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Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c35","ref_ssm":["viumu_mackay-smith_c35"],"id":"viumu_mackay-smith_c35","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea.","Three parts, folio, 213x177 (256x182): VIOLINO PRIMO: Title, royal privilege, in letterpress, dated \"5 November 1731\" and signed \"Harrington\". Letter of dedication, verso blank, [i-ii]. Music, pp. 1-23. Blank, [24]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-20. BASSO (2 copies): Title, verso blank. Music, pp. 1-19. Blank, [20].","Bononcini, Giovanni, 1670-1747","Bononcini, Giovanni, 1670-1747","London (England)","Minuet","A","B♭","C","D","E","F","G","B","12/8","2","2/4","3/4","3/8","6/8","C|","Adagio","Adagio e piano","Affettuoso","Allegro","Allegro assai","Andante","Andante moderato","Con spirito","Largo","Largo andante","Lento","Lento e dolce","Menuet allegro","Menuet andante","Menuet andante largo","Menuet moderato","Menuet presto","Menuet spiritoso","Menuet vivace","Menuet non presto","Moderato","Moderato e affettuoso","Non presto e staccato","Presto","Spiritoso","Tempo moderato","Tempo giusto","Vivace","Contents SONATA I F Adagio C Spiritoso C Moderato 3/4 Allegro assai C| SONATA II g Largo C Andante C Lento 3/4 Allegro 2 Menuet non Presto 3/8 SONATA III D Largo C Spiritoso C Lento 3/4 Vivace 2 Menuet non Presto 3/4 SONATA IV B♭ Andante Moderato C Presto 2 Affettuoso 3/4 Menuet Presto 3/4 SONATA V C Tempo Moderato C Allegro 12/8 Lento 3/4 Menuet Vivace 3/4 SONATA VI A Moderato e Affettuoso C Con Spirito 3/4 Adagio e Piano C Presto 2 SONATA VII c Adagio C Andante C Vivace 12/8 Lento 3/4 Menuet Moderato 3/8 SONATA VIII G Adagio C - Tempo giusto C Vivace 3/4 Adagio e Piano C Menuet Allegro 3/8 SONATA IX b Adagio 3/4 - Vivace C Largo 3/4 Allegro 12/8 Menuet Andante Largo 3/8 SONATA X E Largo Andante C Allegro 6/8 Lento e dolce 3/4 Menuet Spiritoso 3/4 SONATA XI d Tempo giusto C Spiritoso 3/4 Lento 3/4 Allegro 2/4 SONATA XII f Largo C - Non Presto, e Staccato C Spiritoso 3/4 Largo 3/4 Menuet Andante 3/8","M312.4.B64 1732"],"title_filing_ssi":"XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea.","title_ssm":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"title_tesim":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"unitdate_other_ssim":["1732. Title-page"],"normalized_date_ssm":["1732"],"normalized_title_ssm":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 213x177 (256x182): VIOLINO PRIMO: Title, royal privilege, in letterpress, dated \"5 November 1731\" and signed \"Harrington\". Letter of dedication, verso blank, [i-ii]. Music, pp. 1-23. Blank, [24]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-20. BASSO (2 copies): Title, verso blank. Music, pp. 1-19. 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Presto 2 SONATA VII c Adagio C Andante C Vivace 12/8 Lento 3/4 Menuet Moderato 3/8 SONATA VIII G Adagio C - Tempo giusto C Vivace 3/4 Adagio e Piano C Menuet Allegro 3/8 SONATA IX b Adagio 3/4 - Vivace C Largo 3/4 Allegro 12/8 Menuet Andante Largo 3/8 SONATA X E Largo Andante C Allegro 6/8 Lento e dolce 3/4 Menuet Spiritoso 3/4 SONATA XI d Tempo giusto C Spiritoso 3/4 Lento 3/4 Allegro 2/4 SONATA XII f Largo C - Non Presto, e Staccato C Spiritoso 3/4 Largo 3/4 Menuet Andante 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B64 1732\u003c/physloc\u003e"],"physloc_tesim":["M312.4.B64 1732"],"_nest_path_":"/components#34","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                    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type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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         \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c35"}},{"id":"viumu_mackay-smith_c159","type":"Item","attributes":{"title":"XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c159#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e56744\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e56752\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56760\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e56768\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56776\"\u003eMenuet3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e56796\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56804\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli 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XI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e57194\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57202\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57210\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e57218\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e57238\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57246\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e57254\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e57262\"\u003eGigue6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c159#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c159","ref_ssm":["viumu_mackay-smith_c159"],"id":"viumu_mackay-smith_c159","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand.","Three parts, folio, 144x176 (259x189): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-20. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. BASSO CONTINUO: Same as VIOLINO SECONDO.","Harp and Hoboy","Harp and Hoboy","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Owain Edwards","William S. Newman","London (England)","Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Minuet","Sarabanda largo","Smith-Humphries , no. 852.","It is unclear if J.S. Humphries and John Humphries were the same composer. See Owain Edwards , \" Humphries, John ,\" The New Grove , v. 8, p. 792 and William S. Newman , The Sonata in the Baroque Era , 3d ed. ( New York : Norton , 1972 ) , pp. 317-318.","Contents SONATA I G Adagio 3/2 Allegro C Adagio 3/2 Allegro C Menuet 3/8 SONATA II e Adagio 3/4 Allegro 3/4 Aria Largo 3/4 Menuett 3/8 SONATA III c Adagio 3/4 Allegro C Adagio 3/4 Allegro C SONATA IV f Adagio C Allegro C Adagio 3/2 Minuet 3/8 SONATA V D Adagio C Allegro C Largo 3/8 Gigue 6/8 SONATA VI A Adagio C Allegro C Adagio C Allegro 3/8 SONATA VII e Adagio 3/4 Allegro C Adagio 3/4 Gigue 6/8 SONATA VIII E♭ Adagio 3/2 Allegro C Adagio C Gigue 6/8 