{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_121","type":"collection","attributes":{"title":"Conklin and Rossant Reston project collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_121#creator","type":"document_value","attributes":{"value":"Conklin and Rossant","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_121#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_121#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_121","ead_ssi":"vifgm_repositories_2_resources_121","_root_":"vifgm_repositories_2_resources_121","_nest_parent_":"vifgm_repositories_2_resources_121","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_121.xml","title_filing_ssi":"Conklin and Rossant Reston project collection","title_ssm":["Conklin and Rossant Reston project collection"],"title_tesim":["Conklin and Rossant Reston project collection"],"unitdate_ssm":["1960-1990"],"unitdate_inclusive_ssm":["1960-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0161","/repositories/2/resources/121"],"text":["C0161","/repositories/2/resources/121","Conklin and Rossant Reston project collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History","Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities","There are no access restrictions.","Arranged into six series.","Series Series 1: Job Files, 1960-1989 (Boxes 1-15) Series 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20) Series 3: Publicity, 1960-1987 (Boxes 20-22) Series 4: Brochures, 1960-1975 (Boxes 22-23) Series 5: Images, 1960-1990 (Boxes 24-25) Series 6: Oversize, 1960-1967 (Box 26)","James S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. ","William J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. ","Reston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. ","By 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation.","\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n","\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n","The Special Collections Research center holds many other collections on  , as well as other personal papers and organizational records that document ","The Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. ","Series 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. ","Series 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. ","Series 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. ","Series 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. ","Series 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. ","Series 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston.","\nR42, C3, S4 -  S7\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant","English"],"unitid_tesim":["C0161","/repositories/2/resources/121"],"normalized_title_ssm":["Conklin and Rossant Reston project collection"],"collection_title_tesim":["Conklin and Rossant Reston project collection"],"collection_ssim":["Conklin and Rossant Reston project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"creator_ssm":["Conklin and Rossant"],"creator_ssim":["Conklin and Rossant"],"creator_corpname_ssim":["Conklin and Rossant"],"creators_ssim":["Conklin and Rossant"],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by William Conklin and James Rossant on June 24, 1991."],"access_subjects_ssim":["Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities"],"access_subjects_ssm":["Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 26 boxes"],"extent_tesim":["12.75 Linear Feet 26 boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Job Files, 1960-1989 (Boxes 1-15)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publicity, 1960-1987 (Boxes 20-22)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Brochures, 1960-1975 (Boxes 22-23)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Images, 1960-1990 (Boxes 24-25)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Oversize, 1960-1967 (Box 26)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series Series 1: Job Files, 1960-1989 (Boxes 1-15) Series 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20) Series 3: Publicity, 1960-1987 (Boxes 20-22) Series 4: Brochures, 1960-1975 (Boxes 22-23) Series 5: Images, 1960-1990 (Boxes 24-25) Series 6: Oversize, 1960-1967 (Box 26)"],"bioghist_html_tesm":["\u003cp\u003eJames S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. \u003c/p\u003e\n","\u003cp\u003eWilliam J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. \u003c/p\u003e\n","\u003cp\u003eReston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. \u003c/p\u003e\n","\u003cp\u003eBy 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["James S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. ","William J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. ","Reston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. ","By 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation."],"prefercite_html_tesm":["\u003cp\u003eConklin and Rossant Reston project collection, C0161, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Conklin and Rossant Reston project collection, C0161, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n\u003c/p\u003e","\u003cp\u003e\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n","\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds many other collections on \u003cextptr show=\"new\" title=\"planned communities\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=planned+communities\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e, as well as other personal papers and organizational records that document \u003cextptr show=\"new\" title=\"Reston, Virginia.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center holds many other collections on  , as well as other personal papers and organizational records that document "],"scopecontent_html_tesm":["\u003cp\u003eThe Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. \u003c/p\u003e\n","\u003cp\u003eSeries 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. \u003c/p\u003e\n","\u003cp\u003eSeries 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. \u003c/p\u003e\n","\u003cp\u003eSeries 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. ","Series 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. ","Series 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. ","Series 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. ","Series 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. ","Series 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. ","Series 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d3eb9aea7cf5b35caf2917e8e2d6486\" label=\"Abstract\"\u003eThis collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_67b607b54c16082dd3e9da5dd551fba6\"\u003e\nR42, C3, S4 -  S7\n\nMap Case 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR42, C3, S4 -  S7\n\nMap Case 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":316,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:02.663Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_121","ead_ssi":"vifgm_repositories_2_resources_121","_root_":"vifgm_repositories_2_resources_121","_nest_parent_":"vifgm_repositories_2_resources_121","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_121.xml","title_filing_ssi":"Conklin and Rossant Reston project collection","title_ssm":["Conklin and Rossant Reston project collection"],"title_tesim":["Conklin and Rossant Reston project collection"],"unitdate_ssm":["1960-1990"],"unitdate_inclusive_ssm":["1960-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0161","/repositories/2/resources/121"],"text":["C0161","/repositories/2/resources/121","Conklin and Rossant Reston project collection","Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History","Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities","There