{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=3","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=2","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=4","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962\u0026page=4"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":32,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_bulk_ssim":["1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"text":["Ms.2007.030","/repositories/2/resources/2317","Mary Brown Channel Architectural Collection","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details .","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection"],"collection_title_tesim":["Mary Brown Channel Architectural Collection"],"collection_ssim":["Mary Brown Channel Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creators_ssim":["Channel, Mary Brown, 1907-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e\n","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e\n","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e\n","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e\n","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e\n","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e\n","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e\n","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e\n","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e\n","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note "],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details ."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e"],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_bulk_ssim":["1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"text":["Ms.2007.030","/repositories/2/resources/2317","Mary Brown Channel Architectural Collection","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details .","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection"],"collection_title_tesim":["Mary Brown Channel Architectural Collection"],"collection_ssim":["Mary Brown Channel Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creators_ssim":["Channel, Mary Brown, 1907-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e\n","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e\n","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eProject Index\u003c/a\u003e list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a  project index  alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. ","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. ","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. ","The  Project Index  list is arranged alphabetically by Project/Client Name and contains information, where available, about the location, date, project type, collaborators, and formats for each project in the collection."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e\n","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e\n","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e\n","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e\n","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e\n","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e\n","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e\n","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e","\u003cp\u003eThere is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Historical Note "],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" ","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. ","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","There is a discrepancy in the client name.  The plans list the client as Mrs. F.D. Warner while the specifications (Box 10, folder 9) list the client as Mrs. T.D. Warner.  Special Collections has received communication from the family of Mrs. Warner and they confirm that the house was remodeled for Mrs. Thomas Dickens Warner."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eSee Project Index for full details.\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details.","See Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the    Fall 2008 IAWA Center News , the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e","\u003cp\u003eThe following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project, \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003esee the Project Index for full details\u003c/a\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The following is a sampling of architectural projects from the Mary Brown Channel Collection. For more information about each project,  see the Project Index for full details ."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e"],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:14.147Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_1904","type":"collection","attributes":{"title":"Melita Rodeck Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#creator","type":"document_value","attributes":{"value":"Rodeck, Melita, b.1914","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#abstract_or_scope","type":"document_value","attributes":{"value":"The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"text":["Ms.1992.028","Melita Rodeck Architectural Collection","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  ","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] ","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. ","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    ","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.028"],"normalized_title_ssm":["Melita Rodeck Architectural Collection"],"collection_title_tesim":["Melita Rodeck Architectural Collection"],"collection_ssim":["Melita Rodeck Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creators_ssim":["Rodeck, Melita, b.1914"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Melita Rodeck Architectural Collection was donated to Special Collections in 1992, 1993, 1997, and 2003."],"access_subjects_ssim":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"extent_tesim":["10.7 Cubic Feet 2 boxes, 30 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/174\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.\u003c/p\u003e","\u003cp\u003eThe following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eProject/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] \u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  ","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] "],"bioghist_html_tesm":["\u003cp\u003eMelita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. \u003c/p\u003e\n","\u003cp\u003eFrom 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.\u003c/p\u003e\n","\u003cp\u003eRodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. ","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    "],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e"],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:42:22.725Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"text":["Ms.1992.028","Melita Rodeck Architectural Collection","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  ","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] ","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. 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The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    ","The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.","The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.028"],"normalized_title_ssm":["Melita Rodeck Architectural Collection"],"collection_title_tesim":["Melita Rodeck Architectural Collection"],"collection_ssim":["Melita Rodeck Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rodeck, Melita, b.1914"],"creator_ssim":["Rodeck, Melita, b.1914"],"creator_persname_ssim":["Rodeck, Melita, b.1914"],"creators_ssim":["Rodeck, Melita, b.1914"],"access_terms_ssm":["The copyright status of this collection is unknown. 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","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    "],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e"],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:42:22.725Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1904"}},{"id":"viblbv_repositories_2_resources_1995","type":"collection","attributes":{"title":"M. Rosaria Piomelli Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#creator","type":"document_value","attributes":{"value":"Piomelli, M. Rosaria, b.1937","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#abstract_or_scope","type":"document_value","attributes":{"value":"The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1995","ead_ssi":"viblbv_repositories_2_resources_1995","_root_":"viblbv_repositories_2_resources_1995","_nest_parent_":"viblbv_repositories_2_resources_1995","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1995.xml","title_filing_ssi":"Piomelli, M. Rosaria, Architectural Collection","title_ssm":["M. Rosaria Piomelli Architectural Collection"],"title_tesim":["M. Rosaria Piomelli Architectural Collection"],"unitdate_ssm":["1960-1995"],"unitdate_inclusive_ssm":["1960-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1995.007"],"text":["Ms.1995.007","M. Rosaria Piomelli Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.","M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).","The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.","The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937","The majority of the materials are in English; however, some of the correspondence is in Italian."],"unitid_tesim":["Ms.1995.007"],"normalized_title_ssm":["M. Rosaria Piomelli Architectural Collection"],"collection_title_tesim":["M. Rosaria Piomelli Architectural Collection"],"collection_ssim":["M. Rosaria Piomelli Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Piomelli, M. Rosaria, b.1937"],"creator_ssim":["Piomelli, M. Rosaria, b.1937"],"creator_persname_ssim":["Piomelli, M. Rosaria, b.1937"],"creators_ssim":["Piomelli, M. Rosaria, b.1937"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The M. Rosaria Piomelli Architectural Collection was donated to Special Collections in 1995, 2002, and 2006."