.xml","title_filing_ssi":"Jerry Clapsaddle papers","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005"],"unitdate_inclusive_ssm":["1981-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064","/repositories/2/resources/21"],"text":["C0064","/repositories/2/resources/21","Jerry Clapsaddle papers","Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings","There are no access restrictions.","Arranged into three series.","Series Series 1: Subject Files, 1981-2004 (Boxes 1-7) Series 2: Photographs and Slides, 1973-2002 (Box 8) Series 3: Videotapes, 1995-2000 (Boxes 9-10)","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.","The Special Collections Research Center also holds the George Mason University Archives.","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art","Clapsaddle, Jerry, 1941-","English"],"unitid_tesim":["C0064","/repositories/2/resources/21"],"normalized_title_ssm":["Jerry Clapsaddle papers"],"collection_title_tesim":["Jerry Clapsaddle papers"],"collection_ssim":["Jerry Clapsaddle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Clapsaddle, Jerry, 1941-"],"creator_ssim":["Clapsaddle, Jerry, 1941-"],"creator_persname_ssim":["Clapsaddle, Jerry, 1941-"],"creators_ssim":["Clapsaddle, Jerry, 1941-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006."],"access_subjects_ssim":["Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"access_subjects_ssm":["Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 24 boxes"],"extent_tesim":["10 Linear Feet 24 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series Series 1: Subject Files, 1981-2004 (Boxes 1-7) Series 2: Photographs and Slides, 1973-2002 (Box 8) Series 3: Videotapes, 1995-2000 (Boxes 9-10)"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond."],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the George Mason University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the George Mason University Archives."],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_43284c20ba7aa3a99e312890d7c50f66\" label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes."],"names_coll_ssim":["George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art","Clapsaddle, Jerry, 1941-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art"],"persname_ssim":["Clapsaddle, Jerry, 1941-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_21","ead_ssi":"vifgm_repositories_2_resources_21","_root_":"vifgm_repositories_2_resources_21","_nest_parent_":"vifgm_repositories_2_resources_21","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_21.xml","title_filing_ssi":"Jerry Clapsaddle papers","title_ssm":["Jerry Clapsaddle papers"],"title_tesim":["Jerry Clapsaddle papers"],"unitdate_ssm":["1981-2005"],"unitdate_inclusive_ssm":["1981-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0064","/repositories/2/resources/21"],"text":["C0064","/repositories/2/resources/21","Jerry Clapsaddle papers","Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings","There are no access restrictions.","Arranged into three series.","Series Series 1: Subject Files, 1981-2004 (Boxes 1-7) Series 2: Photographs and Slides, 1973-2002 (Box 8) Series 3: Videotapes, 1995-2000 (Boxes 9-10)","Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.","Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.","The Special Collections Research Center also holds the George Mason University Archives.","Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art","Clapsaddle, Jerry, 1941-","English"],"unitid_tesim":["C0064","/repositories/2/resources/21"],"normalized_title_ssm":["Jerry Clapsaddle papers"],"collection_title_tesim":["Jerry Clapsaddle papers"],"collection_ssim":["Jerry Clapsaddle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Clapsaddle, Jerry, 1941-"],"creator_ssim":["Clapsaddle, Jerry, 1941-"],"creator_persname_ssim":["Clapsaddle, Jerry, 1941-"],"creators_ssim":["Clapsaddle, Jerry, 1941-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Jerry Clapsaddle in 2005-2006."],"access_subjects_ssim":["Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"access_subjects_ssm":["Slides (Photography)","Art in universities and colleges","Art","Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 24 boxes"],"extent_tesim":["10 Linear Feet 24 boxes"],"genreform_ssim":["Photographic prints","Video recordings","Correspondence","Photographs","Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Subject Files, 1981-2004 (Boxes 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Slides, 1973-2002 (Box 8)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Videotapes, 1995-2000 (Boxes 9-10)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series.","Series Series 1: Subject Files, 1981-2004 (Boxes 1-7) Series 2: Photographs and Slides, 1973-2002 (Box 8) Series 3: Videotapes, 1995-2000 (Boxes 9-10)"],"bioghist_html_tesm":["\u003cp\u003eJerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jerry Clapsaddle was an art professor at George Mason University from 1982-2005. During his career at George Mason University, Clapsaddle worked to promote the public exhibition of student and faculty art. In 1987 he founded ArtsBus, a program of the Department of Art and Visual Technology (later the School of Art) in the College of Visual and Performing Arts at George Mason University, which plans field trips for art students to galleries in New York, Philadelphia, and Richmond."],"prefercite_html_tesm":["\u003cp\u003eJerry Clapsaddle collection, C0064, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jerry Clapsaddle collection, C0064, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Tom Duncan in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Tom Duncan in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the George Mason University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the George Mason University Archives."],"scopecontent_html_tesm":["\u003cp\u003eContains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Contains materials pertaining to Clapsaddle's career at George Mason University, including memoranda and correspondence between Clapsaddle and University administrators, student feedback on the ArtsBus program, and information on the NEA-funded Arts in Public Places (AIPP) program in northern Virginia and Washington, D.C. Series 1 contains the subject files of the collection. In this series, there are correspondences, biographical material, and administrative information for the George Mason University school of art, the ArtsBus and Art in Public Places. The administrative information