{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1983","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1983\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vilxw_repositories_5_resources_621_c03","type":"File","attributes":{"title":"Alfred I. duPont Award Foundation Publications, 1976/1983","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_621_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_621_c03","ref_ssm":["vilxw_repositories_5_resources_621_c03"],"id":"vilxw_repositories_5_resources_621_c03","ead_ssi":"vilxw_repositories_5_resources_621","_root_":"vilxw_repositories_5_resources_621","_nest_parent_":"vilxw_repositories_5_resources_621","parent_ssi":"vilxw_repositories_5_resources_621","parent_ssim":["Special Programs Office - Record Group 30"],"parent_ids_ssim":["vilxw_repositories_5_resources_621"],"title_filing_ssi":"Alfred I. duPont Award Foundation Publications","title_ssm":["Alfred I. duPont Award Foundation Publications"],"title_tesim":["Alfred I. duPont Award Foundation Publications"],"normalized_title_ssm":["Alfred I. duPont Award Foundation Publications, 1976/1983"],"text":["Alfred I. duPont Award Foundation Publications, 1976/1983","Special Programs Office - Record Group 30","Art","Exhibitions","English."],"parent_unittitles_ssm":["Special Programs Office - Record Group 30"],"parent_unittitles_tesim":["Special Programs Office - Record Group 30"],"normalized_date_ssm":["1976/1983"],"unitdate_inclusive_ssm":["1976-1983"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":3,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Special Programs Office - Record Group 30"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"access_subjects_ssim":["Art","Exhibitions"],"access_subjects_ssm":["Art","Exhibitions"],"language_ssim":["English."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983],"_nest_path_":"/components#2","timestamp":"2026-07-23T21:24:40.101Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_621","ead_ssi":"vilxw_repositories_5_resources_621","_root_":"vilxw_repositories_5_resources_621","_nest_parent_":"vilxw_repositories_5_resources_621","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_621.xml","title_ssm":["Special Programs Office - Record Group 30"],"title_tesim":["Special Programs Office - Record Group 30"],"unitdate_ssm":["Date Not Yet Determined"],"unitdate_other_ssim":["Date Not Yet Determined"],"normalized_title_ssm":["Special Programs Office - Record Group 30"],"text":["Special Programs Office - Record Group 30","WLU.RG.0030","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Special Programs Office","Washington and Lee University.  Journalism Department","Washington and Lee University. School of Law","Washington and Lee University. Williams School of Commerce, Economics and Politics","Hodges, Louis Wendell","English\n."],"collection_title_tesim":["Special Programs Office - Record Group 30"],"collection_ssim":["Special Programs Office - Record Group 30"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.RG.0030"],"unitid_tesim":["WLU.RG.0030"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University. Special Programs Office"],"creator_ssim":["Washington and Lee University. Special Programs Office"],"creator_persname_ssim":["Hodges, Louis Wendell"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English\n,       German\n,       Polish\n."],"collection_title_tesim":["Art Attack records, 1979/2009"],"collection_ssim":["Art Attack records, 1979/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"unitid_tesim":["C0507","/repositories/2/resources/652"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:16.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English\n,       German\n,       Polish\n."],"collection_title_tesim":["Art Attack records, 1979/2009"],"collection_ssim":["Art Attack records, 1979/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"unitid_tesim":["C0507","/repositories/2/resources/652"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:21:16.850Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652"}},{"id":"vifgm_repositories_2_resources_353","type":"collection","attributes":{"title":"George Mason University Broadside photograph collection, 1971/2001","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#creator","type":"document_value","attributes":{"value":"George Mason University","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"normalized_date_ssm":["1971/2001"],"normalized_title_ssm":["George Mason University Broadside photograph collection, 1971/2001"],"text":["George Mason University Broadside photograph collection, 1971/2001","R0135","/repositories/2/resources/353","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"collection_title_tesim":["George Mason University Broadside photograph collection, 1971/2001"],"collection_ssim":["George Mason University Broadside photograph collection, 1971/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"places_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"creators_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:40.407Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_353","ead_ssi":"vifgm_repositories_2_resources_353","_root_":"vifgm_repositories_2_resources_353","_nest_parent_":"vifgm_repositories_2_resources_353","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_353.