SONATA IX E Adagio C Allegro C Adagio 3/2 Menuet 3/8 SONATA X c Adagio C Allegro C Adagio C Allegro 3/8 SONATA XI g Adagio C Allegro C Adagio C Allegro 3/8 SONATA XII F Adagio 3/4 Allegro C Sarabanda Largo 3/4 Gigue 6/8","M312.4.H85 1750"],"title_filing_ssi":"XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand.","title_ssm":["XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand."],"title_tesim":["XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand."],"unitdate_other_ssim":["ca. 1736"],"normalized_date_ssm":["1736"],"normalized_title_ssm":["XII SONATAS, FOR TWO VIOLINS; WITH A THROUGH BASS FOR THE HARPSICHORD. Composed by J: S: Humphries. Opera Prima. N.B. These Sonatas are proper to be play'd with two German Flutes \u0026c. Likewise where these are Sold may be had great variety of new Concertos, Sonatas, and Solos, for all Instruments in use. London. Printed for, and Sold by I: Walsh, Musick Printer, and Instrument maker to his Majesty, at the Harp and Hoboy, in Catherine Street, in the Strand."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 144x176 (259x189): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-20. VIOLINO SECONDO: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. BASSO CONTINUO: Same as VIOLINO SECONDO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":569,"date_range_isim":[1736],"names_ssim":["Harp and Hoboy","Harp and Hoboy","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Humphries, John, ca. 1707-ca. 1740","Walsh, John, 1665 or 6-1736","Owain Edwards","William S. 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Newman"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Minuet","Sarabanda largo"],"access_subjects_ssm":["Aria","Jig","Minuet","Sarabande","A","D","E","E♭","F","G","C","3/2","3/4","3/8","6/8","Adagio","Allegro","Aria largo","Gigue","Largo","Menuet","Menuett","Minuet","Sarabanda largo"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 852.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries , no. 852."],"note_html_tesm":["\u003cp\u003eIt is unclear if J.S. Humphries and John Humphries were the same composer. See\u003cbibref\u003e\n                     \u003cpersname\u003eOwain Edwards\u003c/persname\u003e, \"\u003ctitle\u003eHumphries, John\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e\n                  \u003c/bibref\u003e, v. 8, p. 792 and\u003cbibref\u003e\n                     \u003cpersname\u003eWilliam S. Newman\u003c/persname\u003e,\u003ctitle\u003eThe Sonata in the Baroque Era\u003c/title\u003e,\u003cimprint\u003e3d ed. (\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eNorton\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e)\u003c/imprint\u003e, pp. 317-318.\u003c/bibref\u003e\n               \u003c/p\u003e"],"note_tesim":["It is unclear if J.S. Humphries and John Humphries were the same composer. See Owain Edwards , \" Humphries, John ,\" The New Grove , v. 8, p. 792 and William S. Newman , The Sonata in the Baroque Era , 3d ed. ( New York : Norton , 1972 ) , pp. 317-318."],"scopecontent_tesim":["Contents SONATA I G Adagio 3/2 Allegro C Adagio 3/2 Allegro C Menuet 3/8 SONATA II e Adagio 3/4 Allegro 3/4 Aria Largo 3/4 Menuett 3/8 SONATA III c Adagio 3/4 Allegro C Adagio 3/4 Allegro C SONATA IV f Adagio C Allegro C Adagio 3/2 Minuet 3/8 SONATA V D Adagio C Allegro C Largo 3/8 Gigue 6/8 SONATA VI A Adagio C Allegro C Adagio C Allegro 3/8 SONATA VII e Adagio 3/4 Allegro C Adagio 3/4 Gigue 6/8 SONATA VIII E♭ Adagio 3/2 Allegro C Adagio C Gigue 6/8 SONATA IX E Adagio C Allegro C Adagio 3/2 Menuet 3/8 SONATA X c Adagio C Allegro C Adagio C Allegro 3/8 SONATA XI g Adagio C Allegro C Adagio C Allegro 3/8 SONATA XII F Adagio 3/4 Allegro C Sarabanda Largo 3/4 Gigue 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.H85 1750\u003c/physloc\u003e"],"physloc_tesim":["M312.4.H85 1750"],"_nest_path_":"/components#158","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n  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type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e56768\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e56776\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMenuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform 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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c159"}},{"id":"viumu_mackay-smith_c183","type":"Item","attributes":{"title":"XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c183#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e64937\"\u003ePoco LargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64945\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64953\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e64961\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e64969\"\u003eGavotta Poco Allegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e64989\"\u003eLargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64997\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65005\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65013\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65021\"\u003eMenuet3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65030\"\u003e[no indication]3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e65050\"\u003eGraveC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65058\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e65066\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65074\"\u003eVivaceC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ed\u003cul\u003e\n\u003cli 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VII\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e65227\"\u003eLarghettoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65235\"\u003eAllegro3\u003c/li\u003e\n\u003cli id=\"mvtd1e65243\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65251\"\u003eAllegro Assai2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e65271\"\u003e\n\u003cabbr\u003eSisilliano\u003c/abbr\u003eAffettuoso6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65282\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e65290\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e65298\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e65318\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e65326\"\u003ePoco AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65334\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65342\"\u003eAllegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e65362\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65370\"\u003ePoco AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65378\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e65386\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e65407\"\u003eAdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65415\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65423\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65431\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e65451\"\u003e\n\u003cabbr\u003eAffetuoso\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e65461\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e65469\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e65477\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c183#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c183","ref_ssm":["viumu_mackay-smith_c183"],"id":"viumu_mackay-smith_c183","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange","Three parts, folio, 260x182 (265x195): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-24. Blank, [25]. Pages 7-8 (Sonata IV) and 11-12 (Sonata VI) have heading: \"Flauto\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Prima\". Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]. Pages 3-4 (Sonata II), 7-8 (Sonata IV), and 11-12 (Sonata VI) have heading: \"Hautboy Secondo\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Secondo\". Basso Continuo (2 copies): Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25].","John and Joseph Hare","Harp and Hoboy","Viol and Flute","John and Joseph Hare","Harp and Hoboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736","London (England)","Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]","Smith-Humphries , no. 958.","Dedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item.","Contents SONATA I B♭ Poco Largo C| Allegro 3/4 Grave C Andante C Gavotta Poco Allegro 2 SONATA II F Largo C| Allegro C| Largo 3/2 Allegro 3/8 Menuet 3/8 [no indication] 3/8 SONATA III A Grave C| Allegro 3/4 Largo 3 Vivace C| SONATA IV d Largo C| Allegro C| Adagio 3/2 Allegro 3/8 SONATA V g Vivace C| Allegro 3 Largo 3 Allegro 12/8 SONATA VI c Largo 3 Allegro C| Adagio 3/2 Allegro 2 SONATA VII E Larghetto C| Allegro 3 Largo 3 Allegro Assai 2 SONATA VIII b Sisilliano Affettuoso 6/8 Allegro 3/4 Largo C Allegro 3/8 SONATA IX g Adagio C Poco Allegro C| Largo 3 Allegro 2 SONATA X e Largo 3 Poco Allegro C| Largo 3 Allegro 12/8 SONATA XI D Adagio C| Allegro C| Largo 3/2 Allegro 3/4 SONATA XII G Affetuoso 6/8 Allegro C| Largo 3/2 Allegro 3/8","M312.4.L62 1725"],"title_filing_ssi":"XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange","title_ssm":["XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange"],"title_tesim":["XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange"],"unitdate_other_ssim":["ca. 1725"],"normalized_date_ssm":["1725"],"normalized_title_ssm":["XII SONATAS in three Parts Six of which are for two VIOLINS and a BASS three for two GERMAN FLUTES and three for a HAUTBOY \u0026 common FLUTE with a BASS for the VIOLONCELLO and a Thorough BASS for the HARPSICORD Compos'd by Mr: John Loeillet Opera Secunda London Printed for and sold by I: Walsh servant to his Majesty at the Harp and Hoboy in Catherine. street in the Strand. and Ino. and Ioseph Hare at the Viol and Flute in Cornhill near the Royal Exchange"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 260x182 (265x195): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-24. Blank, [25]. Pages 7-8 (Sonata IV) and 11-12 (Sonata VI) have heading: \"Flauto\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Prima\". Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]. Pages 3-4 (Sonata II), 7-8 (Sonata IV), and 11-12 (Sonata VI) have heading: \"Hautboy Secondo\". Pages 15-16 (Sonata VIII), 19-20 (Sonata X), and 23-24 (Sonata XII) have heading: \"Traversa Secondo\". Basso Continuo (2 copies): Title, verso blank. Blank, [i]. Music, pp. 1-24. Blank, [25]."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":657,"date_range_isim":[1725],"names_ssim":["John and Joseph Hare","Harp and Hoboy","Viol and Flute","John and Joseph Hare","Harp and Hoboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736","Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736"],"corpname_ssim":["John and Joseph Hare","Harp and Hoboy","Viol and Flute","John and Joseph Hare"],"persname_ssim":["Lœillet, Jean Baptiste, b. 1688","Walsh, John, 1665 or 6-1736","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]"],"access_subjects_ssm":["Gavotte","Minuet","Siciliana","A","B♭","D","E","F","G","B","C","12/8","2","3","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso","Allegro","Allegro assai","Andante","Gavotta poco allegro","Grave","Larghetto","Largo","Menuet","Poco allegro","Poco largo","Siciliano affettuoso","Vivace","[no indication]"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 958.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries , no. 958."],"note_html_tesm":["\u003cp\u003eDedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item.\u003c/p\u003e"],"note_tesim":["Dedicated \"To the most Noble his Grace John Duke of Rutland...\". The letter of dedication cited by Priestman (p. 226) varies: \"To the Most Illustrious Prince John Duke of Rutland...\". The collection contains a second copy of this item."],"scopecontent_tesim":["Contents SONATA I B♭ Poco Largo C| Allegro 3/4 Grave C Andante C Gavotta Poco Allegro 2 SONATA II F Largo C| Allegro C| Largo 3/2 Allegro 3/8 Menuet 3/8 [no indication] 3/8 SONATA III A Grave C| Allegro 3/4 Largo 3 Vivace C| SONATA IV d Largo C| Allegro C| Adagio 3/2 Allegro 3/8 SONATA V g Vivace C| Allegro 3 Largo 3 Allegro 12/8 SONATA VI c Largo 3 Allegro C| Adagio 3/2 Allegro 2 SONATA VII E Larghetto C| Allegro 3 Largo 3 Allegro Assai 2 SONATA VIII b Sisilliano Affettuoso 6/8 Allegro 3/4 Largo C Allegro 3/8 SONATA IX g Adagio C Poco Allegro C| Largo 3 Allegro 2 SONATA X e Largo 3 Poco Allegro C| Largo 3 Allegro 12/8 SONATA XI D Adagio C| Allegro C| Largo 3/2 Allegro 3/4 SONATA XII G Affetuoso 6/8 Allegro C| Largo 3/2 Allegro 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.L62 1725\u003c/physloc\u003e"],"physloc_tesim":["M312.4.L62 1725"],"_nest_path_":"/components#182","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64937\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePoco Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64945\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. 