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"extent_tesim":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pio\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eM. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. \u003c/p\u003e\n","\u003cp\u003eFrom 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.\u003c/p\u003e\n","\u003cp\u003ePiomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.\u003c/p\u003e\n","\u003cp\u003ePiomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.\u003c/p\u003e\n","\u003cp\u003ePublications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994)."],"odd_html_tesm":["\u003cp\u003eThe guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.\u003c/p\u003e","\u003cp\u003eInterview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.\u003c/p\u003e","\u003cp\u003eArticle about the AIA exhibit mounted by Piomelli at the AIA building in New York City.\u003c/p\u003e","\u003cp\u003eArticle about Piomelli being named the School of Architecture and Urban Studies first woman dean.\u003c/p\u003e","\u003cp\u003eArticle features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"\u003c/p\u003e","\u003cp\u003eArticle about the building's development which Piomelli owned and renovated.\u003c/p\u003e","\u003cp\u003eCorrespondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.\u003c/p\u003e","\u003cp\u003eCorrespondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.\u003c/p\u003e","\u003cp\u003eCassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.\u003c/p\u003e","\u003cp\u003eItems related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026amp; Lunde, Architects, of New York City.\u003c/p\u003e","\u003cp\u003eBuilding was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04c55971d36e56a9bd2191af6d51c4aa\" label=\"Abstract\"\u003eThe M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.\u003c/abstract\u003e"],"abstract_tesim":["The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Piomelli, M. Rosaria, b.1937"],"language_ssim":["The majority of the materials are in English; however, some of the correspondence is in Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:00.098Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1995","ead_ssi":"viblbv_repositories_2_resources_1995","_root_":"viblbv_repositories_2_resources_1995","_nest_parent_":"viblbv_repositories_2_resources_1995","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1995.xml","title_filing_ssi":"Piomelli, M. Rosaria, Architectural Collection","title_ssm":["M. Rosaria Piomelli Architectural Collection"],"title_tesim":["M. Rosaria Piomelli Architectural Collection"],"unitdate_ssm":["1960-1995"],"unitdate_inclusive_ssm":["1960-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1995.007"],"text":["Ms.1995.007","M. Rosaria Piomelli Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.","M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).","The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.","The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937","The majority of the materials are in English; however, some of the correspondence is in Italian."],"unitid_tesim":["Ms.1995.007"],"normalized_title_ssm":["M. Rosaria Piomelli Architectural Collection"],"collection_title_tesim":["M. Rosaria Piomelli Architectural Collection"],"collection_ssim":["M. Rosaria Piomelli Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Piomelli, M. Rosaria, b.1937"],"creator_ssim":["Piomelli, M. Rosaria, b.1937"],"creator_persname_ssim":["Piomelli, M. Rosaria, b.1937"],"creators_ssim":["Piomelli, M. Rosaria, b.1937"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The M. Rosaria Piomelli Architectural Collection was donated to Special Collections in 1995, 2002, and 2006."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"extent_tesim":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pio\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eM. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. \u003c/p\u003e\n","\u003cp\u003eFrom 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.\u003c/p\u003e\n","\u003cp\u003ePiomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.\u003c/p\u003e\n","\u003cp\u003ePiomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.\u003c/p\u003e\n","\u003cp\u003ePublications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994)."],"odd_html_tesm":["\u003cp\u003eThe guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.\u003c/p\u003e","\u003cp\u003eInterview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.\u003c/p\u003e","\u003cp\u003eArticle about the AIA exhibit mounted by Piomelli at the AIA building in New York City.\u003c/p\u003e","\u003cp\u003eArticle about Piomelli being named the School of Architecture and Urban Studies first woman dean.\u003c/p\u003e","\u003cp\u003eArticle features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"\u003c/p\u003e","\u003cp\u003eArticle about the building's development which Piomelli owned and renovated.\u003c/p\u003e","\u003cp\u003eCorrespondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.\u003c/p\u003e","\u003cp\u003eCorrespondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.\u003c/p\u003e","\u003cp\u003eCassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.\u003c/p\u003e","\u003cp\u003eItems related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026amp; Lunde, Architects, of New York City.\u003c/p\u003e","\u003cp\u003eBuilding was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04c55971d36e56a9bd2191af6d51c4aa\" label=\"Abstract\"\u003eThe M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.\u003c/abstract\u003e"],"abstract_tesim":["The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Piomelli, M. Rosaria, b.1937"],"language_ssim":["The majority of the materials are in English; however, some of the correspondence is in Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:00.098Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1995"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e\n","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e\n","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_2274","type":"collection","attributes":{"title":"Paula Treder Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#creator","type":"document_value","attributes":{"value":"Treder, Paula","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#abstract_or_scope","type":"document_value","attributes":{"value":"Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2274","ead_ssi":"viblbv_repositories_2_resources_2274","_root_":"viblbv_repositories_2_resources_2274","_nest_parent_":"viblbv_repositories_2_resources_2274","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2274.xml","title_filing_ssi":"Treder, Paula, Architectural Collection","title_ssm":["Paula Treder Architectural Collection"],"title_tesim":["Paula Treder Architectural Collection"],"unitdate_ssm":["1953-2005"],"unitdate_inclusive_ssm":["1953-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.002"],"text":["Ms.2005.002","Paula Treder Architectural Collection","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","The collection is arranged into three series Personal Papers, Professional Papers, and Project Records. The documents are stored in boxes with the contents of each folder arranged chronologically. The architectural and consultant's shop drawings are organized by project in the oversize folders.","Paula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. ","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona.","The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.","This collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.","Special Collections and University Archives, Virginia Tech","Treder, Paula","The materials in the collection are in English."],"unitid_tesim":["Ms.2005.002"],"normalized_title_ssm":["Paula Treder Architectural Collection"],"collection_title_tesim":["Paula Treder Architectural Collection"],"collection_ssim":["Paula Treder Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Treder, Paula"],"creator_ssim":["Treder, Paula"],"creator_persname_ssim":["Treder, Paula"],"creators_ssim":["Treder, Paula"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Paula Treder Architectural Collection to the International Archive of Woman in Architecture in 2002 and 2005."],"access_subjects_ssim":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes; 4 oversize folders"],"extent_tesim":["2 Cubic Feet 2 boxes; 4 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series Personal Papers, Professional Papers, and Project Records. 