are no access restrictions.","Arranged into six series.","Series Series 1: Job Files, 1960-1989 (Boxes 1-15) Series 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20) Series 3: Publicity, 1960-1987 (Boxes 20-22) Series 4: Brochures, 1960-1975 (Boxes 22-23) Series 5: Images, 1960-1990 (Boxes 24-25) Series 6: Oversize, 1960-1967 (Box 26)","James S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. ","William J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. ","Reston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. ","By 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation.","\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n","\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n","The Special Collections Research center holds many other collections on  , as well as other personal papers and organizational records that document ","The Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. ","Series 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. ","Series 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. ","Series 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. ","Series 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. ","Series 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. ","Series 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston.","\nR42, C3, S4 -  S7\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant","English"],"unitid_tesim":["C0161","/repositories/2/resources/121"],"normalized_title_ssm":["Conklin and Rossant Reston project collection"],"collection_title_tesim":["Conklin and Rossant Reston project collection"],"collection_ssim":["Conklin and Rossant Reston project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"geogname_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"creator_ssm":["Conklin and Rossant"],"creator_ssim":["Conklin and Rossant"],"creator_corpname_ssim":["Conklin and Rossant"],"creators_ssim":["Conklin and Rossant"],"places_ssim":["Reston (Va.)","Northern Virginia","Virginia, Northern","Virginia, Northern -- History, Local","Reston (Va.) -- History"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by William Conklin and James Rossant on June 24, 1991."],"access_subjects_ssim":["Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities"],"access_subjects_ssm":["Housing","Planned communities -- Virginia -- Reston","Architecture","Architecture -- Designs and plans","Planned communities"],"has_online_content_ssim":["false"],"extent_ssm":["12.75 Linear Feet 26 boxes"],"extent_tesim":["12.75 Linear Feet 26 boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Job Files, 1960-1989 (Boxes 1-15)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publicity, 1960-1987 (Boxes 20-22)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Brochures, 1960-1975 (Boxes 22-23)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Images, 1960-1990 (Boxes 24-25)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Oversize, 1960-1967 (Box 26)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series Series 1: Job Files, 1960-1989 (Boxes 1-15) Series 2: Plans, Reports and Correspondence, 1960-1987 (Boxes 15-20) Series 3: Publicity, 1960-1987 (Boxes 20-22) Series 4: Brochures, 1960-1975 (Boxes 22-23) Series 5: Images, 1960-1990 (Boxes 24-25) Series 6: Oversize, 1960-1967 (Box 26)"],"bioghist_html_tesm":["\u003cp\u003eJames S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. \u003c/p\u003e\n","\u003cp\u003eWilliam J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. \u003c/p\u003e\n","\u003cp\u003eReston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. \u003c/p\u003e\n","\u003cp\u003eBy 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["James S. Rossant designed the new town of Reston, Virginia, and completed its master plan in 1963. Rossant also designed the First Village Center in Reston which opened in 1966. The master plan pioneered and introduced many innovative planning ideas, including the new town around seven village centers and a town center. Then in 1967, Rossant joined with William Conklin to form Conklin and Rossant Architects and continued working on Reston. The partnership lasted until 1995. Following that William Conklin joined with Michael Costantin to form Conklin Costantin Architects. James Rossant has since become the president of James Rossant Architects which was created in 1995. Rossant has recently acted as a consultant to Lake Anne Village and has guided the renovation of some of its buildings and sculpture. ","William J. Conklin was born on May 2, 1923 in Hebron, Nebraska. He studied architecture at Harvard University, graduating in 1950 with a M.Arch. Shortly following his graduation, he began work at the IBEC Corporation in New York City. By 1951, however, Conklin left IBEC and joined the architectural firm of Mayer, Whittlesey and Glass as an architectural designer. In 1958 he became associate partner of Mayer, Whittlesey and Glass. In 1960 William J. Conklin became partner of the architecture firm under the new name of Whittlesey and Conklin. He continued at the same architectural firm, renamed Conklin and Rossant in 1967. ","Reston, Virginia was founded by Robert E. Simon with the intention of creating a Planned Community or New Town in the Northern Virginia area. In order to design a town that reflected Simon's specific goals, he hired the architectural firm Whittlesey and Conklin, which became the primary architects of Reston. In 1962, Whittlesey and Conklin created a master plan for the development. It called for seven Village Centers to be connected by high density residential \"sinews,\" or concentrations of housing units. The Village Centers, themselves, were designed to comprise mixed-use space, incorporating public and private areas into a single Village Center. For example, in the first Village Center at Lake Anne, apartments and townhouses were built adjacent to shops and public recreation spaces. ","By 1963 construction had begun on the first Village Center, Lake Anne. Surrounding Lake Anne are several different building designs. A large pedestrian walking area, a sculptured fountain, and shops were built in this space. Apartments were built above the shops. Once again, this arrangement reflects the mixed-use intentions of the architects.The architects tried to anticipate all the needs of persons using the Lake Anne Village Center. For example, they designed sculptures that were also used by children for recreation."],"prefercite_html_tesm":["\u003cp\u003eConklin and Rossant Reston project collection, C0161, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Conklin and Rossant Reston project collection, C0161, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n\u003c/p\u003e","\u003cp\u003e\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["\nThe Conklin and Rossant Reston project collection was originally attached to the larger Planned Community archives, also held by the Special Collections Research Center. In 2009 the papers were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement.\n","\nProcessed in February 2009 by Emily Martin. Finding aid updated by Amanda Menjivar in November 2023.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center holds many other collections on \u003cextptr show=\"new\" title=\"planned communities\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=planned+communities\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e, as well as other personal papers and organizational records that document \u003cextptr show=\"new\" title=\"Reston, Virginia.