{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1898","type":"collection","attributes":{"title":"Beverly Willis Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1898#creator","type":"document_value","attributes":{"value":"Willis, Beverly, 1928-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1898#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1898#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1898","ead_ssi":"viblbv_repositories_2_resources_1898","_root_":"viblbv_repositories_2_resources_1898","_nest_parent_":"viblbv_repositories_2_resources_1898","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1898.xml","title_filing_ssi":"Willis, Beverly Architectural Collection","title_ssm":["Beverly Willis Architectural Collection"],"title_tesim":["Beverly Willis Architectural Collection"],"unitdate_ssm":["1954-1999"],"unitdate_inclusive_ssm":["1954-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.019"],"text":["Ms.1992.019","Beverly Willis Architectural Collection","San Francisco (Calif.)","Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been arranged into a  Project Index.  which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the  Project Index.   is listed below.  Consult the  Project Index.   for location information.  ","Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book,  Invisible Images: The Silent Language of Architecture,  published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book,  Invisible Images: The Silent Language of Architecture,  in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the  Architectural Research Institute, Inc.  (through which the Manhattan Village Academy was designed). In 2002, she founded the  Beverly Willis Architecture Foundation , and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in  Invisible Images: The Silent Language of Architecture , published in 1997 by the National Building Museum, Washington, DC.","Some of the information in the scope and content note was taken from an independent appraisal of the collection.","The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  ","The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.019"],"normalized_title_ssm":["Beverly Willis Architectural Collection"],"collection_title_tesim":["Beverly Willis Architectural Collection"],"collection_ssim":["Beverly Willis Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["San Francisco (Calif.)"],"geogname_ssim":["San Francisco (Calif.)"],"creator_ssm":["Willis, Beverly, 1928-"],"creator_ssim":["Willis, Beverly, 1928-"],"creator_persname_ssim":["Willis, Beverly, 1928-"],"creators_ssim":["Willis, Beverly, 1928-"],"places_ssim":["San Francisco (Calif.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Beverly Willis donated samples of her designs to Virginia Tech in 1992. This gift was followed, in 2000, with a donation of the bulk of the records and designs from her architectural career.  Additional small accessions arrived in 2004 and 2009."],"access_subjects_ssim":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["100 Linear Feet"],"extent_tesim":["100 Linear Feet"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/225\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e\n","\u003cp\u003eA Summary of the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  is listed below.  Consult the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  for location information.  \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a  Project Index.  which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the  Project Index.   is listed below.  Consult the  Project Index.   for location information.  "],"bioghist_html_tesm":["\u003cp\u003eBeverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e published by the National Building Museum, describes her design philosophy.\u003c/p\u003e\n","\u003cp\u003eShe was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.\u003c/p\u003e\n","\u003cp\u003eWillis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.\u003c/p\u003e\n","\u003cp\u003eBeverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.\u003c/p\u003e\n","\u003cp\u003eTaking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.\u003c/p\u003e\n","\u003cp\u003eAfter graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.\u003c/p\u003e\n","\u003cp\u003eWillis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.\u003c/p\u003e\n","\u003cp\u003eMeeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.\u003c/p\u003e\n","\u003cp\u003eWillis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.\u003c/p\u003e\n","\u003cp\u003eProjects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.\u003c/p\u003e\n","\u003cp\u003eIn 1997, the National Building Museum published Willis' book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.\u003c/p\u003e\n","\u003cp\u003eBy the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).\u003c/p\u003e\n","\u003cp\u003eWillis relocated her office and residence to New York City in 1991. Willis founded in 1994 the \u003cextref href=\"http://www.architect.org\" title=\"Architectural Research Institute, Inc.\"\u003eArchitectural Research Institute, Inc.\u003c/extref\u003e (through which the Manhattan Village Academy was designed). In 2002, she founded the \u003cextref href=\"http://www.bwaf.org/\" title=\"Beverly Willis Architecture Foundation\"\u003eBeverly Willis Architecture Foundation\u003c/extref\u003e, and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.\u003c/p\u003e","\u003cp\u003eMuch of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture\u003c/title\u003e, published in 1997 by the National Building Museum, Washington, DC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Source"],"bioghist_tesim":["Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book,  Invisible Images: The Silent Language of Architecture,  published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book,  Invisible Images: The Silent Language of Architecture,  in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the  Architectural Research Institute, Inc.  (through which the Manhattan Village Academy was designed). In 2002, she founded the  Beverly Willis Architecture Foundation , and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in  Invisible Images: The Silent Language of Architecture , published in 1997 by the National Building Museum, Washington, DC."],"odd_html_tesm":["\u003cp\u003eSome of the information in the scope and content note was taken from an independent appraisal of the collection.\u003c/p\u003e"],"odd_heading_ssm":["General note"],"odd_tesim":["Some of the information in the scope and content note was taken from an independent appraisal of the collection."],"otherfindaid_html_tesm":["\u003cp\u003eA file-level \u003cextref href=\"http://spec.lib.vt.edu/iawa/inventories/Willis/Willis.html\" title=\"inventory\"\u003einventory\u003c/extref\u003e of letter- and legal-size project records is available at the repository.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aid"],"otherfindaid_tesim":["A file-level  inventory  of letter- and legal-size project records is available at the repository."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.\u003c/p\u003e","\u003cp\u003eThe first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  "],"relatedmaterial_html_tesm":["\u003cp\u003eThe guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Rights Statement for Archival Description"],"relatedmaterial_tesim":["The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"scopecontent_html_tesm":["\u003cp\u003eThe Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.\u003c/p\u003e\n","\u003cp\u003eProject files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.