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Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. \u003c/p\u003e\n","\u003cp\u003eFrom 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Home\u003c/title\u003e where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.\u003c/p\u003e\n","\u003cp\u003eTreder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  \u003c/p\u003e\n","\u003cp\u003eShe later moved to Tucson, Arizona.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Paula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. ","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona."],"odd_html_tesm":["\u003cp\u003eThe guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_db105cae01c86b3caf8ac1fe80df9fd7\" label=\"Abstract\"\u003ePaula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.\u003c/abstract\u003e"],"abstract_tesim":["Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Treder, Paula"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Treder, Paula"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:34.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2274","ead_ssi":"viblbv_repositories_2_resources_2274","_root_":"viblbv_repositories_2_resources_2274","_nest_parent_":"viblbv_repositories_2_resources_2274","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2274.xml","title_filing_ssi":"Treder, Paula, Architectural Collection","title_ssm":["Paula Treder Architectural Collection"],"title_tesim":["Paula Treder Architectural Collection"],"unitdate_ssm":["1953-2005"],"unitdate_inclusive_ssm":["1953-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.002"],"text":["Ms.2005.002","Paula Treder Architectural Collection","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","The collection is arranged into three series Personal Papers, Professional Papers, and Project Records. 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","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona.","The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.","This collection consists of professional materials created by Paula Treder from 1953 to 2005. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Paula Treder operated her own architectural firm in South Carolina. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Paula Treder Architectural Collection to the International Archive of Woman in Architecture in 2002 and 2005."],"access_subjects_ssim":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes; 4 oversize folders"],"extent_tesim":["2 Cubic Feet 2 boxes; 4 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series Personal Papers, Professional Papers, and Project Records. 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She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona."],"odd_html_tesm":["\u003cp\u003eThe guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.\u003c/abstract\u003e"],"abstract_tesim":["Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Treder, Paula"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Treder, Paula"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:34.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2274"}},{"id":"viblbv_repositories_2_resources_1997","type":"collection","attributes":{"title":"Rebecca Wood Watkin Architectural Drawings","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#creator","type":"document_value","attributes":{"value":"Watkin, Rebecca Wood, 1913-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#abstract_or_scope","type":"document_value","attributes":{"value":"Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1997#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1997","ead_ssi":"viblbv_repositories_2_resources_1997","_root_":"viblbv_repositories_2_resources_1997","_nest_parent_":"viblbv_repositories_2_resources_1997","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1997.xml","title_filing_ssi":"Watkin, Rebecca Wood, Architectural Collection","title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"unitdate_ssm":["1940-1989, 2011"],"unitdate_inclusive_ssm":["1940-1989, 2011"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["Ms.1995.009"],"text":["Ms.1995.009","Rebecca Wood Watkin Architectural Drawings","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","Project/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] ","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. ","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.","The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.","The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. ","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010","The materials in the collection are in English."],"unitid_tesim":["Ms.1995.009"],"normalized_title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"collection_title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"collection_ssim":["Rebecca Wood Watkin Architectural Drawings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Watkin, Rebecca Wood, 1913-2010"],"creator_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creators_ssim":["Watkin, Rebecca Wood, 1913-2010"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated by Rebecca Wood Watkin in April 1995 with the aid of Inge S. Horton of San Francisco, California. Additions to the collection were received in August 2002 and March 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"extent_tesim":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/352\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eProject/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] \u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Project/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] "],"bioghist_html_tesm":["\u003cp\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. \u003c/p\u003e\n","\u003cp\u003eWatkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.\u003c/p\u003e\n","\u003cp\u003eWatkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. ","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant."],"scopecontent_html_tesm":["\u003cp\u003eThe Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. \u003c/p\u003e\n","\u003cp\u003eAlso in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. ","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc91c90122b458451f873e594f668551\" label=\"Abstract\"\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.\u003c/abstract\u003e"],"abstract_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:36:54.397Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1997","ead_ssi":"viblbv_repositories_2_resources_1997","_root_":"viblbv_repositories_2_resources_1997","_nest_parent_":"viblbv_repositories_2_resources_1997","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1997.xml","title_filing_ssi":"Watkin, Rebecca Wood, Architectural Collection","title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"unitdate_ssm":["1940-1989, 2011"],"unitdate_inclusive_ssm":["1940-1989, 2011"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["Ms.1995.009"],"text":["Ms.1995.009","Rebecca Wood Watkin Architectural Drawings","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","Project/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] ","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. ","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.","The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.","The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. ","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.","Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010","The materials in the collection are in English."],"unitid_tesim":["Ms.1995.009"],"normalized_title_ssm":["Rebecca Wood Watkin Architectural Drawings"],"collection_title_tesim":["Rebecca Wood Watkin Architectural Drawings"],"collection_ssim":["Rebecca Wood Watkin Architectural Drawings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Watkin, Rebecca Wood, 1913-2010"],"creator_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creator_persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"creators_ssim":["Watkin, Rebecca Wood, 1913-2010"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated by Rebecca Wood Watkin in April 1995 with the aid of Inge S. Horton of San Francisco, California. Additions to the collection were received in August 2002 and March 2011."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"extent_tesim":["6.6 Cubic Feet 2 boxes, 14 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/352\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eProject/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] \u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Project/Client Name/description (location, date) [Format - Ms=Manuscripts, Dr=Drawings, Ph=Photographs, PB=Presentation Boards] "],"bioghist_html_tesm":["\u003cp\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. \u003c/p\u003e\n","\u003cp\u003eWatkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.