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Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c253#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c253","ref_ssm":["viumu_mackay-smith_c253"],"id":"viumu_mackay-smith_c253","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS of three Parts for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang.","Four parts, quarto, 275x173 (280x177): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-17. Blank, [18]. VIOLINO SECUNDO: Title, verso blank. Music, pp. 1-16. VIOLONCELLO: Same as VIOLINO SECUNDO. ORGANO: Same as VIOLINO PRIMO.","Harp and Hoboy","Viol and Flute","Harp and Hoboy","Viol and Flute","Valentine, Robert, 1674-ca. 1735","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","Valentine, Robert, 1674-ca. 1735","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","A","B♭","C","D","E","E♭","F","G","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Vivace","Smith no. 419.","Contents SONATA I a Adagio C Allegro C Adagio 3/2 Allegro 3/4 SONATA II D Adagio C Allegro C Adagio 3/4 Allegro C| SONATA III F Grave C Allegro C Adagio 3/2 Allegro 12/8 SONATA IV C Grave C Allegro C Adagio 3/2 Allegro 3/4 SONATA V G Grave C Allegro 6/8 Adagio C Allegro 12/8 SONATA VI d Adagio C Allegro C Adagio C Allegro 6/8 SONATA VII A Grave C Allegro C Adagio 3/2 Allegro 3/4 SONATA VIII B♭ Vivace C Allegro 6/8 Adagio 3/2 Allegro 3/4 SONATA IX g Grave C Allegro C Adagio 3/4 Allegro C SONATA X E♭ Grave C Allegro 6/8 Largo C Allegro 3/8 SONATA XI c Grave C Allegro C Adagio 3/2 Allegro 6/8 SONATA XII E Grave C Allegro C Adagio 3/4 Allegro 12/8","M312.4.V34 1710"],"title_filing_ssi":"XII SONATAS of three Parts for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang.","title_ssm":["XII SONATAS of three Parts for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang."],"title_tesim":["XII SONATAS of three Parts for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang."],"unitdate_other_ssim":["ca. 1712"],"normalized_date_ssm":["1712"],"normalized_title_ssm":["XII SONATAS of three Parts for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Mr: Valentine at Rome. Opera Prima. LONDON, Printed for J. Walsh Servt. to her Majty at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Four parts, quarto, 275x173 (280x177): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-17. Blank, [18]. VIOLINO SECUNDO: Title, verso blank. Music, pp. 1-16. VIOLONCELLO: Same as VIOLINO SECUNDO. ORGANO: Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":911,"date_range_isim":[1712],"names_ssim":["Harp and Hoboy","Viol and Flute","Harp and Hoboy","Viol and Flute","Valentine, Robert, 1674-ca. 1735","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","Valentine, Robert, 1674-ca. 1735","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"corpname_ssim":["Harp and Hoboy","Viol and Flute"],"persname_ssim":["Valentine, Robert, 1674-ca. 1735","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["A","B♭","C","D","E","E♭","F","G","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Vivace"],"access_subjects_ssm":["A","B♭","C","D","E","E♭","F","G","12/8","3/2","3/4","3/8","6/8","C|","Adagio","Allegro","Grave","Largo","Vivace"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 419.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith no. 419."],"scopecontent_tesim":["Contents SONATA I a Adagio C Allegro C Adagio 3/2 Allegro 3/4 SONATA II D Adagio C Allegro C Adagio 3/4 Allegro C| SONATA III F Grave C Allegro C Adagio 3/2 Allegro 12/8 SONATA IV C Grave C Allegro C Adagio 3/2 Allegro 3/4 SONATA V G Grave C Allegro 6/8 Adagio C Allegro 12/8 SONATA VI d Adagio C Allegro C Adagio C Allegro 6/8 SONATA VII A Grave C Allegro C Adagio 3/2 Allegro 3/4 SONATA VIII B♭ Vivace C Allegro 6/8 Adagio 3/2 Allegro 3/4 SONATA IX g Grave C Allegro C Adagio 3/4 Allegro C SONATA X E♭ Grave C Allegro 6/8 Largo C Allegro 3/8 SONATA XI c Grave C Allegro C Adagio 3/2 Allegro 6/8 SONATA XII E Grave C Allegro C Adagio 3/4 Allegro 12/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.V34 1710\u003c/physloc\u003e"],"physloc_tesim":["M312.4.V34 1710"],"_nest_path_":"/components#252","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e87720\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n            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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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         \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c253"}},{"id":"viumu_mackay-smith_c182","type":"Item","attributes":{"title":"XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c182#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e64243\"\u003eAdagioC-PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e64257\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64265\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e64273\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64281\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli 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Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64541\"\u003eAdagioC-Vivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e64567\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e64575\"\u003eVivace2\u003c/li\u003e\n\u003cli id=\"mvtd1e64583\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e64591\"\u003eVivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e64611\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e64619\"\u003eAllemanda Poco AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64627\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64635\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e64643\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eB♭\u003cul\u003e\n\u003cli 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id=\"mvtd1e64784\"\u003eSiciliana Affettuoso et Poco Largo6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e64793\"\u003eGiga