\u003c/p\u003e\n","\u003cp\u003eAlso included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_174a3dc5cc0f306ff98b4fcaecbf2059\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Willis and Associates","Willis, Beverly, 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates"],"persname_ssim":["Willis, Beverly, 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":212,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:45:27.234Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1898","ead_ssi":"viblbv_repositories_2_resources_1898","_root_":"viblbv_repositories_2_resources_1898","_nest_parent_":"viblbv_repositories_2_resources_1898","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1898.xml","title_filing_ssi":"Willis, Beverly Architectural Collection","title_ssm":["Beverly Willis Architectural Collection"],"title_tesim":["Beverly Willis Architectural Collection"],"unitdate_ssm":["1954-1999"],"unitdate_inclusive_ssm":["1954-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.019"],"text":["Ms.1992.019","Beverly Willis Architectural Collection","San Francisco (Calif.)","Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been arranged into a  Project Index.  which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the  Project Index.   is listed below.  Consult the  Project Index.   for location information.  ","Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book,  Invisible Images: The Silent Language of Architecture,  published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book,  Invisible Images: The Silent Language of Architecture,  in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the  Architectural Research Institute, Inc.  (through which the Manhattan Village Academy was designed). In 2002, she founded the  Beverly Willis Architecture Foundation , and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in  Invisible Images: The Silent Language of Architecture , published in 1997 by the National Building Museum, Washington, DC.","Some of the information in the scope and content note was taken from an independent appraisal of the collection.","The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  ","The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.019"],"normalized_title_ssm":["Beverly Willis Architectural Collection"],"collection_title_tesim":["Beverly Willis Architectural Collection"],"collection_ssim":["Beverly Willis Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["San Francisco (Calif.)"],"geogname_ssim":["San Francisco (Calif.)"],"creator_ssm":["Willis, Beverly, 1928-"],"creator_ssim":["Willis, Beverly, 1928-"],"creator_persname_ssim":["Willis, Beverly, 1928-"],"creators_ssim":["Willis, Beverly, 1928-"],"places_ssim":["San Francisco (Calif.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Beverly Willis donated samples of her designs to Virginia Tech in 1992. This gift was followed, in 2000, with a donation of the bulk of the records and designs from her architectural career.  Additional small accessions arrived in 2004 and 2009."],"access_subjects_ssim":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects and community","Housing -- United States","City planning","Architecture -- Computer-aided design","Women -- History","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["100 Linear Feet"],"extent_tesim":["100 Linear Feet"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/225\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged into a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.\u003c/p\u003e\n","\u003cp\u003eA Summary of the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  is listed below.  Consult the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1992-019pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e  for location information.  \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged into a  Project Index.  which is a way to organize the various formats of architectural records from the same project. The index is arranged by project number and contains information, where available, about the location, date, project type, architect, collaborators, and formats for each project in the collection.","A Summary of the  Project Index.   is listed below.  Consult the  Project Index.   for location information.  "],"bioghist_html_tesm":["\u003cp\u003eBeverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e published by the National Building Museum, describes her design philosophy.\u003c/p\u003e\n","\u003cp\u003eShe was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.\u003c/p\u003e\n","\u003cp\u003eWillis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.\u003c/p\u003e\n","\u003cp\u003eBeverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.\u003c/p\u003e\n","\u003cp\u003eTaking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.\u003c/p\u003e\n","\u003cp\u003eAfter graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.\u003c/p\u003e\n","\u003cp\u003eWillis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.\u003c/p\u003e\n","\u003cp\u003eMeeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.\u003c/p\u003e\n","\u003cp\u003eWillis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.\u003c/p\u003e\n","\u003cp\u003eProjects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.\u003c/p\u003e\n","\u003cp\u003eIn 1997, the National Building Museum published Willis' book, \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture,\u003c/title\u003e in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.\u003c/p\u003e\n","\u003cp\u003eBy the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).\u003c/p\u003e\n","\u003cp\u003eWillis relocated her office and residence to New York City in 1991. Willis founded in 1994 the \u003cextref href=\"http://www.architect.org\" title=\"Architectural Research Institute, Inc.\"\u003eArchitectural Research Institute, Inc.\u003c/extref\u003e (through which the Manhattan Village Academy was designed). In 2002, she founded the \u003cextref href=\"http://www.bwaf.org/\" title=\"Beverly Willis Architecture Foundation\"\u003eBeverly Willis Architecture Foundation\u003c/extref\u003e, and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.\u003c/p\u003e","\u003cp\u003eMuch of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in \u003ctitle render=\"italic\"\u003eInvisible Images: The Silent Language of Architecture\u003c/title\u003e, published in 1997 by the National Building Museum, Washington, DC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Source"],"bioghist_tesim":["Beverly Willis, FAIA Architect, artist, and writer, was one of perhaps three women architects in the United States to own her own sizeable architecture firm between 1958 and 1990 and the only woman in San Francisco, California, to have her own practice there for 17 years. Her book,  Invisible Images: The Silent Language of Architecture,  published by the National Building Museum, describes her design philosophy.","She was the first woman appointed to the Building Research Advisory Board of the National Academy of Science, the first appointed to the Federal Construction Council, and its first woman chair. She was the first woman elected president of the American Institute of Architects, California Council; and the Golden Gate Chapter of Lambda Alpha Society.","Willis played a major role in the revitalization of San Francisco neighborhoods after World War II. She renovated commercial spaces in the Jackson Square area and Union Street, redesigned Glide Church, designed the San Francisco Ballet Building, and won an international competition to design the Yerba Buena Gardens development downtown.","Beverly Willis was born February 17, 1928, in Tulsa, Oklahoma, to Ralph William Willis, founder of the National Tool Company, and Margaret Elizabeth Porter, a nurse. She had one sibling, Ralph Gerald Willis. Both Willis and her brother were placed in an orphanage when their parents divorced in 1934.","Taking advantage of