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The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c02_c04_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c02_c04_c05","ref_ssm":["vihart_repositories_4_resources_488_c04_c02_c04_c05"],"id":"vihart_repositories_4_resources_488_c04_c02_c04_c05","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04_c02_c04","parent_ssi":"vihart_repositories_4_resources_488_c04_c02_c04","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c02","vihart_repositories_4_resources_488_c04_c02_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c02","vihart_repositories_4_resources_488_c04_c02_c04"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings"],"text":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings","Concurrent Sessions and Art Opening \u0026 Reception","Nielsen, Aldon Lynn (1950-10-20)","Debo, Annette, 1964-","Goven, Sandra","Graham, Maryemma (1949-06-13)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Bolden, Tony","Favorite, Malaika, 1949-","Gabbin, Joanne V. 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The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"title_filing_ssi":"Concurrent Sessions and Art Opening \u0026 Reception","title_ssm":["Concurrent Sessions and Art Opening \u0026 Reception"],"title_tesim":["Concurrent Sessions and Art Opening \u0026 Reception"],"unitdate_other_ssim":["September 23, 2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Concurrent Sessions and Art Opening \u0026 Reception"],"component_level_isim":[4],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"creator_ssim":["Nielsen, Aldon Lynn (1950-10-20)","Debo, Annette, 1964-","Goven, Sandra","Graham, Maryemma (1949-06-13)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Bolden, Tony","Favorite, Malaika, 1949-","Gabbin, Joanne V. 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(Joanne Veal), 1946-"],"access_subjects_ssim":["Poetry -- History and criticism","African Americans -- Poetry","African American women poets","Black Arts movement","Art"],"access_subjects_ssm":["Poetry -- History and criticism","African Americans -- Poetry","African American women poets","Black Arts movement","Art"],"containers_ssim":["Digital-Materials Preservica"],"scopecontent_html_tesm":["\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#3/components#1/components#3/components#4","timestamp":"2026-04-30T23:00:23.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015"],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. 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","It also holds the records of Art Attack, a former D.C. art collective."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes art exhibition catalogs from various artists and galleries across the District of Columbia-Maryland-Virginia (DMV) Metropolitan area. See inventory for more details.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes art exhibition catalogs from various artists and galleries across the District of Columbia-Maryland-Virginia (DMV) Metropolitan area. See inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_22a05012ba7e27dc0a35f6957163245b\"\u003eThis collection includes art exhibition catalogs from various artists and galleries across the District of Columbia-Maryland-Virginia (DMV) Metropolitan area. See inventory for more details.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes art exhibition catalogs from various artists and galleries across the District of Columbia-Maryland-Virginia (DMV) Metropolitan area. See inventory for more details."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4ff4fe71d781e5e4f42c8527e1e1b824\"\u003eR 73, C 4, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 4, S 7"],"names_coll_ssim":["Reston Community Arts Center (Reston, VA)","Tephra Institute of Contemporary Art (Reston, VA)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Community Arts Center (Reston, VA)","Tephra Institute of Contemporary Art (Reston, VA)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Community Arts Center (Reston, VA)","Tephra Institute of Contemporary Art (Reston, VA)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_728"}},{"id":"vifgm_repositories_2_resources_740","type":"collection","attributes":{"title":"Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_740#creator","type":"document_value","attributes":{"value":"Harris, Kenneth (Albert Kenneth Harris), 1904-1983","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_740#abstract_or_scope","type":"document_value","attributes":{"value":"Eight pencil drawings by Kenneth Harris depicting locations in Prince William County, Virginia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_740#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_740","ead_ssi":"vifgm_repositories_2_resources_740","_root_":"vifgm_repositories_2_resources_740","_nest_parent_":"vifgm_repositories_2_resources_740","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_740.xml","title_filing_ssi":"Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris","title_ssm":["Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris"],"title_tesim":["Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris"],"unitdate_ssm":["circa 1970s-1980s"],"unitdate_inclusive_ssm":["circa 1970s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0529","/repositories/2/resources/740"],"text":["C0529","/repositories/2/resources/740","Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris","Manassas (Va.)","Prince William County (Va.)","Northern Virginia","Virginia, Northern","Manassas National Battlefield Park (Va.)","Art","There are no access restrictions.","This is a single folder collection.","\"Albert Kenneth Harris (1904-1983).\" n.d. Find a Grave. Accessed March 19, 2025. https://www.findagrave.com/memorial/231653986/albert_kenneth-harris.","\"Landscapes.