{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art%2C+Modern+--+Private+collections","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art%2C+Modern+--+Private+collections\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"virmu_repositories_2_resources_11","type":"collection","attributes":{"title":"T. Catesby Jones Personal Papers (SC-06)","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_11#creator","type":"document_value","attributes":{"value":"Jones, Louisa Brooke","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_11#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_11#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_11","ead_ssi":"virmu_repositories_2_resources_11","_root_":"virmu_repositories_2_resources_11","_nest_parent_":"virmu_repositories_2_resources_11","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_11.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/11","title_filing_ssi":"Jones, T. Catesby (SC-06)","title_ssm":["T. Catesby Jones Personal Papers (SC-06)"],"title_tesim":["T. Catesby Jones Personal Papers (SC-06)"],"unitdate_ssm":["1946-1949"],"unitdate_inclusive_ssm":["1946-1949"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-06","/repositories/2/resources/11"],"text":["SC-06","/repositories/2/resources/11","T. Catesby Jones Personal Papers (SC-06)","Art, Modern -- Private collections","Art, French -- 20th century","The collection is open for research.","The collection is organized into two series, and items are arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1 Correspondence, 1949, undated Series 2 Clippings, 1946-1949","Modern French Prints: An Address by T. Catesby Jones, Delivered on October 19, 1944 at The Grolier Club of New York, 1944","The T. 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Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.","Source:  Matisse, Picasso, and Modern Art in Paris","Source: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011","This collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto.","The collection's inclusive dates are 1946-1949. The collection is comprised of correspondence, postcards, newspaper clippings, and one photograph.","The collection is subject to all copyright laws. Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946.","Virginia Museum of Fine Arts Archives","Jones, Louisa Brooke","Agelasto, Michael Alexander, 1869-1949","Jones, T. Catesby (Thomas Catesby), 1880-1946","English \n.    "],"unitid_tesim":["SC-06","/repositories/2/resources/11"],"normalized_title_ssm":["T. Catesby Jones Personal Papers (SC-06)"],"collection_title_tesim":["T. Catesby Jones Personal Papers (SC-06)"],"collection_ssim":["T. 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Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, Modern -- Private collections","Art, French -- 20th century"],"access_subjects_ssm":["Art, Modern -- Private collections","Art, French -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet 1 box; 6 items"],"extent_tesim":["0.1 Linear Feet 1 box; 6 items"],"date_range_isim":[1946,1947,1948,1949],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are arranged chronologically within each series. 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Catesby Jones Collection: A Catalogue, With Which is Incorporated the Collector's Observations, 1948\u003c/bibref\u003e","\u003cbibref\u003eJean Lurçat: An Exhibition of Paintings, Drawings and Textiles from the T. Catesby Jones Collection of the Virginia Museum, November 16 through December 27, 1970\u003c/bibref\u003e","\u003cbibref\u003eContemporary French Tapestries, 1970\u003c/bibref\u003e","\u003cbibref\u003eEarly 20th Century French Graphics: The T. Catesby Jones Collection, 1989\u003c/bibref\u003e","\u003cbibref\u003eMatisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2009\u003c/bibref\u003e","\u003cbibref\u003eT. Catesby Jones Collection, 1948\u003c/bibref\u003e","\u003cbibref\u003ePrints from the Alderman Library, 1966\u003c/bibref\u003e","\u003cbibref\u003eContemporary French Tapestries / Jean Lurçat, 1970\u003c/bibref\u003e","\u003cbibref\u003eSelections From the T. Catesby Jones Collections, 1974\u003c/bibref\u003e","\u003cbibref\u003eMatisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2010\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Jones, T. Catesby\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject File","Related Materials - Library of Virginia"],"bibliography_tesim":["Modern French Prints: An Address by T. Catesby Jones, Delivered on October 19, 1944 at The Grolier Club of New York, 1944","The T. 