contains financial statements, annual reports and reviews and other material on the day to day business. Series 2 contains photographs, slides and audio cassette tapes. This section presents artwork from George Mason University students as well as others. Series 3 contains VHS tapes of student art projects, along with a video guide and a faculty handbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_43284c20ba7aa3a99e312890d7c50f66\" label=\"Abstract\"\u003eThis collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials pertaining to Jerry Clapsaddle's career as a professor of art at George Mason University. Materials include annual reports, correspondence, slides, and videotapes."],"names_coll_ssim":["George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art","Clapsaddle, Jerry, 1941-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","George Mason University. College of Visual \u0026 Performing Arts","George Mason University. School of Art"],"persname_ssim":["Clapsaddle, Jerry, 1941-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_21"}},{"id":"vifgm_repositories_2_resources_420","type":"collection","attributes":{"title":"Kukryniksy Russian caricature poster collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_420#creator","type":"document_value","attributes":{"value":"Kukryniksy","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_420#abstract_or_scope","type":"document_value","attributes":{"value":"12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_420#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_420","ead_ssi":"vifgm_repositories_2_resources_420","_root_":"vifgm_repositories_2_resources_420","_nest_parent_":"vifgm_repositories_2_resources_420","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_420.xml","title_filing_ssi":"Kukryniksy Russian caricature poster collection","title_ssm":["Kukryniksy Russian caricature poster collection"],"title_tesim":["Kukryniksy Russian caricature poster collection"],"unitdate_ssm":["1977"],"unitdate_other_ssim":["1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0286","/repositories/2/resources/420"],"text":["C0286","/repositories/2/resources/420","Kukryniksy Russian caricature poster collection","Soviet Union","Political posters","Cold War","Art","Propaganda","There are no access restrictions.","This is a single folder collection.","The Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration.","Processing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.","The Special Collections Research Center holds other political poster collections including the   and the  .","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.","OS R 2, C 1, S 2. Housed with C0285.","George Mason University. Libraries. Special Collections Research Center","Kukryniksy","Russian"],"unitid_tesim":["C0286","/repositories/2/resources/420"],"normalized_title_ssm":["Kukryniksy Russian caricature poster collection"],"collection_title_tesim":["Kukryniksy Russian caricature poster collection"],"collection_ssim":["Kukryniksy Russian caricature poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Soviet Union"],"geogname_ssim":["Soviet Union"],"creator_ssm":["Kukryniksy"],"creator_ssim":["Kukryniksy"],"creator_persname_ssim":["Kukryniksy"],"creators_ssim":["Kukryniksy"],"places_ssim":["Soviet Union"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Thomas Hill in 2009."],"access_subjects_ssim":["Political posters","Cold War","Art","Propaganda"],"access_subjects_ssm":["Political posters","Cold War","Art","Propaganda"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"date_range_isim":[1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bioghist_html_tesm":["\u003cp\u003eThe Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration."],"prefercite_html_tesm":["\u003cp\u003eKukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Kukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other political poster collections including the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0169\" title=\"East German poster collection political series\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0168\" title=\"French Communist Party poster collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other political poster collections including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_93e3e65f038a30217bc9b2a00fbf9493\" label=\"Abstract\"\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.\u003c/abstract\u003e"],"abstract_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c439d073bcacbebc125fcb6c3ba7b398\"\u003eOS R 2, C 1, S 2. Housed with C0285.\u003c/physloc\u003e"],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0285."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kukryniksy"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kukryniksy"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:17.567Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_420","ead_ssi":"vifgm_repositories_2_resources_420","_root_":"vifgm_repositories_2_resources_420","_nest_parent_":"vifgm_repositories_2_resources_420","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_420.xml","title_filing_ssi":"Kukryniksy Russian caricature poster collection","title_ssm":["Kukryniksy Russian caricature poster collection"],"title_tesim":["Kukryniksy Russian caricature poster collection"],"unitdate_ssm":["1977"],"unitdate_other_ssim":["1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0286","/repositories/2/resources/420"],"text":["C0286","/repositories/2/resources/420","Kukryniksy Russian caricature poster collection","Soviet Union","Political posters","Cold War","Art","Propaganda","There are no access restrictions.","This is a single folder collection.","The Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration.","Processing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.","The Special Collections Research Center holds other political poster collections including the   and the  .","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.","OS R 2, C 1, S 2. Housed with C0285.","George Mason University. Libraries. Special Collections Research Center","Kukryniksy","Russian"],"unitid_tesim":["C0286","/repositories/2/resources/420"],"normalized_title_ssm":["Kukryniksy Russian caricature poster collection"],"collection_title_tesim":["Kukryniksy Russian caricature poster collection"],"collection_ssim":["Kukryniksy Russian caricature poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Soviet Union"],"geogname_ssim":["Soviet