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=reston\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center holds many other collections on  , as well as other personal papers and organizational records that document "],"scopecontent_html_tesm":["\u003cp\u003eThe Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. \u003c/p\u003e\n","\u003cp\u003eSeries 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. \u003c/p\u003e\n","\u003cp\u003eSeries 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. \u003c/p\u003e\n","\u003cp\u003eSeries 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. \u003c/p\u003e\n","\u003cp\u003eSeries 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Conklin and Rossant Reston project collection is divided into six series with four subseries. The collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings and negatives which were used in the construction of Reston. ","Series 1 is entitled Job Files which is dated from 1960 to 1989 and is divided into four subseries by job number. Subseries 1.1 is Job no. 153 which is information on the First Village Center. Subseries 1.2 is Job no. 123 with correspondence, reports, zoning and publicity. Subseries 1.3 is Job no. 189 about the Reston Town Center. Subseries 4 is comprised of three jobs, 250, 165 and 216 which includes correspondence, reports and publicity relating to the different jobs. ","Series 2 is comprised of plans, reports and correspondence. The series is dated from 1960 to 1987. Included in the series are information on the Master Plan for Reston, different building projects, Reston Low Income Housing Demonstration Program Report and other general information about the construction in Reston. ","Series 3 is entitled publicity and is dated from 1960-1987. The information in this series is a variety of different publicity material from Reston. Some of the documents are news clippings about the innovations in Reston. Publicity was sent nationally as well as internationally and included is a booklet about Reston written in Japanese. ","Series 4 is comprised of a variety of brochures and is dated from 1960 to 1975. The brochures in this collection are mostly for utilities such as windows, fireplaces and furniture. The information was used during the construction and decorating period of the new buildings in Reston. ","Series 5 are images dated from 1960-1990. The images are photographs and slides taken around Reston. The images are from during construction and the completion of the construction for publicity purposes. ","Series 6 is the oversize series which is dated from 1960-1967. The series is mostly drawing negatives of Reston. The negatives are sketches for different building designs and photographs of the finished buildings. The last item in the series is a book of the drawings and photographs by Conklin and Rossant. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_2d3eb9aea7cf5b35caf2917e8e2d6486\" label=\"Abstract\"\u003eThis collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes items that relate to the construction and planning of Reston by Conklin and Rossant Architects. The collection begins with the initial plans done by Rossant before he and Conklin formed their architectural firm in 1967. The documents include plans, reports, correspondence and brochures about Reston. Also included are photographs, drawings, and negatives which were used in the construction of Reston."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_67b607b54c16082dd3e9da5dd551fba6\"\u003e\nR42, C3, S4 -  S7\n\nMap Case 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR42, C3, S4 -  S7\n\nMap Case 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Conklin and Rossant"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":316,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:02.663Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_121"}},{"id":"vifgm_verheyen","type":"collection","attributes":{"title":"Egon Verheyen papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#creator","type":"document_value","attributes":{"value":"Verheyen, Egon","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_verheyen#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_verheyen","ead_ssi":"vifgm_verheyen","_root_":"vifgm_verheyen","_nest_parent_":"vifgm_verheyen","ead_source_url_ssi":"data/gmu/verheyen.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/verheyen.html","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217"],"text":["C0217","Egon Verheyen papers","Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs.","There are no access restrictions.","Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.","There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon","Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"access_subjects_ssm":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3.75 linear feet (9 boxes)"],"extent_tesim":["3.75 linear feet (9 boxes)"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C."],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref129\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University."],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_verheyen","ead_ssi":"vifgm_verheyen","_root_":"vifgm_verheyen","_nest_parent_":"vifgm_verheyen","ead_source_url_ssi":"data/gmu/verheyen.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/verheyen.html","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217"],"text":["C0217","Egon Verheyen papers","Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs.","There are no access restrictions.","Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.","There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon","Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"access_subjects_ssm":["Architecture","College teachers--Virginia--Fairfax.","Negatives.","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3.75 linear feet (9 boxes)"],"extent_tesim":["3.75 linear feet (9 boxes)"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into four series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n        \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into four series.","Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C."],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, C0217, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects. Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Egon Verheyen papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract id=\"ref129\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University.","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","George Mason University--Faculty.","George Mason University."],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Multiple\n\t\t","Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:56:56.171Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_verheyen"}},{"id":"vifgm_repositories_2_resources_335","type":"collection","attributes":{"title":"Egon Verheyen papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_335#creator","type":"document_value","attributes":{"value":"Verheyen, Egon","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_335#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_335#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_335","ead_ssi":"vifgm_repositories_2_resources_335","_root_":"vifgm_repositories_2_resources_335","_nest_parent_":"vifgm_repositories_2_resources_335","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_335.xml","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217","/repositories/2/resources/335"],"text":["C0217","/repositories/2/resources/335","Egon Verheyen papers","Washington (D.C.)","Architecture","Photography -- Negatives","College teachers","Photographs","Collection is open to research.","Organized into 4 series","Missing