{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=4","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=3","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=5","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=5"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":5,"limit_value":10,"offset_value":30,"total_count":45,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_776","type":"collection","attributes":{"title":"Lithograph of Marie Taglioni in costume for the ballet La Sylphide, 1837","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#creator","type":"document_value","attributes":{"value":"Bénard et Frey","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#abstract_or_scope","type":"document_value","attributes":{"value":"Lithograph of Marie Taglioni in costume for the ballet \u003cspan\u003eLa Sylphide\u003c/span\u003e based on the sculpture by Jean-Auguste Barre.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"normalized_date_ssm":["1837"],"normalized_title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide, 1837"],"text":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide, 1837","C0551","/repositories/2/resources/776","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013. Gaynor Minden, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet La Sylphide, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, La Sylphide tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit.","In this ballet, Marie became the first ballerina to dance en pointe for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to ballet, such as the Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\", and lithography, such as the \"La Navarraise\" opera scene and costume lithographs.","Lithograph of Marie Taglioni in costume for her most famous role in the ballet La Sylphide based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet La Sylphide based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. 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Special Collections Research Center","Bénard et Frey"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Ballet","Performing arts","Art","Lithography"],"access_subjects_ssm":["Ballet","Performing arts","Art","Lithography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1837],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.\u003c/p\u003e","\u003cp\u003e\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.\u003c/p\u003e","\u003cp\u003e\"The Ethereal Woman.\" 2013. \u003ctitle\u003eGaynor Minden\u003c/title\u003e, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013. Gaynor Minden, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. 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Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to ballet, such as the Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\", and lithography, such as the \"La Navarraise\" opera scene and costume lithographs."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet La Sylphide based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey"],"persname_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"names_coll_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"normalized_date_ssm":["1837"],"normalized_title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide, 1837"],"text":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide, 1837","C0551","/repositories/2/resources/776","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013. Gaynor Minden, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet La Sylphide, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, La Sylphide tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit.","In this ballet, Marie became the first ballerina to dance en pointe for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to ballet, such as the Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\", and lithography, such as the \"La Navarraise\" opera scene and costume lithographs.","Lithograph of Marie Taglioni in costume for her most famous role in the ballet La Sylphide based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet La Sylphide based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. 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Special Collections Research Center","Bénard et Frey"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.\u003c/p\u003e","\u003cp\u003e\"The Ethereal Woman.\" 2013. \u003ctitle\u003eGaynor Minden\u003c/title\u003e, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013. Gaynor Minden, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet La Sylphide, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, La Sylphide tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit.","In this ballet, Marie became the first ballerina to dance en pointe for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79."],"prefercite_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, C0551, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide, C0551, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to ballet, such as the Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\", and lithography, such as the \"La Navarraise\" opera scene and costume lithographs."