Union"],"creator_ssm":["Kukryniksy"],"creator_ssim":["Kukryniksy"],"creator_persname_ssim":["Kukryniksy"],"creators_ssim":["Kukryniksy"],"places_ssim":["Soviet Union"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Thomas Hill in 2009."],"access_subjects_ssim":["Political posters","Cold War","Art","Propaganda"],"access_subjects_ssm":["Political posters","Cold War","Art","Propaganda"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"date_range_isim":[1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bioghist_html_tesm":["\u003cp\u003eThe Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration."],"prefercite_html_tesm":["\u003cp\u003eKukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Kukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other political poster collections including the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0169\" title=\"East German poster collection political series\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0168\" title=\"French Communist Party poster collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other political poster collections including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_93e3e65f038a30217bc9b2a00fbf9493\" label=\"Abstract\"\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.\u003c/abstract\u003e"],"abstract_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c439d073bcacbebc125fcb6c3ba7b398\"\u003eOS R 2, C 1, S 2. Housed with C0285.\u003c/physloc\u003e"],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0285."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kukryniksy"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kukryniksy"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:17.567Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_420"}},{"id":"vifgm_repositories_2_resources_540","type":"collection","attributes":{"title":"\"La Navarraise\" opera scene and costume lithographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#creator","type":"document_value","attributes":{"value":"Heugel \u0026 Cie, Editeurs","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#abstract_or_scope","type":"document_value","attributes":{"value":"Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_540","ead_ssi":"vifgm_repositories_2_resources_540","_root_":"vifgm_repositories_2_resources_540","_nest_parent_":"vifgm_repositories_2_resources_540","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_540.xml","title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"unitdate_ssm":["circa 1894"],"unitdate_other_ssim":["circa 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"text":["C0471","/repositories/2/resources/540","\"La Navarraise\" opera scene and costume lithographs","Art","Costume design","Lithography","Opera","Verismo (Opera)","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here:  .","This is a single folder collection.","Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","Public Domain. There are no known restrictions.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","French"],"unitid_tesim":["C0471","/repositories/2/resources/540"],"normalized_title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"collection_title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"collection_ssim":["\"La Navarraise\" opera scene and costume lithographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Heugel \u0026 Cie, Editeurs"],"creator_ssim":["Heugel \u0026 Cie, Editeurs"],"creator_corpname_ssim":["Heugel \u0026 Cie, Editeurs"],"creators_ssim":["Heugel \u0026 Cie, Editeurs"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://images.gmu.edu/luna/servlet/GMU~59~59\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e\n","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e\n","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e"],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"names_coll_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_540","ead_ssi":"vifgm_repositories_2_resources_540","_root_":"vifgm_repositories_2_resources_540","_nest_parent_":"vifgm_repositories_2_resources_540","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_540.xml","title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"unitdate_ssm":["circa 1894"],"unitdate_other_ssim":["circa 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"text":["C0471","/repositories/2/resources/540","\"La Navarraise\" opera scene and costume lithographs","Art","Costume design","Lithography","Opera","Verismo (Opera)","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here:  .","This is a single folder collection.","Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","Public Domain. There are no known restrictions.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","French"],"unitid_tesim":["C0471","/repositories/2/resources/540"],"normalized_title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"collection_title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"collection_ssim":["\"La Navarraise\" opera scene and costume lithographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Heugel \u0026 Cie, Editeurs"],"creator_ssim":["Heugel \u0026 Cie, Editeurs"],"creator_corpname_ssim":["Heugel \u0026 Cie, Editeurs"],"creators_ssim":["Heugel \u0026 Cie, Editeurs"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://images.gmu.edu/luna/servlet/GMU~59~59\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here:  ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e\n","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e\n","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. ","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e"],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"names_coll_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:17.368Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540"}},{"id":"vifgm_repositories_2_resources_515","type":"collection","attributes":{"title":"\"Le Menuet de la Cour\" drawing attributed to Le Couteur","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#abstract_or_scope","type":"document_value","attributes":{"value":"Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_515","ead_ssi":"vifgm_repositories_2_resources_515","_root_":"vifgm_repositories_2_resources_515","_nest_parent_":"vifgm_repositories_2_resources_515","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_515.xml","title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"unitdate_ssm":["1775"],"unitdate_other_ssim":["1775"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0455","/repositories/2/resources/515"],"text":["C0455","/repositories/2/resources/515","\"Le Menuet de la Cour\" drawing attributed to Le Couteur","Art","Dance","Drawing","Minuet (Dance)","There are no access restrictions.","This is a single item collection.","The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","Public Domain. There are no known restrictions.