\u003c/p\u003e\n","\u003cp\u003eWatkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. She collaborated with architect Fred Coolidge from 1953 to 1970, and then practiced from her own office in Sausalito, California, from 1972 to 1989. She served on the Marin County Planning Commission from 1954 to 1958. She continued to design until her retirement in 1990. ","Watkin married Joseph Esherick in 1938; they divorced in 1951. She married Harold Watkin in 1958; he died in 1981. She has three children. Her avocational activities include involvement in Democratic Party political campaigns on all levels of government and work with the Ecumenical Association for Housing in Marin County, California.","Watkin passed away on December 19, 2010, at the age of 97, in La Jolla, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Rebecca Wood Watkin Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Rebecca Wood Watkin Architectural Collection, Ms1995-009, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eProcessing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing of the collection was completed by J. Harlow, Student Assistant, under the supervision of L. K. Smith, Manuscripts Curator, in 1995; and by Jessica Caruthers, Student Assistant, under the supervision of Catherine G. OBrion, Manuscripts Archivist, in October 2002. The 2011 addition was processed by Kathryn Shackelford, Graduate Assistant."],"scopecontent_html_tesm":["\u003cp\u003eThe Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. \u003c/p\u003e\n","\u003cp\u003eAlso in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Rebecca Wood Watkin Architectural Collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989. The locations, unless otherwise noted, are all in northern California. ","Also in the collection are photographs of three projects: the Watkin residence in Kentfield, California; the Creek Apartments in San Anselmo, Marin County, California; and the Watkin residence in Placer County, California; and a 1956 article in Progressive Architecture on the Watkin residence in Kentfield."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc91c90122b458451f873e594f668551\" label=\"Abstract\"\u003eRebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989.\u003c/abstract\u003e"],"abstract_tesim":["Rebecca Wood Watkin was born in 1913 in Portland, Oregon. She earned a B.A. from Bryn Mawr College in 1933, and a B. Arch. from the Architecture School of the University of Pennsylvania. She returned to the west coast, and worked in other architects' offices during the 1930s and 1940s. She earned her California Architectural license in 1944 and opened her own practice in 1951. The collection consists of architectural drawings of remodelings, alterations, additions, and new designs of buildings, mostly residences, that Watkin worked on from 1940 to 1989."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Watkin, Rebecca Wood, 1913-2010"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Watkin, Rebecca Wood, 1913-2010"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:36:54.397Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1997"}},{"id":"viblbv_repositories_2_resources_2149","type":"collection","attributes":{"title":"Sally Waldner Bould Stan Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#creator","type":"document_value","attributes":{"value":"Stan, Sally Waldner Bould, b.1917","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"text":["Ms.2001.015","Sally Waldner Bould Stan Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase .","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.015"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2149","ead_ssi":"viblbv_repositories_2_resources_2149","_root_":"viblbv_repositories_2_resources_2149","_nest_parent_":"viblbv_repositories_2_resources_2149","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2149.xml","title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"unitdate_ssm":["1940-1997, undated"],"unitdate_inclusive_ssm":["1940-1997, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.015"],"text":["Ms.2001.015","Sally Waldner Bould Stan Architectural Collection","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.","This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase .","The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.","This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.","Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.015"],"normalized_title_ssm":["Sally Waldner Bould Stan Architectural Collection"],"collection_title_tesim":["Sally Waldner Bould Stan Architectural Collection"],"collection_ssim":["Sally Waldner Bould Stan Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creator_persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"creators_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"extent_tesim":["2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Reproduction and Use"],"accessrestrict_tesim":["The collection is open to research.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"arrangement_html_tesm":["\u003cp\u003eThe Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Sally Waldner Bould Stan Collection is organized into three series: Biographical Notes, Residential Drawings, and Commercial Notes. Project records are organized alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThis collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the \u003cextref actuate=\"onRequest\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/stb\" show=\"new\"\u003eVT ImageBase\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection documents the architect Sally Waldner Bould Stan who lived from 1917 to 2008 and who spent most of her life in Lafayette, California. She earned her degree in architecture after 4 years of study at the University of California, Berkeley as one of three women in her class. She married in 1940 and later divorced in 1967. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects. She was the first woman to serve on the board of the Lafayette Improvement Association, first as secretary; she then advanced through various roles, from treasurer, to vice president, and then to president. Sally continued her professional practice, primarily working from home and getting work via referrals, until retiring in 1998. Her collection contains biographical references and drawings for 55 of her projects. Pictures of her work are available on the  VT ImageBase ."],"odd_html_tesm":["\u003cp\u003eThe guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sally Waldner Bould Stan Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sally Waldner Bould Stan Architectural Collection, Ms2001-015, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is comprised of biographical materials and architectural drawings for residential and commercial projects. Among the biographical materials are two brief biographical accounts of Stan's life, a memorial bulletin with a portrait photograph, obituary, and service information. Residential drawings include sepia, diazo, and trace paper drawings. Commercial drawings include sepia and trace paper drawings. Several projects also include engineering calculation notes."],"abstract_html_tesm":["\u003cabstract id=\"aspace_da78057b6a88b73e648a5099130cfbfd\"\u003eThis collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Dows, Wena W., 1928-","Stan, Sally Waldner Bould, b.1917"],"persname_ssim":["Stan, Sally Waldner Bould, b.1917","Dows, Wena W., 1928-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":62,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2149"}},{"id":"viblbv_repositories_2_resources_2041","type":"collection","attributes":{"title":"Sigrid L. Rupp Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2041#creator","type":"document_value","attributes":{"value":"Rupp, Sigrid Lorenzen, 1943-2004","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2041#abstract_or_scope","type":"document_value","attributes":{"value":"Sigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953. She earned a B. Arch. from the University of California, Berkeley in 1966. SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s. The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors. The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2041#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2041","ead_ssi":"viblbv_repositories_2_resources_2041","_root_":"viblbv_repositories_2_resources_2041","_nest_parent_":"viblbv_repositories_2_resources_2041","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2041.xml","title_filing_ssi":"Rupp, Sigrid L., Architectural Collection","title_ssm":["Sigrid L. Rupp Architectural Collection"],"title_tesim":["Sigrid L. Rupp Architectural Collection"],"unitdate_ssm":["1950-2004"],"unitdate_inclusive_ssm":["1950-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.006"],"text":["Ms.1997.006","Sigrid L. Rupp Architectural Collection","Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs","Collection is open for research.","The information on the computer disks have not been transferred to an accessible medium as of 2/2011.","Many of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a  Travel Index  has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.","The Project Records series has been arranged into a  Project Index , which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","A sampling