\" n.d. Southern Fine Arts. Accessed March 19, 2025. http://www.southernfinearts.com/landscapes.","\"Obituaries - UPI Archives.\" n.d. UPI. Accessed March 19, 2025. https://www.upi.com/Archives/1983/05/16/Obituaries/6305421905600/.","Albert Kenneth Harris (known professionally as Kenneth Harris) was born in Pennsylvania on May 8, 1904. Harris moved to Ohio to attend the Cincinnati Art Academy and began his work as a commercial artist in Charlotte, North Carolina and Atlanta, Georgia, before moving to Norfolk, Virginia to begin his career as a painter. Harris become best known for his \"Old Norfolk\" paintings, which captured locations around the city prior to its redevelopment, in some cases becoming the only records of those sites. Harris painted and sketched numerous buildings and locations throughout Virginia, always focusing on keeping the prices of his art low to allow average people to buy them. Harris passed away on May 13, 1983 at the age of 79.","Processing completed by Meghan Glasbrenner in February 2025. Finding aid completeed by Meghan Glasbrenner in March 2025.","The Special Collections Research Center holds other materials related to the history and locations of Northern Virginia and Prince William County, including the  Prince William County Historic Newspapers Collection  and  Walter M. Macomber Old Fairfax Courthouse restoration drawings .","Eight pencil drawings by Kenneth Harris depicting locations in Prince William County, Virginia. Three of the drawings depict locations in Manassas National Battlefield Park: the Stonewall Jackson statue, Stone House, and Stone Bridge. 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Accessed March 19, 2025. https://www.upi.com/Archives/1983/05/16/Obituaries/6305421905600/."],"bioghist_html_tesm":["\u003cp\u003eAlbert Kenneth Harris (known professionally as Kenneth Harris) was born in Pennsylvania on May 8, 1904. Harris moved to Ohio to attend the Cincinnati Art Academy and began his work as a commercial artist in Charlotte, North Carolina and Atlanta, Georgia, before moving to Norfolk, Virginia to begin his career as a painter. Harris become best known for his \"Old Norfolk\" paintings, which captured locations around the city prior to its redevelopment, in some cases becoming the only records of those sites. Harris painted and sketched numerous buildings and locations throughout Virginia, always focusing on keeping the prices of his art low to allow average people to buy them. 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Harris passed away on May 13, 1983 at the age of 79."],"prefercite_html_tesm":["\u003cp\u003eEight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris, C0529, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Eight pencil drawings of locations in Prince William County, Virginia by Kenneth Harris, C0529, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in February 2025. Finding aid completeed by Meghan Glasbrenner in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in February 2025. Finding aid completeed by Meghan Glasbrenner in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other materials related to the history and locations of Northern Virginia and Prince William County, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0301\"\u003ePrince William County Historic Newspapers Collection\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0522\"\u003eWalter M. Macomber Old Fairfax Courthouse restoration drawings\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other materials related to the history and locations of Northern Virginia and Prince William County, including the  Prince William County Historic Newspapers Collection  and  Walter M. 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Find a Grave. Accessed March 19, 2025. https://www.findagrave.com/memorial/231653986/albert_kenneth-harris.","\"Landscapes.\" n.d. Southern Fine Arts. Accessed March 19, 2025. http://www.southernfinearts.com/landscapes.","\"Obituaries - UPI Archives.\" n.d. UPI. Accessed March 19, 2025. https://www.upi.com/Archives/1983/05/16/Obituaries/6305421905600/.","Albert Kenneth Harris (known professionally as Kenneth Harris) was born in Pennsylvania on May 8, 1904. Harris moved to Ohio to attend the Cincinnati Art Academy and began his work as a commercial artist in Charlotte, North Carolina and Atlanta, Georgia, before moving to Norfolk, Virginia to begin his career as a painter. Harris become best known for his \"Old Norfolk\" paintings, which captured locations around the city prior to its redevelopment, in some cases becoming the only records of those sites. 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It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. 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It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).","Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. 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His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\"The Beggar's Opera\" is an English opera written by John Gay and music by John Christopher Pepusch, which premiered in London in 1728. It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica)."],"prefercite_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.\u003c/p\u003e\n","\u003cp\u003eThe image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.\u003c/p\u003e\n","\u003cp\u003ePresent in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026amp;c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026amp; J. Boydell. Cheapside. \u0026amp; at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026 J. Boydell. Cheapside. \u0026 at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ddfba1a325df00bb8999793a3889c94\" label=\"Abstract\"\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790.