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In addition, Jones spent twenty years amassing a renowned collection of modern French art and prints, later donated to the Virginia Museum of Fine Arts and the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eMichael \"Mickey\" Alexander Agelasto was born in Syros, Greece in 1869 and died in Norfolk, Virginia in 1949. He attended Johns Hopkins University and graduated from Columbia University in 1891, where he played varsity tennis and then semi-professional for several years afterwards. He eventually settled in Norfolk, and worked in the family business as a cotton broker. Agelasto's extended family lived throughout the world and he travelled frequently to England, France, Greece, Italy, and Egypt. In 1916, Agelasto was appointed Greek Consul to the Port of Norfolk and had diplomatic responsibility for receiving all Greek vessels. \u003c/p\u003e\n","\u003cp\u003eIt is believed that Jones and Agelasto met professionally in Norfolk and subsequently became lifelong friends. Both men had an interest in modern art, and were members of the Museum of Modern Art from its earliest days. Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=77272%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eMatisse, Picasso, and Modern Art in Paris\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Thomas \"T.\" Catesby Jones was born in Petersburg, Virginia in 1880, the third son of Walter Nelson Jones, owner of one of the city's most prominent mills. After studying at Hampden-Sydney College, Princeton University, and the University of Virginia, Jones graduated with his law degree in 1902 and shortly moved to Norfolk to set up a law practice. In 1911, he moved to New York City to take a job at the firm of Harrington, Bigham, and Englar, where he worked for the rest of his life and established an international reputation in maritime law. In addition, Jones spent twenty years amassing a renowned collection of modern French art and prints, later donated to the Virginia Museum of Fine Arts and the University of Virginia.","Michael \"Mickey\" Alexander Agelasto was born in Syros, Greece in 1869 and died in Norfolk, Virginia in 1949. He attended Johns Hopkins University and graduated from Columbia University in 1891, where he played varsity tennis and then semi-professional for several years afterwards. He eventually settled in Norfolk, and worked in the family business as a cotton broker. Agelasto's extended family lived throughout the world and he travelled frequently to England, France, Greece, Italy, and Egypt. In 1916, Agelasto was appointed Greek Consul to the Port of Norfolk and had diplomatic responsibility for receiving all Greek vessels. ","It is believed that Jones and Agelasto met professionally in Norfolk and subsequently became lifelong friends. Both men had an interest in modern art, and were members of the Museum of Modern Art from its earliest days. Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.","Source:  Matisse, Picasso, and Modern Art in Paris","Source: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto."],"prefercite_html_tesm":["\u003cp\u003eT. Catesby Jones Personal Papers (SC-06). Gift of the Agelasto Family. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["T. Catesby Jones Personal Papers (SC-06). Gift of the Agelasto Family. VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1946-1949. The collection is comprised of correspondence, postcards, newspaper clippings, and one photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1946-1949. The collection is comprised of correspondence, postcards, newspaper clippings, and one photograph."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9bc1a972493ec6cc046285fe79ffb43\"\u003eThe collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946."],"names_ssim":["Virginia Museum of Fine Arts Archives","Jones, Louisa Brooke","Agelasto, Michael Alexander, 1869-1949","Jones, T. Catesby (Thomas Catesby), 1880-1946"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Jones, T. Catesby (Thomas Catesby), 1880-1946"],"persname_ssim":["Jones, Louisa Brooke","Agelasto, Michael Alexander, 1869-1949","Jones, T. Catesby (Thomas Catesby), 1880-1946"],"language_ssim":["English \n.    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Catesby Jones Personal Papers (SC-06)","Art, Modern -- Private collections","Art, French -- 20th century","The collection is open for research.","The collection is organized into two series, and items are arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1 Correspondence, 1949, undated Series 2 Clippings, 1946-1949","Modern French Prints: An Address by T. Catesby Jones, Delivered on October 19, 1944 at The Grolier Club of New York, 1944","The T. Catesby Jones Collection: A Catalogue, With Which is Incorporated the Collector's Observations, 1948","Jean Lurçat: An Exhibition of Paintings, Drawings and Textiles from the T. Catesby Jones Collection of the Virginia Museum, November 16 through December 27, 1970","Contemporary French Tapestries, 1970","Early 20th Century French Graphics: The T. Catesby Jones Collection, 1989","Matisse, Picasso, and Modern Art in Paris: The T. 