of clients that can be found in the  Project Index , including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  ","Sigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).","While at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026 Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).","In 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  ","SLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). ","Rupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). ","An ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  ","In retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  ","Sigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).","~~~~~~~~~~~","References:","\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.","(Organization of Women Architects and Design Professionals 2004)  http://owa-usa.org/newsletter/jul04.htm","The guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","An inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011.","See also  Ms1990-059 California Women in Environmental Design Records, 1990-1994 .","Rupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.","The Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.","The Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.","The Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.","The photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the  Project Index.","The Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the  Project Index  for listings.","The \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Sigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004.","Please note:  Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Rupp, Sigrid Lorenzen, 1943-2004","The materials in the collection are in English."],"unitid_tesim":["Ms.1997.006"],"normalized_title_ssm":["Sigrid L. Rupp Architectural Collection"],"collection_title_tesim":["Sigrid L. Rupp Architectural Collection"],"collection_ssim":["Sigrid L. Rupp Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rupp, Sigrid Lorenzen, 1943-2004"],"creator_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"creator_persname_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"creators_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location."],"acqinfo_ssim":["The Sigrid L. Rupp Architectural Collection was donated to Special Collections in 1997 with additions arriving in 2004 and 2006."],"access_subjects_ssim":["Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["219 Cubic Feet 337 boxes; 2 map drawers"],"extent_tesim":["219 Cubic Feet 337 boxes; 2 map drawers"],"genreform_ssim":["Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e","\u003cp\u003eThe information on the computer disks have not been transferred to an accessible medium as of 2/2011.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research.","The information on the computer disks have not been transferred to an accessible medium as of 2/2011."],"arrangement_html_tesm":["\u003cp\u003eMany of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/specgen/iawa/Ms1997-006ti\" show=\"new\" title=\"Travel Index\"\u003eTravel Index\u003c/extref\u003e has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.\u003c/p\u003e","\u003cp\u003eThe Project Records series has been arranged into a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e, which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.\u003c/p\u003e\n","\u003cp\u003eA sampling of clients that can be found in the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e, including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026amp;T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Many of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a  Travel Index  has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.","The Project Records series has been arranged into a  Project Index , which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","A sampling of clients that can be found in the  Project Index , including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  "],"bioghist_html_tesm":["\u003cp\u003eSigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).\u003c/p\u003e\n","\u003cp\u003eWhile at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026amp; Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).\u003c/p\u003e\n","\u003cp\u003eIn 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  \u003c/p\u003e\n","\u003cp\u003eSLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026amp;T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). \u003c/p\u003e\n","\u003cp\u003eRupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). \u003c/p\u003e\n","\u003cp\u003eAn ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  \u003c/p\u003e\n","\u003cp\u003eIn retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  \u003c/p\u003e\n","\u003cp\u003eSigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).\u003c/p\u003e\n","\u003cp\u003e~~~~~~~~~~~\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003e\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.\u003c/p\u003e\n","\u003cp\u003e(Organization of Women Architects and Design Professionals 2004) \u003cextref actuate=\"onRequest\" href=\"http://owa-usa.org/newsletter/jul04.htm\" show=\"new\" title=\"OWA memorial\"\u003ehttp://owa-usa.org/newsletter/jul04.htm\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Sigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).","While at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026 Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).","In 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  ","SLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). ","Rupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). ","An ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  ","In retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  ","Sigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).","~~~~~~~~~~~","References:","\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.","(Organization of Women Architects and Design Professionals 2004)  http://owa-usa.org/newsletter/jul04.htm"],"odd_html_tesm":["\u003cp\u003eThe guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sigrid L. Rupp Architectural Collection, Ms1997-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sigrid L. Rupp Architectural Collection, Ms1997-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAn inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["An inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00686.xml\" show=\"new\" title=\"CWED\"\u003eMs1990-059 California Women in Environmental Design Records, 1990-1994\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  Ms1990-059 California Women in Environmental Design Records, 1990-1994 ."],"scopecontent_html_tesm":["\u003cp\u003eRupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.\u003c/p\u003e","\u003cp\u003eThe Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.\u003c/p\u003e","\u003cp\u003eThe photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-007pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e for listings.\u003c/p\u003e","\u003cp\u003eThe \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Rupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.","The Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.","The Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.","The Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.","The photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the  Project Index.","The Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the  Project Index  for listings.","The \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eResidential client's names are restricted from being publicly identified these projects may only be identified by  their location.\u003c/p\u003e","\u003cp\u003eResidential client's names are restricted from being publicly identified these projects may only be identified by  their location.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Use Restrictions"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location."],"abstract_html_tesm":["\u003cabstract id=\"aspace_eb53de03fb5fc1236905e7948ffdc141\" label=\"Abstract\"\u003eSigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004.\u003c/abstract\u003e"],"abstract_tesim":["Sigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d8b4e5f6929d6b0c933a7cb5ad221f98\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rupp, Sigrid Lorenzen, 1943-2004"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":534,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:49.