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","French \n.    "],"unitid_tesim":["C0455","/repositories/2/resources/515"],"normalized_title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_ssim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J and J Lubrano Music Antiquarians on 10/13/2011."],"access_subjects_ssim":["Art","Dance","Drawing","Minuet (Dance)"],"access_subjects_ssm":["Art","Dance","Drawing","Minuet (Dance)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1775],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. \u003c/p\u003e\n","\u003cp\u003eThe Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026amp; Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579."],"bioghist_html_tesm":["\u003cp\u003eThe Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on the Performing Arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on the Performing Arts."],"scopecontent_html_tesm":["\u003cp\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a7494f824fb5be9f67ec8854ff6e097\" label=\"Abstract\"\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"\u003c/abstract\u003e"],"abstract_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\""],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8d2aeb013044c8f11c6fe68479bf89a8\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_515","ead_ssi":"vifgm_repositories_2_resources_515","_root_":"vifgm_repositories_2_resources_515","_nest_parent_":"vifgm_repositories_2_resources_515","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_515.xml","title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"unitdate_ssm":["1775"],"unitdate_other_ssim":["1775"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0455","/repositories/2/resources/515"],"text":["C0455","/repositories/2/resources/515","\"Le Menuet de la Cour\" drawing attributed to Le Couteur","Art","Dance","Drawing","Minuet (Dance)","There are no access restrictions.","This is a single item collection.","The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","Public Domain. There are no known restrictions.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","French \n.    "],"unitid_tesim":["C0455","/repositories/2/resources/515"],"normalized_title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_ssim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J and J Lubrano Music Antiquarians on 10/13/2011."],"access_subjects_ssim":["Art","Dance","Drawing","Minuet (Dance)"],"access_subjects_ssm":["Art","Dance","Drawing","Minuet (Dance)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1775],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. \u003c/p\u003e\n","\u003cp\u003eThe Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026amp; Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579."],"bioghist_html_tesm":["\u003cp\u003eThe Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on the Performing Arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on the Performing Arts."],"scopecontent_html_tesm":["\u003cp\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a7494f824fb5be9f67ec8854ff6e097\" label=\"Abstract\"\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"\u003c/abstract\u003e"],"abstract_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\""],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8d2aeb013044c8f11c6fe68479bf89a8\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515"}},{"id":"vifgm_repositories_2_resources_526","type":"collection","attributes":{"title":"Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_526#creator","type":"document_value","attributes":{"value":"Scheffer, Jean Gabriel, 1797-1876","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_526#abstract_or_scope","type":"document_value","attributes":{"value":"Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_526#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_526","ead_ssi":"vifgm_repositories_2_resources_526","_root_":"vifgm_repositories_2_resources_526","_nest_parent_":"vifgm_repositories_2_resources_526","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_526.xml","title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"unitdate_ssm":["1829"],"unitdate_other_ssim":["1829"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0460","/repositories/2/resources/526"],"text":["C0460","/repositories/2/resources/526","Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    "],"unitid_tesim":["C0460","/repositories/2/resources/526"],"normalized_title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_ssim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Scheffer, Jean Gabriel, 1797-1876"],"creator_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creator_persname_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creators_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in December 2017."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item."],"extent_tesim":[".01 Linear Feet 1 item."],"date_range_isim":[1829],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBrass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003eLithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e\n","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_87df63817936cf882a64bba97843ab3d\" label=\"Abstract\"\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.\u003c/abstract\u003e"],"abstract_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a558beffd71ec61d02f6b867844c0eae\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Rossini, Gioacchino, 1792-1868"],"persname_ssim":["Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_526","ead_ssi":"vifgm_repositories_2_resources_526","_root_":"vifgm_repositories_2_resources_526","_nest_parent_":"vifgm_repositories_2_resources_526","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_526.xml","title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"unitdate_ssm":["1829"],"unitdate_other_ssim":["1829"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0460","/repositories/2/resources/526"],"text":["C0460","/repositories/2/resources/526","Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","Public Domain. There are no known restrictions.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868","French \n.    "],"unitid_tesim":["C0460","/repositories/2/resources/526"],"normalized_title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"collection_ssim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Scheffer, Jean Gabriel, 1797-1876"],"creator_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creator_persname_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"creators_ssim":["Scheffer, Jean Gabriel, 1797-1876"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in December 2017."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item."],"extent_tesim":[".01 Linear Feet 1 item."],"date_range_isim":[1829],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBrass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e\n","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e\n","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e\n","\u003cp\u003e\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.\u003c/p\u003e\n","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e\n","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003eLithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e\n","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. ","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_87df63817936cf882a64bba97843ab3d\" label=\"Abstract\"\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.\u003c/abstract\u003e"],"abstract_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a558beffd71ec61d02f6b867844c0eae\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Rossini, Gioacchino, 1792-1868"],"persname_ssim":["Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_526"}},{"id":"vifgm_repositories_2_resources_545","type":"collection","attributes":{"title":"Lithographic portrait of Luigi Cherubini by Charles Bour","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_545#creator","type":"document_value","attributes":{"value":"Bour, Charles, 1814-1881","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_545#abstract_or_scope","type":"document_value","attributes":{"value":"Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_545#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_545","ead_ssi":"vifgm_repositories_2_resources_545","_root_":"vifgm_repositories_2_resources_545","_nest_parent_":"vifgm_repositories_2_resources_545","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_545.xml","title_ssm":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"title_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"unitdate_ssm":["circa 1840s"],"unitdate_other_ssim":["circa 1840s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0476","/repositories/2/resources/545"],"text":["C0476","/repositories/2/resources/545","Lithographic portrait of Luigi Cherubini by Charles Bour","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Britannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials related to music, opera, and the performing arts.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.","Public Domain. There are no known restrictions.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842","French \n.    "],"unitid_tesim":["C0476","/repositories/2/resources/545"],"normalized_title_ssm":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"collection_title_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"collection_ssim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bour, Charles, 1814-1881"],"creator_ssim":["Bour, Charles, 1814-1881"],"creator_persname_ssim":["Bour, Charles, 1814-1881"],"creators_ssim":["Bour, Charles, 1814-1881"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music in June 2012."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.\u003c/p\u003e\n","\u003cp\u003eFend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.\u003c/p\u003e\n","\u003cp\u003ePortrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.\u003c/p\u003e\n","\u003cp\u003ePortrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026amp; Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980."],"bioghist_html_tesm":["\u003cp\u003eLuigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today."],"prefercite_html_tesm":["\u003cp\u003eLithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e5acb99afcc59154e47de14578a988c\" label=\"Abstract\"\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee04c914ff9c4a5a766ed8a772b24bf2\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cherubini, Luigi, 1760-1842"],"persname_ssim":["Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:49.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_545","ead_ssi":"vifgm_repositories_2_resources_545","_root_":"vifgm_repositories_2_resources_545","_nest_parent_":"vifgm_repositories_2_resources_545","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_545.xml","title_ssm":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"title_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"unitdate_ssm":["circa 1840s"],"unitdate_other_ssim":["circa 1840s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0476","/repositories/2/resources/545"],"text":["C0476","/repositories/2/resources/545","Lithographic portrait of Luigi Cherubini by Charles Bour","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Britannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other materials related to music, opera, and the performing arts.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.","Public Domain. There are no known restrictions.","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842","French \n.    "],"unitid_tesim":["C0476","/repositories/2/resources/545"],"normalized_title_ssm":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"collection_title_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"collection_ssim":["Lithographic portrait of Luigi Cherubini by Charles Bour"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bour, Charles, 1814-1881"],"creator_ssim":["Bour, Charles, 1814-1881"],"creator_persname_ssim":["Bour, Charles, 1814-1881"],"creators_ssim":["Bour, Charles, 1814-1881"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music in June 2012."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1840],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.\u003c/p\u003e\n","\u003cp\u003eFend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.\u003c/p\u003e\n","\u003cp\u003ePortrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.