the increased opportunities available to women with the advent of World War II, Willis learned welding, riveting, electrical wiring, carpentry, and how to fly an airplane--skills that reflected the fiercely independent qualities that emerged in her personality when she was in the institutional environment of the orphanage. After the war, she enrolled in an aeronautical engineering program at Oregon State University, but withdrew after two years to work at a lithographer's studio. She then studied at the San Francisco Art Institute until relocating to Hawaii. In 1954 she received a B.A. in Fine Art from the University of Hawaii.","After graduation, Willis received a series of design commissions that led to her interest in architecture. Fueled by the friendship and ideas of entrepreneur Henry Kaiser, Willis returned to San Francisco in 1960 to open a firm that designed furniture and interiors for offices, created mixed-media art for clients that included United Airlines, and re-worked supermarket displays. Despite her rural sensibility, Willis began to immerse herself in urban designs. She found that her interests ran parallel to those of San Francisco architects like William Wurster and Joseph Esherick.","Willis' first major architectural project was the conversion of three Victorian buildings into a retail complex on Union Street in San Francisco. Her design, which proved a financial success almost immediately, influenced the renovation of the rest of the street between present-day Gough and Pierce streets.","Meeting the experience and education requirements of the California State Architectural Licensing Board in 1966, Willis became a licensed architect and the only woman in San Francisco with her own firm, Beverly Willis and Associates. This firm assumed a partnership with would-be principal architect David Coldoff that year, a partnership that lasted until 1980. Despite the heavy demands of her practice, Willis also found time to serve on the U.S. Government delegation to the United Nations conference on Habitat, become a trustee and founder of the National Building Museum in 1976, and serve as the President of the California Chapter of the National Institute of Architects in 1979.","Willis' interest in the issues that affect planning, population density, and land-use economics with respect to large-scale development manifested itself in the creation of the computer program CARLA (Computerized Approach to Residential Land Analysis) in the 1970's. The software was developed by Willis with Eric Tiescholz and Jochen Eigen. With CARLA's completion and implementation, Willis and Associates became one of the first architectural firms to incorporate computers into the routine practices of design and land development.","Projects such as the prototype for the regional computer centers of the IRS and master-planning for a new town situated in Aliamanu Valley, Hawaii (1975), are good examples of her unique philosophy of design.","Throughout the 1970s, Willis' firm concentrated on large- scale housing and new-community planning and design. By espousing architecture of rural pragmatism and rooting it in ancient images and myths, Willis offered something new to the intellectual landscape of architectural design.","In 1997, the National Building Museum published Willis' book,  Invisible Images: The Silent Language of Architecture,  in which she describes her buildings and design philosophy. In 1980, she was elected to the American Institute of Architects College of Fellows. In 1984, Willis received an honorary doctorate in Fine Arts from Mount Holyoke College.","By the early 1980s, Willis' design focus shifted to urban structures like the Yerba Buena Gardens redevelopment project (1980) and the San Francisco Ballet Association Building (1984). Smaller, but no less important, projects include Nob Hill Court (1971), Pacific Point Condominiums (1972), the Greenwich Apartment (1978), the Margaret Hayward Playground Building (1978), the (unbuilt) Shown Winery (1986), and the Mr. and Mrs. Richard Goeglin Pool House and Sculpture (1988).","Willis relocated her office and residence to New York City in 1991. Willis founded in 1994 the  Architectural Research Institute, Inc.  (through which the Manhattan Village Academy was designed). In 2002, she founded the  Beverly Willis Architecture Foundation , and she presently (2008) serves as the foundation's president. Her work and community leadership have been widely published (see bibliography). She is a founding trustee of the National Building Museum (1975-present). The Beverly Willis Library is located at the National Building Museum.","Much of the information in the biography was culled from the biography written for Beverly Willis by Nicolai Ouroussoff and included in  Invisible Images: The Silent Language of Architecture , published in 1997 by the National Building Museum, Washington, DC."],"odd_html_tesm":["\u003cp\u003eSome of the information in the scope and content note was taken from an independent appraisal of the collection.\u003c/p\u003e"],"odd_heading_ssm":["General note"],"odd_tesim":["Some of the information in the scope and content note was taken from an independent appraisal of the collection."],"otherfindaid_html_tesm":["\u003cp\u003eA file-level \u003cextref href=\"http://spec.lib.vt.edu/iawa/inventories/Willis/Willis.html\" title=\"inventory\"\u003einventory\u003c/extref\u003e of letter- and legal-size project records is available at the repository.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aid"],"otherfindaid_tesim":["A file-level  inventory  of letter- and legal-size project records is available at the repository."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Beverly Willis Architectural Collection, Ms1992-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.\u003c/p\u003e","\u003cp\u003eThe first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The bulk of the drawings in the Willis Papers were arranged and described before they were donated, and information about the arrangement of the collection was compiled in a searchable database that is available at the repository. Project records stored in record cartons have been inventoried and are included in the database and finding aid.","The first accession, which was arranged and described by Laura Katz Smith in 1995, was combined with subsequent accessions in 2003. A finding aid describing the complete collection was created by Catherine G. OBrion in 2003, using descriptions of materials in the archives database that was donated with the bulk of the collection in 2000.\nThe 2004 and 2009 additions were arranged and described by Sherrie Bowser in 2012. The project index arrangement was also included at this time.  "],"relatedmaterial_html_tesm":["\u003cp\u003eThe guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Rights Statement for Archival Description"],"relatedmaterial_tesim":["The guide to the Beverly Willis Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"scopecontent_html_tesm":["\u003cp\u003eThe Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.\u003c/p\u003e\n","\u003cp\u003eProject files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.