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet La Sylphide based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey"],"persname_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"names_coll_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_776"}},{"id":"vifgm_repositories_2_resources_767","type":"collection","attributes":{"title":"Lithograph of The Germania Musical Society, 1848/1850","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#creator","type":"document_value","attributes":{"value":"Sarony \u0026 Major","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#abstract_or_scope","type":"document_value","attributes":{"value":"Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"normalized_date_ssm":["1848/1850"],"normalized_title_ssm":["Lithograph of The Germania Musical Society, 1848/1850"],"text":["Lithograph of The Germania Musical Society, 1848/1850","C0542","/repositories/2/resources/767","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the \"La Navarraise\" opera scene and costume lithographs, and other music and performing arts collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"collection_title_tesim":["Lithograph of The Germania Musical Society, 1848/1850"],"collection_ssim":["Lithograph of The Germania Musical Society, 1848/1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the \"La Navarraise\" opera scene and costume lithographs, and other music and performing arts collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_767","ead_ssi":"vifgm_repositories_2_resources_767","_root_":"vifgm_repositories_2_resources_767","_nest_parent_":"vifgm_repositories_2_resources_767","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_767.xml","title_filing_ssi":"Lithograph of The Germania Musical Society","title_ssm":["Lithograph of The Germania Musical Society"],"title_tesim":["Lithograph of The Germania Musical Society"],"unitdate_ssm":["circa 1848-1850"],"unitdate_inclusive_ssm":["circa 1848-1850"],"normalized_date_ssm":["1848/1850"],"normalized_title_ssm":["Lithograph of The Germania Musical Society, 1848/1850"],"text":["Lithograph of The Germania Musical Society, 1848/1850","C0542","/repositories/2/resources/767","Lithography","Art","Music","Performing arts","There are no access restrictions.","This is a single item collection.","Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.","Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other pieces of lithography, such as the \"La Navarraise\" opera scene and costume lithographs, and other music and performing arts collections.","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.","Map Case 27.2","George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society","English"],"collection_title_tesim":["Lithograph of The Germania Musical Society, 1848/1850"],"collection_ssim":["Lithograph of The Germania Musical Society, 1848/1850"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0542","/repositories/2/resources/767"],"unitid_tesim":["C0542","/repositories/2/resources/767"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sarony \u0026 Major"],"creator_ssim":["Sarony \u0026 Major"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in October 2011."],"access_subjects_ssim":["Lithography","Art","Music","Performing arts"],"access_subjects_ssm":["Lithography","Art","Music","Performing arts"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1848,1849,1850],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eEiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026amp; Features. \u003ctitle\u003eThe Boston Musical Intelligencer\u003c/title\u003e, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.\u003c/p\u003e","\u003cp\u003eHistoric Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.\u003c/p\u003e","\u003cp\u003eHuntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.\u003c/p\u003e","\u003cp\u003e\"Sarony, Major \u0026amp; Knapp.\" n.d. \u003ctitle\u003eAmerican Historical Print Collectors Society (AHPCS)\u003c/title\u003e. Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Eiseman, Lee. 2024. \"Dance Music of the Germania Musical Society.\" News \u0026 Features. The Boston Musical Intelligencer, February 8. https://www.classical-scene.com/2024/02/08/dance-germania/.","Historic Music of Newport. n.d. \"The Germania Musical Society in Newport.\" Accessed December 17, 2025. https://www.historicmusicofnewport.org/blog/germania-musical-society.","Huntington Digital Library. n.d. \"The Germania Musical Society. - Jay T. Last Collection of Graphic Arts and Social History.\" Accessed December 17, 2025. https://hdl.huntington.org/digital/collection/p16003coll4/id/2648.","\"Sarony, Major \u0026 Knapp.\" n.d. American Historical Print Collectors Society (AHPCS). Accessed December 17, 2025. https://ahpcs.org/publisher/sarony-major-knapp/."],"bioghist_html_tesm":["\u003cp\u003eFormally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Formally founded in 1848, the group that became the Germania Musical Society originated with members of Joseph Gungl's orchestra in Berlin, Germany in late 1847. The group's first concert took place on May 4, 1848 at the Milentzschen Saale in Berlin and was attended by both the United States Minister to Berlin and the English Ambassador. After a brief tour in London, England, the group set sail for the United States on August 2, 1848. After arriving in New York City on September 28, the group gave their first United States performance on October 5 at Niblo's Garden (also known as Niblo's Opera House) and were soon in-demand for both public and private events in and around New York City and among the wealthy summer residents of Newport, Rhode Island. The Germania Musical Society eventually settled in Boston, Massachusetts before formally disbanding in the mid-1850s, although some members would continue to use the name for smaller orchestra groups."],"prefercite_html_tesm":["\u003cp\u003eLithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Lithograph of The Germania Musical Society, C0542, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other pieces of lithography, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e, and other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85088762\"\u003emusic\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts\u003c/a\u003e collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other pieces of lithography, such as the \"La Navarraise\" opera scene and costume lithographs, and other music and performing arts collections."],"scopecontent_html_tesm":["\u003cp\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026amp; Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.