{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026facet.sort=count\u0026page=5"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":5,"limit_value":10,"offset_value":20,"total_count":45,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_311","type":"collection","attributes":{"title":"George Mason University photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_311","ead_ssi":"vifgm_repositories_2_resources_311","_root_":"vifgm_repositories_2_resources_311","_nest_parent_":"vifgm_repositories_2_resources_311","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_311.xml","title_ssm":["George Mason University photograph collection"],"title_tesim":["George Mason University photograph collection"],"unitdate_ssm":["1950s-2007"],"unitdate_inclusive_ssm":["1950s-2007"],"normalized_title_ssm":["George Mason University photograph collection"],"text":["George Mason University photograph collection","R0120","/repositories/2/resources/311","Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Portions of the GMU photograph collection are available online through Flickr and the  and the online exhibit .","Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title\n      Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n      Series 2: Broadside, 1971-1999 (Boxes 1-6)\n      Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n      Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n      Series 5: Athletic Department, 1978-1994 (Box 1)\n      Series 6: Office of Admissions, 1985-1995 (Box 1)\n      Series 7: Office of the Registrar, 1970-1971 (Box 1)\n      Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n      Series 9: Creative Services, 1964-2007 (Boxes 38-118)","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.","Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)","Special Collections and Archives holds the George Mason University archives including the .\n maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit .","The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.","Series 8 contains thousands of photographs from the Creative Services division of University Relations.","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order.","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","There are no restrictions.","The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","English"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120","/repositories/2/resources/311"],"unitid_tesim":["R0120","/repositories/2/resources/311"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"creators_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation."],"access_subjects_ssim":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["147 Linear Feet 119 boxes"],"extent_tesim":["147 Linear Feet 119 boxes"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003ePortions of the GMU photograph collection are available online through Flickr and the \u003cextptr href=\"http://www.flickr.com/photos/gmuarchives/\" title=\"GMU Archives Photostream\" show=\"new\"\u003e\u003c/extptr\u003e and the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the GMU photograph collection are available online through Flickr and the  and the online exhibit ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series and then sorted either chronologically or alphabetically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Broadside, 1971-1999 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title\n      Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n      Series 2: Broadside, 1971-1999 (Boxes 1-6)\n      Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n      Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n      Series 5: Athletic Department, 1978-1994 (Box 1)\n      Series 6: Office of Admissions, 1985-1995 (Box 1)\n      Series 7: Office of the Registrar, 1970-1971 (Box 1)\n      Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n      Series 9: Creative Services, 1964-2007 (Boxes 38-118)"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and \u003cextptr href=\"http://broadsideonline.com\" title=\"online\" show=\"new\"\u003e\u003c/extptr\u003e. In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"\u003c/p\u003e","\u003cp\u003eStudent groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   \u003c/p\u003e","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.\u003c/p\u003e  ","\u003cp\u003eDate Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University archives including the \u003cextptr href=\"https://aspace.gmu.edu/resources/r0135\" title=\"George Mason University Broadside photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\n\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University archives including the .\n maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.\u003c/p\u003e","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. \u003c/p\u003e","\u003cp\u003eSeries 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. \u003c/p\u003e","\u003cp\u003eSeries 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. \u003c/p\u003e","\u003cp\u003eSeries 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. \u003c/p\u003e","\u003cp\u003eSeries 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. \u003c/p\u003e","\u003cp\u003eSeries 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. \u003c/p\u003e","\u003cp\u003eSeries 8 contains thousands of photographs from the Creative Services division of University Relations. \u003c/p\u003e","\u003cp\u003eThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e","\u003cp\u003eThere are four subseries to this series based on original order. \u003c/p\u003e","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.","Series 8 contains thousands of photographs from the Creative Services division of University Relations.","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order.","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_92ae8f42c86549f01c906796a06b71b9\" label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"names_coll_ssim":["Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason University","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"language_ssim":["English"],"total_component_count_is":2724,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:34.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_311","ead_ssi":"vifgm_repositories_2_resources_311","_root_":"vifgm_repositories_2_resources_311","_nest_parent_":"vifgm_repositories_2_resources_311","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_311.xml","title_ssm":["George Mason University photograph collection"],"title_tesim":["George Mason University photograph collection"],"unitdate_ssm":["1950s-2007"],"unitdate_inclusive_ssm":["1950s-2007"],"normalized_title_ssm":["George Mason University photograph collection"],"text":["George Mason University photograph collection","R0120","/repositories/2/resources/311","Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Portions of the GMU photograph collection are available online through Flickr and the  and the online exhibit .","Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title\n      Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n      Series 2: Broadside, 1971-1999 (Boxes 1-6)\n      Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n      Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n      Series 5: Athletic Department, 1978-1994 (Box 1)\n      Series 6: Office of Admissions, 1985-1995 (Box 1)\n      Series 7: Office of the Registrar, 1970-1971 (Box 1)\n      Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n      Series 9: Creative Services, 1964-2007 (Boxes 38-118)","The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman.","Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)","Special Collections and Archives holds the George Mason University archives including the .