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/gmubroadsidephotos.html","title_ssm":["George Mason University Broadside photograph collection"],"title_tesim":["George Mason University Broadside photograph collection"],"unitdate_ssm":["1971-2001"],"unitdate_inclusive_ssm":["1971-2001"],"normalized_date_ssm":["1971/2001"],"normalized_title_ssm":["George Mason University Broadside photograph collection, 1971/2001"],"text":["George Mason University Broadside photograph collection, 1971/2001","R0135","/repositories/2/resources/353","Fairfax (Va.)","Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints","Collection is open to research.","Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),","The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.","Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.","The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.","There are no restrictions.","The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","English"],"collection_title_tesim":["George Mason University Broadside photograph collection, 1971/2001"],"collection_ssim":["George Mason University Broadside photograph collection, 1971/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0135","/repositories/2/resources/353"],"unitid_tesim":["R0135","/repositories/2/resources/353"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax (Va.)"],"geogname_ssim":["Fairfax (Va.)"],"places_ssim":["Fairfax (Va.)"],"creator_ssm":["George Mason University"],"creator_ssim":["George Mason University"],"creator_persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"creators_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the Student Media Office in 2013."],"access_subjects_ssim":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"access_subjects_ssm":["Contact printing","Performance art","Commencement ceremonies","Art","Universities and colleges","Police","Dormitories","Restaurants","Sports","Students","Photography -- Negatives","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet (28 boxes)"],"extent_tesim":["7 Linear Feet (28 boxes)"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into two series. Series one is arranged alphabetically and series two is arranged chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1971-1999 (boxes 1-6),\u003c/item\u003e\n      \u003citem\u003eSeries 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into two series. Series one is arranged alphabetically and series two is arranged chronologically.","Missing Title\n      Series 1: Prints, 1971-1999 (boxes 1-6),\n      Series 2: Negatives and contact sheets, 1973-2001 (boxes 7-28),"],"bioghist_html_tesm":["\u003cp\u003eThe Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations. \u003c/p\u003e","\u003cp\u003eBroadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.\u003c/p\u003e","\u003cp\u003eThe Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.\u003c/p\u003e","\u003cp\u003eThe Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.\u003c/p\u003e","\u003cp\u003eBroadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Student Media Office is the primary communication center and contact point for information about the Broadside student newspaper. It is the home of Mason's print, radio, television and internet organizations.","Broadside, George Mason University's official student newspaper, began its life as The Gunston Ledger. An eight-page monthly printed on 12 inch by 9 inch paper, The Gunston Ledger first appeared on October 15, 1963 on the then George Mason College campus located in Bailey's Crossroads. The staff of twelve students included a photography editor, Richard Sparks, and he contributed two to four photos for each edition. The content consisted of campus news, features on GMC faculty and students, engagement and wedding notices, and some commentary.","The Ledger became the Broadside on October 28, 1969. It was explained in that issue that the name change was part of an effort to remake the paper into more of a news instrument like that of the nation's revolutionary fathers. The Broadside was a weekly paper which contained sixteen or more pages in each issue. Photography in the Broadside was mostly limited to campus events and personalities.","The Broadside became a modern newspaper with a strong student voice through the 1970s to 1990s. The main focus of the paper was on campus news and events, but also included trends and styles, commentary on national and world events, entertainment, music, and sports. In the past, photography for each issue was provided by both digital and traditional 35mm format cameras. Later they used only digital images. Broadside used staff photographers and, on occasion, major wire service outlets for its photographs.","Broadside kept its name until 2013 when it joined with the student-run news website \"Connect2Mason\" and was renamed again, this time as the \"Fourth Estate.\" Fourth Estate is an online-only publication, though it has published physical supplemental editions."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Broadside photograph collection, Collection #R0135, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeries one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Series one was processed by Special Collections and Archives staff with EAD markup completed by Jesse Gastelle in 2010. This series was previously included in the George Mason University photograph collection. With series two, original order was preserved with initial description completed by the Student Media Office. Processed by, and EAD markup completed by, Greta Kuriger Suiter in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University photograph collection\" href=\"https://aspace.gmu.edu/resources/r0120\"\u003e\u003c/extptr\u003e and other University Archives collections.\u003c/p\u003e","\u003cp\u003e\u003cextptr show=\"new\" title=\"George Mason University's online photography collection\" href=\"http://gmu.smugmug.com/\"\u003e\u003c/extptr\u003e maintained by the Creative Services photography staff in the Office of Communications and Marketing.