\u003c/p\u003e","\u003cp\u003eDating for the lithograph is based on the use of Sarony \u0026amp; Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850. The title is written in large font at the bottom of the illustration, with publisher attribution \"Lith. Of Sarony \u0026 Major, New York\" appearing above the title in smaller font. Underneath the illustration of each individual member is a number, possibly indicating their chair or position, which then corresponds to a more detailed listing below this containing their first initial, last name, and instrument, with the exception of No. 18 which includes just the individual's name. Twenty-one of the individuals are depicted holding their musical instrument, with the individual in the center, labeled No. 1 and identified as the \"Leader,\" depicted holding a scroll of paper and possibly a baton.","Dating for the lithograph is based on the use of Sarony \u0026 Major as a credit line between 1845-1857, the society's formation in 1848, and Charles Lenschow's resignation as Leader in 1850."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10ba377702ac8ca2304e3e47bbe40dab\"\u003eSingle-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single-sided lithograph depicting the twenty-two members of The Germania Musical Society circa 1848-1850."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6798acfe271fecf468b10c0fba3251ec\"\u003eMap Case 27.2\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 27.2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"names_coll_ssim":["Germania Musical Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sarony \u0026 Major","Germania Musical Society"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_767"}},{"id":"vifgm_repositories_2_resources_692","type":"collection","attributes":{"title":"\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#creator","type":"document_value","attributes":{"value":"Rupprecht, Friedrich Karl, 1779-1831","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#abstract_or_scope","type":"document_value","attributes":{"value":"Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_692#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_692","ead_ssi":"vifgm_repositories_2_resources_692","_root_":"vifgm_repositories_2_resources_692","_nest_parent_":"vifgm_repositories_2_resources_692","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_692.xml","title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"title_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut"],"unitdate_ssm":["circa 1822"],"unitdate_other_ssim":["circa 1822"],"normalized_date_ssm":["1822"],"normalized_title_ssm":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"text":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822","C0418","/repositories/2/resources/692","Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings","There are no access restrictions.","This is a single item collection.","\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.","Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.","Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.","The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. Elaborate ink signature on back of print, possibly reading L \u0026 L Baskin, dated 1965.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767","German"],"collection_title_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"collection_ssim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, 1822"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0418","/repositories/2/resources/692"],"unitid_tesim":["C0418","/repositories/2/resources/692"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rupprecht, Friedrich Karl, 1779-1831"],"creator_ssim":["Rupprecht, Friedrich Karl, 1779-1831"],"creator_persname_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rupprecht, Friedrich Karl, 1779-1831","Parmigianino, 1503-1540","Zanetti, Antonio Maria, 1680-1767","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by SCRC from the Book Press, Ltd. in February 2017."],"access_subjects_ssim":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"access_subjects_ssm":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Wood engravings"],"date_range_isim":[1822],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.\u003c/p\u003e","\u003cp\u003eFinefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" \u003cemphp\u003eThe Library of Congress\u003c/emphp\u003e (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.\u003c/p\u003e","\u003cp\u003e\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.\u003c/p\u003e","\u003cp\u003e\"Friedrich Karl Rupprecht.\" 2021. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026amp;oldid=215671760.\u003c/p\u003e","\u003cp\u003e\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167."],"bioghist_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.\u003c/p\u003e","\u003cp\u003eChiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver."],"prefercite_html_tesm":["\u003cp\u003e\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["\"Madonna and Child\" print by Friedrich Karl Rupprecht, after Zanetti, after Parmigianino chiaroscuro woodcut, C0418, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in November 2023. Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds other woodcut prints and engravings including \u003ca href=\"https://aspace.gmu.edu/resources/c0398\"\u003eNuremberg Chronicle leaf with woodcut illustrations\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0072\"\u003eBroadus Bailey French Revolution print collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Library of Congress Prints and Photographs Division (P\u0026amp;P) holds \u003ca href=\"https://www.loc.gov/rr/print/coll/611_pembroke.html?loclr=blogpic\"\u003eThe Pembroke Album\u003c/a\u003e, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries."],"scopecontent_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1675187eaf4b74588fc5ef04b4dbe0ba\"\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.\u003c/abstract\u003e\n    "],"abstract_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42275e66ed7e3e3a96c5063892bafa25\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. 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The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.","Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. 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Elaborate ink signature on back of print, possibly reading L \u0026 L Baskin, dated 1965.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.","R 72, C 3, S 6","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by SCRC from the Book Press, Ltd. in February 2017."],"access_subjects_ssim":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"access_subjects_ssm":["Art","Chiaroscuro","Christian art and symbolism","Christian art and symbolism -- Germany -- Modern period, 1500-","Wood engravings"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Wood engravings"],"date_range_isim":[1822],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.\u003c/p\u003e","\u003cp\u003e\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.\u003c/p\u003e","\u003cp\u003eFinefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" \u003cemphp\u003eThe Library of Congress\u003c/emphp\u003e (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.\u003c/p\u003e","\u003cp\u003e\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.\u003c/p\u003e","\u003cp\u003e\"Friedrich Karl Rupprecht.\" 2021. In \u003cemph\u003eWikipedia\u003c/emph\u003e. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026amp;oldid=215671760.\u003c/p\u003e","\u003cp\u003e\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Antonio Maria Zanetti I.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG51922.","\"Chiaroscuro Woodcut.\" n.d. Elizabeth Harvey-Lee | Print Dealer. Accessed December 4, 2023. https://www.elizabethharvey-lee.com/techniques/colour_relief/chiaroscuro.htm.","\"Chiaroscuro Woodcuts.\" n.d. Royal Collection Trust. Accessed December 4, 2023. https://www.rct.uk/collection/themes/exhibitions/canaletto-and-the-art-of-venice/the-queens-gallery-buckingham-palace/chiaroscuro-woodcuts.","Finefield, Kristi. 2018. \"Renaissance and Baroque Color: Researching Chiaroscuro Woodcuts at the Library of Congress | Picture This.\" The Library of Congress (blog). December 13, 2018. //blogs.loc.gov/picturethis/2018/12/renaissance-and-baroque-color-researching-chiaroscuro-woodcuts-at-the-library-of-congress.","\"Friedrich Carl Rupprecht.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG44514.","\"Friedrich Karl Rupprecht.\" 2021. In Wikipedia. https://de.wikipedia.org/w/index.php?title=Friedrich_Karl_Rupprecht\u0026oldid=215671760.","\"Parmigianino.\" n.d. The British Museum. Accessed December 4, 2023. https://www.britishmuseum.org/collection/term/BIOG41167."],"bioghist_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.\u003c/p\u003e","\u003cp\u003eChiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. Rather than the hand application of color ink to an impression printed in black ink, chiaroscuro woodcuts created images using multiple woodblocks that layered color tones to create the image, traditionally shades of brown, ochre, olive, green, gray, and other earth tones. Interest in the technique waned and had virtually died out by the late 1600s, but a group of Venetian printmakers led to a revival of interest in the 1700s. Antonio Maria Zanetti I (also known as the Elder) is considered one of these key revivers of the chiaroscuro woodcut. Born in 1680, Zanetti began experimenting with the technique in the 1720s by reproducing drawings by Parmigianino (also known as Girolamo Francesco Maria Mazzola), a 16th century Italian painter, etcher, and engraver.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Friedrich Karl Rupprecht was born in Germany on October 31, 1779. Rupprecht attended high school in Nuremberg and while there became a student of the landscape painter Christoph Froer. Starting in 1799 he studied at the academy in Dresden and began work as an independent artist in 1802 before settling in Bamberg in 1810. A painter and engraver, Rupprecht also revived the chiaroscuro woodcut technique by making prints after Italian artists. Rupprecht fell ill in the summer of 1831 due to unhealthy working conditions during the restoration of the Bamberg Cathedral and passed away on October 25 of that year.","Chiaroscuro woodcut printmaking was developed in Germany and expanded upon in Italy in the early 1500s and is one of the earliest color printing processes. The term \"chiaroscuro\" is a combination of the Italian words for \"chiaro\" meaning light and \"scuro\" meaning shade. 