\n maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit .","The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.","Series 8 contains thousands of photographs from the Creative Services division of University Relations.","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order.","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.","There are no restrictions.","The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","English"],"collection_title_tesim":["George Mason University photograph collection"],"collection_ssim":["George Mason University photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0120","/repositories/2/resources/311"],"unitid_tesim":["R0120","/repositories/2/resources/311"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"creators_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969","George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the offices of University Life, University Relations, and the GMU Foundation."],"access_subjects_ssim":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Performance art","Commencement ceremonies","Art","Universities and colleges","Slides (Photography)","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["147 Linear Feet 119 boxes"],"extent_tesim":["147 Linear Feet 119 boxes"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003ePortions of the GMU photograph collection are available online through Flickr and the \u003cextptr href=\"http://www.flickr.com/photos/gmuarchives/\" title=\"GMU Archives Photostream\" show=\"new\"\u003e\u003c/extptr\u003e and the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the GMU photograph collection are available online through Flickr and the  and the online exhibit ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series and then sorted either chronologically or alphabetically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: University Relations, 1950s-1999 (Boxes 1-37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Broadside, 1971-1999 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: George Mason University Foundation, 1989 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Athletic Department, 1978-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Office of Admissions, 1985-1995 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Office of the Registrar, 1970-1971 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Creative Services, 1964-2007 (Boxes 38-118)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series and then sorted either chronologically or alphabetically.","Missing Title\n      Series 1: University Relations, 1950s-1999 (Boxes 1-37)\n      Series 2: Broadside, 1971-1999 (Boxes 1-6)\n      Series 3: George Mason University Yearbook, 1979-mid 1990s (Boxes 1-6)\n      Series 4: George Mason University Foundation, 1989 (Boxes 1-11)\n      Series 5: Athletic Department, 1978-1994 (Box 1)\n      Series 6: Office of Admissions, 1985-1995 (Box 1)\n      Series 7: Office of the Registrar, 1970-1971 (Box 1)\n      Series 8: Photographs from Unidentified Offices, 1951-2000 (Boxes 1-3)\n      Series 9: Creative Services, 1964-2007 (Boxes 38-118)"],"bioghist_html_tesm":["\u003cp\u003eThe Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and \u003cextptr href=\"http://broadsideonline.com\" title=\"online\" show=\"new\"\u003e\u003c/extptr\u003e. In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"\u003c/p\u003e","\u003cp\u003eStudent groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.   \u003c/p\u003e","\u003cp\u003eThe George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Office of University Relations is the primary communication center and contact point for information about the university. The office leads the university community in promoting George Mason University as a world-class institution of higher education.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. On the staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary. The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities. Currently (2012) Broadside is a weekly newspaper, published on Mondays during the semester, in print and . In addition to campus news, the paper features local, national and world news, entertainment, sport, music, restaurant reviews and commentary that might, in some way, affect college students. Broadside prides itself on being a newspaper by students and for students, and uses the tagline \"Writing the first draft of Mason history.\"","Student groups published yearbooks under various names from 1964 until 1989.  In 1989, the yearbook staff began producing a video along with a less comprehensive print yearbook.","The George Mason University Foundation was established in 1966 to advance and further the aims and purposes of George Mason University. It is a 501(c)(3) non-profit foundation organized and operated exclusively for the benefit of the university. The foundation assists the university in generating private support, and manages, invests, and administers private gifts, including endowment and real property. It is governed by a volunteer Board of Trustees, led by a chairman."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University photograph collection, Collection R0120, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.\u003c/p\u003e  ","\u003cp\u003eDate Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Jesse Gastelle in 2010 and Greta Kuriger in 2011.","Date Expression fields for Boxes 1.11 to 3.20 were corrected to reflect actual dates on folders by Robert Vay (4/13/2023)"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University archives including the \u003cextptr href=\"https://aspace.gmu.edu/resources/r0135\" title=\"George Mason University Broadside photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e.\n\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason\" href=\"http://ahistoryofmason.gmu.edu/index\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University archives including the .\n maintained by the Creative Services photography staff in the Office of Communications and Marketing. \nFor more on the history of George Mason University, visit the online exhibit ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.\u003c/p\u003e","\u003cp\u003eSeries 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions. \u003c/p\u003e","\u003cp\u003eSeries 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet. \u003c/p\u003e","\u003cp\u003eSeries 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet. \u003c/p\u003e","\u003cp\u003eSeries 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions. \u003c/p\u003e","\u003cp\u003eSeries 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar. \u003c/p\u003e","\u003cp\u003eSeries 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings. \u003c/p\u003e","\u003cp\u003eSeries 8 contains thousands of photographs from the Creative Services division of University Relations. \u003c/p\u003e","\u003cp\u003eThe date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.\u003c/p\u003e","\u003cp\u003eThere are four subseries to this series based on original order. \u003c/p\u003e","\u003cp\u003eThe first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten\u003c/p\u003e","\u003cp\u003eSubseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.\u003c/p\u003e","\u003cp\u003eSubseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSubseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University photograph collection is a combination of eight series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. Photographers include Neil Adams, Ben Boblett, Evan Cantwell, Judith Desplechin, Tad Hirshorn, Lu Hoang, Tom Horan, Tom Legro, Myrna Garza Miller, Matt Rourke, Susan Sterner, Steven C. Tuttle, Kevin Weber, and Carl Zitzmann among others.","Series 1 contains 1696 folders which contain thousands of photographs; estimated to contain 10,000 photographs or more. The date range is from 1950s-1999. The series is mostly black and white photographs, contact sheets, and negatives. There are also some color images. Subjects include commencements and graduations as well as campus development from the beginning as Northern Virginia University Center (NVUC) to George Mason University in 1972. The modern university depicted in the photographs from the 1980s-1990s include construction photographs of academic buildings, dormitories, and parking lots. A few events seen throughout the collection are George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School, extended studies, Speakers Bureau, Chess Federation, Northern Virginia Press Club, counseling, class trips, dances, festivals, presentations, promotions, donation events, Agora Society, Federal Theatre Project, Wolf Trap, and student productions.","Series 2 consists of 210 folders which include photographs, contact sheets, and negatives. The images contained in the collection encompass all areas of student life at George Mason University including students on campus, studying, Greek life, athletics, professors, and campus scenery. The date range is from 1979 to the mid-1990s. The total volume is 2.5 linear feet.","Series 3 contains color negatives and slides documenting the 1989 GMU Foundation Fundraising Campaign. The majority of the negatives and slides are images of student life on campus but also campus buildings, arts and performances, faculty, and campus technology. The slides and negatives occupy eleven boxes and span 2 linear feet.","Series 4 consists of photographs from the GMU Athletic Department used in game programs and promotional literature. Subjects include campus life, game crowds, and athletic competitions.","Series 5 includes photographs of office scenes, staff, and social