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University, visit the online exhibit \u003cextptr show=\"new\" title=\"A History of Mason.\" href=\"https://masonlibraries.org/masonhistory/\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  and other University Archives collections.","maintained by the Creative Services photography staff in the Office of Communications and Marketing.","For more on the history of George Mason University, visit the online exhibit"],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/p\u003e","\u003cp\u003eSeries 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.\u003c/p\u003e","\u003cp\u003eSeries 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.","Series 1 contains over two thousand photographs taken between 1971 and 1999. Ninety-nine percent of the photographs were taken by Broadside staff members, while the remaining images comprise official publicity photos of individuals or organizations. Topics in the collection include: images of the campus, student organizations, university sports, campus events, university administrative units, the GMU Board of Visitors, individuals, featured entertainers and speakers, local restaurants, and the visual and performing arts. The majority of the images are in black and white with a few color images dispersed throughout. The color images are almost all from the 1990s. Some negatives are included in this series and are found mostly with the sports photographs in boxes four and five. There are also editorial cartoon drawings in box one. This series is arranged alphabetically by subject.","Series 2 is estimated to contain more than 10,000 black and white and color negatives, contact sheets, and some non-photographic material. Clamshell boxes numbered 7 through 21 contain both negatives and contact sheets unless otherwise noted. Clamshell boxes 22 through 28 contain only negatives. Negatives and contact sheets date between the 1970s and 2001, with subjects that include George Mason University commencements and graduations; campus buildings including Fenwick Library, the Johnson Center, Finley building, Krug Hall, and on campus living facilities; images of construction on campus including the building of the Johnson Center; student life; sports; events; concert performances are especially common during the 1990s; local businesses; Broadside and campus staff. The majority of the subjects included are men's and women's sporting events, yearly campus events such as Mason Day and International Week, Broadside staffers, students, and university staff. Titles labeled \"[Untitled]\" indicate the lack of identifying text on the negative or contact sheets. Some negatives are undated and are given a circa date or a decade date range. Many of the undated images appear to be from the 1980s or early 1990s. If the photographers name is known it is included in the scope notes. This series is arranged chronologically."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_40527b8694c4bad584f02a2a832141da\" label=\"Abstract\"\u003eThe George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Broadside photograph collection consists of negatives, contact sheets, and prints created for use in the student newspaper Broadside. These photographs are from the Student Media Office. The total collection contains over 57,000 color and black and white images taken between the 1970s and 2001. The collection includes images of student life, campus architecture and construction, campus events, sports, faculty and staff, concert performances, and art."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs"],"names_coll_ssim":["George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"persname_ssim":["Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University -- Photographs","Merten, Alan G. -- Photographs","Moran, Jim, 1945- -- Photographs","Wilkins, Roger W., 1932-2017 -- Photographs","Bumgarner, Ken -- Photographs","Carter, Jimmy, 1924-2024 -- Photographs","Johnson, George W., 1928-2017 -- Photographs","Krug, Robert C. , 1918-2006 -- Photographs","Allen, George, 1952- -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3951,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:40.407Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_353"}},{"id":"viw_repositories_2_resources_9778","type":"collection","attributes":{"title":"Marlene K. Jack papers, 1981/1998","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9778#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026amp; Mary and in the Virginia peninsula region. 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Jack papers, 1981/1998","UA 5.357","/repositories/2/resources/9778","Art","Art History","College of William and Mary--Faculty.","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection arranged by accession.","The Marlene K. Jack papers contains photographs, exhibit catalogs, and articles related to Marlene Jack's artwork at William \u0026 Mary and in the Virginia peninsula region. The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Marlene K. Jack papers, 1981/1998"],"collection_ssim":["Marlene K. 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The collection also includes departmental papers related to her career at the first female tenured faculty member in studio art at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:53:26.715Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9778","ead_ssi":"viw_repositories_2_resources_9778","_root_":"viw_repositories_2_resources_9778","_nest_parent_":"viw_repositories_2_resources_9778","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9778.xml","title_filing_ssi":"Marlene K. 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