\u003c/p\u003e\n","\u003cp\u003eAlso included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Beverly Willis Architectural Collection span the years 1954 to 1999 and are comprised primarily of records documenting Willis' work as an architect in San Francisco between 1960 and 1990. The collection documents the application of computers to architectural design and land analysis, the development of CARLA (Computerized Approach to Residential Land Analysis) in the 1970s, the history of twentieth-century urban planning, particularly in San Francisco; and the contribution of women to twentieth-century American architecture. Willis, a noted artist, photographer, teacher, and writer, employed the full range of visual arts and design skills to influence and guide architectural projects of major significance.","The bulk of the collection is comprised of Willis and Associates project files from the period 1960 to 1990. Projects range from private residences and residential developments to institutions, such as the San Francisco Ballet Association Building; and urban development projects, most notably the Yerba Buena Gardens project in downtown San Francisco. Also included are records and design documents for Aliamanu Valley New Town, a military base in Hawaii that was the first major project designed with CARLA, computer software for architectural design created by Willis; and records documenting the development of CARLA.","Project files are comprised of presentation drawings, slope analysis drawings, site plans, maps, cut-and-fill analysis plans, sketches, conceptual design drawings, construction drawings, as well as correspondence, research files, contracts, environmental impact statements and studies, financial records, and feasibility studies. There are records for more than 150 projects. Drawings are large folio, pen-and- ink or watercolor on paper, linen, or mylar. Some are heightened with color.","Also included is a series documenting the development of CARLA, Computerized Approach to Residential Land Analysis, in the 1970s. Beverly Willis was interested in issues that affected planning, population density, and land-use economics in relation to large-scale development. Along with Eric Tiescholz and Jochen Eigen, she developed a program that enabled architects, with the use of computers, to develop site plans and design techniques in a fraction of the time required by the old methodology. Records documenting the development of CARLA include computer tapes, correspondence, flow charts, memos, and Jochen Eigen's notes on interfacing CARLA with a computer mapping program in 1974.","The collection also contains a series of Publications, Brochures, and Clippings, which includes biographical information on Willis, Miscellaneous Project Records, and a video of the Yerba Buena Gardents development."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_174a3dc5cc0f306ff98b4fcaecbf2059\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Boxes 1-51 are located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Willis and Associates","Willis, Beverly, 1928-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates","Willis, Beverly, 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Willis and Associates"],"persname_ssim":["Willis, Beverly, 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":212,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:45:27.234Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1898"}},{"id":"viblbv_repositories_2_resources_3177","type":"collection","attributes":{"title":"George Grigg and John Carnochan Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#creator","type":"document_value","attributes":{"value":"Grigg, George C.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3177","ead_ssi":"viblbv_repositories_2_resources_3177","_root_":"viblbv_repositories_2_resources_3177","_nest_parent_":"viblbv_repositories_2_resources_3177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3177.xml","title_filing_ssi":"Grigg, George, and Carnochan, John, Papers","title_ssm":["George Grigg and John Carnochan Papers"],"title_tesim":["George Grigg and John Carnochan Papers"],"unitdate_ssm":["circa 1960s-2015"],"unitdate_bulk_ssim":["circa 1960s-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.006"],"text":["Ms.2017.006","George Grigg and John Carnochan Papers","Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History","The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.","The collection is arranged according to the creator's original order and size.","From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. ","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". ","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. ","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited  The Little Mermaid  and  Beauty and the Beast . Subsequently, he edited the computer-animated films  Ice Age  and  Robots . He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1.","The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the collection was completed in February 2017.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John","The materials in the collection are in English."],"unitid_tesim":["Ms.2017.006"],"normalized_title_ssm":["George Grigg and John Carnochan Papers"],"collection_title_tesim":["George Grigg and John Carnochan Papers"],"collection_ssim":["George Grigg and John Carnochan Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Grigg, George C.","Carnochan, John"],"creator_ssim":["Grigg, George C.","Carnochan, John"],"creator_persname_ssim":["Grigg, George C.","Carnochan, John"],"creators_ssim":["Grigg, George C.","Carnochan, John"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The George Grigg and John Carnochan Papers were donated to Special Collections and University Archives in 2016."],"access_subjects_ssim":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"access_subjects_ssm":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"has_online_content_ssim":["false"],"extent_ssm":["3.52 Cubic Feet 4 boxes"],"extent_tesim":["3.52 Cubic Feet 4 boxes"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged according to the creator's original order and size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged according to the creator's original order and size."],"bioghist_html_tesm":["\u003cp\u003eFrom 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". \u003c/p\u003e\n","\u003cp\u003eCarnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.\u003c/p\u003e\n","\u003cp\u003eBefore transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.\u003c/p\u003e\n","\u003cp\u003eUsing Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. \u003c/p\u003e\n","\u003cp\u003eAfter viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.\u003c/p\u003e\n","\u003cp\u003eGeorge and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.\u003c/p\u003e\n","\u003cp\u003eIn January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.\u003c/p\u003e\n","\u003cp\u003eCarnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited \u003cemph render=\"italic\"\u003eThe Little Mermaid\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eBeauty and the Beast\u003c/emph\u003e. Subsequently, he edited the computer-animated films \u003cemph render=\"italic\"\u003eIce Age\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eRobots\u003c/emph\u003e. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.\u003c/p\u003e\n","\u003cp\u003eAn extended history and information about the film is in Box 1, Folder 1.