\u003c/abstract\u003e"],"abstract_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3a4822d59a7c56223858eee0a52717bb\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Blake, William, 1757-1827"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Blake, William, 1757-1827"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:51.024Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_525"}},{"id":"viw_repositories_2_resources_9972","type":"collection","attributes":{"title":"Fabulosa Habana poster collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9972#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9972#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9972","ead_ssi":"viw_repositories_2_resources_9972","_root_":"viw_repositories_2_resources_9972","_nest_parent_":"viw_repositories_2_resources_9972","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9972.xml","title_filing_ssi":"Fabulosa Habana poster collections","title_ssm":["Fabulosa Habana poster collection"],"title_tesim":["Fabulosa Habana poster collection"],"unitdate_ssm":["2022"],"unitdate_other_ssim":["2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00412","/repositories/2/resources/9972"],"text":["MS 00412","/repositories/2/resources/9972","Fabulosa Habana poster collection","Art, Cuban--21st century","Cuba","Film posters, Cuban","Art","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by accession with posters listed under each accession.","The collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English Spanish; Castilian"],"unitid_tesim":["MS 00412","/repositories/2/resources/9972"],"normalized_title_ssm":["Fabulosa Habana poster collection"],"collection_title_tesim":["Fabulosa Habana poster collection"],"collection_ssim":["Fabulosa Habana poster collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Art, Cuban--21st century","Cuba"],"geogname_ssim":["Art, Cuban--21st century","Cuba"],"places_ssim":["Art, Cuban--21st century","Cuba"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Film posters, Cuban","Art"],"access_subjects_ssm":["Film posters, Cuban","Art"],"has_online_content_ssim":["false"],"extent_ssm":["2.17 Linear Feet One oversized folder."],"extent_tesim":["2.17 Linear Feet One oversized folder."],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by accession with posters listed under each accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by accession with posters listed under each accession."],"prefercite_html_tesm":["\u003cp\u003eFabulosa Habana poster collections, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Fabulosa Habana poster collections, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:05:34.019Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9972","ead_ssi":"viw_repositories_2_resources_9972","_root_":"viw_repositories_2_resources_9972","_nest_parent_":"viw_repositories_2_resources_9972","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9972.xml","title_filing_ssi":"Fabulosa Habana poster collections","title_ssm":["Fabulosa Habana poster collection"],"title_tesim":["Fabulosa Habana poster collection"],"unitdate_ssm":["2022"],"unitdate_other_ssim":["2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00412","/repositories/2/resources/9972"],"text":["MS 00412","/repositories/2/resources/9972","Fabulosa Habana poster collection","Art, Cuban--21st century","Cuba","Film posters, Cuban","Art","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged by accession with posters listed under each accession.","The collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English Spanish; Castilian"],"unitid_tesim":["MS 00412","/repositories/2/resources/9972"],"normalized_title_ssm":["Fabulosa Habana poster collection"],"collection_title_tesim":["Fabulosa Habana poster collection"],"collection_ssim":["Fabulosa Habana poster collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Art, Cuban--21st century","Cuba"],"geogname_ssim":["Art, Cuban--21st century","Cuba"],"places_ssim":["Art, Cuban--21st century","Cuba"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Film posters, Cuban","Art"],"access_subjects_ssm":["Film posters, Cuban","Art"],"has_online_content_ssim":["false"],"extent_ssm":["2.17 Linear Feet One oversized folder."],"extent_tesim":["2.17 Linear Feet One oversized folder."],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by accession with posters listed under each accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by accession with posters listed under each accession."],"prefercite_html_tesm":["\u003cp\u003eFabulosa Habana poster collections, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Fabulosa Habana poster collections, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection contains seven posters each with the title \"Fabulosa Habana\" with each poster displaying different artworks. The posters include imagery of animals, architecture, and various people."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:05:34.019Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9972"}},{"id":"vifgm_repositories_2_resources_353","type":"collection","attributes":{"title":"George Mason University Broadside photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"text":["R0135","/repositories/2/resources/353","George Mason University Broadside photograph collection","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit ","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"normalized_title_ssm":["George Mason University Broadside photograph collection"],"collection_title_tesim":["George Mason University Broadside photograph collection"],"collection_ssim":["George Mason University Broadside photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"places_ssim":["Fairfax (Va.