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After studying at Hampden-Sydney College, Princeton University, and the University of Virginia, Jones graduated with his law degree in 1902 and shortly moved to Norfolk to set up a law practice. In 1911, he moved to New York City to take a job at the firm of Harrington, Bigham, and Englar, where he worked for the rest of his life and established an international reputation in maritime law. In addition, Jones spent twenty years amassing a renowned collection of modern French art and prints, later donated to the Virginia Museum of Fine Arts and the University of Virginia.","Michael \"Mickey\" Alexander Agelasto was born in Syros, Greece in 1869 and died in Norfolk, Virginia in 1949. He attended Johns Hopkins University and graduated from Columbia University in 1891, where he played varsity tennis and then semi-professional for several years afterwards. He eventually settled in Norfolk, and worked in the family business as a cotton broker. Agelasto's extended family lived throughout the world and he travelled frequently to England, France, Greece, Italy, and Egypt. In 1916, Agelasto was appointed Greek Consul to the Port of Norfolk and had diplomatic responsibility for receiving all Greek vessels. ","It is believed that Jones and Agelasto met professionally in Norfolk and subsequently became lifelong friends. Both men had an interest in modern art, and were members of the Museum of Modern Art from its earliest days. Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.","Source:  Matisse, Picasso, and Modern Art in Paris","Source: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011","This collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto.","The collection's inclusive dates are 1946-1949. 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Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eCorrespondence, 1949, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eClippings, 1946-1949\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1 Correspondence, 1949, undated Series 2 Clippings, 1946-1949"],"bibliography_html_tesm":["\u003cbibref\u003eModern French Prints: An Address by T. Catesby Jones, Delivered on October 19, 1944 at The Grolier Club of New York, 1944\u003c/bibref\u003e","\u003cbibref\u003eThe T. Catesby Jones Collection: A Catalogue, With Which is Incorporated the Collector's Observations, 1948\u003c/bibref\u003e","\u003cbibref\u003eJean Lurçat: An Exhibition of Paintings, Drawings and Textiles from the T. Catesby Jones Collection of the Virginia Museum, November 16 through December 27, 1970\u003c/bibref\u003e","\u003cbibref\u003eContemporary French Tapestries, 1970\u003c/bibref\u003e","\u003cbibref\u003eEarly 20th Century French Graphics: The T. Catesby Jones Collection, 1989\u003c/bibref\u003e","\u003cbibref\u003eMatisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2009\u003c/bibref\u003e","\u003cbibref\u003eT. Catesby Jones Collection, 1948\u003c/bibref\u003e","\u003cbibref\u003ePrints from the Alderman Library, 1966\u003c/bibref\u003e","\u003cbibref\u003eContemporary French Tapestries / Jean Lurçat, 1970\u003c/bibref\u003e","\u003cbibref\u003eSelections From the T. Catesby Jones Collections, 1974\u003c/bibref\u003e","\u003cbibref\u003eMatisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2010\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Jones, T. Catesby\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject File","Related Materials - Library of Virginia"],"bibliography_tesim":["Modern French Prints: An Address by T. Catesby Jones, Delivered on October 19, 1944 at The Grolier Club of New York, 1944","The T. Catesby Jones Collection: A Catalogue, With Which is Incorporated the Collector's Observations, 1948","Jean Lurçat: An Exhibition of Paintings, Drawings and Textiles from the T. Catesby Jones Collection of the Virginia Museum, November 16 through December 27, 1970","Contemporary French Tapestries, 1970","Early 20th Century French Graphics: The T. Catesby Jones Collection, 1989","Matisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2009","T. Catesby Jones Collection, 1948","Prints from the Alderman Library, 1966","Contemporary French Tapestries / Jean Lurçat, 1970","Selections From the T. Catesby Jones Collections, 1974","Matisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collections at the Virginia Museum of Fine Arts and the University of Virginia Art Museum, 2010","VMFA Donors: Jones, T. Catesby","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) ","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eThomas \"T.\" Catesby Jones was born in Petersburg, Virginia in 1880, the third son of Walter Nelson Jones, owner of one of the city's most prominent mills. After studying at Hampden-Sydney College, Princeton University, and the University of Virginia, Jones graduated with his law degree in 1902 and shortly moved to Norfolk to set up a law practice. In 1911, he moved to New York City to take a job at the firm of Harrington, Bigham, and Englar, where he worked for the rest of his life and established an international reputation in maritime law. In addition, Jones spent twenty years amassing a renowned collection of modern French art and prints, later donated to the Virginia Museum of Fine Arts and the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eMichael \"Mickey\" Alexander Agelasto was born in Syros, Greece in 1869 and died in Norfolk, Virginia in 1949. He