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. ","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". ","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. ","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited  The Little Mermaid  and  Beauty and the Beast . Subsequently, he edited the computer-animated films  Ice Age  and  Robots . He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1."],"odd_html_tesm":["\u003cp\u003eThe guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the collection was completed in February 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the collection was completed in February 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e65a51b1c81edb76c35ce4d6b773036b\" label=\"Abstract\"\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Grigg, George C.","Carnochan, John"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:44:41.366Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3177","ead_ssi":"viblbv_repositories_2_resources_3177","_root_":"viblbv_repositories_2_resources_3177","_nest_parent_":"viblbv_repositories_2_resources_3177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3177.xml","title_filing_ssi":"Grigg, George, and Carnochan, John, Papers","title_ssm":["George Grigg and John Carnochan Papers"],"title_tesim":["George Grigg and John Carnochan Papers"],"unitdate_ssm":["circa 1960s-2015"],"unitdate_bulk_ssim":["circa 1960s-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.006"],"text":["Ms.2017.006","George Grigg and John Carnochan Papers","Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History","The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.","The collection is arranged according to the creator's original order and size.","From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. ","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". ","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. ","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited  The Little Mermaid  and  Beauty and the Beast . Subsequently, he edited the computer-animated films  Ice Age  and  Robots . He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1.","The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the collection was completed in February 2017.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John","The materials in the collection are in English."],"unitid_tesim":["Ms.2017.006"],"normalized_title_ssm":["George Grigg and John Carnochan Papers"],"collection_title_tesim":["George Grigg and John Carnochan Papers"],"collection_ssim":["George Grigg and John Carnochan Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Grigg, George C.","Carnochan, John"],"creator_ssim":["Grigg, George C.","Carnochan, John"],"creator_persname_ssim":["Grigg, George C.","Carnochan, John"],"creators_ssim":["Grigg, George C.","Carnochan, John"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The George Grigg and John Carnochan Papers were donated to Special Collections and University Archives in 2016."],"access_subjects_ssim":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"access_subjects_ssm":["Architecture -- Computer-aided design","FORTRAN (Computer program language)","Science and Technology","Students and alumni","University History"],"has_online_content_ssim":["false"],"extent_ssm":["3.52 Cubic Feet 4 boxes"],"extent_tesim":["3.52 Cubic Feet 4 boxes"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The 16mm film reels are not available for viewing, but the DVD of the restored film is available for viewing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged according to the creator's original order and size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged according to the creator's original order and size."],"bioghist_html_tesm":["\u003cp\u003eFrom 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". \u003c/p\u003e\n","\u003cp\u003eCarnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.\u003c/p\u003e\n","\u003cp\u003eBefore transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.\u003c/p\u003e\n","\u003cp\u003eUsing Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. \u003c/p\u003e\n","\u003cp\u003eAfter viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.\u003c/p\u003e\n","\u003cp\u003eGeorge and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.\u003c/p\u003e\n","\u003cp\u003eIn January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.\u003c/p\u003e\n","\u003cp\u003eCarnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited \u003cemph render=\"italic\"\u003eThe Little Mermaid\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eBeauty and the Beast\u003c/emph\u003e. Subsequently, he edited the computer-animated films \u003cemph render=\"italic\"\u003eIce Age\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eRobots\u003c/emph\u003e. He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.\u003c/p\u003e\n","\u003cp\u003eAn extended history and information about the film is in Box 1, Folder 1.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["From 1969 to 1971, George Grigg and John Carnochan made animated films using computer-drawn images, while students at Virginia Tech's College of Architecture and Urban Studies (CAUS) in the Inner College. The Inner College was a program for invited upper level architecture students in which the students got to choose their own area of interest for study under Professor Olivio Ferrari. ","In 1969, Carnochan began sketching ideas for using a polygon on many scales for multiple potential uses, such as for housing. The polygon developed as an elaboration of the space surrounding a cube, which in turn enlarged into a a solid polyhedron with 26 faces. This conceptual polyhedron design was referred to by the Inner College students as \"The Element\". ","Carnochan started with a cardboard model, held together with tape, that over time he manipulated to change its size and shape as well as dimensions. Additional models of different materials, including balsa wood and Plexiglass, were made and photographed. Grigg came up with the idea of creating a computer drawing, enabling a view inside the space.","Before transferring to VPI in 1967, Grigg majored in physics at a university in Ohio, where he learned FORTRAN programming. While at VPI, Grigg also took a computer graphics class and independent study with adjunct professor Waltner Messcher.","Using Virginia Tech's IBM 360 computer, the largest in Virginia at the time, Grigg programmed in FORTRAN using punch cards. Grigg and Carnochan filmed the drawings on a 16mm camera, shooting one frame at a time and moving the drawings one degree of rotation per frame. At 24 frames per second, the first film required approximately 1440 individual drawings. Actual filming required shooting one computer drawing at a time. They filmed at night in the basement of the High School Building, and a small lab in northern Virginia developed and edited the film. In the first movie, the module rolled forward rotating on all three axes, beginning far away and ending in the foreground exactly in the middle of the screen. ","After viewing the first film, Professor Ferrari asked Grigg to teach students to program and draw as part of their design class. In order to program, the College received its own punch card machine.","George and John continued making computer movies. Later movies became more complex. The film \"Finite State Machines\" was the longest and most challenging. As part of exploring and researching the geometry, a whole family of more complex forms was computer animated demonstrating not only the deformation but the geometrical packing. The computer animation was making possible views that were simply not possible to achieve any other way. John had modified the original cardboard model by making the square faces open instead of solid. That led to the discovery that if the square faces were not solid, the model could collapse onto itself. The edges of the rectangles could be made to touch each other to form four prism \"legs\" extending from a solid tetrahedron in the center. If the proportions of the sides were 1: 1.41: 1, the triangles of the diagonally opposite corners would come together, forming a collapsed \"crown\" that could form a joint between two other non-collapsed modules.","In January 1969 George joined the Society of Amateur Cinematographers and he and John entered the movie in a computer film competition in Los Angeles. This was the first showing of the film outside of VPI. The film did not win a prize, but Grigg and Carnochan also learned about the Association for Computing Machinery and entered their 2nd Annual Computer and Music Exhibition in August 1969. (This exhibition has now become ACM Siggraph, the largest computer