gatherings from the Office of Admissions.","Series 6 consists of slides from graduation ceremonies in 1970 and 1971. These slides originated in the Office of the Registrar.","Series 7 was artificially created with photographs from unidentified offices. Subjects are similar to those from the other series including athletic events, campus life, faculty, and campus buildings.","Series 8 contains thousands of photographs from the Creative Services division of University Relations.","The date range for this series is 1964-2007. The series consists of mostly black and white photographs, contact sheets, slides, and negatives. There are also some color images. Subjects include graduations (commencements) as well as campus development from the 1970s to early 2007. The bulk of the material contains images of faculty, staff, students, alumni, campus scenes, construction, and events. Subjects seen throughout the series include George Mason Day, Patriot's Day, freshman orientation, Alumni Association parties, registration, athletics, student club meetings, art sculptures and displays, GMU Law School and Arlington campus, Prince William campus, Mason community, Chess Federation, Northern Virginia Press Club, Northern Virginia and Washington D.C. scenes, class trips, dances, festivals, presentations, promotions, donation events, the Federal Theatre Project, Wolf Trap, and student productions. This series has many images in common with series one.","There are four subseries to this series based on original order.","The first subseries is Subjects. This subseries contains mostly black and white photographs with some slides, color photographs, negatives, and contact sheets. It is arranged by subject according to a number system employed by the university photographers. The number system is as follows: 1. Outdoor campus and scenic, 2. Buildings and physical features, 3. Construction, 4. Students: Individuals, 5. Students: Groups 6. Students: In classrooms, 7. Students: Non-class academic, 8. On-campus housing, 9. Student services, 10. Student-Faculty interaction, 11. Social events / club activities, 12. Admin/faculty/staff: Individuals, 13. Admin/faculty/staff: Groups, 14. Admin/faculty/staff: Workplace, 15. Admin/faculty/staff: Social/casual, 16. VIP's on campus, 17. Commencement (graduation), 18. Arts Gala, 19. University Day, 20. Miscellaneous annual events, 21. Miscellaneous one-time events, 22. Student performances, 23. Faculty performances, 24. Student artworks/exhibitions, 25. Faculty artworks/exhibitions, 26. Visiting performances/exhibitions, 27. Fine and performing arts classrooms, 28. Science labs, 29. Science field trips, 30. Computer facilities, 31. Cablecast facilities, 32. Nursing School facilities, 33. Law School Facilities (Arlington campus), 34. High-tech centers and firms, 35. Northern Virginia area, 36. Washington D.C. attractions, 37. Patriot Center events (non-GMU), 38. Basketball (GMU), 39. Soccer (GMU), 40. Other varsity sports, 41. Special effects and abstracts, 42. Copy shots, titles and logos, 43. Other off-campus locations, 44. Alumni, 45. Community service/events, 46. Historical/archival photos, 47. Federal Theatre Project (FTP), 48. New Century College, 49. Campus community, 50. Miscellaneous, 51. Prince William, 52. President Alan Merten","Subseries two is Chronological. It is arranged by date from earliest to most recent. This series contains mostly contact sheets and negatives but also includes some black and white photographs, and slides.","Subseries three consists of publications and their accompanying photographs. Formats include black and white photographs, color photographs, slides, negatives, and contact sheets with their corresponding brochures, reports, posters, or newsletters. They are arranged alphabetically.","Subseries four consists of fourteen disassembled photo albums. Photo albums are arranged alphabetically by subject."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_92ae8f42c86549f01c906796a06b71b9\" label=\"Abstract\"\u003eThe George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University photograph collection is a combination of nine series: University Relations, Yearbook Photographs, George Mason University Foundation, Athletic Department, Office of Admissions, Office of the Registrar, photographs from unidentified offices, and Creative Services. The total collection contains over 100,000 color and black and white photographs, including prints, contact sheets, and negatives, taken between the 1950s and 2007. The collection includes images of student life, campus architecture and construction, campus events, faculty and staff, performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association"],"names_coll_ssim":["Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason University","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"persname_ssim":["Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Phi Delta Kappa","George Mason University. Quintillion Society","Tau Kappa Epsilon","Alpha Chi","George Mason Bank","George Mason University. Women's Association","Holton, A. Linwood (Abner Linwood), 1923-","Matsunaga, Spark M., 1916-1990","Miller, Andrew","Palmer, Ronald","Reno, Janet, 1938-2016","Reznor, Trent","Johnson, George W., 1928-2017","Biden, Joseph R., Jr.","Bumgarner, Ken","Bush, George, 1924-2018","Krug, Robert C. , 1918-2006","Clinton, Bill, 1946-","Dalton, John N.","Fenwick, Charles R. (Charles Rogers), 1901-1969"],"language_ssim":["English"],"total_component_count_is":2724,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:34.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_311"}},{"id":"vifgm_repositories_2_resources_377","type":"collection","attributes":{"title":"Gustav Klemp World War I collection, 1892, bulk 1914/1918","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#creator","type":"document_value","attributes":{"value":"Klemp, Gustav, 1882-1941","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#abstract_or_scope","type":"document_value","attributes":{"value":"The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_377","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_377.xml","title_ssm":["Gustav Klemp World War I collection"],"title_tesim":["Gustav Klemp World War I collection"],"unitdate_ssm":["circa 1892-1920s","1914-1918"],"unitdate_inclusive_ssm":["circa 1892-1920s"],"unitdate_bulk_ssim":["1914-1918"],"normalized_date_ssm":["1892, bulk 1914/1918"],"normalized_title_ssm":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"text":["Gustav Klemp World War I collection, 1892, bulk 1914/1918","C0250","/repositories/2/resources/377","World War, 1914-1918","Photographs","Military camps","Art","Postcards","The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view  There are no other restrictions.","The majority of this collection was digitized and is available to view","Klemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024.","Link to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content","Link to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content","This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.","Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.","Processing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","Collection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","German transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.","The Special Collections Research Center holds other collections on World War I, including the  and the","The Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.","Also included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.","Transcription and translation of text is provided where applicable in the inventory scope notes.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","R 50, C 2, S 7","George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941","German\n      Hungarian\n      Polish\n      Romanian; Moldavian; Moldovan"],"collection_title_tesim":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"collection_ssim":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0250","/repositories/2/resources/377"],"unitid_tesim":["C0250","/repositories/2/resources/377"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Klemp, Gustav, 1882-1941"],"creator_ssim":["Klemp, Gustav, 1882-1941"],"creator_persname_ssim":["Klemp, Gustav, 1882-1941"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Klemp, Gustav, 1882-1941","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donated by Klemp's grandson, Richard Passig, in September 2014, and February-March 2015."],"access_subjects_ssim":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"access_subjects_ssm":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["0.75 Linear Feet 2 boxes"],"extent_tesim":["0.75 Linear Feet 2 boxes"],"genreform_ssim":["Postcards"],"date_range_isim":[1892,1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThe handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e There are no other restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view  There are no other restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe majority of this collection was digitized and is available to view \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMU~11~11\" title=\"here.