\u003c/p\u003e\n","\u003cp\u003ePortrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026amp; Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980."],"bioghist_html_tesm":["\u003cp\u003eLuigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. Cherubini's work mostly consisted of sacred music, but he eventually turned to composing operas in both Italian and French. Cherubini was a contemporary of Beethoven and was overshadowed by the famed composer, though Beethoven studied and admired him. Cherubini's work is still performed today."],"prefercite_html_tesm":["\u003cp\u003eLithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Lithographic portrait of Luigi Cherubini by Charles Bour, C0476, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e5acb99afcc59154e47de14578a988c\" label=\"Abstract\"\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.\u003c/abstract\u003e"],"abstract_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee04c914ff9c4a5a766ed8a772b24bf2\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cherubini, Luigi, 1760-1842"],"persname_ssim":["Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:49.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_545"}},{"id":"vifgm_repositories_2_resources_776","type":"collection","attributes":{"title":"Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#creator","type":"document_value","attributes":{"value":"Bénard et Frey","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#abstract_or_scope","type":"document_value","attributes":{"value":"Lithograph of Marie Taglioni in costume for the ballet \u003cspan\u003eLa Sylphide\u003c/span\u003e based on the sculpture by Jean-Auguste Barre.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0551","/repositories/2/resources/776"],"text":["C0551","/repositories/2/resources/776","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs .","Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884","English"],"unitid_tesim":["C0551","/repositories/2/resources/776"],"normalized_title_ssm":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"collection_title_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"collection_ssim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bénard et Frey"],"creator_ssim":["Bénard et Frey"],"creator_corpname_ssim":["Bénard et Frey"],"creators_ssim":["Bénard et Frey"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Ballet","Performing arts","Art","Lithography"],"access_subjects_ssm":["Ballet","Performing arts","Art","Lithography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1837],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.\u003c/p\u003e\n","\u003cp\u003e\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.\u003c/p\u003e\n","\u003cp\u003e\"The Ethereal Woman.\" 2013. \u003ctitle\u003eGaynor Minden\u003c/title\u003e, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e\n","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79."],"prefercite_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, C0551, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide , C0551, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs ."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e"],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey"],"names_coll_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"persname_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:19:07.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0551","/repositories/2/resources/776"],"text":["C0551","/repositories/2/resources/776","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs .","Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884","English"],"unitid_tesim":["C0551","/repositories/2/resources/776"],"normalized_title_ssm":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"collection_title_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"collection_ssim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Bénard et Frey"],"creator_ssim":["Bénard et Frey"],"creator_corpname_ssim":["Bénard et Frey"],"creators_ssim":["Bénard et Frey"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Ballet","Performing arts","Art","Lithography"],"access_subjects_ssm":["Ballet","Performing arts","Art","Lithography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1837],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.\u003c/p\u003e\n","\u003cp\u003e\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.\u003c/p\u003e\n","\u003cp\u003e\"The Ethereal Woman.\" 2013. \u003ctitle\u003eGaynor Minden\u003c/title\u003e, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e\n","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79."],"prefercite_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, C0551, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide , C0551, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs ."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e"],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey"],"names_coll_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"persname_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-07T07:19:07.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776"}},{"id":"vifgm_repositories_2_resources_767","type":"collection","attributes":{"title":"Lithograph of The Germania Musical Society","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#creator","type":"document_value","attributes":{"value":"Sarony \u0026 Major","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"text":["C0542","/repositories/2/resources/767","Lithograph of The Germania Musical Society","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"normalized_title_ssm":["Lithograph of The Germania Musical Society"],"collection_title_tesim":["Lithograph of The Germania Musical Society"],"collection_ssim":["Lithograph of The Germania Musical Society"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["Sarony \u0026 Major"],"creators_ssim":["Sarony \u0026 Major"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e\n","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e\n","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e\n","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:02.663Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"text":["C0542","/repositories/2/resources/767","Lithograph of The Germania Musical Society","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","Public Domain. There are no known restrictions.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"normalized_title_ssm":["Lithograph of The Germania Musical Society"],"collection_title_tesim":["Lithograph of The Germania Musical Society"],"collection_ssim":["Lithograph of The Germania Musical Society"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["Sarony \u0026 Major"],"creators_ssim":["Sarony \u0026 Major"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e\n","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e\n","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e\n","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features.  