graphics exposition and conference held annually in California.) The movie was shown at the 1970 annual convention of the Virginia Society of Architects. It was also shown to several mathematics clubs at various Virginia state colleges and one in Kentucky. The same year the Inner College also built a large scale module out of aluminum angles to serve as the notice board for Tech Festival, an annual showcase for interested businesses and students to get acquainted with each other.","After graduating from Virginia Tech, Grigg taught in the Foundation Division of the College of Architecture for one year  and then went into the practice of architecture (with occasional detours into teaching). The majority of his architectural projects focused on healthcare facilities. He retired in 2010.","Carnochan pursued a film career, editing a number of documentaries, live action features and TV shows. He returned to animation during the renaissance at Disney, where he edited  The Little Mermaid  and  Beauty and the Beast . Subsequently, he edited the computer-animated films  Ice Age  and  Robots . He lives in Los Angeles and continues to work in the U.S. and internationally, primarily in animation.","An extended history and information about the film is in Box 1, Folder 1."],"odd_html_tesm":["\u003cp\u003eThe guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the George Grigg and John Carnochan Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], George Grigg and John Carnochan Papers, Ms2017-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the collection was completed in February 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the collection was completed in February 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN. The papers also relate to a computer class Grigg taught after creating the film and include printed slides for a presentation about the film at VT for the 50th anniversary of the College of Architecture and Urban Studies (CAUS). There is a DVD and 16mm film reels of the animation, along with story boards, 3D models, photographs, correspondence, and more. The first folder of box 1 contains Grigg's and Carnochan's history of the film and description of the process."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e65a51b1c81edb76c35ce4d6b773036b\" label=\"Abstract\"\u003eThis collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes documents related to the production and dissemination of George Grigg's and John Carnochan's computer-animated film, produced while students at Virginia Tech from 1969 through 1970 using FORTRAN."],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture","Grigg, George C.","Carnochan, John"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute. College of Architecture"],"persname_ssim":["Grigg, George C.","Carnochan, John"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:44:41.366Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3177"}},{"id":"viblbv_repositories_2_resources_3229","type":"collection","attributes":{"title":"Kristine K. Fallon Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#creator","type":"document_value","attributes":{"value":"Fallon, Kristine K.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#abstract_or_scope","type":"document_value","attributes":{"value":"The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3229#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3229","ead_ssi":"viblbv_repositories_2_resources_3229","_root_":"viblbv_repositories_2_resources_3229","_nest_parent_":"viblbv_repositories_2_resources_3229","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3229.xml","title_filing_ssi":"Fallon, Kristine K. Papers","title_ssm":["Kristine K. Fallon Papers"],"title_tesim":["Kristine K. Fallon Papers"],"unitdate_ssm":["1966-2018"],"unitdate_inclusive_ssm":["1966-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.035"],"text":["Ms.2000.035","Kristine K. Fallon Papers","International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design","Collection is open for research.","The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal ","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)","Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ ","The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing of the Kristine K. Fallon Papers was completed in March 2018.","This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.","Two publications were separated from the materials, cataloged, and added to Special Collection's rare books. ","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.","Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.","The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","Special Collections and University Archives, Virginia Tech","Fallon, Kristine K.","The materials in the collection are in English."],"unitid_tesim":["Ms.2000.035"],"normalized_title_ssm":["Kristine K. Fallon Papers"],"collection_title_tesim":["Kristine K. Fallon Papers"],"collection_ssim":["Kristine K. Fallon Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Fallon, Kristine K."],"creator_ssim":["Fallon, Kristine K."],"creator_persname_ssim":["Fallon, Kristine K."],"creators_ssim":["Fallon, Kristine K."],"access_terms_ssm":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"acqinfo_ssim":["The Kristine K. Fallon papers were donated to Special Collections in 2005z, with additions in 2006 and 2017."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"extent_tesim":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e\n","\u003cp\u003eSeries III: Teaching\u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Records\u003c/p\u003e\n","\u003cp\u003eSeries V: Major Projects\u003c/p\u003e\n","\u003cp\u003eThis series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal ","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)"],"bioghist_html_tesm":["\u003cp\u003eKristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.\u003c/p\u003e\n","\u003cp\u003eFallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.\u003c/p\u003e\n","\u003cp\u003eSources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ "],"odd_html_tesm":["\u003cp\u003eThe guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the Kristine K. Fallon Papers was completed in March 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the Kristine K. Fallon Papers was completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications were separated from the materials, cataloged, and added to Special Collection's rare books. \u003c/p\u003e\n","\u003cp\u003eArchitecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.\u003c/p\u003e\n","\u003cp\u003eFallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications were separated from the materials, cataloged, and added to Special Collection's rare books. ","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7356e7592c755ba5197e6e2b10ff029d\"\u003eThe Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.\u003c/abstract\u003e"],"abstract_tesim":["The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fallon, Kristine K."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Fallon, Kristine K."