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title Series 1: Prints, 1971-1999 (boxes 1-6), Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e\n","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e\n","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e\n","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e\n","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and other University Archives collections."," maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit "],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353"}},{"id":"vifgm_repositories_2_resources_311","type":"collection","attributes":{"title":"George Mason University photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_311","ead_ssi":"vifgm_repositories_2_resources_311","_root_":"vifgm_repositories_2_resources_311","_nest_parent_":"vifgm_repositories_2_resources_311","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_311.xml","title_ssm":["George Mason University photograph collection"],"title_tesim":["George Mason University photograph collection"],"unitdate_ssm":["1950s-2007"],"unitdate_inclusive_ssm":["1950s-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120","/repositories/2/resources/311"],"text":["R0120","/repositories/2/resources/311","George Mason University photograph collection","Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Portions of the GMU photograph collection are available online through Flickr and the   and the online exhibit  .","Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title Series 1: University Relations, 1950s-1999 (Boxes 1-37) Series 2: Broadside, 1971-1999 (Boxes 1-6) Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6) Series 4: George Mason University Foundation, 1989 (Boxes 1-11) Series 5: Athletic Department, 1978-1994 (Box 1) Series 6: Office of Admissions, 1985-1995 (Box 1) Series 7: Office of the Registrar, 1970-1971 (Box 1) Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3) Series 9: Creative Services, 1964-2007 (Boxes 38-118)","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and  . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   ","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. ","Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)","Special Collections and Archives holds the George Mason University archives including the  .\n  maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit  .","The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. ","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. ","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. ","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. ","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. ","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. ","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. ","Series 8 contains thousands of photographs from the Creative Services division of University Relations. ","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. ","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","There are no restrictions.","The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","English"],"unitid_tesim":["R0120","/repositories/2/resources/311"],"normalized_title_ssm":["George Mason University photograph collection"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation."],"access_subjects_ssim":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["147 Linear Feet 119 boxes"],"extent_tesim":["147 Linear Feet 119 boxes"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003ePortions of the GMU photograph collection are available online through Flickr and the \u003cextptr href=\"http://www.flickr.com/photos/gmuarchives/\" title=\"GMU Archives Photostream\" show=\"new\"\u003e\u003c/extptr\u003e and the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the GMU photograph collection are available online through Flickr and the   and the online exhibit  ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series and then sorted either chronologically or alphabetically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Broadside, 1971-1999 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title Series 1: University Relations, 1950s-1999 (Boxes 1-37) Series 2: Broadside, 1971-1999 (Boxes 1-6) Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6) Series 4: George Mason University Foundation, 1989 (Boxes 1-11) Series 5: Athletic Department, 1978-1994 (Box 1) Series 6: Office of Admissions, 1985-1995 (Box 1) Series 7: Office of the Registrar, 1970-1971 (Box 1) Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3) Series 9: Creative Services, 1964-2007 (Boxes 38-118)"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and \u003cextptr href=\"http://broadsideonline.com\" title=\"online\" show=\"new\"\u003e\u003c/extptr\u003e. In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"\u003c/p\u003e\n","\u003cp\u003eStudent groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   \u003c/p\u003e\n","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and  . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   ","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. "],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.\u003c/p\u003e","\u003cp\u003eDate Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University archives including the \u003cextptr href=\"https://aspace.gmu.edu/resources/r0135\" title=\"George Mason University Broadside photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\n\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University archives including the  .