The Boston Musical Intelligencer , February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d.  American Historical Print Collectors Society (AHPCS) . Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the  \"La Navarraise\" opera scene and costume lithographs , and other  music  and  performing arts  collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e\n","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e"],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 27.2"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:02.663Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":10},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":27},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026view=compact"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"A Portrait of Her\" photographs","value":"\"A Portrait of Her\" photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22A+Portrait+of+Her%22+photographs\u0026view=compact"}},{"attributes":{"label":"\"Aida\" opera costume paintings","value":"\"Aida\" opera costume paintings","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22Aida%22+opera+costume+paintings\u0026view=compact"}},{"attributes":{"label":"\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake","value":"\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22Chaucers+Canterbury+Pilgrims%22+print+by+J.G.+Charlton+of+1810+engraving+by+William+Blake\u0026view=compact"}},{"attributes":{"label":"\"La Navarraise\" opera scene and costume lithographs","value":"\"La Navarraise\" opera scene and costume lithographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22La+Navarraise%22+opera+scene+and+costume+lithographs\u0026view=compact"}},{"attributes":{"label":"\"Le Menuet de la Cour\" drawing attributed to Le Couteur","value":"\"Le Menuet de la Cour\" drawing attributed to Le Couteur","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22Le+Menuet+de+la+Cour%22+drawing+attributed+to+Le+Couteur\u0026view=compact"}},{"attributes":{"label":"\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut","value":"\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22Madonna+and+Child%22+print+by+Friedrich+Karl+Rupprecht%2C+after+Zanetti%2C+after+Parmigianino+chiaroscuro+woodcut\u0026view=compact"}},{"attributes":{"label":"Art Attack records","value":"Art Attack records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Art+Attack+records\u0026view=compact"}},{"attributes":{"label":"Asian Centennial collection","value":"Asian Centennial collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Asian+Centennial+collection\u0026view=compact"}},{"attributes":{"label":"Book of hours","value":"Book of hours","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Book+of+hours\u0026view=compact"}},{"attributes":{"label":"Caricature drawing of Nazi officers and onlookers singing around a piano by Zora Simeunović","value":"Caricature drawing of Nazi officers and onlookers singing around a piano by Zora Simeunović","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Caricature+drawing+of+Nazi+officers+and+onlookers+singing+around+a+piano+by+Zora+Simeunovi%C4%87\u0026view=compact"}},{"attributes":{"label":"Cartelistas Cubanos por el Futuro collection","value":"Cartelistas Cubanos por el Futuro collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=Cartelistas+Cubanos+por+el+Futuro+collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1649","value":"1649","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1649\u0026view=compact"}},{"attributes":{"label":"1650","value":"1650","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1650\u0026view=compact"}},{"attributes":{"label":"1651","value":"1651","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1651\u0026view=compact"}},{"attributes":{"label":"1652","value":"1652","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1652\u0026view=compact"}},{"attributes":{"label":"1653","value":"1653","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1653\u0026view=compact"}},{"attributes":{"label":"1654","value":"1654","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1654\u0026view=compact"}},{"attributes":{"label":"1655","value":"1655","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1655\u0026view=compact"}},{"attributes":{"label":"1656","value":"1656","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1656\u0026view=compact"}},{"attributes":{"label":"1657","value":"1657","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1657\u0026view=compact"}},{"attributes":{"label":"1658","value":"1658","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1658\u0026view=compact"}},{"attributes":{"label":"1659","value":"1659","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1659\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Blake, William, 1757-1827","value":"Blake, William, 1757-1827","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Blake%2C+William%2C+1757-1827\u0026view=compact"}},{"attributes":{"label":"Boissieu, Jean-Jacques de, 1736-1810","value":"Boissieu, Jean-Jacques de, 1736-1810","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Boissieu%2C+Jean-Jacques+de%2C+1736-1810\u0026view=compact"}},{"attributes":{"label":"Bolden, Tony","value":"Bolden, Tony","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Bolden%2C+Tony\u0026view=compact"}},{"attributes":{"label":"Bour, Charles, 1814-1881","value":"Bour, Charles, 1814-1881","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Bour%2C+Charles%2C+1814-1881\u0026view=compact"}},{"attributes":{"label":"Bénard et Frey","value":"Bénard et Frey","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=B%C3%A9nard+et+Frey\u0026view=compact"}},{"attributes":{"label":"Charlton, J.G. (John G. Charlton)","value":"Charlton, J.G. (John G. Charlton)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Charlton%2C+J.G.+%28John+G.+Charlton%29\u0026view=compact"}},{"attributes":{"label":"Chen, Julie","value":"Chen, Julie","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Chen%2C+Julie\u0026view=compact"}},{"attributes":{"label":"Clapsaddle, Jerry, 1941-","value":"Clapsaddle, Jerry, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Clapsaddle%2C+Jerry%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Coyote Bones Press","value":"Coyote Bones Press","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Coyote+Bones+Press\u0026view=compact"}},{"attributes":{"label":"Debo, Annette, 1964-","value":"Debo, Annette, 1964-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Debo%2C+Annette%2C+1964-\u0026view=compact"}},{"attributes":{"label":"Dobyns, Lloyd Allen, Jr.","value":"Dobyns, Lloyd Allen, Jr.