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:37:52.848Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3229","ead_ssi":"viblbv_repositories_2_resources_3229","_root_":"viblbv_repositories_2_resources_3229","_nest_parent_":"viblbv_repositories_2_resources_3229","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3229.xml","title_filing_ssi":"Fallon, Kristine K. Papers","title_ssm":["Kristine K. Fallon Papers"],"title_tesim":["Kristine K. Fallon Papers"],"unitdate_ssm":["1966-2018"],"unitdate_inclusive_ssm":["1966-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.035"],"text":["Ms.2000.035","Kristine K. Fallon Papers","International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design","Collection is open for research.","The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal ","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)","Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ ","The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing of the Kristine K. Fallon Papers was completed in March 2018.","This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.","Two publications were separated from the materials, cataloged, and added to Special Collection's rare books. ","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.","Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.","The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.","Special Collections and University Archives, Virginia Tech","Fallon, Kristine K.","The materials in the collection are in English."],"unitid_tesim":["Ms.2000.035"],"normalized_title_ssm":["Kristine K. Fallon Papers"],"collection_title_tesim":["Kristine K. Fallon Papers"],"collection_ssim":["Kristine K. Fallon Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Fallon, Kristine K."],"creator_ssim":["Fallon, Kristine K."],"creator_persname_ssim":["Fallon, Kristine K."],"creators_ssim":["Fallon, Kristine K."],"access_terms_ssm":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"acqinfo_ssim":["The Kristine K. Fallon papers were donated to Special Collections in 2005z, with additions in 2006 and 2017."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- Illinois","History of Women in Architecture","Architecture -- Computer-aided design"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"extent_tesim":["3.6 Cubic Feet Two document boxes, one telescoping tube, three small A/V boxes, one 1/2 newspaper box"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers\u003c/p\u003e\n","\u003cp\u003eSeries III: Teaching\u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Records\u003c/p\u003e\n","\u003cp\u003eSeries V: Major Projects\u003c/p\u003e\n","\u003cp\u003eThis series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kristine K. Fallon Papers are arranged according to the original order established by the creator, with guidance from Shepherd and Lowell's \"Standard Series and Subseries for Architecture and Landscape Design.\" The papers comprise the following series and subseries:","Series I: Personal ","Series II: Professional Papers","Series III: Teaching","Series IV: Office Records","Series V: Major Projects","This series is further sub-divided according to the managing company (e.g., Skidmore, Owings and Merrill; independent consulting by Kristine Fallon; and Kristine Fallon Associates, Inc.)"],"bioghist_html_tesm":["\u003cp\u003eKristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.\u003c/p\u003e\n","\u003cp\u003eFallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.\u003c/p\u003e\n","\u003cp\u003eSources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Kristine K. Fallon, FAIA, (1949 - ) is a licensed architect in Illinois and an internationally recognized authority in the use of technology for design. Fallon graduated from Virginia Polytechnic Institute in 1977 with a Master of Architecture. Following graduation, Fallon joined Skidmore, Owings and Merrill in 1977 where she helped implement the use of computer-aided design. Key projects from her SOM tenure include the Makkah Campus of King Abdulaziz University and King Abdulaziz International Airport Facility. She served as an independent consulting architect for the exterior renovation of the Historic Pullman Center in Chicago, . In 1984, Fallon began working for A. Epstein Companies as a leader in computer graphics technology. In 1986, Fallon opened Computer Technology Management, a consulting subsidiary of A. Epstein cmopanies. In this capacity, she provided expertise to architects and engineers on the effective use of computers in facility design. Fallon established her own technology consulting firm, Kristine Fallon Associates, Inc., in April 1993.  Major projects conducted by KFA Inc included a landmark \"CAD for Principals\" study commissioned by Revit Technology, a web-based project management system (ProjectNet) designed for the Chicago Transit Authority, and a 2004 research project with the Art Institute of Chicago to develop fundamentals for the preservation of born-digital design data.","Fallon was elected to the AIA College of Fellows in 1995 for her contributions to computing and technology in design.  She was invited by the government of Singapore to give the keynote presentation at the 1997 meeting of BAUCON Asia on \"Information Technology and the Re-engineering of the Construction Sector.\" In 1997, Fallon published \"The AEC Technology Survival Guide: Managing Today's Information Practice\" with John Wiley and Sons. Additional publications include her 2002 book with Arleen Boyd, \"Leading the Digital Practice: The A/E/C Firm Manager's Guide to Information Technology\" and many articles for leading journals in architecture, engineering, and construction. She taught courses on technology applications in design for the University of Illinois at Chicago School of Architecture, the University of Wisconsin-Madison College of Engineering, Triton College, and the Northwestern University McCormick School of Engineering's Master of Project Management Program. Fallon served on AIA's Technology in Architecture Practice Advisory Group from 2002-2007 and on the National Institute of Building Sciences' Board of Directors. She also held various leadership positions in Chicago Women in Architecture and the AIA Women in Architecture Network.","Sources: \nhttp://kfa-inc.com/kfa16/publications/\nhttp://kfa-inc.com/kfa16/about-us/kristine-k-fallon/ "],"odd_html_tesm":["\u003cp\u003eThe guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Kristine K. Fallon Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Kristine K. Fallon Papers, Ms2000-035, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the Kristine K. Fallon Papers was completed in March 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the Kristine K. Fallon Papers was completed in March 2018."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises biographical and historic information on Fallon and her companies, documentation of Fallon's contributions to the application of technology in design, proceedings of preparatory materials and correspondence for major publications between 1983-2016, materials for courses taught by Fallon, and documentation for major projects conducted throughout her career. Materials include correspondence, research notes, published and draft reports, drafts and copies of publications authored by Fallon on technology in design, conference proceedings and participant materials, taped interviews and meeting records, and selected project records."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications were separated from the materials, cataloged, and added to Special Collection's rare books. \u003c/p\u003e\n","\u003cp\u003eArchitecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.\u003c/p\u003e\n","\u003cp\u003eFallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications were separated from the materials, cataloged, and added to Special Collection's rare books. ","Architecture et archives numériques: l'architecture à l'ère numérique, un enjeu de mémoire [Architecture and digital archives: architecture in the digital age, a question of memory]. Colloque architecture et archives numériques natives (2007 : Paris). Institut national d'histoire de l'art.","Fallon, Kristine K. The AEC technology survival guide: managing today's information practice. New York: John Wiley, 1997."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Kristine K. Fallon Papers must be obtained from Special Collections, Virginia Tech. In some cases, additional permissions must be sought from content creators."