attended Johns Hopkins University and graduated from Columbia University in 1891, where he played varsity tennis and then semi-professional for several years afterwards. He eventually settled in Norfolk, and worked in the family business as a cotton broker. Agelasto's extended family lived throughout the world and he travelled frequently to England, France, Greece, Italy, and Egypt. In 1916, Agelasto was appointed Greek Consul to the Port of Norfolk and had diplomatic responsibility for receiving all Greek vessels. \u003c/p\u003e\n","\u003cp\u003eIt is believed that Jones and Agelasto met professionally in Norfolk and subsequently became lifelong friends. Both men had an interest in modern art, and were members of the Museum of Modern Art from its earliest days. Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=77272%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eMatisse, Picasso, and Modern Art in Paris\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Thomas \"T.\" Catesby Jones was born in Petersburg, Virginia in 1880, the third son of Walter Nelson Jones, owner of one of the city's most prominent mills. After studying at Hampden-Sydney College, Princeton University, and the University of Virginia, Jones graduated with his law degree in 1902 and shortly moved to Norfolk to set up a law practice. In 1911, he moved to New York City to take a job at the firm of Harrington, Bigham, and Englar, where he worked for the rest of his life and established an international reputation in maritime law. In addition, Jones spent twenty years amassing a renowned collection of modern French art and prints, later donated to the Virginia Museum of Fine Arts and the University of Virginia.","Michael \"Mickey\" Alexander Agelasto was born in Syros, Greece in 1869 and died in Norfolk, Virginia in 1949. He attended Johns Hopkins University and graduated from Columbia University in 1891, where he played varsity tennis and then semi-professional for several years afterwards. He eventually settled in Norfolk, and worked in the family business as a cotton broker. Agelasto's extended family lived throughout the world and he travelled frequently to England, France, Greece, Italy, and Egypt. In 1916, Agelasto was appointed Greek Consul to the Port of Norfolk and had diplomatic responsibility for receiving all Greek vessels. ","It is believed that Jones and Agelasto met professionally in Norfolk and subsequently became lifelong friends. Both men had an interest in modern art, and were members of the Museum of Modern Art from its earliest days. Agelasto continued his friendship with Jones' widow, Louisa Brooke Jones, after Catesby's death in 1946.","Source:  Matisse, Picasso, and Modern Art in Paris","Source: Email exchange between Courtney Yevich Tkacz and Parker Agelasto, March 2011"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was donated to the VMFA Archives' in June 2006 by Parker Agelasto, great grand-nephew of Michael Agelasto."],"prefercite_html_tesm":["\u003cp\u003eT. Catesby Jones Personal Papers (SC-06). Gift of the Agelasto Family. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["T. Catesby Jones Personal Papers (SC-06). Gift of the Agelasto Family. VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1946-1949. The collection is comprised of correspondence, postcards, newspaper clippings, and one photograph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1946-1949. The collection is comprised of correspondence, postcards, newspaper clippings, and one photograph."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of  materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b9bc1a972493ec6cc046285fe79ffb43\"\u003eThe collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the relationship between T. Catesby Jones, prominent lawyer and art collector, and Michael Agelasto, cotton broker and later Greek consul to the Port of Norfolk. While they met professionally as younger men in Norfolk, their lifelong friendship was sustained by a common appreciation for modern art, as evidenced by the content of the collections' correspondence between Jones' widow, Louisa Brooke Jones, and Agelasto, after Catesby's death in 1946."],"names_ssim":["Virginia Museum of Fine Arts Archives","Jones, Louisa Brooke","Agelasto, Michael Alexander, 1869-1949","Jones, T. Catesby (Thomas Catesby), 1880-1946"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Jones, T. Catesby (Thomas Catesby), 1880-1946"],"persname_ssim":["Jones, Louisa Brooke","Agelasto, Michael Alexander, 1869-1949","Jones, T. Catesby (Thomas Catesby), 1880-1946"],"language_ssim":["English \n.    "],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:04:31.478Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_11"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art%2C+Modern+--+Private+collections\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Art%2C+Modern+--+Private+collections"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"T. Catesby Jones Personal Papers (SC-06)","value":"T. 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