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Finding aid completed by Meghan Glasbrenner in December 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds other woodcut prints and engravings including \u003ca href=\"https://aspace.gmu.edu/resources/c0398\"\u003eNuremberg Chronicle leaf with woodcut illustrations\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0072\"\u003eBroadus Bailey French Revolution print collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Library of Congress Prints and Photographs Division (P\u0026amp;P) holds \u003ca href=\"https://www.loc.gov/rr/print/coll/611_pembroke.html?loclr=blogpic\"\u003eThe Pembroke Album\u003c/a\u003e, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center holds other woodcut prints and engravings including Nuremberg Chronicle leaf with woodcut illustrations, and the Broadus Bailey French Revolution print collection.","The Library of Congress Prints and Photographs Division (P\u0026P) holds The Pembroke Album, a collection of 91 images, primarily chiaroscuro woodcuts by Italian printmakers active in the sixteenth and seventeenth centuries."],"scopecontent_html_tesm":["\u003cp\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1675187eaf4b74588fc5ef04b4dbe0ba\"\u003eFriedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino.\u003c/abstract\u003e\n    "],"abstract_tesim":["Friedrich Karl Rupprecht 19th century printed copy of a chiaroscuro woodcut by Antonio Maria Zanetti I, after a drawing by Parmigianino."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42275e66ed7e3e3a96c5063892bafa25\"\u003eR 72, C 3, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6"],"corpname_ssim":["George Mason University. Libraries. 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Jack papers, 1981/1998","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026amp; Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026amp; Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9778","ead_ssi":"viw_repositories_2_resources_9778","_root_":"viw_repositories_2_resources_9778","_nest_parent_":"viw_repositories_2_resources_9778","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9778.xml","title_filing_ssi":"Marlene K. Jack papers","title_ssm":["Marlene K. Jack papers"],"title_tesim":["Marlene K. Jack papers"],"unitdate_ssm":["Circa 1981-1998"],"unitdate_inclusive_ssm":["Circa 1981-1998"],"normalized_date_ssm":["1981/1998"],"normalized_title_ssm":["Marlene K. Jack papers, 1981/1998"],"text":["Marlene K. Jack papers, 1981/1998","UA 5.357","/repositories/2/resources/9778","Art","Art History","College of William and Mary--Faculty.","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection arranged by accession.","The Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026 Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Marlene K. Jack papers, 1981/1998"],"collection_ssim":["Marlene K. 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The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9778","ead_ssi":"viw_repositories_2_resources_9778","_root_":"viw_repositories_2_resources_9778","_nest_parent_":"viw_repositories_2_resources_9778","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9778.xml","title_filing_ssi":"Marlene K. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection arranged by accession.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection arranged by accession."],"prefercite_html_tesm":["\u003cp\u003eMarlene K. Jack papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Marlene K. Jack papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026amp; Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026amp; Mary.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026 Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:05:56.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778"}},{"id":"vifgm_repositories_2_resources_691","type":"collection","attributes":{"title":"Mary Lavigne programs collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#creator","type":"document_value","attributes":{"value":"Lavigne, Mary","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"normalized_title_ssm":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","C0417","/repositories/2/resources/691","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection.","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. 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Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"creators_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English\n,       German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"normalized_title_ssm":["Mary Lavigne programs collection"],"text":["Mary Lavigne programs collection","C0417","/repositories/2/resources/691","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.","Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.","Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.","The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection.","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel","English\n,       German\n."],"collection_title_tesim":["Mary Lavigne programs collection"],"collection_ssim":["Mary Lavigne programs collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"unitid_tesim":["C0417","/repositories/2/resources/691"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"geogname_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"places_ssim":["Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)"],"creator_ssm":["Lavigne, Mary"],"creator_ssim":["Lavigne, Mary"],"creator_persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"creators_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel","George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated in 2019 by Mary Lavigne."],"access_subjects_ssim":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"access_subjects_ssm":["Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 boxes"],"extent_tesim":["2 Linear Feet 4 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by show title and then chronologically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by show title and then chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.\u003c/p\u003e","\u003cp\u003eHiggins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Fascinating History of Theater Programs.