Title Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. ","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Verheyen, Egon","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217","/repositories/2/resources/335"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","Photography -- Negatives","College teachers","Photographs"],"access_subjects_ssm":["Architecture","Photography -- Negatives","College teachers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet (9 boxes)"],"extent_tesim":["3.75 Linear Feet (9 boxes)"],"genreform_ssim":["Photographs"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 4 series\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 4 series","Missing Title Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e\n","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. "],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, Collection C0217, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, Collection C0217, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_62d705fbde0849505a41c9c317a6e370\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_coll_ssim":["George Mason University","George Mason University--Faculty"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_335","ead_ssi":"vifgm_repositories_2_resources_335","_root_":"vifgm_repositories_2_resources_335","_nest_parent_":"vifgm_repositories_2_resources_335","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_335.xml","title_ssm":["Egon Verheyen papers"],"title_tesim":["Egon Verheyen papers"],"unitdate_ssm":["1959-2008"],"unitdate_inclusive_ssm":["1959-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0217","/repositories/2/resources/335"],"text":["C0217","/repositories/2/resources/335","Egon Verheyen papers","Washington (D.C.)","Architecture","Photography -- Negatives","College teachers","Photographs","Collection is open to research.","Organized into 4 series","Missing Title Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)","Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. ","Processed by Kerry Mitchell in 2012.","Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Verheyen, Egon","Contains materials that are in English, German, French and Italian."],"unitid_tesim":["C0217","/repositories/2/resources/335"],"normalized_title_ssm":["Egon Verheyen papers"],"collection_title_tesim":["Egon Verheyen papers"],"collection_ssim":["Egon Verheyen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"creator_ssm":["Verheyen, Egon"],"creator_ssim":["Verheyen, Egon"],"creator_persname_ssim":["Verheyen, Egon"],"creators_ssim":["Verheyen, Egon"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Gwen White in 2012."],"access_subjects_ssim":["Architecture","Photography -- Negatives","College teachers","Photographs"],"access_subjects_ssm":["Architecture","Photography -- Negatives","College teachers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet (9 boxes)"],"extent_tesim":["3.75 Linear Feet (9 boxes)"],"genreform_ssim":["Photographs"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into 4 series\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1967-2000 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Publications, 1959-2003 (Boxes 1-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: George Mason University, 1986-2008 (Boxes 7-8)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1960s-1990s (Boxes 8-9)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into 4 series","Missing Title Series 1: Correspondence, 1967-2000 (Box 1) Series 2: Publications, 1959-2003 (Boxes 1-7) Series 3: George Mason University, 1986-2008 (Boxes 7-8) Series 4: Photographs, 1960s-1990s (Boxes 8-9)"],"bioghist_html_tesm":["\u003cp\u003eEgon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.\u003c/p\u003e\n","\u003cp\u003eBesides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Egon Verheyen was born in Germany in 1936. In 1962 he was awarded a degree in Art History with a minor in Classical Archaeology and Historical Studies from the University of Würzburg. He immigrated to the United States of America in 1966. He worked at many universities including the University of Massachusetts at Amherst, Wesleyan University, University of Michigan, Johns Hopkins University, University of Pennsylvania and the University of Virginia until 1987 when he came to work at George Mason University. From 1987 until his retirement in 2008, he was a Clarence J. Robinson Professor of Humanities at George Mason University.","Besides being a professor, he was also an accomplished writer. His first book was Die Minoritenkirche zu Duisburg, Neue Untersuchungen zu ihrer Geschichte (1959). He then went on to write The Paintings in the Studiolo of Isabella d'Este at Mantua (1971) and The Palazzo del Te in Mantua Images of Love and Politics (1977). He also wrote articles and book reviews including a few articles about early architecture in Washington D.C. "],"prefercite_html_tesm":["\u003cp\u003eEgon Verheyen papers, Collection C0217, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Egon Verheyen papers, Collection C0217, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kerry Mitchell in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kerry Mitchell in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the Harold J. Morowitz papers and the Vassily Aksyonov papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.\u003c/p\u003e\n","\u003cp\u003eSeries 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.","Series 1 contains correspondence with colleagues and friends about different topics that he was working on or hoped to work on. This series also contains correspondence with institutions that he worked at (except George Mason) and who he worked with to get information from for his works. Newspaper articles and some photographs are interwoven with some of the correspondence. The series is arranged alphabetically then by date.","Series 2 is the largest series in this collection, it contains materials relating to the works done by Egon Verheyen throughout his career. Materials include: copies of research, letters to publishers, research requests, drafts of works, notes, newspaper articles, and some of the finished manuscripts. This series also includes advertisements for lectures and his lecture notes. This series is arranged alphabetically then by date.","Series 3 includes materials relating to Egon Verheyen's time working at George Mason University. This includes correspondence with George Mason colleagues, his time as a Robinson Professor, his time on the CAS Council Task Force and on the Logan Award Committee. It also includes evaluations, course descriptions and his CV. This series also includes materials from his retire party and recognition rewards. This series is arranged alphabetically then by date.","Series 4 contains photographs and illustrations that relate to Verheyen's different projects.  Many of the photographs are actually copies of works of art. There are some negatives in this series as well as 2 photographs that Verheyen took of the Gerry Monument. This series is arranged alphabetically then by date. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_62d705fbde0849505a41c9c317a6e370\" label=\"Abstract\"\u003eThis collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely documents Egon Verheyen's research and manuscripts through articles, notes and correspondence. It also contains information about his time as a Robinson Professor at George Mason University."],"names_coll_ssim":["George Mason University","George Mason University--Faculty"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Verheyen, Egon"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"persname_ssim":["Verheyen, Egon"],"language_ssim":["Contains materials that are in English, German, French and Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":93,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_335"}},{"id":"vifgm_ruben","type":"collection","attributes":{"title":"Jacob Ruben Newburgh, New York photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_ruben#creator","type":"document_value","attributes":{"value":"Ruben, Jacob, 1882-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_ruben#abstract_or_scope","type":"document_value","attributes":{"value":"16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_ruben#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_ruben","ead_ssi":"vifgm_ruben","_root_":"vifgm_ruben","_nest_parent_":"vifgm_ruben","ead_source_url_ssi":"data/gmu/ruben.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ruben.html","title_ssm":["Jacob Ruben Newburgh, New York photographs"],"title_tesim":["Jacob Ruben Newburgh, New York photographs"],"unitdate_ssm":["1921-1922"],"unitdate_other_ssim":["1921-1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0308"],"text":["C0308","Jacob Ruben Newburgh, New York photographs","Architecture","Gelatin silver prints","There are no access restrictions.","The collection is arranged in the order it was received.","Photographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection).","","","","Processing completed by Elizabeth Beckman in August 2017. EAD markup completed by Elizabeth Beckman in August 2017.","The Special Collections Research Center holds other historic photograph collections, including the \n                 .","The collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922.","There are no restrictions on personal use. Permission to publish material from the Jacob Ruben Newburgh, New York photographs must be obtained from the Special Collections Research Center, George Mason University Libraries.","16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.","George Mason University. Libraries. 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The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection).","","","","Processing completed by Elizabeth Beckman in August 2017. EAD markup completed by Elizabeth Beckman in August 2017.","The Special Collections Research Center holds other historic photograph collections, including the \n                 .","The collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. 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Permission to publish material from the Jacob Ruben Newburgh, New York photographs must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003e16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.\u003c/abstract\u003e"],"abstract_tesim":["16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center.","Ruben, Jacob, 1882-1974"],"corpname_ssim":["George Mason University. Libraries. 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Digital images. FamilySearch.org. August 14, 2017.\" href=\"https://familysearch.org/search/record/results?count=20\u0026amp;query=%2Bgivenname%3AJacob~%20%2Bsurname%3AReuben~%20%2Bresidence_place%3A%22Newburgh%2C%20New%20York%22~\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"New York. Newburgh, Orange Co. 1920 U.S. Census, population schedule. Digital images. FamilySearch.org. August 14, 2017.\" href=\"https://familysearch.org/search/record/results?count=20\u0026amp;query=%2Bgivenname%3AJacob~%20%2Bsurname%3AReuben~%20%2Bresidence_place%3A%22Newburgh%2C%20New%20York%22~\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"'Ruben Publishing Co.,' Dumbarton Oaks Research Library and Collection, accessed August 14, 2017.\" href=\"https://www.doaks.org/research/library-archives/dumbarton-oaks-archives/collections/ephemera/names/ruben-publishing-co\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003ePhotographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Photographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). 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Finding aid updated by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003cextptr show=\"new\" title=\"historic photograph collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=photograph\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a97999b6ce56fcad6d67fe9b5daca8d2\" label=\"Abstract\"\u003e16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.\u003c/abstract\u003e"],"abstract_tesim":["16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ruben, Jacob, 1882-1974"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Ruben, Jacob, 1882-1974"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_457","ead_ssi":"vifgm_repositories_2_resources_457","_root_":"vifgm_repositories_2_resources_457","_nest_parent_":"vifgm_repositories_2_resources_457","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_457.xml","title_ssm":["Jacob Ruben Newburgh, New York photographs"],"title_tesim":["Jacob Ruben Newburgh, New York photographs"],"unitdate_ssm":["1921-1922"],"unitdate_inclusive_ssm":["1921-1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0308","/repositories/2/resources/457"],"text":["C0308","/repositories/2/resources/457","Jacob Ruben Newburgh, New York photographs","Newburgh (N.Y.)","Hudson River Valley (N.Y. and N.J.)","Photography -- Printing processes -- Silver","Architecture","There are no access restrictions.","The collection is arranged in the order it was received.","","","","Photographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection).","Processing completed by Elizabeth Beckman in August 2017. EAD markup completed by Elizabeth Beckman in August 2017. Finding aid updated by Amanda Menjivar in September 2023.","The Special Collections Research Center holds other  .","The collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922.","Public Domain. There are no known restrictions.","16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.","George Mason University. Libraries. Special Collections Research Center","Ruben, Jacob, 1882-1974","English \n.    "],"unitid_tesim":["C0308","/repositories/2/resources/457"],"normalized_title_ssm":["Jacob Ruben Newburgh, New York photographs"],"collection_title_tesim":["Jacob Ruben Newburgh, New York photographs"],"collection_ssim":["Jacob Ruben Newburgh, New York photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Newburgh (N.Y.)","Hudson River Valley (N.Y. and N.J.)"],"geogname_ssim":["Newburgh (N.Y.)","Hudson River Valley (N.Y. and N.J.)"],"creator_ssm":["Ruben, Jacob, 1882-1974"],"creator_ssim":["Ruben, Jacob, 1882-1974"],"creator_persname_ssim":["Ruben, Jacob, 1882-1974"],"creators_ssim":["Ruben, Jacob, 1882-1974"],"places_ssim":["Newburgh (N.Y.)","Hudson River Valley (N.Y. and N.J.)"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Special Collections and Archives staff before January 2016."],"access_subjects_ssim":["Photography -- Printing processes -- Silver","Architecture"],"access_subjects_ssm":["Photography -- Printing processes -- Silver","Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet"],"extent_tesim":["0.25 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the order it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the order it was received."],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr show=\"new\" title=\"New York. Newburgh, Orange Co. 1910 U.S. Census, population schedule. Digital images. FamilySearch.org. August 14, 2017.\" href=\"https://familysearch.org/search/record/results?count=20\u0026amp;query=%2Bgivenname%3AJacob~%20%2Bsurname%3AReuben~%20%2Bresidence_place%3A%22Newburgh%2C%20New%20York%22~\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"New York. Newburgh, Orange Co. 1920 U.S. Census, population schedule. Digital images. FamilySearch.org. August 14, 2017.