Vivace6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e64813\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e64821\"\u003eVivaceC|\u003c/li\u003e\n\u003cli id=\"mvtd1e64829\"\u003eLargoC-Allegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e64843\"\u003eGavotta Presto2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c182#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c182","ref_ssm":["viumu_mackay-smith_c182"],"id":"viumu_mackay-smith_c182","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange","Score, folio, 271x154 (275x157): Title, verso blank. Blank, [1]. Music, pp 2-51. Blank, [52].","Harp and Hautboy","Viol and Flute","Harp and Hautboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","Lœillet, Jean Baptiste, b. 1688","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Gavotte","Jig","Sarabande","Siciliana","A","B♭","C","E♭","F","G","D","E","12/8","2","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso et grave","Allegro","Allemanda poco allegro","Allemanda poco grave","Allemanda vivace","Corrente allegro","Gavotta poco allegro","Gavotta presto","Giga allegro","Giga vivace","Largo","Poco allegro","Presto","Sarabanda largo","Siciliana affettuoso et poco largo","Vivace","Similar to Smith no. 556, which has \"Terza\" in MS and was announced in the Post Man , December 20-23, 1718.","Contents SONATA I C Adagio C - Presto C Vivace 3/4 Adagio C Allegro C| Adagio 3/2 Allegro 12/8 SONATA II B♭ Largo C| Allegro C| Adagio C - Allegro 3/4 Largo 3/2 Giga Allegro 6/8 SONATA III g Affettuoso et Grave 6/8 Allegro C| Adagio C Giga Allegro 6/8 SONATA IV G Adagio 3/2 Allegro C| Sarabanda Largo 3/4 Allegro 3/8 SONATA V c Largo 3/4 Allegro C| Poco Allegro 3/4 Adagio C Giga Allegro 12/8 SONATA VI e Largo 3/4 Allemanda Poco Grave C| Adagio 3/2 Corrente Allegro 3/4 Adagio C - Vivace 3/4 SONATA VII E♭ Largo C Vivace 2 Adagio 3/2 Vivace 3/4 SONATA VIII F Largo C Allemanda Poco Allegro C| Vivace 3/4 Largo 3/2 Allegro 6/8 SONATA IX B♭ Largo 3/4 Allegro C| Sarabanda Largo 3/4 Giga Allegro 12/8 SONATA X d Largo C Allegro C| Adagio 3/2 Giga Allegro 12/8 SONATA XI A Largo C Allemanda Vivace C| Gavotta Poco Allegro 2 Sarabanda Largo 3/4 Siciliana Affettuoso et Poco Largo 6/8 Giga Vivace 6/8 SONATA XII e Adagio 3/4 Vivace C| Largo C - Allegro 3/8 Gavotta Presto 2","M242.L8 1715"],"title_filing_ssi":"XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange","title_ssm":["XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange"],"title_tesim":["XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange"],"unitdate_other_ssim":["1718 or 1719"],"normalized_date_ssm":["1718/1719"],"normalized_title_ssm":["XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; \u0026 I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, folio, 271x154 (275x157): Title, verso blank. Blank, [1]. Music, pp 2-51. Blank, [52]."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":656,"date_range_isim":[1718,1719],"names_ssim":["Harp and Hautboy","Viol and Flute","Harp and Hautboy","Viol and Flute","Lœillet, Jean Baptiste, b. 1688","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","Lœillet, Jean Baptiste, b. 1688","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"corpname_ssim":["Harp and Hautboy","Viol and Flute"],"persname_ssim":["Lœillet, Jean Baptiste, b. 1688","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Sarabande","Siciliana","A","B♭","C","E♭","F","G","D","E","12/8","2","3/2","3/4","3/8","6/8","C|","Adagio","Affettuoso et grave","Allegro","Allemanda poco allegro","Allemanda poco grave","Allemanda vivace","Corrente allegro","Gavotta poco 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in MS and was announced in the Post Man , December 20-23, 1718."],"scopecontent_tesim":["Contents SONATA I C Adagio C - Presto C Vivace 3/4 Adagio C Allegro C| Adagio 3/2 Allegro 12/8 SONATA II B♭ Largo C| Allegro C| Adagio C - Allegro 3/4 Largo 3/2 Giga Allegro 6/8 SONATA III g Affettuoso et Grave 6/8 Allegro C| Adagio C Giga Allegro 6/8 SONATA IV G Adagio 3/2 Allegro C| Sarabanda Largo 3/4 Allegro 3/8 SONATA V c Largo 3/4 Allegro C| Poco Allegro 3/4 Adagio C Giga Allegro 12/8 SONATA VI e Largo 3/4 Allemanda Poco Grave C| Adagio 3/2 Corrente Allegro 3/4 Adagio C - Vivace 3/4 SONATA VII E♭ Largo C Vivace 2 Adagio 3/2 Vivace 3/4 SONATA VIII F Largo C Allemanda Poco Allegro C| Vivace 3/4 Largo 3/2 Allegro 6/8 SONATA IX B♭ Largo 3/4 Allegro C| Sarabanda Largo 3/4 Giga Allegro 12/8 SONATA X d Largo C Allegro C| Adagio 3/2 Giga Allegro 12/8 SONATA XI A Largo C Allemanda Vivace C| Gavotta Poco Allegro 2 Sarabanda Largo 3/4 Siciliana Affettuoso et Poco Largo 6/8 Giga Vivace 6/8 SONATA XII e Adagio 3/4 Vivace C| Largo C - Allegro 3/8 Gavotta Presto 2"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM242.L8 1715\u003c/physloc\u003e"],"physloc_tesim":["M242.L8 1715"],"_nest_path_":"/components#181","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64243\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64257\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64265\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64273\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem 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type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64318\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64326\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64340\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64348\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64368\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAffettuoso et Grave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64376\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64384\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64392\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64412\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64420\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64428\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64436\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64457\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64465\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64473\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePoco Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64481\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64489\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64509\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64517\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Poco