\" 2020. The Smith Center. July 13, 2020. https://thesmithcenter.com/explore/smith-center-blog/the-fascinating-history-of-theater-programs/.","Higgins, Sydney. 2009. \"A History of Playbills and Theatre Programs.\" 2009. http://www.ikjordan.plus.com/Players/Playbills/index.html."],"bioghist_html_tesm":["\u003cp\u003eDating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"\u003c/p\u003e","\u003cp\u003eSeeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the Charles Rodrigues playbill collection, and the Virginia Nelson playbills collection."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway Playbill editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English\n,       German\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691"}},{"id":"vifgm_repositories_2_resources_518","type":"collection","attributes":{"title":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_518#abstract_or_scope","type":"document_value","attributes":{"value":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_518#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_518","ead_ssi":"vifgm_repositories_2_resources_518","_root_":"vifgm_repositories_2_resources_518","_nest_parent_":"vifgm_repositories_2_resources_518","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_518.xml","title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"unitdate_ssm":["circa 1790"],"unitdate_other_ssim":["circa 1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"text":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","C0457","/repositories/2/resources/518","Art","Ballet","There are no access restrictions.","This is a single item collection.","\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.","Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette","English\n      French"],"collection_title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"collection_ssim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0457","/repositories/2/resources/518"],"unitid_tesim":["C0457","/repositories/2/resources/518"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_persname_ssim":["Didelot, Rose Colinette"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Didelot, Rose Colinette","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"access_subjects_ssim":["Art","Ballet"],"access_subjects_ssm":["Art","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1790],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.\u003c/p\u003e","\u003cp\u003eGatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026amp;gbpv=0\u003c/p\u003e","\u003cp\u003e\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246 \u003c/p\u003e","\u003cp\u003eNational Library of Australia. 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Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280."],"bioghist_html_tesm":["\u003cp\u003e\nRose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. 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Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.","Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.","Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers.","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.","R 71, C 2, S 6","George Mason University. Libraries. 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May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516."],"bioghist_html_tesm":["\u003cp\u003eBest known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, \u003ctitle\u003eThe Weary Blues\u003c/title\u003e, was published in 1926 and in 1930 his first novel \u003ctitle\u003eNot Without Laughter\u003c/title\u003e won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection \u003ctitle\u003eThe Negro Mother and Other Dramatic Recitations\u003c/title\u003e. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.\u003c/p\u003e","\u003cp\u003eCharles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. 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An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". 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White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.","\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.","\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.","\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.","Laskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.","Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.","Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.","The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers.","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.","R 71, C 2, S 6","George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)","Hughes, Langston, 1901-1967","White, Charles, 1918-1979","English\n."],"collection_title_tesim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, 1961"],"collection_ssim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, 1961"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0447","/repositories/2/resources/748"],"unitid_tesim":["C0447","/repositories/2/resources/748"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creator_ssim":["Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creator_persname_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"creators_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979","George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Lynn Eaton from Ian Brabner Rare Americana in 2021."],"access_subjects_ssim":["American poetry -- 20th century","Art","African Americans","African American poets","African American artists","Poetry"],"access_subjects_ssm":["American poetry -- 20th century","Art","African Americans","African American poets","African American artists","Poetry"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Poetry"],"date_range_isim":[1961],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Biographical Note | A Finding Aid to the Charles W. White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.