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2041","ead_ssi":"viblbv_repositories_2_resources_2041","_root_":"viblbv_repositories_2_resources_2041","_nest_parent_":"viblbv_repositories_2_resources_2041","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2041.xml","title_filing_ssi":"Rupp, Sigrid L., Architectural Collection","title_ssm":["Sigrid L. Rupp Architectural Collection"],"title_tesim":["Sigrid L. Rupp Architectural Collection"],"unitdate_ssm":["1950-2004"],"unitdate_inclusive_ssm":["1950-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.006"],"text":["Ms.1997.006","Sigrid L. Rupp Architectural Collection","Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs","Collection is open for research.","The information on the computer disks have not been transferred to an accessible medium as of 2/2011.","Many of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a  Travel Index  has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.","The Project Records series has been arranged into a  Project Index , which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","A sampling of clients that can be found in the  Project Index , including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  ","Sigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).","While at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026 Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).","In 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  ","SLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). ","Rupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). ","An ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  ","In retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  ","Sigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).","~~~~~~~~~~~","References:","\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.","(Organization of Women Architects and Design Professionals 2004)  http://owa-usa.org/newsletter/jul04.htm","The guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","An inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011.","See also  Ms1990-059 California Women in Environmental Design Records, 1990-1994 .","Rupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.","The Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.","The Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.","The Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.","The photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the  Project Index.","The Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the  Project Index  for listings.","The \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Sigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004.","Please note:  Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Rupp, Sigrid Lorenzen, 1943-2004","The materials in the collection are in English."],"unitid_tesim":["Ms.1997.006"],"normalized_title_ssm":["Sigrid L. Rupp Architectural Collection"],"collection_title_tesim":["Sigrid L. Rupp Architectural Collection"],"collection_ssim":["Sigrid L. Rupp Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Rupp, Sigrid Lorenzen, 1943-2004"],"creator_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"creator_persname_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"creators_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location."],"acqinfo_ssim":["The Sigrid L. Rupp Architectural Collection was donated to Special Collections in 1997 with additions arriving in 2004 and 2006."],"access_subjects_ssim":["Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Women travelers -- United States","Women -- History","Women travelers -- South America","Women travelers -- Europe","Women travelers -- Asia","Architects","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["219 Cubic Feet 337 boxes; 2 map drawers"],"extent_tesim":["219 Cubic Feet 337 boxes; 2 map drawers"],"genreform_ssim":["Watercolors (paintings)","Diaries","Architectural drawings (visual works)","Photographs"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e","\u003cp\u003eThe information on the computer disks have not been transferred to an accessible medium as of 2/2011.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research.","The information on the computer disks have not been transferred to an accessible medium as of 2/2011."],"arrangement_html_tesm":["\u003cp\u003eMany of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/specgen/iawa/Ms1997-006ti\" show=\"new\" title=\"Travel Index\"\u003eTravel Index\u003c/extref\u003e has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.\u003c/p\u003e","\u003cp\u003eThe Project Records series has been arranged into a \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e, which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.\u003c/p\u003e\n","\u003cp\u003eA sampling of clients that can be found in the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e, including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026amp;T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Many of the trips within the Travel subseries are represented in a variety of formats (e.g. a trip may have prints, negatives, slides, photo albums, or a travel diary within the collection).  To facilitate discovery a  Travel Index  has been created listing the formats available for the most documented trips.  NOTE:  This is not an exhaustive list of Rupp's travel documentation for that please see the container list below.","The Project Records series has been arranged into a  Project Index , which is a way to organize the various formats of architectural records from the same project. The index is arranged chronologically  by project number and contains information, where available, about the location, date, project type, architect, collaborators, photographers, and formats for each project in the collection.","A sampling of clients that can be found in the  Project Index , including:  Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM, AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital, San Jose State University, and numerous individual residences.  Some general files related to project records are listed below.  "],"bioghist_html_tesm":["\u003cp\u003eSigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).\u003c/p\u003e\n","\u003cp\u003eWhile at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026amp; Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).\u003c/p\u003e\n","\u003cp\u003eIn 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  \u003c/p\u003e\n","\u003cp\u003eSLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026amp;T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). \u003c/p\u003e\n","\u003cp\u003eRupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). \u003c/p\u003e\n","\u003cp\u003eAn ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  \u003c/p\u003e\n","\u003cp\u003eIn retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  \u003c/p\u003e\n","\u003cp\u003eSigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).\u003c/p\u003e\n","\u003cp\u003e~~~~~~~~~~~\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003e\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.\u003c/p\u003e\n","\u003cp\u003e(Organization of Women Architects and Design Professionals 2004) \u003cextref actuate=\"onRequest\" href=\"http://owa-usa.org/newsletter/jul04.htm\" show=\"new\" title=\"OWA memorial\"\u003ehttp://owa-usa.org/newsletter/jul04.htm\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Sigrid Lorenzen Rupp was born January 3, 1943, in Bremerhaven, Germany.  Her family relocated to California when Rupp was ten years old (1953).  Rupp had been fascinated with the built environment since her early childhood growing up in post-war reconstruction Germany.  However, when she entered University of California-Berkeley, in 1960, she had won many small scholarships to study physics.  Her physics career lasted two semesters after which she was able to convince everyone that she should study her first love, architecture (Boulgarides).","While at Berkeley Rupp was mentored by three renowned architects and professors, Joseph Esherick, AIA, Harold Stump, and Donald Reay. Upon graduation in 1966 with a Bachelor of Architecture, Rupp worked for Van Bourg/Nakamura Associates of San Francisco, D'Amico Associates of Mill Valley, Hawley \u0026 Peterson of Mountain Valley and Spencer Associates of Palo Alto.  During this time she received her architecture license in the State of California (1971).","In 1976, Rupp stating that architecture was in the \"doldrums\" and recognizing that there was no future for her in the 'major firm' where she was currently employed decided to open her own firm exclaiming, \"I could do nothing on my own as well as for someone else\"(Boulgarides).  She served as president and principle architect for SLR/Architects from 1976 until 1998 when she closed the office.  ","SLR/Architects specialized in technical facilities, industrial work, and residential structures.  The company provided architectural services for many of the pre-eminent Silicon Valley firms: Apple Computer, Sun Microsystems, Tandem, Amdahl, Claris, Raychem, and IBM.  Other prominent clients included: AT\u0026T, Pac Bell, United Airlines, Pan Am, Stanford University and Hospital and San Jose State University.  Some of her significant projects were the Press Building and Storey House at Stanford University, an RF Testing Facility for Apple Computer (winner of an AIA Honor Award), and a six-year factory retrofit and rehab for the Raychem Corporation.  At its height SLR/Architects employed eight professional and paraprofessional staff (1987) and established an international branch SLR/International in Tel Aviv, Israel (1983). ","Rupp was active in many professional and local civic organizations.  