\" href=\"https://familysearch.org/search/record/results?count=20\u0026amp;query=%2Bgivenname%3AJacob~%20%2Bsurname%3AReuben~%20%2Bresidence_place%3A%22Newburgh%2C%20New%20York%22~\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"'Ruben Publishing Co.,' Dumbarton Oaks Research Library and Collection, accessed August 14, 2017.\" href=\"https://www.doaks.org/research/library-archives/dumbarton-oaks-archives/collections/ephemera/names/ruben-publishing-co\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003ePhotographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Photographer Jacob Ruben was born in Russia in 1882 to a Jewish family. The family came to America in the late 1880s (1910 US Census). Ruben and his wife Sarah lived in Newburgh, New York, a town in the Hudson Valley between New York City and Poughkeepsie, and had three children, Rachel, Harry, and Beatrice (1920 U.S. Census). According to the Dumbarton Oaks Research Library and Collection, Ruben was a stationer/publisher, and he \"became a well-known commercial photographer in the Hudson River Valley area near Newburgh for over four decades until after the Second World War.\" Ruben died in 1974 (Dumbarton Oaks Research Libary and Collection)."],"prefercite_html_tesm":["\u003cp\u003eJacob Ruben Newburgh, New York photographs, C0308, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Jacob Ruben Newburgh, New York photographs, C0308, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in August 2017. EAD markup completed by Elizabeth Beckman in August 2017. Finding aid updated by Amanda Menjivar in September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in August 2017. EAD markup completed by Elizabeth Beckman in August 2017. Finding aid updated by Amanda Menjivar in September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003cextptr show=\"new\" title=\"historic photograph collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=photograph\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of sixteen 9 1/2\" x 7 1/2\" silver gelatin photographic prints dating from 1921-1922. Four of the photos depict a brick building under construction in 1921, and the other twelve depict homes and residential areas in 1921-1922."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a97999b6ce56fcad6d67fe9b5daca8d2\" label=\"Abstract\"\u003e16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben.\u003c/abstract\u003e"],"abstract_tesim":["16 silver gelatin prints of a brick building and several houses in Newburgh, New York by Jacob Ruben."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ruben, Jacob, 1882-1974"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Ruben, Jacob, 1882-1974"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_457"}},{"id":"vifgm_repositories_2_resources_694","type":"collection","attributes":{"title":"Six mounted photographs of the Library of Congress by Levin C. Handy","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_694#creator","type":"document_value","attributes":{"value":"Handy, Levin C. (Levin Corbin), 1855-1932","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_694#abstract_or_scope","type":"document_value","attributes":{"value":"Six mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_694#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_694","ead_ssi":"vifgm_repositories_2_resources_694","_root_":"vifgm_repositories_2_resources_694","_nest_parent_":"vifgm_repositories_2_resources_694","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_694.xml","title_ssm":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"title_tesim":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"unitdate_ssm":["circa 1890s-1900s"],"unitdate_inclusive_ssm":["circa 1890s-1900s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0420","/repositories/2/resources/694"],"text":["C0420","/repositories/2/resources/694","Six mounted photographs of the Library of Congress by Levin C. Handy","Washington (D.C.)","Photography","Architecture","Photographs","There are no access restrictions.","This is a single box collection.","\"Digital Collections: Brady-Handy Collection.\" n.d. Library of Congress. Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.","Cole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.","Mason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.","\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building.","Levin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.","The Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980.","Processing and finding aid completed by Meghan Glasbrenner in January 2024.","The Special Collections Research Center holds other photograph collections featuring architecture including the  Randolph Lytton historic Washington, D.C. postcards and photographs collection  and the  Jacob Ruben Newburgh, New York photographs .","The Library of Congress' Digital Collections include the  Brady-Handy Collection  and the Archives at Yale hold the  Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection .","Six mounted photographs of the Library of Congress Thomas Jefferson Building in Washington, D.C., by photographer Levin C. Handy. Locations and details depicted include the following: Building Exterior, Reading Room, North Stairway - Main Entrance Hall, Gallery Floor - Main Entrance Hall, Stair Hall Reading Room Gallery - Main Entrance (including view of \"Mosaic of Minerva\" by Elihu Vedder), and the Main Entrance Hall. Each photograph measures 8\" x 10\" and mounting board adds approximately 2-3 inches of matting.","Public Domain. There are no known restrictions.","Six mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy.","R 71, C 1, S 5","George Mason University. Libraries. Special Collections Research Center","Library of Congress","Handy, Levin C. (Levin Corbin), 1855-1932","English \n.    "],"unitid_tesim":["C0420","/repositories/2/resources/694"],"normalized_title_ssm":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"collection_title_tesim":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"collection_ssim":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"creator_ssm":["Handy, Levin C. (Levin Corbin), 1855-1932","George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["Handy, Levin C. (Levin Corbin), 1855-1932","George Mason University. Libraries. Special Collections Research Center"],"creator_persname_ssim":["Handy, Levin C. (Levin Corbin), 1855-1932"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Handy, Levin C. (Levin Corbin), 1855-1932","George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased from Charles B. Wood in November 2006."],"access_subjects_ssim":["Photography","Architecture","Photographs"],"access_subjects_ssm":["Photography","Architecture","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"genreform_ssim":["Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single box collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single box collection."],"bibliography_html_tesm":["\u003cp\u003e\"Digital Collections: Brady-Handy Collection.\" n.d. Library of Congress. Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.\u003c/p\u003e\n","\u003cp\u003eCole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.\u003c/p\u003e\n","\u003cp\u003eMason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.\u003c/p\u003e\n","\u003cp\u003e\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Digital Collections: Brady-Handy Collection.\" n.d. Library of Congress. Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.","Cole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.","Mason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.","\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building."],"bioghist_html_tesm":["\u003cp\u003eLevin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Levin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.","The Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980."],"prefercite_html_tesm":["\u003cp\u003eSix mounted photographs of the Library of Congress by Levin C. Handy, C0420, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Six mounted photographs of the Library of Congress by Levin C. Handy, C0420, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections featuring architecture including the \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0308\"\u003eJacob Ruben Newburgh, New York photographs\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress' Digital Collections include the \u003ca href=\"https://www.loc.gov/collections/brady-handy/about-this-collection/\"\u003eBrady-Handy Collection\u003c/a\u003e and the Archives at Yale hold the \u003ca href=\"https://archives.yale.edu/repositories/11/resources/769\"\u003eMathew B. Brady and Levin Corbin Handy Photographic Studios Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections featuring architecture including the  Randolph Lytton historic Washington, D.C. postcards and photographs collection  and the  Jacob Ruben Newburgh, New York photographs .","The Library of Congress' Digital Collections include the  Brady-Handy Collection  and the Archives at Yale hold the  Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSix mounted photographs of the Library of Congress Thomas Jefferson Building in Washington, D.C., by photographer Levin C. Handy. Locations and details depicted include the following: Building Exterior, Reading Room, North Stairway - Main Entrance Hall, Gallery Floor - Main Entrance Hall, Stair Hall Reading Room Gallery - Main Entrance (including view of \"Mosaic of Minerva\" by Elihu Vedder), and the Main Entrance Hall. Each photograph measures 8\" x 10\" and mounting board adds approximately 2-3 inches of matting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Six mounted photographs of the Library of Congress Thomas Jefferson Building in Washington, D.C., by photographer Levin C. Handy. Locations and details depicted include the following: Building Exterior, Reading Room, North Stairway - Main Entrance Hall, Gallery Floor - Main Entrance Hall, Stair Hall Reading Room Gallery - Main Entrance (including view of \"Mosaic of Minerva\" by Elihu Vedder), and the Main Entrance Hall. Each photograph measures 8\" x 10\" and mounting board adds approximately 2-3 inches of matting."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_246e5dc3911cd4e645ffde1f606ed773\"\u003eSix mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy.\u003c/abstract\u003e"],"abstract_tesim":["Six mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3773369c3ef6e4d5eb003d89f28d90c7\"\u003eR 71, C 1, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 5"],"names_coll_ssim":["Library of Congress","Handy, Levin C. (Levin Corbin), 1855-1932"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Library of Congress","Handy, Levin C. (Levin Corbin), 1855-1932"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Library of Congress"],"persname_ssim":["Handy, Levin C. (Levin Corbin), 1855-1932"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_694","ead_ssi":"vifgm_repositories_2_resources_694","_root_":"vifgm_repositories_2_resources_694","_nest_parent_":"vifgm_repositories_2_resources_694","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_694.xml","title_ssm":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"title_tesim":["Six mounted photographs of the Library of Congress by Levin C. Handy"],"unitdate_ssm":["circa 1890s-1900s"],"unitdate_inclusive_ssm":["circa 1890s-1900s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0420","/repositories/2/resources/694"],"text":["C0420","/repositories/2/resources/694","Six mounted photographs of the Library of Congress by Levin C. Handy","Washington (D.C.)","Photography","Architecture","Photographs","There are no access restrictions.","This is a single box collection.","\"Digital Collections: Brady-Handy Collection.\" n.d. Library of Congress. Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.","Cole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.","Mason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.","\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building.","Levin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.","The Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980.","Processing and finding aid completed by Meghan Glasbrenner in January 2024.","The Special Collections Research Center holds other photograph collections featuring architecture including the  Randolph Lytton historic Washington, D.C. postcards and photographs collection  and the  Jacob Ruben Newburgh, New York photographs .","The Library of Congress' Digital Collections include the  Brady-Handy Collection  and the Archives at Yale hold the  Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection .","Six mounted photographs of the Library of Congress Thomas Jefferson Building in Washington, D.C., by photographer Levin C. Handy. Locations and details depicted include the following: Building Exterior, Reading Room, North Stairway - Main Entrance Hall, Gallery Floor - Main Entrance Hall, Stair Hall Reading Room Gallery - Main Entrance (including view of \"Mosaic of Minerva\" by Elihu Vedder), and the Main Entrance Hall. Each photograph measures 8\" x 10\" and mounting board adds approximately 2-3 inches of matting.","Public Domain. There are no known restrictions.","Six mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy.","R 71, C 1, S 5","George Mason University. Libraries. Special Collections Research Center","Library of Congress","Handy, Levin C. (Levin Corbin), 1855-1932","English \n.    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Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.\u003c/p\u003e\n","\u003cp\u003eCole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.\u003c/p\u003e\n","\u003cp\u003eMason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.\u003c/p\u003e\n","\u003cp\u003e\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Digital Collections: Brady-Handy Collection.\" n.d. Library of Congress. Accessed January 23, 2024. https://www.loc.gov/collections/brady-handy/about-this-collection/.","Cole, John Y. 2022. \"Jefferson's Legacy: A Brief History of the Library of Congress -- THE BUILDINGS.\" Library of Congress. February 2022. https://www.loc.gov/loc/legacy/bldgs.html.","Mason, Matthew Daniel. 2007. \"Collection: Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection.\" Archives at Yale. September 2007. https://archives.yale.edu/repositories/11/resources/769.","\"Thomas Jefferson Building.\" n.d. Architect of the Capitol. Accessed January 23, 2024. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/library-of-congress/thomas-jefferson-building."],"bioghist_html_tesm":["\u003cp\u003eLevin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Levin Corbin Handy was born on August 10, 1855 in Washington, D.C. to Samuel S. and Mary A. Handy. In 1867, he began work as an apprentice to photographer Mathew B. Brady at his Washington, D.C. studio and by 1871 had established his own photographic business in the city. In 1880, Handy began a business partnership with fellow photographer Samuel C. Chester and in 1882 they opened a studio in Cape May, New Jersey, along with establishing a partnership with Brady to sell images from the American Civil War. Handy would continue to maintain a successful practice in Washington, D.C., the L.C. Handy Studio, which offered both traditional photographic services, particularly for the Library of Congress and other governmental agencies, and duplication services for Library patrons and members of the United States Congress. Between 1880-1896 his studio also documented the construction of the Library of Congress' new building, known today as the Thomas Jefferson Building. Handy passed away at his home in Washington, D.C. on March 23, 1932.","The Library of Congress began in 1800 and was initially located in the west center building of the United States Capitol. Despite several attempts at enlarging and remodeling, the Library never had adequate space to store its collections properly. In 1871, Librarian of Congress Ainsworth Rand Spofford suggested the construction of a new, separate, Library of Congress building, but it wasn't until 1886 that the project was authorized. Based on the Paris Opera House, this new building was viewed at the time as an example of \"Italian Renaissance\" architecture, but today is considered an example of the \"Beaux Arts\" style, defined by its heavily ornamental and theatrical features. The new Library of Congress building opened on November 1, 1897 and was known simply as the Library of Congress or Main Building until it was named for Thomas Jefferson in 1980."],"prefercite_html_tesm":["\u003cp\u003eSix mounted photographs of the Library of Congress by Levin C. Handy, C0420, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Six mounted photographs of the Library of Congress by Levin C. Handy, C0420, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections featuring architecture including the \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0308\"\u003eJacob Ruben Newburgh, New York photographs\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress' Digital Collections include the \u003ca href=\"https://www.loc.gov/collections/brady-handy/about-this-collection/\"\u003eBrady-Handy Collection\u003c/a\u003e and the Archives at Yale hold the \u003ca href=\"https://archives.yale.edu/repositories/11/resources/769\"\u003eMathew B. Brady and Levin Corbin Handy Photographic Studios Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections featuring architecture including the  Randolph Lytton historic Washington, D.C. postcards and photographs collection  and the  Jacob Ruben Newburgh, New York photographs .","The Library of Congress' Digital Collections include the  Brady-Handy Collection  and the Archives at Yale hold the  Mathew B. Brady and Levin Corbin Handy Photographic Studios Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSix mounted photographs of the Library of Congress Thomas Jefferson Building in Washington, D.C., by photographer Levin C. Handy. 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Each photograph measures 8\" x 10\" and mounting board adds approximately 2-3 inches of matting."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_246e5dc3911cd4e645ffde1f606ed773\"\u003eSix mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy.\u003c/abstract\u003e"],"abstract_tesim":["Six mounted photographs of the Library of Congress in Washington, D.C., by photographer Levin C. Handy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3773369c3ef6e4d5eb003d89f28d90c7\"\u003eR 71, C 1, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 5"],"names_coll_ssim":["Library of Congress","Handy, Levin C. (Levin Corbin), 1855-1932"],"names_ssim":["George Mason University. Libraries. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:21:35.788Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_694"}},{"id":"vifgm_repositories_2_resources_610","type":"collection","attributes":{"title":"\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_610#creator","type":"document_value","attributes":{"value":"Brooks, Margaret","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_610#abstract_or_scope","type":"document_value","attributes":{"value":"Handmade guide to architectural styles using cut and pasted images of buildings in Washington, D.C. with accompanying handwritten information. Created by Margaret Brooks for her art history class at Gunston Hall, 1906.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_610#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_610","ead_ssi":"vifgm_repositories_2_resources_610","_root_":"vifgm_repositories_2_resources_610","_nest_parent_":"vifgm_repositories_2_resources_610","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_610.xml","title_ssm":["\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet"],"title_tesim":["\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet"],"unitdate_ssm":["1906"],"unitdate_other_ssim":["1906"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0386"],"text":["C0386","\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","White House (Washington, D.C.) -- Photographs","Architecture","Washington Monument (Washington, D.C.)","There are no access restrictions.","This is a single item collection.","\"Neoclassical.\" Architect of the Capitol, accessed April 15, 2022. https://www.aoc.gov/explore-capitol-campus/buildings-grounds/neoclassical.","The architecture of Washington, D.C.'s most famous buildings can be largely described as Neoclassical. According to the Architect of the Capitol website, \"Neoclassical architecture style encompasses the styles of Federal and Greek Revival architecture which were a major influence during the late 18th and early 19th centuries.\" The United States Capitol Building, as well as the U.S. Supreme Court Building, are both examples of Neoclassical architecture.","Processing completed by Amanda Brent in April 2022. EAD markup completed by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections and rare books on Washington, D.C. and the greater metro area.","Handmade guide to architectural styles using cut and pasted images of buildings in Washington, D.C. with accompanying handwritten information. The cover is illustrated, and the booklet is bound together with ribbon. The booklet was created by Margaret Brooks for her art history class at Gunston Hall in 1906.","Public Domain. 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"],"unitid_tesim":["C0386"],"normalized_title_ssm":["\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet"],"collection_title_tesim":["\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet"],"collection_ssim":["\"The Different Styles of Architecture as Illustrated by the Public Buidings [sic] of Washington, D.C.\" by Margaret Brooks booklet"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","White House (Washington, D.C.) -- Photographs"],"geogname_ssim":["United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","White House (Washington, D.C.) -- Photographs"],"creator_ssm":["Brooks, Margaret"],"creator_ssim":["Brooks, Margaret"],"creator_persname_ssim":["Brooks, Margaret"],"creators_ssim":["Brooks, Margaret"],"places_ssim":["United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","White House (Washington, D.C.) -- Photographs"],"access_terms_ssm":["Public Domain. 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According to the Architect of the Capitol website, \"Neoclassical architecture style encompasses the styles of Federal and Greek Revival architecture which were a major influence during the late 18th and early 19th centuries.\" The United States Capitol Building, as well as the U.S. Supreme Court Building, are both examples of Neoclassical architecture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The architecture of Washington, D.C.'s most famous buildings can be largely described as Neoclassical. 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