{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Acting\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Acting\u0026f%5Bdate_range%5D%5B%5D=2000\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_602","type":"collection","attributes":{"title":"Living Stage records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602#abstract_or_scope","type":"document_value","attributes":{"value":"The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602"}},{"id":"vino_repositories_5_resources_201","type":"collection","attributes":{"title":"Virginia Stage Company Records","creator":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_201#creator","type":"document_value","attributes":{"value":"Virginia Stage Company","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_201#abstract_or_scope","type":"document_value","attributes":{"value":"Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April. In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vino_repositories_5_resources_201#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_201","ead_ssi":"vino_repositories_5_resources_201","_root_":"vino_repositories_5_resources_201","_nest_parent_":"vino_repositories_5_resources_201","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_201.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/201","title_filing_ssi":"Virginia Stage Company","title_ssm":["Virginia Stage Company Records"],"title_tesim":["Virginia Stage Company Records"],"unitdate_ssm":["circa 1968-2014, undated","Date acquired: 02/05/2016"],"unitdate_inclusive_ssm":["circa 1968-2014, undated"],"unitdate_other_ssim":["Date acquired: 02/05/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 123","/repositories/5/resources/201"],"text":["MG 123","/repositories/5/resources/201","Virginia Stage Company Records","Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)","Open to researchers without restrictions.","Series Descriptions: ","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. ","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. ","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.   This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel.  This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues.  This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings.  This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.   This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters.  This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.","The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell","The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.","The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","ODU Community Collections","Virginia Stage Company","English"],"unitid_tesim":["MG 123","/repositories/5/resources/201"],"normalized_title_ssm":["Virginia Stage Company Records"],"collection_title_tesim":["Virginia Stage Company Records"],"collection_ssim":["Virginia Stage Company Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Stage Company"],"creator_ssim":["Virginia Stage Company"],"creator_corpname_ssim":["Virginia Stage Company"],"creators_ssim":["Virginia Stage Company"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Robert E. Brown","Acc. 2016.005 was given to Special Collections and University Archives from the donor on 2/5/2016."],"access_subjects_ssim":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"access_subjects_ssm":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"extent_tesim":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"genreform_ssim":["programs (documents)"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2016],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries Descriptions: \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Norfolk Theater Center / Stage Down Under (1968-78)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Membership.  \u003c/emph\u003eThis sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous. \u003c/emph\u003e This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: Virginia Stage Company (1978 to Present)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Personnel. \u003c/emph\u003eThis sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous.  \u003c/emph\u003eThis sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series H: Wells Theater, Monroe Building, and Other Venues. \u003c/emph\u003eThis sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: News Clippings. \u003c/emph\u003eThis series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Other Organizations.  \u003c/emph\u003eThis series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Posters. \u003c/emph\u003eThis series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series Descriptions: ","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. ","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. ","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.   This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel.  This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues.  This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings.  This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.   This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters.  This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://www.vastage.org/\"\u003ehttp://www.vastage.org/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]\u003c/p\u003e\n","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc2fd5aff53ac6e30a77ff65500bf224\" label=\"Abstract\"\u003eOriginally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.\u003c/abstract\u003e"],"abstract_tesim":["Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp."],"names_coll_ssim":["Virginia Stage Company"],"names_ssim":["ODU Community Collections","Virginia Stage Company"],"corpname_ssim":["ODU Community Collections","Virginia Stage Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":456,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:49:49.349Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_201","ead_ssi":"vino_repositories_5_resources_201","_root_":"vino_repositories_5_resources_201","_nest_parent_":"vino_repositories_5_resources_201","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_201.