She was a former board member and chairperson of the City of Palo Alto Architectural Review Board, former director of the Santa Clara Valley Chapter of the American Institute of Architects and former president of California Women in Environmental Design (CWED).  She also served on the boards of the New Performance Gallery in San Francisco, Theater Artaud of San Francisco, Family Planning Alternatives of Sunnyvale, Diablo Ballet of Walnut Creek and the Lawrence Pech Dance Company of San Francisco.  She was an active member of the Organization of Women Architects (OWA), the American Institute of Architects (AIA), the Construction Specifications Institute (CSI) and the Union Internationale des Femmes Architectes (UIFA). ","An ardent champion for women's rights, Rupp stated that she became involved in women's issues \"…simply because I did not want there to be any [women's issues]. It seemed that the time for gender differences should be long over.\"  She was a mentor to many women and minorities in the course of her practice encouraging and facilitating their entry into architecture.  ","In retirement, Rupp turned her attention to painting and traveling.  Her watercolors primarily focused on California bay area landscapes and were featured in several local juried shows.  She also traveled extensively documenting her experiences in beautifully illustrated and annotated travel diaries (present in the collection).  ","Sigrid Lorenzen Rupp passed away May 27, 2004. Her legacy in her own words, \"I'd like to be remembered for dissenting when everyone else thought it easier to go with the grain even when the grain was wrong. I'd like to be remembered for being a competent architect who did competent work, a competent painter who did competent painting and someone who told good stories\" (OWA).","~~~~~~~~~~~","References:","\"Dr. James D. Boulgarides, Study Looking at Women in Architecture,\" Sigrid Lorenzen Rupp Architectural Collection (Ms1997-006) Special Collections, University Libraries, Virginia Polytechnic Institute and State University.","(Organization of Women Architects and Design Professionals 2004)  http://owa-usa.org/newsletter/jul04.htm"],"odd_html_tesm":["\u003cp\u003eThe guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Sigrid L. Rupp Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sigrid L. Rupp Architectural Collection, Ms1997-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sigrid L. Rupp Architectural Collection, Ms1997-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAn inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["An inventory of the collection was completed in April 1998 by Brad Shearer, student assistant, and Laura Katz Smith, Manuscripts Curator, Special Collections Department.  The 2004 addition and the remainder of the collection was processed by Sherrie A. Bowser, February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00686.xml\" show=\"new\" title=\"CWED\"\u003eMs1990-059 California Women in Environmental Design Records, 1990-1994\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  Ms1990-059 California Women in Environmental Design Records, 1990-1994 ."],"scopecontent_html_tesm":["\u003cp\u003eRupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.\u003c/p\u003e","\u003cp\u003eThe Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.\u003c/p\u003e","\u003cp\u003eThe photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-006pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1997-007pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e for listings.\u003c/p\u003e","\u003cp\u003eThe \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Rupp's collection encompasses over twenty years of her firm, SLR/Architects,  and includes administration and project files, sketches, drawings, blueprints, slides and photographs representing approximately 700 designs. The collection also contains Rupp's personal papers -- biographical information, student work, travel diaries and photographs, and artwork.  The materials range in date from 1950-2004 (bulk 1976-2004) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art and Artifacts. See the contents list below for more detail about the individual series.","The Personal Papers series contains Rupp's biographical information, student work, diaries/journals, photographs, and personal correspondence.  The series also contains Rupp's extensive documentation of her travels in Europe, Asia, North and South America, formats include, travel diaries, watercolor (paintings), photographs (prints, negatives and slides), photo albums, and miscellaneous ephemera.","The Professional Papers series consists of material relating to Rupp's participation in professional life including licenses, awards received, correspondence, and involvement in professional organizations (Rupp was president of California Women in Environmental Design from 1992 to 1993).","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including day planners (1982-2002), telephone logs (1976-1996), labor distribution (1983-1996), proposals and promotions (1976-1996), presentation materials, and publicity photographs.","The Computer Disks subseries contain various format disks, 8-inch; 5 ¼-inch; 3 ½-inch.  They feature financial information, office records, and project files. 1978-1995, 2002.","The photographs listed in this series are mainly presentation photographs that were grouped with other office records by Rupp.  For additional project photographs see the  Project Index.","The Portfolios series is comprised of reduced reproductions of drawings that Rupp organized by year or in a few cases by  project title (Storey House and Raychem Corporation ABC).  Not all project numbers have a set of reduced drawings see the  Project Index  for listings.","The \"morgue\" files contains mostly duplicates of materials held in the project files.  They are filed chronologically."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e\n","\u003cp\u003eResidential client's names are restricted from being publicly identified these projects may only be identified by  their location.\u003c/p\u003e","\u003cp\u003eResidential client's names are restricted from being publicly identified these projects may only be identified by  their location.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Use Restrictions"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location.","Residential client's names are restricted from being publicly identified these projects may only be identified by  their location."],"abstract_html_tesm":["\u003cabstract id=\"aspace_eb53de03fb5fc1236905e7948ffdc141\" label=\"Abstract\"\u003eSigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004.\u003c/abstract\u003e"],"abstract_tesim":["Sigrid L. Rupp (1943-2004) was principal architect of her own firm, SLR/Architects in Palo Alto, California from 1976 to 1998. Born in Germany in 1943, she relocated to California with her family in 1953.  She earned a B. Arch. from the University of California, Berkeley in 1966.  SLR/Architects specialized in technical facilities and industrial work providing architectural services for many of the pre-eminent Silicon Valley firms in the 1980s and 1990s.  The collection consists of architectural drawings, photographs, administrative and job files, contracts, and other material relating to over 700 of Rupp's projects, as well as material relating to Rupp's personal travel and artistic endeavors.   The materials in the collection range in date from 1950-2004 with the bulk of the material dating 1976-2004."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d8b4e5f6929d6b0c933a7cb5ad221f98\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Major portions of this collection (Boxes 1-62, 67-106, 111-125, and 160-170) are located in off-site storage and may require 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rupp, Sigrid Lorenzen, 1943-2004"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rupp, Sigrid Lorenzen, 1943-2004"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":534,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:49.