\n  maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit  ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. \u003c/p\u003e\n","\u003cp\u003eSeries 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. \u003c/p\u003e\n","\u003cp\u003eSeries 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. \u003c/p\u003e\n","\u003cp\u003eSeries 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. \u003c/p\u003e\n","\u003cp\u003eSeries 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. \u003c/p\u003e\n","\u003cp\u003eSeries 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. \u003c/p\u003e\n","\u003cp\u003eSeries 8 contains thousands of photographs from the Creative Services division of University Relations. \u003c/p\u003e\n","\u003cp\u003eThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries to this series based on original order. \u003c/p\u003e\n","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e\n","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e\n","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. ","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. ","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. ","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. ","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. ","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. ","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. ","Series 8 contains thousands of photographs from the Creative Services division of University Relations. ","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. ","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_92ae8f42c86549f01c906796a06b71b9\" label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art."],"names_coll_ssim":["Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason University","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"language_ssim":["English"],"total_component_count_is":2724,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_311","ead_ssi":"vifgm_repositories_2_resources_311","_root_":"vifgm_repositories_2_resources_311","_nest_parent_":"vifgm_repositories_2_resources_311","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_311.xml","title_ssm":["George Mason University photograph collection"],"title_tesim":["George Mason University photograph collection"],"unitdate_ssm":["1950s-2007"],"unitdate_inclusive_ssm":["1950s-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120","/repositories/2/resources/311"],"text":["R0120","/repositories/2/resources/311","George Mason University photograph collection","Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Portions of the GMU photograph collection are available online through Flickr and the   and the online exhibit  .","Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title Series 1: University Relations, 1950s-1999 (Boxes 1-37) Series 2: Broadside, 1971-1999 (Boxes 1-6) Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6) Series 4: George Mason University Foundation, 1989 (Boxes 1-11) Series 5: Athletic Department, 1978-1994 (Box 1) Series 6: Office of Admissions, 1985-1995 (Box 1) Series 7: Office of the Registrar, 1970-1971 (Box 1) Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3) Series 9: Creative Services, 1964-2007 (Boxes 38-118)","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and  . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   ","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. ","Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)","Special Collections and Archives holds the George Mason University archives including the  .\n  maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit  .","The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. ","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. ","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. ","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. ","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. ","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. ","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. ","Series 8 contains thousands of photographs from the Creative Services division of University Relations. ","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. ","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","There are no restrictions.","The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","English"],"unitid_tesim":["R0120","/repositories/2/resources/311"],"normalized_title_ssm":["George Mason University photograph collection"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University"],"creators_ssim":["George Mason University"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation."],"access_subjects_ssim":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["147 Linear Feet 119 boxes"],"extent_tesim":["147 Linear Feet 119 boxes"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003ePortions of the GMU photograph collection are available online through Flickr and the \u003cextptr href=\"http://www.flickr.com/photos/gmuarchives/\" title=\"GMU Archives Photostream\" show=\"new\"\u003e\u003c/extptr\u003e and the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the GMU photograph collection are available online through Flickr and the   and the online exhibit  ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series and then sorted either chronologically or alphabetically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Broadside, 1971-1999 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title Series 1: University Relations, 1950s-1999 (Boxes 1-37) Series 2: Broadside, 1971-1999 (Boxes 1-6) Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6) Series 4: George Mason University Foundation, 1989 (Boxes 1-11) Series 5: Athletic Department, 1978-1994 (Box 1) Series 6: Office of Admissions, 1985-1995 (Box 1) Series 7: Office of the Registrar, 1970-1971 (Box 1) Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3) Series 9: Creative Services, 1964-2007 (Boxes 38-118)"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. \u003c/p\u003e\n","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and \u003cextptr href=\"http://broadsideonline.com\" title=\"online\" show=\"new\"\u003e\u003c/extptr\u003e. In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"\u003c/p\u003e\n","\u003cp\u003eStudent groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   \u003c/p\u003e\n","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. ","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and  . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   ","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. "],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.\u003c/p\u003e","\u003cp\u003eDate Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University archives including the \u003cextptr href=\"https://aspace.gmu.edu/resources/r0135\" title=\"George Mason University Broadside photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\n\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University archives including the  .\n  maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit  ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. \u003c/p\u003e\n","\u003cp\u003eSeries 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. \u003c/p\u003e\n","\u003cp\u003eSeries 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. \u003c/p\u003e\n","\u003cp\u003eSeries 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. \u003c/p\u003e\n","\u003cp\u003eSeries 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. \u003c/p\u003e\n","\u003cp\u003eSeries 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. \u003c/p\u003e\n","\u003cp\u003eSeries 8 contains thousands of photographs from the Creative Services division of University Relations. \u003c/p\u003e\n","\u003cp\u003eThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries to this series based on original order. \u003c/p\u003e\n","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e\n","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e\n","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. ","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. ","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. ","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. ","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. ","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. ","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. ","Series 8 contains thousands of photographs from the Creative Services division of University Relations. ","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order. ","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_92ae8f42c86549f01c906796a06b71b9\" label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art."],"names_coll_ssim":["Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason University","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"language_ssim":["English"],"total_component_count_is":2724,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311"}},{"id":"vifgm_repositories_2_resources_377","type":"collection","attributes":{"title":"Gustav Klemp World War I collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#creator","type":"document_value","attributes":{"value":"Klemp, Gustav, 1882-1941","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#abstract_or_scope","type":"document_value","attributes":{"value":"The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_377","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_377.xml","title_ssm":["Gustav Klemp World War I collection"],"title_tesim":["Gustav Klemp World War I collection"],"unitdate_ssm":["circa 1892-1920s","1914-1918"],"unitdate_bulk_ssim":["1914-1918"],"unitdate_inclusive_ssm":["circa 1892-1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0250","/repositories/2/resources/377"],"text":["C0250","/repositories/2/resources/377","Gustav Klemp World War I collection","World War, 1914-1918","Photographs","Military camps","Art","Postcards","The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions.","The majority of this collection was digitized and is available to view ","This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.","Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.","\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.","The Special Collections Research Center holds other collections on World War I, including the   and the ","\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n","Public Domain. There are no known restrictions.","The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","R 50, C 2, S 7","George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941","German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    "],"unitid_tesim":["C0250","/repositories/2/resources/377"],"normalized_title_ssm":["Gustav Klemp World War I collection"],"collection_title_tesim":["Gustav Klemp World War I collection"],"collection_ssim":["Gustav Klemp World War I collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Klemp, Gustav, 1882-1941"],"creator_ssim":["Klemp, Gustav, 1882-1941"],"creator_persname_ssim":["Klemp, Gustav, 1882-1941"],"creators_ssim":["Klemp, Gustav, 1882-1941"],"access_terms_ssm":["Public Domain. 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It was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e There are no other restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe majority of this collection was digitized and is available to view \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMU~11~11\" title=\"here.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The majority of this collection was digitized and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative."],"bioghist_html_tesm":["\u003cp\u003eGustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. 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The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II."],"prefercite_html_tesm":["\u003cp\u003eGustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Gustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.\u003c/p\u003e","\u003cp\u003e\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.