Grave\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64525\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64533\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCorrente Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64541\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64567\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64575\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64583\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64591\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64611\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64619\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Poco Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64627\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     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type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64671\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64679\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64687\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform 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     \u003citem id=\"mvtd1e64723\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64731\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64752\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64760\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64768\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotta Poco Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64776\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64784\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSiciliana Affettuoso et Poco Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64793\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Vivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e64813\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64821\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64829\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e64843\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGavotta Presto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c182"}},{"id":"viumu_mackay-smith_c233","type":"Item","attributes":{"title":"XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c233#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e80079\"\u003e\n\u003cabbr\u003eAndte. Grazo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e80089\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80097\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80105\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e80125\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80133\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e80141\"\u003eTempo di Minuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e80161\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e80169\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80177\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e80185\"\u003eMinuet spiritoso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e80205\"\u003eAndante Grazioso12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e80213\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80221\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e80229\"\u003e\n\u003cabbr\u003eCiacona\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e80250\"\u003e\n\u003cabbr\u003eAndte.\u003c/abbr\u003esostenuto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80261\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e80269\"\u003eSarabanda Allo ma non tanto e Grazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e80289\"\u003eSpiritoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80297\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e80305\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80313\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eSostenuto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e80336\"\u003eSpiritosoC-Allegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e80350\"\u003eMinuet Grazioso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80358\"\u003eAndante\u003cabbr\u003eAllo.\u003c/abbr\u003e2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e80381\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e80389\"\u003eAllegro ComodoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80397\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80405\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e80425\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80433\"\u003eAndantino, e Cantabile2/3\u003c/li\u003e\n\u003cli id=\"mvtd1e80441\"\u003eAllegro Moderato2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e80461\"\u003eAndante SostenutoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80469\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e80477\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80485\"\u003eAndante\u003cabbr\u003eGrazzio\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e80509\"\u003eAndante AmorosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80517\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eSostenutoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e80528\"\u003eAndantino3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80536\"\u003eAndante Amoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e80544\"\u003eAllegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e80564\"\u003eSpiritoso6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e80572\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e80580\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e80588\"\u003e\n\u003cabbr\u003eRondò\u003c/abbr\u003e\u003cabbr\u003eAllo. moderto.\u003c/abbr\u003ee Grazioso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e80602\"\u003ePastorale\u003cabbr\u003eAnde.