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2041"}},{"id":"viblbv_repositories_2_resources_1750","type":"collection","attributes":{"title":"Susana Torre Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#creator","type":"document_value","attributes":{"value":"Torre, Susana, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#abstract_or_scope","type":"document_value","attributes":{"value":"After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1750"}},{"id":"viblbv_repositories_2_resources_3107","type":"collection","attributes":{"title":"Virginia Tech Buildings Architectural Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3107#creator","type":"document_value","attributes":{"value":"Carneal and Johnston (Richmond, Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3107#abstract_or_scope","type":"document_value","attributes":{"value":"Collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3107#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3107","ead_ssi":"viblbv_repositories_2_resources_3107","_root_":"viblbv_repositories_2_resources_3107","_nest_parent_":"viblbv_repositories_2_resources_3107","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3107.xml","title_filing_ssi":"Virginia Tech Buildings Architectural Collection","title_ssm":["Virginia Tech Buildings Architectural Collection"],"title_tesim":["Virginia Tech Buildings Architectural Collection"],"unitdate_ssm":["1907-2011"," (bulk 1953-1996)"],"unitdate_bulk_ssim":[" (bulk 1953-1996)"],"unitdate_inclusive_ssm":["1907-2011"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.06.03.02e"],"text":["RG.06.03.02e","Virginia Tech Buildings Architectural Collection","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)","The collection is open for research.","Collection is arranged in alphabetical order by building name.","VARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas.","The guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","Please note: The first two pages of this set of drawings is missing.","The processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026 Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added.","See also  Carneal and Johnston Architectural Drawings, Ms2001-008 , and  Carneal and Johnston Glass Plate Negatives, Ms2014-016 , at Virginia Tech Special Collections and University Archives.","The collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","Collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA.","Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"unitid_tesim":["RG.06.03.02e"],"normalized_title_ssm":["Virginia Tech Buildings Architectural Collection"],"collection_title_tesim":["Virginia Tech Buildings Architectural Collection"],"collection_ssim":["Virginia Tech Buildings Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Carneal and Johnston (Richmond, Va.)"],"creator_ssim":["Carneal and Johnston (Richmond, Va.)"],"creator_corpname_ssim":["Carneal and Johnston (Richmond, Va.)"],"creators_ssim":["Carneal and Johnston (Richmond, Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives over numerous accruals from the 1960s thru 2016."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["19.3 Cubic Feet 19 boxes and 13 oversize folders"],"extent_tesim":["19.3 Cubic Feet 19 boxes and 13 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in alphabetical order by building name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged in alphabetical order by building name."],"bioghist_html_tesm":["\u003cp\u003eVARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["VARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e","\u003cp\u003ePlease note: The first two pages of this set of drawings is missing.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","General"],"odd_tesim":["The guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","Please note: The first two pages of this set of drawings is missing."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia Tech Buildings Architectural Collection, RG 6/3/2e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia Tech Buildings Architectural Collection, RG 6/3/2e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026amp; Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026 Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00852.xml\" target=\"_blank\"\u003eCarneal and Johnston Architectural Drawings, Ms2001-008\u003c/a\u003e, and \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01833.xml\"\u003eCarneal and Johnston Glass Plate Negatives, Ms2014-016\u003c/a\u003e, at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  Carneal and Johnston Architectural Drawings, Ms2001-008 , and  Carneal and Johnston Glass Plate Negatives, Ms2014-016 , at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_492e95b36483582549554b8cdb21fa8e\" label=\"Abstract\"\u003eCollection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:08:43.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3107","ead_ssi":"viblbv_repositories_2_resources_3107","_root_":"viblbv_repositories_2_resources_3107","_nest_parent_":"viblbv_repositories_2_resources_3107","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3107.xml","title_filing_ssi":"Virginia Tech Buildings Architectural Collection","title_ssm":["Virginia Tech Buildings Architectural Collection"],"title_tesim":["Virginia Tech Buildings Architectural Collection"],"unitdate_ssm":["1907-2011"," (bulk 1953-1996)"],"unitdate_bulk_ssim":[" (bulk 1953-1996)"],"unitdate_inclusive_ssm":["1907-2011"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.06.03.02e"],"text":["RG.06.03.02e","Virginia Tech Buildings Architectural Collection","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)","The collection is open for research.","Collection is arranged in alphabetical order by building name.","VARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas.","The guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","Please note: The first two pages of this set of drawings is missing.","The processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026 Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added.","See also  Carneal and Johnston Architectural Drawings, Ms2001-008 , and  Carneal and Johnston Glass Plate Negatives, Ms2014-016 , at Virginia Tech Special Collections and University Archives.","The collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","Collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA.","Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"unitid_tesim":["RG.06.03.02e"],"normalized_title_ssm":["Virginia Tech Buildings Architectural Collection"],"collection_title_tesim":["Virginia Tech Buildings Architectural Collection"],"collection_ssim":["Virginia Tech Buildings Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"creator_ssm":["Carneal and Johnston (Richmond, Va.)"],"creator_ssim":["Carneal and Johnston (Richmond, Va.)"],"creator_corpname_ssim":["Carneal and Johnston (Richmond, Va.)"],"creators_ssim":["Carneal and Johnston (Richmond, Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives over numerous accruals from the 1960s thru 2016."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","University Archives","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["19.3 Cubic Feet 19 boxes and 13 oversize folders"],"extent_tesim":["19.3 Cubic Feet 19 boxes and 13 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged in alphabetical order by building name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged in alphabetical order by building name."],"bioghist_html_tesm":["\u003cp\u003eVARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["VARC was an off-campus graduate facility, located in Newport News, Virginia, sponsored by Virginia Tech, the College of William and Mary, and the University of Virginia, in cooperation with the Langley Research Center of NASA. It specialized in applied aerospace research and other basic research in related areas."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e","\u003cp\u003ePlease note: The first two pages of this set of drawings is missing.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","General"],"odd_tesim":["The guide to the Virginia Tech Buildings Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","Please note: The first two pages of this set of drawings is missing."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia Tech Buildings Architectural Collection, RG 6/3/2e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Virginia Tech Buildings Architectural Collection, RG 6/3/2e, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026amp; Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Virginia Tech Buildings Architectural Collection was completed in June 2011. Additional drawings were transferred from the Art \u0026 Architecture Library in December 2011 and added in January 2012. In November 2016, the contents of another existing collection of drawings, primarily of Carol M. Newman Library, were added."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00852.xml\" target=\"_blank\"\u003eCarneal and Johnston Architectural Drawings, Ms2001-008\u003c/a\u003e, and \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01833.xml\"\u003eCarneal and Johnston Glass Plate Negatives, Ms2014-016\u003c/a\u003e, at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  Carneal and Johnston Architectural Drawings, Ms2001-008 , and  Carneal and Johnston Glass Plate Negatives, Ms2014-016 , at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA. Dated drawings are from 1907 to 2011, though many are undated. A list of buildings is available in the \"Contents List\" below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_492e95b36483582549554b8cdb21fa8e\" label=\"Abstract\"\u003eCollection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA.\u003c/abstract\u003e"],"abstract_tesim":["Collection consists of architectural drawings, blueprints, and floorplans of selected campus buildings located on the campus of the Virginia Polytechnic Institute and State University in Blacksburg, VA."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Carneal and Johnston (Richmond, Va.)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:08:43.826Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3107"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":32},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1962"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"A. 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