{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+Libraries.+Special+Collections+Research+Center\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_542","type":"collection","attributes":{"title":"\"Aida\" opera costume paintings","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_542#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","Public Domain. There are no known restrictions.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","French \n.    "],"unitid_tesim":["C0473","/repositories/2/resources/542"],"normalized_title_ssm":["\"Aida\" opera costume paintings"],"collection_title_tesim":["\"Aida\" opera costume paintings"],"collection_ssim":["\"Aida\" opera costume paintings"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. 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Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e\n","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. \u003c/p\u003e\n","\u003cp\u003e\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Single 'Aida' opera costume painting (C0474)\" href=\"https://aspace.gmu.edu/repositories/2/resources/543\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"language_ssim":["French \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_542","ead_ssi":"vifgm_repositories_2_resources_542","_root_":"vifgm_repositories_2_resources_542","_nest_parent_":"vifgm_repositories_2_resources_542","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_542.xml","title_ssm":["\"Aida\" opera costume paintings"],"title_tesim":["\"Aida\" opera costume paintings"],"unitdate_ssm":["circa early 1870s"],"unitdate_other_ssim":["circa early 1870s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0473","/repositories/2/resources/542"],"text":["C0473","/repositories/2/resources/542","\"Aida\" opera costume paintings","Art","Costume design","Opera","There are no access restrictions.","This is a single folder collection.","Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. Featured are Radames in Act I, Scene 1 and Act II, Scene 4; Ax-bearers from Act II, Scene 4; Officers of the chorus, Act I, Scene 1 and Act II, Scene 4; Amneris in Act II, Scene 4; and The King, Act II, Scene 4 and Act I, Scene 1. Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French.","Public Domain. 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Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in September 2016."],"access_subjects_ssim":["Art","Costume design","Opera"],"access_subjects_ssm":["Art","Costume design","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 7 paintings"],"extent_tesim":[".01 Linear Feet 7 paintings"],"date_range_isim":[1870],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eGroenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e\n","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. \u003c/p\u003e\n","\u003cp\u003e\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Single 'Aida' opera costume painting (C0474)\" href=\"https://aspace.gmu.edu/repositories/2/resources/543\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" made circa early 1870s. 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Notably absent are the roles of Aida, Amonasro, and Ramfis. Each painting has the name of the role written in pen on the lower left corner and the act and scene numbers on the bottom right corner. The main roles have the voice range written next to the role name. All text is written in French."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9576737c0c53a822d5c41ce4fcab5344\" label=\"Abstract\"\u003eSeven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Seven pen and watercolor paintings on paper of character and chorus member costume designs for the opera \"Aida,\" circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1e79eb9724213e0fffe9962712ab3fa7\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. 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The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. 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The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. 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Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_543#abstract_or_scope","type":"document_value","attributes":{"value":"Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_543#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_543","ead_ssi":"vifgm_repositories_2_resources_543","_root_":"vifgm_repositories_2_resources_543","_nest_parent_":"vifgm_repositories_2_resources_543","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_543.xml","title_ssm":["Single \"Aida\" opera costume painting"],"title_tesim":["Single \"Aida\" opera costume painting"],"unitdate_ssm":["circa early 1870s"],"unitdate_other_ssim":["circa early 1870s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0474","/repositories/2/resources/543"],"text":["C0474","/repositories/2/resources/543","Single \"Aida\" opera costume painting","Art","Costume design","Opera","There are no access restrictions.","This is a single item collection.","Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_89ccc6afb189230e3f9eb7c0899ab6db\" label=\"Abstract\"\u003eSingle pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_089008b78314ba9b05fcf2b8a44b0a87\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. 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