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/201","title_filing_ssi":"Virginia Stage Company","title_ssm":["Virginia Stage Company Records"],"title_tesim":["Virginia Stage Company Records"],"unitdate_ssm":["circa 1968-2014, undated","Date acquired: 02/05/2016"],"unitdate_inclusive_ssm":["circa 1968-2014, undated"],"unitdate_other_ssim":["Date acquired: 02/05/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 123","/repositories/5/resources/201"],"text":["MG 123","/repositories/5/resources/201","Virginia Stage Company Records","Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)","Open to researchers without restrictions.","Series Descriptions: ","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. ","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. ","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.   This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel.  This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues.  This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings.  This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.   This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters.  This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.","The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell","The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.","The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Originally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","ODU Community Collections","Virginia Stage Company","English"],"unitid_tesim":["MG 123","/repositories/5/resources/201"],"normalized_title_ssm":["Virginia Stage Company Records"],"collection_title_tesim":["Virginia Stage Company Records"],"collection_ssim":["Virginia Stage Company Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Stage Company"],"creator_ssim":["Virginia Stage Company"],"creator_corpname_ssim":["Virginia Stage Company"],"creators_ssim":["Virginia Stage Company"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Robert E. Brown","Acc. 2016.005 was given to Special Collections and University Archives from the donor on 2/5/2016."],"access_subjects_ssim":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"access_subjects_ssm":["Arts--Virginia--Hampton Roads (Region)","Theatrical companies--Virginia--Norfolk","Nonprofit organizations--Virginia--Norfolk","Theater","Acting","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"extent_tesim":["8.5 Linear Feet","20 Hollinger document cases and 1 oversized folder boxes"],"genreform_ssim":["programs (documents)"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2016],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries Descriptions: \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Norfolk Theater Center / Stage Down Under (1968-78)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Membership.  \u003c/emph\u003eThis sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous. \u003c/emph\u003e This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: Virginia Stage Company (1978 to Present)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series A: Business and Organization. \u003c/emph\u003eThis sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series B: Correspondence.  \u003c/emph\u003eThis sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series C: Finance / Fundraising. \u003c/emph\u003eThis sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series D: Events/ programming. \u003c/emph\u003eThis sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series E: Marketing / Publicity. \u003c/emph\u003eThis sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series F: Personnel. \u003c/emph\u003eThis sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series G: Miscellaneous.  \u003c/emph\u003eThis sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSub-series H: Wells Theater, Monroe Building, and Other Venues. \u003c/emph\u003eThis sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: News Clippings. \u003c/emph\u003eThis series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Other Organizations.  \u003c/emph\u003eThis series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Posters. \u003c/emph\u003eThis series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series Descriptions: ","Series I: Norfolk Theater Center / Stage Down Under (1968-78)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Norfolk Theater Center and the Stage Downunder.  Included are reports, meeting minutes and agendas, personnel and committee information, handbooks, and similar items.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1968 to 1980. ","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1974 to 1979. ","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Norfolk Theater Center and the Stage Downunder.  Included materials are related to fundraising campaigns, budgets, bank statements, grants, receipts and invoices, and financial reports.  Also included are production cost analyses for a handful of productions.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1979.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Norfolk Theater Center and the Stage Downunder.  Included are invitations, programs, and planning materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1968 to 1978.","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Norfolk Theater Center and the Stage Downunder.  Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series F: Membership.   This sub-series contains materials related to membership in the Norfolk Theater Center and the Stage Downunder.  Included are membership brochures, membership campaign materials, and other member related items. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in chronological order.  Materials date from 1975 to 1978.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Norfolk Theater Center and the Stage Downunder that do not fit under other sub-series.  This includes notes, discount cards, tickets, notices, memorabilia, and other materials. Materials are separated by Norfolk Theater Center or Stage Downunder.  Otherwise they are in alphabetical order.  Materials date from 1974 to 1978.","Series II: Virginia Stage Company (1978 to Present)","Sub-series A: Business and Organization.  This sub-series contains business and organizational materials for the Virginia Stage Company.  Materials include bylaws, mission and purpose statements, meeting agendas and minutes, committee information, personnel information, reports, handbooks, agreements, resolutions, and similar items.  Materials are arranged alphabetically by topic and chronologically within topics.  