\u003c/p\u003e","\u003cp\u003e\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.\u003c/p\u003e","\u003cp\u003e\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.\u003c/p\u003e","\u003cp\u003e\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.\u003c/p\u003e","\u003cp\u003eLaskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.\u003c/p\u003e","\u003cp\u003e\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Biographical Note | A Finding Aid to the Charles W. White Papers, 1933-1987, Bulk 1960s-1970s.\" n.d. Text. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/charles-w-white-papers-9350/biographical-note.","\"Charles Wilbert White Jr. (1918-1979).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/156982547/charles_wilbert-white.","\"Langston Hughes.\" n.d. Poets.Org. Accessed May 15, 2025. https://poets.org/poet/langston-hughes.","\"Langston Hughes (1902-1967).\" n.d. Find a Grave. Accessed May 15, 2025. https://www.findagrave.com/memorial/6166005/langston-hughes.","Laskow, Sarah. 2025. \"Rivers Cosmogram.\" Atlas Obscura. May 15, 2025. http://www.atlasobscura.com/places/rivers-schomburg-center.","\"The Negro Mother and Other Dramatic Recitations, 1931, from the Prentiss Taylor Papers, 1885-1991.\" n.d. Archives of American Art, Smithsonian Institution. Accessed May 15, 2025. https://www.aaa.si.edu/collections/items/detail/negro-mother-and-other-dramatic-recitations-516."],"bioghist_html_tesm":["\u003cp\u003eBest known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, \u003ctitle\u003eThe Weary Blues\u003c/title\u003e, was published in 1926 and in 1930 his first novel \u003ctitle\u003eNot Without Laughter\u003c/title\u003e won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection \u003ctitle\u003eThe Negro Mother and Other Dramatic Recitations\u003c/title\u003e. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.\u003c/p\u003e","\u003cp\u003eCharles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Best known as a writer of poetry, novels, short stories, and plays and a key figure in the Harlem Renaissance of the 1920s, Langston Hughes was born James Mercer Langston Hughes on February 1, 1901 in Joplin, Missouri. His first book of poetry, The Weary Blues, was published in 1926 and in 1930 his first novel Not Without Laughter won the Harmon gold medal for literature. His poem \"The Negro Mother\" was first published in 1931 in his poetry collection The Negro Mother and Other Dramatic Recitations. Hughes passed away on May 22, 1967 at the age of 65. His ashes are interred beneath a cosmogram floor medallion inspired by and bearing lines from Hughes' poem \"The Negro Speaks of Rivers\" in the foyer of the Schomburg Center for Research in Black Culture in Harlem, New York.","Charles W. White was born in Chicago, Illinois on April 2, 1918. A prominent figure in the Chicago Black Renaissance, White began his career as a painter, printmaker, and educator in California in 1956 and in 1965 began teaching at the Otis Art Institute in Los Angeles, a position he would continue throughout his life. White graduated from the School of the Art Institute in Chicago in 1938 and worked as a muralist for the Works Progress Administration's Illinois Federal Arts Projects from 1939-1940. In 1942 and 1943 he received two Julius Rosenwald Foundation fellowships to create \"The Contribution of the Negro to American Democracy\" mural at the Hampton Institute (now Hampton University) in Hampton, Virginia and was artist-in-residence at Washington, D.C.'s Howard University in 1945. As an artist, White primarily created black/sepia and white drawings, paintings, and lithographs depicting figurative portrayals of African American history and experiences. His work has been exhibited throughout the country and in 1972 he was the third African American artist elected to full membership in the National Academy of Design. He passed away on October 3, 1979 at the age of 61 and is buried in Mountain View Cemetery in Altadena, California."],"prefercite_html_tesm":["\u003cp\u003ePamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by author with illustration by Charles White, C0447, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2025. Finding aid completed by Meghan Glasbrenner in May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds \u003ca href=\"https://aspace.gmu.edu/resources/c0097\"\u003ePaul Robeson sound recording collection\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe Smithsonian Archives of American Art holds the \u003ca href=\"https://www.aaa.si.edu/collections/charles-w-white-papers-9350\"\u003eCharles W. White papers\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds Paul Robeson sound recording collection.","The Smithsonian Archives of American Art holds the Charles W. White papers."],"scopecontent_html_tesm":["\u003cp\u003eBifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center. When folded, the cover shows a reprint of White's 1952 illustration depicting a close-up of the face of an African American woman, with her hands holding a handkerchief to her cheek. When opened, the inside shows the full text of Hughes' poem, along with a stamp at the center bottom attributing the pamphlet to the \"Make History Live Series\". An inscription and signature from Hughes is included in green pen in the top left and bottom right portions of the interior pages reading: \"For the House of Literary curios - Langston Hughes, New York, December 1, 1961.