\u003c/p\u003e","\u003cp\u003e\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections on World War I, including the \u003cextptr show=\"new\" title=\"Underwood and Underwood World War I press photographs\" href=\"https://aspace.gmu.edu/resources/c0502\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Diary of World War I Red Cross Canteen worker Florence Bishop.\" href=\"https://aspace.gmu.edu/resources/c0393\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections on World War I, including the   and the "],"scopecontent_html_tesm":["\u003cp\u003e\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n\u003c/p\u003e","\u003cp\u003e\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n\u003c/p\u003e","\u003cp\u003e\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n"],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab8d973788edc0af114bd2dede8e8cc5\"\u003eThe Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.\u003c/abstract\u003e"],"abstract_tesim":["The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a5b7b886b0c743560c24b9c1235a62dd\"\u003eR 50, C 2, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 2, S 7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Klemp, Gustav, 1882-1941"],"language_ssim":["German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:58.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_377","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_377.xml","title_ssm":["Gustav Klemp World War I collection"],"title_tesim":["Gustav Klemp World War I collection"],"unitdate_ssm":["circa 1892-1920s","1914-1918"],"unitdate_bulk_ssim":["1914-1918"],"unitdate_inclusive_ssm":["circa 1892-1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0250","/repositories/2/resources/377"],"text":["C0250","/repositories/2/resources/377","Gustav Klemp World War I collection","World War, 1914-1918","Photographs","Military camps","Art","Postcards","The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions.","The majority of this collection was digitized and is available to view ","This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.","Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.","\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.","The Special Collections Research Center holds other collections on World War I, including the   and the ","\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n","Public Domain. There are no known restrictions.","The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","R 50, C 2, S 7","George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941","German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    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It was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e There are no other restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view   There are no other restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe majority of this collection was digitized and is available to view \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMU~11~11\" title=\"here.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The majority of this collection was digitized and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative."],"bioghist_html_tesm":["\u003cp\u003eGustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.\u003c/p\u003e\n","\u003cp\u003eKlemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II."],"prefercite_html_tesm":["\u003cp\u003eGustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Gustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.\u003c/p\u003e","\u003cp\u003e\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.\u003c/p\u003e","\u003cp\u003e\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections on World War I, including the \u003cextptr show=\"new\" title=\"Underwood and Underwood World War I press photographs\" href=\"https://aspace.gmu.edu/resources/c0502\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Diary of World War I Red Cross Canteen worker Florence Bishop.\" href=\"https://aspace.gmu.edu/resources/c0393\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections on World War I, including the   and the "],"scopecontent_html_tesm":["\u003cp\u003e\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n\u003c/p\u003e","\u003cp\u003e\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n\u003c/p\u003e","\u003cp\u003e\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n","\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n","\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n"],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab8d973788edc0af114bd2dede8e8cc5\"\u003eThe Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.\u003c/abstract\u003e"],"abstract_tesim":["The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a5b7b886b0c743560c24b9c1235a62dd\"\u003eR 50, C 2, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 50, C 2, S 7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Klemp, Gustav, 1882-1941"],"language_ssim":["German \n,        Hungarian \n,        Polish \n,        Romanian; Moldavian; Moldovan \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:58.476Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":10},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":27},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026view=compact"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"A Portrait of Her\" photographs","value":"\"A Portrait of Her\" photographs","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22A+Portrait+of+Her%22+photographs\u0026view=compact"}},{"attributes":{"label":"\"Aida\" opera costume paintings","value":"\"Aida\" opera costume paintings","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcollection%5D%5B%5D=%22Aida%22+opera+costume+paintings\u0026view=compact"}},{"attributes":{"label":"\"Chaucers Canterbury Pilgrims\" print by J.G. 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