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eKlemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024. \u003c/p\u003e","\u003cp\u003eLink to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content\u003c/p\u003e","\u003cp\u003eLink to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The majority of this collection was digitized and is available to view","Klemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024.","Link to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content","Link to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative."],"bioghist_html_tesm":["\u003cp\u003eGustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.\u003c/p\u003e","\u003cp\u003eKlemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II."],"prefercite_html_tesm":["\u003cp\u003eGustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Gustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.\u003c/p\u003e","\u003cp\u003e\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.\u003c/p\u003e","\u003cp\u003e\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","Collection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","German transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections on World War I, including the \u003cextptr show=\"new\" title=\"Underwood and Underwood World War I press photographs\" href=\"https://aspace.gmu.edu/resources/c0502\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Diary of World War I Red Cross Canteen worker Florence Bishop.\" href=\"https://aspace.gmu.edu/resources/c0393\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections on World War I, including the  and the"],"scopecontent_html_tesm":["\u003cp\u003e\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n\u003c/p\u003e\n","\u003cp\u003e\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n\u003c/p\u003e \n","\u003cp\u003e\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.","Also included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.","Transcription and translation of text is provided where applicable in the inventory scope notes."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab8d973788edc0af114bd2dede8e8cc5\"\u003eThe Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a5b7b886b0c743560c24b9c1235a62dd\"\u003eR 50, C 2, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 50, C 2, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Klemp, Gustav, 1882-1941"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941"],"language_ssim":["German\n      Hungarian\n      Polish\n      Romanian; Moldavian; Moldovan"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:46.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_377","ead_ssi":"vifgm_repositories_2_resources_377","_root_":"vifgm_repositories_2_resources_377","_nest_parent_":"vifgm_repositories_2_resources_377","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_377.xml","title_ssm":["Gustav Klemp World War I collection"],"title_tesim":["Gustav Klemp World War I collection"],"unitdate_ssm":["circa 1892-1920s","1914-1918"],"unitdate_inclusive_ssm":["circa 1892-1920s"],"unitdate_bulk_ssim":["1914-1918"],"normalized_date_ssm":["1892, bulk 1914/1918"],"normalized_title_ssm":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"text":["Gustav Klemp World War I collection, 1892, bulk 1914/1918","C0250","/repositories/2/resources/377","World War, 1914-1918","Photographs","Military camps","Art","Postcards","The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view  There are no other restrictions.","The majority of this collection was digitized and is available to view","Klemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024.","Link to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content","Link to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content","This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.","Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.","Processing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","Collection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","German transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.","The Special Collections Research Center holds other collections on World War I, including the  and the","The Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.","Also included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.","Transcription and translation of text is provided where applicable in the inventory scope notes.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.","R 50, C 2, S 7","George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941","German\n      Hungarian\n      Polish\n      Romanian; Moldavian; Moldovan"],"collection_title_tesim":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"collection_ssim":["Gustav Klemp World War I collection, 1892, bulk 1914/1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0250","/repositories/2/resources/377"],"unitid_tesim":["C0250","/repositories/2/resources/377"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Klemp, Gustav, 1882-1941"],"creator_ssim":["Klemp, Gustav, 1882-1941"],"creator_persname_ssim":["Klemp, Gustav, 1882-1941"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Klemp, Gustav, 1882-1941","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Donated by Klemp's grandson, Richard Passig, in September 2014, and February-March 2015."],"access_subjects_ssim":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"access_subjects_ssm":["World War, 1914-1918","Photographs","Military camps","Art","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["0.75 Linear Feet 2 boxes"],"extent_tesim":["0.75 Linear Feet 2 boxes"],"genreform_ssim":["Postcards"],"date_range_isim":[1892,1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThe handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/detail/GMU~11~11~1098~188409:Narrative-of-World-War-I-journal?sort=title%2Cdate%2Ccreator%2Csubject\u0026amp;qvq=sort:title%2Cdate%2Ccreator%2Csubject;lc:GMU~11~11\u0026amp;mi=29\u0026amp;trs=129\"\u003e\u003c/extptr\u003e There are no other restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The handwritten narrative is restricted due to preservation concerns. It was digitized and is available to view  There are no other restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe majority of this collection was digitized and is available to view \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMU~11~11\" title=\"here.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eKlemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024. \u003c/p\u003e","\u003cp\u003eLink to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content\u003c/p\u003e","\u003cp\u003eLink to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The majority of this collection was digitized and is available to view","Klemp's handwritten narrative was transcribed from Kurrent script into modern German, and then translated into English by Dorothee Schubel and Amanda Menjivar, completed in October 2024.","Link to the German transcription can be found here: https://mars.gmu.edu/server/api/core/bitstreams/24e338a2-e661-4e0d-b45b-49147166b8a1/content","Link to the English translation can be found here: https://mars.gmu.edu/server/api/core/bitstreams/ad827b6d-f6f7-42e5-878f-f3d138d280cf/content"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by item format: certificates, postcards and photographs, artworks, commemorative medallions, and the handwritten narrative."],"bioghist_html_tesm":["\u003cp\u003eGustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.