Materials date from 1978 to 2010.","Sub-series B: Correspondence.   This sub-series contains correspondence to and from the Virginia Stage Company.  Material is arranged chronologically and dates from 1979 to 2012.","Sub-series C: Finance / Fundraising.  This sub-series contains materials related to the finances and fundraising efforts of the Virginia Stage Company.  Included are materials related to fundraising campaigns, budgets, grants, receipts and invoices, and financial reports.  Materials are arranged alphabetically by topic and are arranged chronologically within topics. Materials date from 1980 to 2009.","Sub-series D: Events/ programming.  This sub-series contains materials related to events and programming hosted by the Virginia Stage Company.  Included are invitations, programs, and planning materials.  Material is arranged alphabetically and then by date or season.  Dates of materials range from 1980 through 2009","Sub-series E: Marketing / Publicity.  This sub-series contains brochures, pamphlets, press releases, newsletters, marketing plans, and other materials related to marketing and publicity for the Virginia Stage Company.  Material dates from 1980 to 2006. Folders are arranged alphabetically by subject and chronologically within each subject.","Sub-series F: Personnel.  This sub-series contains materials related to Virginia Stage Company Personnel.  Included are resumes, search committees, evaluations, and other such information.  Also included is information on interns and volunteers.  Most of the materials are from the 1990s and early 2000s, though some material from the 1980s is included in the folders.  Many items are not dated.  Material is arranged alphabetically.","Sub-series G: Miscellaneous.   This sub-series contains materials related to the Virginia Stage Company that do not fit under other sub-series.  This includes notes, photos, lists, speeches, and other items.  Most materials are not dated.  They are arranged alphabetically.","Sub-series H: Wells Theater, Monroe Building, and Other Venues.  This sub-series contains materials related to buildings and spaces associated with the Virginia Stage Company.  The majority of the materials related to the purchase and renovation of the Wells Theater.  Other venues include the Monroe Building and the Stage Downunder.  Materials are arranged chronologically and date from 1979 through 2011.","Series III: News Clippings.  This series contains newspaper and magazine clippings related to the Virginia Stage Company, Norfolk Theater Center, and related topics.  Material is arranged chronologically and dates from 1975 through 2014.","Series IV: Other Organizations.   This series contains information related to a handful of other organizations related to the Virginia Stage Company and its members.  This includes the Metropolitan Arts Congress of Tidewater, the Norfolk Commission on the Arts and Humanities, the Virginia Commission for the Arts, the Virginia Opera Association, and the Virginia Orchestra group among others. Most materials date from the late 1970s through the 1990s.  Material is arranged alphabetically by the name of the organization and then chronologically if there is more than one folder for an organization.","Series V: Posters.  This series contains oversize posters related to the Virginia Stage Company and the Wells Theater.  Materials are undated and are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://www.vastage.org/\"\u003ehttp://www.vastage.org/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]\u003c/p\u003e\n","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Virginia Stage Company (VSC) was originally founded as the Norfolk Theater Center in 1968. Originally, theater productions took place in a 120 seat space at the Norfolk Public Library on Freemason Street. In the mid-1970s, productions were moved to a space under Chrysler Hall.  At that time, the Norfolk Theater Center became the Stage Downunder at Scope.  In a move to develop the organization into a professional theater, the organization's Board of Trustees adopted the name \"Virginia Stage Company\" and began hiring professional staff in 1978.  Planning was aided by the National Foundation for the Expansion and Development of American Theater.  With expansion plans in place, the Virginia Stage Company needed to find a venue for productions.  Out of 49 possible venues, the Norfolk Wells Theater was chosen. With the help of the Norfolk Redevelopment and Housing Authority, funds were raised for the purchase of the Wells Theater.  In October 1979, the lease was purchased and initial renovations were begun.  The Virginia Stage Company premiered its opening season at the Wells on February 7, 1980.  In 1986, the Wells Theater was fully restored and became a National Historic Landmark.","The Virginia Stage Company is Hampton Roads only professional theater company. The VSC produces six plays per year running from September through April.  In addition to theater productions, the organization provides educational and community engagement programs including student matinees, in-school tours, workshops, and a summer theater camp.","References:","http://www.vastage.org/","[url=https://en.wikipedia.org/wiki/Virginia_Stage_Company]https://en.wikipedia.org/wiki/Virginia_Stage_Company[/url]","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Stage Company Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and the finding aid was created by Mel Frizzell, Special Collections Assistant, from May 2016 to March 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes materials related to the Virginia Stage Company and its predecessors - the Norfolk Theater Center and the Stage Down Under.  Materials include organizational records, correspondence, budgets and financial records, event flyers and programs, personnel and membership records, marketing materials, and news clippings.  Records related to the Wells Theater, the Monroe Building, and other venues and spaces owned or leased by the organization are also included.  Materials date from 1968 to 2014."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc2fd5aff53ac6e30a77ff65500bf224\" label=\"Abstract\"\u003eOriginally founded as the Norfolk Theater Center in 1968 and later renamed in 1978, the Virginia Stage Company is Hampton Roads only professional theater company. 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