\" The back cover includes a list of books by Hughes available for purchase at the Hugh Gordon Book Shop in Los Angeles, California, along with information on the store."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bd347158a9241c662f81156721d9f0c2\"\u003eBifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center.\u003c/abstract\u003e\n    "],"abstract_tesim":["Bifold pamphlet for poem \"The Negro Mother\" by Langston Hughes inscribed and signed by the author with illustration by Charles White created for the \"Make History Live Series\" by the Hugh Havilon Gordon Cultural Center."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3ce5a21a95a27d68c29e8756e8589895\"\u003eR 71, C 2, S 6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)"],"persname_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"names_coll_ssim":["Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Hugh Havilon Gordon Cultural Center (Los Angeles, California)","Hughes, Langston, 1901-1967","White, Charles, 1918-1979"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_748"}},{"id":"vifgm_repositories_2_resources_712","type":"collection","attributes":{"title":"Paper Cuts zine and small press collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#creator","type":"document_value","attributes":{"value":"Kardambikis, Christopher","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_712#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_712","ead_ssi":"vifgm_repositories_2_resources_712","_root_":"vifgm_repositories_2_resources_712","_nest_parent_":"vifgm_repositories_2_resources_712","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_712.xml","title_filing_ssi":"Paper Cuts zine and small press collection","title_ssm":["Paper Cuts zine and small press collection"],"title_tesim":["Paper Cuts zine and small press collection"],"unitdate_ssm":["2000s-circa 2020s"],"unitdate_inclusive_ssm":["2000s-circa 2020s"],"normalized_title_ssm":["Paper Cuts zine and small press collection"],"text":["Paper Cuts zine and small press collection","C0518","/repositories/2/resources/712","Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc.","There are no access restrictions.","Arranged by acquisition date.","Christopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art.","Processed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024.","The Special Collections Research Center holds the  and the . It also holds an extensive collection of .","This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.","Materials were created between 2000s-circa 2020s. Topics vary - see inventory for more details.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.","R 55, C 1, S 1","George Mason University. Libraries. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Christopher Kardambikis and Stephanie Grimm."],"access_subjects_ssim":["Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc."],"access_subjects_ssm":["Zines","Art","Personal narratives","Comics (LGBTQ)","Queer comic books, strips, etc."],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 boxes"],"extent_tesim":["1 Linear Feet 2 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003eChristopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Christopher Kardambikis is the founder of Paper Cuts, a zine publishing platform and podcast described as \"an exploration of the contemporary world of zines and DIY publishing.\" Kardambikis received his Bachelor of Fine Arts from Carnegie Mellon University and Master of Fine Arts from the University of California, San Diego. Kardambikis currently serves as Associate Professor and Director of Studio Art at George Mason University's School of Art."],"prefercite_html_tesm":["\u003cp\u003ePaper Cuts zine and small press collection, C0518, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Paper Cuts zine and small press collection, C0518, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from October-November 2024. Finding aid completed by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the \u003cextptr show=\"new\" title=\"Mid-Atlantic minicomic and zines collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"International art publishing collection\" href=\"https://aspace.gmu.edu/resources/c0517\"\u003e\u003c/extptr\u003e. It also holds an extensive collection of \u003cextptr show=\"new\" title=\"Artists' Books\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds the  and the . It also holds an extensive collection of ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2000s-circa 2020s. Topics vary - see inventory for more details.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.","Materials were created between 2000s-circa 2020s. Topics vary - see inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e308edbe737310bbcf5d56b4e7bfa1dc\"\u003eThis collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e8cb708080bf4d5fc9d24a76d671e99\"\u003eR 55, C 1, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 55, C 1, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kardambikis, Christopher"],"names_coll_ssim":["Kardambikis, Christopher"],"names_ssim":["George Mason University. Libraries. 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It also holds an extensive collection of ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. Some of the materials were collected by Kardambikis and published/created by entities other than Paper Cuts.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2000s-circa 2020s. Topics vary - see inventory for more details.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains zines and DIY publications by or in collaboration with Paper Cuts, a zine publishing platform and podcast founded by Christopher Kardambikis, Associate Professor and Director of Studio Art at George Mason University. 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