\u003c/p\u003e","\u003cp\u003eKlemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Gustav Klemp (May 16, 1882-April 1, 1941) was a house painter, photographer, and artist who resided in West Prussia during the late 19th and early 20th centuries. Klemp was a member of the Deutschen Maler-Bundes (German Painters' Association) and owned a house painting business, as well as a side photography business, in Podgórz, then West Prussia. Podgórz, which still exists, is a district of the city of Toruń in now Poland. Klemp was 32 at the outbreak of World War I in 1914, and he reluctantly served as a medic with the German Army. He sent dozens of postcards from the Eastern Front to his wife, Martha Klemp, and other friends and family. Many of these postcards were photographic, and were shot and developed by Klemp during his military service.","Klemp also created watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. Klemp survived the war, and after the creation of an independent Poland, he and his family were given the decision to become Polish citizens or emigrate. The Klemp family then immigrated to the United States and settled in the upper midwest, first in Iowa and then Wisconsin. Klemp made his living in the United States primarily by painting murals for churches. He died in May 1941 at the age of 59, six months before the United States entered World War II."],"prefercite_html_tesm":["\u003cp\u003eGustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Gustav Klemp World War I collection, C0250, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nProcessing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.\u003c/p\u003e","\u003cp\u003e\nCollection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.\u003c/p\u003e","\u003cp\u003e\nGerman transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in November 2014. EAD markup completed by Elizabeth Beckman in November 2014. Finding aid updated by Amanda Menjivar in March 2022.","Collection reprocessed by Amanda Menjivar from January-February 2024. Finding aid updated by Amanda Menjivar in February 2024. Inventory assistance provided by Meghan Glasbrenner.","German transcription and translation provided by Dorothee Schubel, Metadata and Cataloging Librarian at George Mason University Libraries. Transkribus by READ-COOP was used for the Kurrent Script transcription."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections on World War I, including the \u003cextptr show=\"new\" title=\"Underwood and Underwood World War I press photographs\" href=\"https://aspace.gmu.edu/resources/c0502\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Diary of World War I Red Cross Canteen worker Florence Bishop.\" href=\"https://aspace.gmu.edu/resources/c0393\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections on World War I, including the  and the"],"scopecontent_html_tesm":["\u003cp\u003e\nThe Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.\n\u003c/p\u003e\n","\u003cp\u003e\nAlso included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.\n\u003c/p\u003e \n","\u003cp\u003e\nTranscription and translation of text is provided where applicable in the inventory scope notes.\n\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Gustav Klemp World War I collection consists of postcards (both photographic and printed), photographs, artworks, commemorative medals, and a handwritten narrative that document the military service experience of Gustav Klemp, a Prussian medic with the German army who served on the Eastern Front during World War I. The materials were created from circa 1892-1920s, with the bulk of materials created from 1914-1918. Many of the photographic postcards are group portraits of German soldiers, as well as images of military camp life, many of which feature Klemp. Several of the postcards have messages written in Kurrent and Latin script from Klemp to his wife, Martha Klemp, and other friends and family. Klemp sent postcards from across the Eastern Front, including Hungary, Poland, Romania, Russia, and Ukraine.","Also included in the collection are artworks created by Klemp during his time on the Eastern Front. These include watercolors, and ink and graphite drawings that portrayed camp life, landscapes of the war, and German troops. A couple of the pieces of art in this collection were likely painted by one of his fellow soldiers and acquired by Klemp during his service.","Transcription and translation of text is provided where applicable in the inventory scope notes."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ab8d973788edc0af114bd2dede8e8cc5\"\u003eThe Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Gustav Klemp World War I collection contains certificates, postcards, artwork, commemorative medals, and a handwritten narrative by Gustav Klemp, a Prussian artist and German army medic during the First World War, from circa 1892-1922."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a5b7b886b0c743560c24b9c1235a62dd\"\u003eR 50, C 2, S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 50, C 2, S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Klemp, Gustav, 1882-1941"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Klemp, Gustav, 1882-1941"],"language_ssim":["German\n      Hungarian\n      Polish\n      Romanian; Moldavian; Moldovan"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:46.203Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_377"}},{"id":"vifgm_repositories_2_resources_711","type":"collection","attributes":{"title":"International art publishing collection, 2009/2023","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_711#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"normalized_date_ssm":["2009/2023"],"normalized_title_ssm":["International art publishing collection, 2009/2023"],"text":["International art publishing collection, 2009/2023","C0517","/repositories/2/resources/711","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English\n,       Spanish; Castilian\n,       Chinese\n,       Latvian\n."],"collection_title_tesim":["International art publishing collection, 2009/2023"],"collection_ssim":["International art publishing collection, 2009/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"unitid_tesim":["C0517","/repositories/2/resources/711"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 3, S 2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       Spanish; Castilian\n,       Chinese\n,       Latvian\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"normalized_date_ssm":["2009/2023"],"normalized_title_ssm":["International art publishing collection, 2009/2023"],"text":["International art publishing collection, 2009/2023","C0517","/repositories/2/resources/711","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.","The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections.","This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English\n,       Spanish; Castilian\n,       Chinese\n,       Latvian\n."],"collection_title_tesim":["International art publishing collection, 2009/2023"],"collection_ssim":["International art publishing collection, 2009/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"unitid_tesim":["C0517","/repositories/2/resources/711"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["This collection was purchased and curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries."],"access_subjects_ssim":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"access_subjects_ssm":["Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 9 boxes"],"extent_tesim":["3.5 Linear Feet 9 boxes"],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bioghist_html_tesm":["\u003cp\u003e\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century."],"prefercite_html_tesm":["\u003cp\u003eInternational art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["International art publishing collection, C0517, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and the  It also holds an extensive","The  and the  hold zines collections. A list of Virginia institutions with zines collections can be found","The , the , and  hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 3, S 2"],"corpname_ssim":["George Mason University. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds other prints from the 18th century of various methods.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","R 72, C 3, S 1","George Mason University. Libraries. 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Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/."],"bioghist_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals."],"prefercite_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Jean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other prints from the 18th century of various methods.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other prints from the 18th century of various methods."],"scopecontent_html_tesm":["\u003cp\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. 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Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.","Jean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. Boissieu shirked the artistic trends of his time, instead favoring the art style of the Dutch masters of the 17th century, particularly Rembrandt van Rijn. He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds other prints from the 18th century of various methods.","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. The artist's initials and date appear in the bottom left corner.