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=Dobyns%2C+Lloyd+Allen%2C+Jr.\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Allen, George, 1952- -- Photographs","value":"Allen, George, 1952- -- Photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Allen%2C+George%2C+1952-+--+Photographs\u0026view=compact"}},{"attributes":{"label":"Alpha Chi","value":"Alpha Chi","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Alpha+Chi\u0026view=compact"}},{"attributes":{"label":"Barre, Jean Auguste, 1811-1896","value":"Barre, Jean Auguste, 1811-1896","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Barre%2C+Jean+Auguste%2C+1811-1896\u0026view=compact"}},{"attributes":{"label":"Begin, Peter","value":"Begin, Peter","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Begin%2C+Peter\u0026view=compact"}},{"attributes":{"label":"Biden, Joseph R., Jr.","value":"Biden, Joseph R., Jr.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Biden%2C+Joseph+R.%2C+Jr.\u0026view=compact"}},{"attributes":{"label":"Blake, William, 1757-1827","value":"Blake, William, 1757-1827","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Blake%2C+William%2C+1757-1827\u0026view=compact"}},{"attributes":{"label":"Boissieu, Jean-Jacques de, 1736-1810","value":"Boissieu, Jean-Jacques de, 1736-1810","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Boissieu%2C+Jean-Jacques+de%2C+1736-1810\u0026view=compact"}},{"attributes":{"label":"Bolden, Tony","value":"Bolden, Tony","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Bolden%2C+Tony\u0026view=compact"}},{"attributes":{"label":"Bour, Charles, 1814-1881","value":"Bour, Charles, 1814-1881","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Bour%2C+Charles%2C+1814-1881\u0026view=compact"}},{"attributes":{"label":"Bumgarner, Ken","value":"Bumgarner, Ken","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Bumgarner%2C+Ken\u0026view=compact"}},{"attributes":{"label":"Bumgarner, Ken -- Photographs","value":"Bumgarner, Ken -- Photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bnames%5D%5B%5D=Bumgarner%2C+Ken+--+Photographs\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Art, Cuban--21st century","value":"Art, Cuban--21st century","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Art%2C+Cuban--21st+century\u0026view=compact"}},{"attributes":{"label":"Asia","value":"Asia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Asia\u0026view=compact"}},{"attributes":{"label":"Berlin (Germany)","value":"Berlin (Germany)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Berlin+%28Germany%29\u0026view=compact"}},{"attributes":{"label":"Broadway (New York, N.Y.)","value":"Broadway (New York, N.Y.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Broadway+%28New+York%2C+N.Y.%29\u0026view=compact"}},{"attributes":{"label":"Cuba","value":"Cuba","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Cuba\u0026view=compact"}},{"attributes":{"label":"Fairfax (Va.)","value":"Fairfax (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Fairfax+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"London (England)","value":"London (England)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=London+%28England%29\u0026view=compact"}},{"attributes":{"label":"Manassas (Va.)","value":"Manassas (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Manassas+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Manassas National Battlefield Park (Va.)","value":"Manassas National Battlefield Park (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Manassas+National+Battlefield+Park+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Northern Virginia","value":"Northern Virginia","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Northern+Virginia\u0026view=compact"}},{"attributes":{"label":"Prince William County (Va.)","value":"Prince William County (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bplaces%5D%5B%5D=Prince+William+County+%28Va.%29\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"African American artists","value":"African American artists","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=African+American+artists\u0026view=compact"}},{"attributes":{"label":"African American poets","value":"African American poets","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=African+American+poets\u0026view=compact"}},{"attributes":{"label":"African American women poets","value":"African American women poets","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=African+American+women+poets\u0026view=compact"}},{"attributes":{"label":"African Americans","value":"African Americans","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans\u0026view=compact"}},{"attributes":{"label":"African Americans -- Poetry","value":"African Americans -- Poetry","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Poetry\u0026view=compact"}},{"attributes":{"label":"American poetry -- 20th century","value":"American poetry -- 20th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=American+poetry+--+20th+century\u0026view=compact"}},{"attributes":{"label":"Art","value":"Art","hits":43},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"attributes":{"label":"Art -- Exhibitions","value":"Art -- Exhibitions","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=Art+--+Exhibitions\u0026view=compact"}},{"attributes":{"label":"Art History","value":"Art History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=Art+History\u0026view=compact"}},{"attributes":{"label":"Art in universities and colleges","value":"Art in universities and colleges","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=Art+in+universities+and+colleges\u0026view=compact"}},{"attributes":{"label":"Art, Modern -- 21st century","value":"Art, Modern -- 21st century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Baccess_subjects%5D%5B%5D=Art%2C+Modern+--+21st+century\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":40},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}},{"attributes":{"label":"File","value":"File","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Item","value":"Item","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=3\u0026sort=title_sort+desc\u0026view=compact"}}]}