\u003c/abbr\u003esostenuto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c233#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c233","ref_ssm":["viumu_mackay-smith_c233"],"id":"viumu_mackay-smith_c233","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand.","Three parts, folio, 248x166 (263x185): Violino Primo: Title, verso blank. Letter of dedication as in no. 237, p. [i]. Music, pp. 1-36. Blank, [37]. Violino Secondo: Title. Music, pp. 1-36. Blank, [37]. Violoncello: Title. Music, pp. 1-34. Blank, [35].","Roberts, Henry, ca. 1710-ca. 1790","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Walsh, John, 1665 or 6-1736","Roberts, Henry, ca. 1710-ca. 1790","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Walsh, John, 1665 or 6-1736","London (England)","Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet","Similar to Smith-Humphries , no. 1330, which was announced in General Advertiser , January 28, 1747.","Another issue of no. 237 and an earlier state of Smith-Humphries no. 1330, in which pp. 4-5 of Violino Primo are re-engraved. At bottom of letter of dedication: \"H Roberts sculp.\"","Contents SONATA I A Andte. Grazo. C Allegro 3/4 Andantino C Allegro C| SONATA II e Andante 3/4 Allegro C Tempo di Minuet 3/4 SONATA III B♭ Allegro C Andante 3/4 Allegro 2 Minuet spiritoso 3/8 SONATA IV G Andante Grazioso 12/8 Allegro 2/4 Andante C Ciacona 3/4 SONATA V g Andte. sostenuto 3/4 Allegro C| Sarabanda Allo ma non tanto e Grazioso 3/4 SONATA VI D Spiritoso 3/4 Allegro 2 Andantino C Allo. Sostenuto 3/4 SONATA VII e Spiritoso C - Allegro 6/8 Minuet Grazioso 3/4 Andante Allo. 2 SONATA VIII D Andante C Allegro Comodo C Andante 3/4 Allegro 12/8 SONATA IX a Allegro 3/4 Andantino, e Cantabile 2/3 Allegro Moderato 2 SONATA X c Andante Sostenuto C Allegro C Andantino C Andante Grazzio 6/8 SONATA XI E Andante Amoroso C Allo. Sostenuto C| Andantino 3/4 Andante Amoroso 3/4 Allegro 2 SONATA XII g Spiritoso 6/8 Allegro 2 Spiritoso C Rondò Allo. moderto. e Grazioso 3/8 Pastorale Ande. sostenuto 12/8","M312.4.S34 Op.3 1740"],"title_filing_ssi":"XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand.","title_ssm":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand."],"title_tesim":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand."],"unitdate_other_ssim":["1747"],"normalized_date_ssm":["1747"],"normalized_title_ssm":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer \u0026 Instrument Maker to his Majesty in Catharine Street in the Strand."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 248x166 (263x185): Violino Primo: Title, verso blank. Letter of dedication as in no. 237, p. [i]. Music, pp. 1-36. Blank, [37]. Violino Secondo: Title. Music, pp. 1-36. Blank, [37]. Violoncello: Title. Music, pp. 1-34. Blank, [35]."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":831,"date_range_isim":[1747],"names_ssim":["Roberts, Henry, ca. 1710-ca. 1790","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Walsh, John, 1665 or 6-1736","Roberts, Henry, ca. 1710-ca. 1790","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Walsh, John, 1665 or 6-1736"],"persname_ssim":["Roberts, Henry, ca. 1710-ca. 1790","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Walsh, John, 1665 or 6-1736","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet"],"access_subjects_ssm":["Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet"],"bibliography_html_tesm":["\u003cp\u003eSimilar to\u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 1330, which was announced in\u003cbibref\u003e\n                     \u003ctitle\u003eGeneral Advertiser\u003c/title\u003e\n                  \u003c/bibref\u003e, January 28, 1747.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Similar to Smith-Humphries , no. 1330, which was announced in General Advertiser , January 28, 1747."],"note_html_tesm":["\u003cp\u003eAnother issue of no. 237 and an earlier state of Smith-Humphries no. 1330, in which pp. 4-5 of Violino Primo are re-engraved. At bottom of letter of dedication: \"H Roberts sculp.\"\u003c/p\u003e"],"note_tesim":["Another issue of no. 237 and an earlier state of Smith-Humphries no. 1330, in which pp. 4-5 of Violino Primo are re-engraved. At bottom of letter of dedication: \"H Roberts sculp.\""],"scopecontent_tesim":["Contents SONATA I A Andte. Grazo. C Allegro 3/4 Andantino C Allegro C| SONATA II e Andante 3/4 Allegro C Tempo di Minuet 3/4 SONATA III B♭ Allegro C Andante 3/4 Allegro 2 Minuet spiritoso 3/8 SONATA IV G Andante Grazioso 12/8 Allegro 2/4 Andante C Ciacona 3/4 SONATA V g Andte. sostenuto 3/4 Allegro C| Sarabanda Allo ma non tanto e Grazioso 3/4 SONATA VI D Spiritoso 3/4 Allegro 2 Andantino C Allo. Sostenuto 3/4 SONATA VII e Spiritoso C - Allegro 6/8 Minuet Grazioso 3/4 Andante Allo. 2 SONATA VIII D Andante C Allegro Comodo C Andante 3/4 Allegro 12/8 SONATA IX a Allegro 3/4 Andantino, e Cantabile 2/3 Allegro Moderato 2 SONATA X c Andante Sostenuto C Allegro C Andantino C Andante Grazzio 6/8 SONATA XI E Andante Amoroso C Allo. Sostenuto C| Andantino 3/4 Andante Amoroso 3/4 Allegro 2 SONATA XII g Spiritoso 6/8 Allegro 2 Spiritoso C Rondò Allo. moderto. e Grazioso 3/8 Pastorale Ande. sostenuto 12/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.S34 Op.3 1740\u003c/physloc\u003e"],"physloc_tesim":["M312.4.S34 Op.3 1740"],"_nest_path_":"/components#232","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80079\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Andante Grazioso\"\u003eAndte. Grazo.\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80089\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80097\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80105\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80125\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80133\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80141\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eTempo di Minuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80161\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80169\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80177\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80185\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuet spiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80205\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Grazioso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80213\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80221\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80229\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Ciaccona\"\u003eCiacona\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80250\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Andante\"\u003eAndte.