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Etching print of a country scene, created in 1773 by Jean-Jacques de Boissieu.","R 72, C 3, S 1","George Mason University. Libraries. 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Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Del Re, Sonia. \"'The French Rembrandt': Etcher Jean-Jacques de Boissieu.\" National Gallery of Canada, May 29, 2020. https://www.gallery.ca/magazine/your-collection/the-french-rembrandt-etcher-jean-jacques-de-boissieu.","\"Jean-Jacques de Boissieu.\" The J. Paul Getty Museum. Accessed March 31, 2021. https://www.getty.edu/art/collection/artists/17525/jean-jacques-de-boissieu-french-1736-1810/."],"bioghist_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu was a French etcher, draughtsman, and engraver who lived from 1736 - 1810. Boissieu was quite famous during his lifetime, enjoying success in and beyond his native France. 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He favored this style so much that Boisseau became known as the \"French Rembrandt.\" Boissieu's main subject for his art was country living, concentrating on both landscapes, country scenes, and individuals."],"prefercite_html_tesm":["\u003cp\u003eJean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Jean-Jacques de Boissieu etching print of a country scene, C0475, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other prints from the 18th century of various methods.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other prints from the 18th century of various methods."],"scopecontent_html_tesm":["\u003cp\u003eEtching print of a country scene, created in 1773 by Jean-Jacques de Boissieu. The scene features countryside residents and their pets dancing, socializing, and sitting in the foreground, at the bottom of a hill. Near the top of the hill are musicians under a tent, and at the top of the hill is a church. 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Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other political poster collections including the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0169\" title=\"East German poster collection political series\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0168\" title=\"French Communist Party poster collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other political poster collections including the  and the ."],"scopecontent_html_tesm":["\u003cp\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_93e3e65f038a30217bc9b2a00fbf9493\" label=\"Abstract\"\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.\u003c/abstract\u003e\n    "],"abstract_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c439d073bcacbebc125fcb6c3ba7b398\"\u003eOS R 2, C 1, S 2. Housed with C0285.\u003c/physloc\u003e\n    "],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0285."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kukryniksy"],"names_ssim":["George Mason University. Libraries. 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EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.","The Special Collections Research Center holds other political poster collections including the  and the .","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.","OS R 2, C 1, S 2. Housed with C0285.","George Mason University. Libraries. Special Collections Research Center","Kukryniksy","Russian"],"collection_title_tesim":["Kukryniksy Russian caricature poster collection, 1977"],"collection_ssim":["Kukryniksy Russian caricature poster collection, 1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0286","/repositories/2/resources/420"],"unitid_tesim":["C0286","/repositories/2/resources/420"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Soviet Union"],"geogname_ssim":["Soviet Union"],"places_ssim":["Soviet Union"],"creator_ssm":["Kukryniksy"],"creator_ssim":["Kukryniksy"],"creator_persname_ssim":["Kukryniksy"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Kukryniksy","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Thomas Hill in 2009."],"access_subjects_ssim":["Political posters","Cold War","Art","Propaganda"],"access_subjects_ssm":["Political posters","Cold War","Art","Propaganda"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"date_range_isim":[1977],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bioghist_html_tesm":["\u003cp\u003eThe Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["The Kukryniksy was the name taken on by Soviet Union artists Porfirii Nikitich Krylov (1902–1990), Mikhail Vasil'evich Kupriianov (1903–1991), and Nikolai Aleksandrovich Sokolov (1903–2000) during their long career of collaboration."],"prefercite_html_tesm":["\u003cp\u003eKukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Kukryniksy Russian caricature poster collection, C0286, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other political poster collections including the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0169\" title=\"East German poster collection political series\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0168\" title=\"French Communist Party poster collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other political poster collections including the  and the ."],"scopecontent_html_tesm":["\u003cp\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists. The posters are in a cover that is dated 1977, but undated individual posters were probably created in the early 1970s and prior to that. The subject matter is largely related to the Cold War. All of the words in the posters are in Cyrillic script."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_93e3e65f038a30217bc9b2a00fbf9493\" label=\"Abstract\"\u003e12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists.\u003c/abstract\u003e\n    "],"abstract_tesim":["12 posters featuring the work of Kukryniksy, a group of Soviet Union cartoonists."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c439d073bcacbebc125fcb6c3ba7b398\"\u003eOS R 2, C 1, S 2. Housed with C0285.\u003c/physloc\u003e\n    "],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0285."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Kukryniksy"],"names_ssim":["George Mason University. Libraries. 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Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing.","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","French"],"collection_title_tesim":["\"La Navarraise\" opera scene and costume lithographs, 1894"],"collection_ssim":["\"La Navarraise\" opera scene and costume lithographs, 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"unitid_tesim":["C0471","/repositories/2/resources/540"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Heugel \u0026 Cie, Editeurs"],"creator_ssim":["Heugel \u0026 Cie, Editeurs"],"creator_persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"creators_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://digitalcollections.gmu.edu/search?c=%E2%80%9CLa+Navarraise%E2%80%9D+opera+scene+and+costume+lithographs\u0026amp;cc=%E2%80%9CLa+Navarraise%E2%80%9D+opera+scene+and+costume+lithographs\u0026amp;ln=en\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here: ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing.","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e\n    "],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"names_coll_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_540","ead_ssi":"vifgm_repositories_2_resources_540","_root_":"vifgm_repositories_2_resources_540","_nest_parent_":"vifgm_repositories_2_resources_540","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_540.xml","title_ssm":["\"La Navarraise\" opera scene and costume lithographs"],"title_tesim":["\"La Navarraise\" opera scene and costume lithographs"],"unitdate_ssm":["circa 1894"],"unitdate_other_ssim":["circa 1894"],"normalized_date_ssm":["1894"],"normalized_title_ssm":["\"La Navarraise\" opera scene and costume lithographs, 1894"],"text":["\"La Navarraise\" opera scene and costume lithographs, 1894","C0471","/repositories/2/resources/540","Art","Costume design","Lithography","Opera","Verismo (Opera)","There are no access restrictions.","This collected was digitized by Mieko Palazzo and is available to view here: .","This is a single folder collection.","Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing.","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the  and many other materials related to opera and the performing arts.","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","French"],"collection_title_tesim":["\"La Navarraise\" opera scene and costume lithographs, 1894"],"collection_ssim":["\"La Navarraise\" opera scene and costume lithographs, 1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0471","/repositories/2/resources/540"],"unitid_tesim":["C0471","/repositories/2/resources/540"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Heugel \u0026 Cie, Editeurs"],"creator_ssim":["Heugel \u0026 Cie, Editeurs"],"creator_persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"creators_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)","George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in March 2016."],"access_subjects_ssim":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"access_subjects_ssm":["Art","Costume design","Lithography","Opera","Verismo (Opera)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 4 lithographs"],"extent_tesim":[".01 Linear Feet 4 lithographs"],"date_range_isim":[1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collected was digitized by Mieko Palazzo and is available to view here: \u003cextptr show=\"new\" title=\"La Navarraise opera scene and costume lithographs\" href=\"https://digitalcollections.gmu.edu/search?c=%E2%80%9CLa+Navarraise%E2%80%9D+opera+scene+and+costume+lithographs\u0026amp;cc=%E2%80%9CLa+Navarraise%E2%80%9D+opera+scene+and+costume+lithographs\u0026amp;ln=en\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Format Available"],"altformavail_tesim":["This collected was digitized by Mieko Palazzo and is available to view here: ."