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7356e7592c755ba5197e6e2b10ff029d\"\u003eThe Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016.\u003c/abstract\u003e"],"abstract_tesim":["The Kristine K. Fallon Papers document Fallon's contributions to the built environment, the application of computer technology in design, and the advancement of women in architecture from 1979 through 2016."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fallon, Kristine K."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Fallon, Kristine K."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:37:52.848Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3229"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Beverly Willis Architectural Collection","value":"Beverly Willis Architectural Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcollection%5D%5B%5D=Beverly+Willis+Architectural+Collection\u0026view=list"}},{"attributes":{"label":"George Grigg and John Carnochan Papers","value":"George Grigg and John Carnochan Papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcollection%5D%5B%5D=George+Grigg+and+John+Carnochan+Papers\u0026view=list"}},{"attributes":{"label":"Kristine K. Fallon Papers","value":"Kristine K. Fallon Papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcollection%5D%5B%5D=Kristine+K.+Fallon+Papers\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1954","value":"1954","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1954\u0026view=list"}},{"attributes":{"label":"1955","value":"1955","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1955\u0026view=list"}},{"attributes":{"label":"1956","value":"1956","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1956\u0026view=list"}},{"attributes":{"label":"1957","value":"1957","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=list"}},{"attributes":{"label":"1958","value":"1958","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1958\u0026view=list"}},{"attributes":{"label":"1959","value":"1959","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1959\u0026view=list"}},{"attributes":{"label":"1960","value":"1960","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1960\u0026view=list"}},{"attributes":{"label":"1961","value":"1961","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1961\u0026view=list"}},{"attributes":{"label":"1962","value":"1962","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1962\u0026view=list"}},{"attributes":{"label":"1963","value":"1963","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1963\u0026view=list"}},{"attributes":{"label":"1964","value":"1964","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bdate_range%5D%5B%5D=1964\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Carnochan, John","value":"Carnochan, John","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcreators%5D%5B%5D=Carnochan%2C+John\u0026view=list"}},{"attributes":{"label":"Fallon, Kristine K.","value":"Fallon, Kristine K.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcreators%5D%5B%5D=Fallon%2C+Kristine+K.\u0026view=list"}},{"attributes":{"label":"Grigg, George C.","value":"Grigg, George C.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcreators%5D%5B%5D=Grigg%2C+George+C.\u0026view=list"}},{"attributes":{"label":"Willis, Beverly, 1928-","value":"Willis, Beverly, 1928-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bcreators%5D%5B%5D=Willis%2C+Beverly%2C+1928-\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Carnochan, John","value":"Carnochan, John","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Carnochan%2C+John\u0026view=list"}},{"attributes":{"label":"Fallon, Kristine K.","value":"Fallon, Kristine K.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Fallon%2C+Kristine+K.\u0026view=list"}},{"attributes":{"label":"Grigg, George C.","value":"Grigg, George C.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Grigg%2C+George+C.\u0026view=list"}},{"attributes":{"label":"Special Collections and University Archives, Virginia Tech","value":"Special Collections and University Archives, Virginia Tech","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Special+Collections+and+University+Archives%2C+Virginia+Tech\u0026view=list"}},{"attributes":{"label":"Virginia Polytechnic Institute (1944-1970)","value":"Virginia Polytechnic Institute (1944-1970)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+%281944-1970%29\u0026view=list"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University (1970-)","value":"Virginia Polytechnic Institute and State University (1970-)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University+%281970-%29\u0026view=list"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","value":"Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University.+College+of+Architecture+%281974-1978%29\u0026view=list"}},{"attributes":{"label":"Virginia Polytechnic Institute. College of Architecture","value":"Virginia Polytechnic Institute. College of Architecture","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Virginia+Polytechnic+Institute.+College+of+Architecture\u0026view=list"}},{"attributes":{"label":"Willis and Associates","value":"Willis and Associates","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Willis+and+Associates\u0026view=list"}},{"attributes":{"label":"Willis, Beverly, 1928-","value":"Willis, Beverly, 1928-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bnames%5D%5B%5D=Willis%2C+Beverly%2C+1928-\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"San Francisco (Calif.)","value":"San Francisco (Calif.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Bplaces%5D%5B%5D=San+Francisco+%28Calif.%29\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Architects and community","value":"Architects and community","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=Architects+and+community\u0026view=list"}},{"attributes":{"label":"Architectural drawings (visual works)","value":"Architectural drawings (visual works)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026view=list"}},{"attributes":{"label":"Architecture -- Computer-aided design","value":"Architecture -- Computer-aided design","hits":3},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"attributes":{"label":"City planning","value":"City planning","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=City+planning\u0026view=list"}},{"attributes":{"label":"FORTRAN (Computer program language)","value":"FORTRAN (Computer program language)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=FORTRAN+%28Computer+program+language%29\u0026view=list"}},{"attributes":{"label":"History of Women in Architecture","value":"History of Women in Architecture","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026view=list"}},{"attributes":{"label":"Housing -- United States","value":"Housing -- United States","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=Housing+--+United+States\u0026view=list"}},{"attributes":{"label":"International Archive of Women in Architecture (IAWA)","value":"International Archive of Women in Architecture (IAWA)","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026view=list"}},{"attributes":{"label":"Science and Technology","value":"Science and Technology","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=Science+and+Technology\u0026view=list"}},{"attributes":{"label":"Students and alumni","value":"Students and alumni","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=Students+and+alumni\u0026view=list"}},{"attributes":{"label":"University History","value":"University History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Baccess_subjects%5D%5B%5D=University+History\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Computer-aided+design\u0026sort=title_sort+desc\u0026view=list"}}]}