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAshman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.\u003c/p\u003e","\u003cp\u003eBentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.\u003c/p\u003e","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.\u003c/p\u003e","\u003cp\u003e\"Lithography, Heliography \u0026amp; Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ashman, Mike. \"MASSENET La Navarraise (Veronesi.)\" Gramophone. Accessed March 5, 2021. https://www.gramophone.co.uk/review/massenet-la-navarraise-veronesi.","Bentley, Charlotte. \"Beyond Verismo: Massenet's La Navarraise and 'Realism' in Fin-de-Siècle Paris.\" Journal of the Royal Musical Association 144, no. 1 (2019): 29–54.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Lithography, Heliography \u0026 Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/."],"bioghist_html_tesm":["\u003cp\u003e\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing. \u003c/p\u003e","\u003cp\u003eA short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.\u003c/p\u003e","\u003cp\u003eLithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"La Navarraise,\" translated from the French as \"The Girl from Navarre\" is an 1894 opera by Jules Massenet. Set in the Navarre region of Spain, \"La Navarraise\" is a \"verismo\" opera, a style that was popularized in the 1890s which focused on telling stories with greater realism. Based on the short story \"La cigarette\" by Jules Clartie, \"La Navarraise'' tells the story of a Navarre woman named Anita who is in love with a soldier named Arquil. Both encounter many thwarts to their passionate love, with drama and death ensuing.","A short opera - clocking in around 50 minutes - \"La Navarraise\" was immediately compared to another beloved verismo opera of the time, \"Cavalleria rusticana\" by Pietro Masacagni: \"[B]oth works were startling in their brevity and in their intense drama; both received their Parisian premieres at the Opéra-Comique; and both featured the soprano Emma Calvé in the lead role. Henri Gauthier-Villars even went so far as to observe wryly in L'écho de Paris that Massenet might as well have given La Navarraise the title 'Cavalleria espagnola'\" (Bentley, p.30.) Unfortunately the opera couldn't shake its reputation of being a \"Cavalleria\" copycat - for this reason \"La Navarraise\" has not endured alongside its other verismo contemporaries and is rarely performed today.","Lithography was an extremely popular method of illustration, particularly in the 19th century. Invented by Alois Senefelder in 1796, Lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the image - an extremely economical method as multiple copies could be created at once. Colored lithography came later, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003e\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"La Navarraise\" opera scene and costume lithographs, C0471, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/resources/c0472\"\u003e\u003c/extptr\u003e and many other materials related to opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and many other materials related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894 in Paris. The first lithograph features a black and white street scene from the opera by E. Buval after R. Caney. The first plate of the costume lithographs features the characters Anita, Arquil, and Remigio. The second features General Garrido, Captain Ramon, and an Aide de Camp. The third and final plate features Captain of the General Staff and A Wounded Soldier. The costume lithographs are hand-colored. All of the lithographs feature the same French text: the title \"La Navarraise Episode Lyrique de J. Massenet.\" as well as the publisher's information on the two bottom corners."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01ca8b4ded70b054185c62fdfaad59cd\" label=\"Abstract\"\u003eFour lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026amp; Cie, Editeurs (Huegel music publishing company) printed circa 1894.\u003c/abstract\u003e\n    "],"abstract_tesim":["Four lithographs featuring one scene and three plates of costume designs for the opera \"La Navarraise\" by Heugel \u0026 Cie, Editeurs (Huegel music publishing company) printed circa 1894."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f789dac0e1e9cd14abce32825067d600\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs"],"persname_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"names_coll_ssim":["Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Heugel \u0026 Cie, Editeurs","Massenet, Jules, 1842-1912. (Title of work: Navarraise.)"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_540"}},{"id":"vifgm_repositories_2_resources_515","type":"collection","attributes":{"title":"\"Le Menuet de la Cour\" drawing attributed to Le Couteur, 1775","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#abstract_or_scope","type":"document_value","attributes":{"value":"Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_515#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_515","ead_ssi":"vifgm_repositories_2_resources_515","_root_":"vifgm_repositories_2_resources_515","_nest_parent_":"vifgm_repositories_2_resources_515","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_515.xml","title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"unitdate_ssm":["1775"],"unitdate_other_ssim":["1775"],"normalized_date_ssm":["1775"],"normalized_title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, 1775"],"text":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, 1775","C0455","/repositories/2/resources/515","Art","Dance","Drawing","Minuet (Dance)","There are no access restrictions.","This is a single item collection.","The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet.","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. 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The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. 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The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on the Performing Arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on the Performing Arts."],"scopecontent_html_tesm":["\u003cp\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet.","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. \u003c/p\u003e","\u003cp\u003eThe Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026amp; Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet.","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579."],"bioghist_html_tesm":["\u003cp\u003eThe Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on the Performing Arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on the Performing Arts."],"scopecontent_html_tesm":["\u003cp\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a7494f824fb5be9f67ec8854ff6e097\" label=\"Abstract\"\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"\u003c/abstract\u003e\n    "],"abstract_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\""],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8d2aeb013044c8f11c6fe68479bf89a8\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. 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[\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography  Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking.","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. 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December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography  Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. 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Colored lithography came soon after, and was also extremely popular."],"prefercite_html_tesm":["\u003cp\u003eLithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, C0460, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_87df63817936cf882a64bba97843ab3d\" label=\"Abstract\"\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.\u003c/abstract\u003e\n    "],"abstract_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a558beffd71ec61d02f6b867844c0eae\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. 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Special Collections Research Center","Scheffer, Jean Gabriel, 1797-1876","Rossini, Gioacchino, 1792-1868"],"language_ssim":["French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_526","ead_ssi":"vifgm_repositories_2_resources_526","_root_":"vifgm_repositories_2_resources_526","_nest_parent_":"vifgm_repositories_2_resources_526","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_526.xml","title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"title_tesim":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer"],"unitdate_ssm":["1829"],"unitdate_other_ssim":["1829"],"normalized_date_ssm":["1829"],"normalized_title_ssm":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, 1829"],"text":["Lithograph from the volume \"Ce Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer, 1829","C0460","/repositories/2/resources/526","Art","Lithography","Music","Opera","There are no access restrictions.","This is a single item collection.","Brass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography  Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/.","Gioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.","Lithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. Colored lithography came soon after, and was also extremely popular.","Processed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking.","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829.","R 72, C 3, S 5","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in December 2017."],"access_subjects_ssim":["Art","Lithography","Music","Opera"],"access_subjects_ssm":["Art","Lithography","Music","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item."],"extent_tesim":[".01 Linear Feet 1 item."],"date_range_isim":[1829],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cextptr show=\"new\" title=\"Lithograph from the volume \"\u003e\u003c/extptr\u003eCe Qu'on Dit et Ce Qu'on Pense\" featuring Gioachino Rossini by Jean-Gabriel Scheffer\" href=\"https://digitalcollections.gmu.edu/record/30?ln=en=uv\"/\u0026gt;.  "],"altformavail_heading_ssm":["Alternative Format Available"],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBrass, David. [\"Scheffer, Jean-Gabriel] Ce qu'on dit et ce qu'on pense [What one says and what one thinks].\" David Brass Rare Books. December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.\u003c/p\u003e","\u003cp\u003eCaussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.\u003c/p\u003e","\u003cp\u003eIves, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. 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December 11, 2020. https://www.davidbrassrarebooks.com/pages/books/04082/jean-gabriel-scheffer/ce-quon-dit-et-ce-quon-pense-what-one-says-and-what-one-thinks.","Caussou, Jean-Louis. \"Gioachino Rossini.\" Encyclopaedia Britannica. December 11, 2020. https://www.britannica.com/biography/Gioachino-Rossini.","Ives, Colta. \"Lithography in the Nineteenth Century.\" The Metropolitan Museum of Art. December 11, 2020. https://www.metmuseum.org/toah/hd/lith/hd_lith.htm.","\"Jean Gabriel Scheffer.\" The British Museum. December 11, 2020. https://www.britishmuseum.org/collection/term/BIOG45277.","\"Lithography, Heliography  Photography.\" The International Printing Museum. December 11, 2020. https://www.printmuseum.org/ipm/lithography-heliography-photography-part-one/.","\"Synopsis: La Cenerentola.\" The Metropolitan Opera. December 11, 2020. https://www.metopera.org/discover/synopses/la-cenerentola/."],"bioghist_html_tesm":["\u003cp\u003eGioachino Rossini was one of the most successful opera composers of the 19th century. Born in Italy in 1792, he enjoyed success during his lifetime with the popular works The Barber of Seville, La Cenerentola (Cinderella), and William Tell. Rossini died in 1868. His operas are still performed today.\u003c/p\u003e","\u003cp\u003eLithography was a method of illustration that rose to popularity in the 19th century. Invented by Alois Senefelder of Germany in 1796, lithographs are created by drawing or writing on limestone with a grease crayon, rolling the stone in ink, and then printing the resulting image - an extremely economical method as multiple copies could be created in one sitting. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking. \u003c/p\u003e","\u003cp\u003eThis particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single lithograph from the bound volume \"Ce Qu'on Dit et Ce Qu'on Pense,\" translated from the French to \"What We Say and What We Think,\" created by the Swiss lithographer Jean-Gabriel Scheffer in 1829. The volume features multiple lithographic illustrations of various instances of people demonstrating that what they are saying to others is not what they are, in fact, thinking.","This particular illustration features the prominent Italian opera composer Gioachino Rossini speaking with a young man standing next to a piano in a salon, a cello leaning against the keyboard. In addition to the titular text, below the image text in French reads \"Je donnerais trois op[é]ras pour avoir fait votre romance,\" which translates to  \"I would give three operas for making your romance.\" Parallel to the text is a printed music quotation from Rossini's opera La Cenerentola, in which the character Don Magnifico describes a dream he has about a flying donkey: \"Un somaro, ma sollene\" which translates from the Italian to \"A donkey, but solemn,\" illustrating was Rossini actually \"thinks\" about the young man."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. 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Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. 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Rigo et Cie. - Ch. Bour lith.\" and the title \"Chérubini.\" The lithograph was printed by Jules Alfred Vinvent Rigo.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.","R 72, C 3, S 5","George Mason University. Libraries. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other materials related to music, opera, and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other materials related to music, opera, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s. In the print, Cherubini sits at a piano with a quill in hand, with scores on the floor and table beside him, presumably at work composing music. French abbreviated text at the bottom of the print reads \"F. Philippoteaux pinx.t - Imp. J. Rigo et Cie. - Ch. 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Editors of Encyclopaedia. \"Luigi Cherubini.\" Encyclopedia Britannica, Invalid Date. https://www.britannica.com/biography/Luigi-Cherubini.","Fend, Michael. \"Cherubini, Luigi.\" Grove Music Online. 2001; Accessed 8 Apr. 2021. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000053110.","Portrait of Cardinal Fesh by Charles Bour after Félix Emmanuel Henri Philippoteaux, 1851, The British Museum. Accessed April 8, 2021. https://www.britishmuseum.org/collection/object/P_1926-0412-158.","Portrait of Luigi Cherubini (1760-1842) Seated at the Piano Composing, Félix Emmanuel Henri Philippoteaux, Pierpont Morgan Library Dept. of Drawings and Prints, The Morgan Library \u0026 Museum. Accessed April 8, 2021. https://www.themorgan.org/drawings/item/109980.","Luigi Cherubini was an Italian-French composer who lived from 1760 - 1842, and was a prominent musical figure in France, particularly Paris during the French Revolution. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e5acb99afcc59154e47de14578a988c\" label=\"Abstract\"\u003eHand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s.\u003c/abstract\u003e\n    "],"abstract_tesim":["Hand-colored lithograph portrait of Luigi Cherubini by Charles Bour after the painting by Félix Emmanuel Henri Philippoteaux, created circa 1840s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee04c914ff9c4a5a766ed8a772b24bf2\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bour, Charles, 1814-1881","Cherubini, Luigi, 1760-1842"],"names_coll_ssim":["Cherubini, Luigi, 1760-1842"],"names_ssim":["George Mason University. Libraries. 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