\u003c/abbr\u003esostenuto\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80261\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80269\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Allo ma non tanto e Grazioso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80289\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSpiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80297\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80305\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80313\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eSostenuto\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80336\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSpiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80350\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuet Grazioso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80358\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003cemph\u003e\n                                 \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA VIII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80381\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80389\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro Comodo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80397\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80405\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80425\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80433\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino, e Cantabile\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2/3\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80441\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro Moderato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA X\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80461\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Sostenuto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80469\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80477\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e80485\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003cemph\u003e\n                                 \u003cabbr expan=\"Grazioso\"\u003eGrazzio\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA XI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eE\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e80509\"\u003e\n                           \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c233"}},{"id":"viumu_mackay-smith_c232","type":"Item","attributes":{"title":"XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c232#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e79438\"\u003e\n\u003cabbr\u003eAndte. Grazo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e79448\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79456\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79464\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e79484\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79492\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e79500\"\u003eTempo di Minuet3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e79520\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e79528\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79536\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e79544\"\u003eMinuet spiritoso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e79564\"\u003eAndante Grazioso12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79572\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79580\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e79588\"\u003e\n\u003cabbr\u003eCiacona\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e79609\"\u003e\n\u003cabbr\u003eAndte.\u003c/abbr\u003esostenuto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79620\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e79628\"\u003eSarabanda Allo ma non tanto e Grazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e79648\"\u003eSpiritoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79656\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e79664\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79672\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eSostenuto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e79695\"\u003eSpiritosoC-Allegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79709\"\u003eMinuet Grazioso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79717\"\u003eAndante\u003cabbr\u003eAllo.\u003c/abbr\u003e2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e79740\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e79748\"\u003eAllegro ComodoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79756\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79764\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e79784\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79792\"\u003eAndantino, e Cantabile2/3\u003c/li\u003e\n\u003cli id=\"mvtd1e79800\"\u003eAllegro Moderato2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e79820\"\u003eAndante SostenutoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79828\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e79836\"\u003eAndantinoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79844\"\u003eAndante\u003cabbr\u003eGrazzio\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e79868\"\u003eAndante AmorosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79876\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eSostenutoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e79887\"\u003eAndantino3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79895\"\u003eAndante Amoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e79903\"\u003eAllegro2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e79923\"\u003eSpiritoso6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79931\"\u003eAllegro2\u003c/li\u003e\n\u003cli id=\"mvtd1e79939\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e79947\"\u003e\n\u003cabbr\u003eRondò\u003c/abbr\u003e\u003cabbr\u003eAllo.\u003c/abbr\u003e\u003cabbr\u003emoderto.\u003c/abbr\u003ee Grazioso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e79964\"\u003ePastorale\u003cabbr\u003eAnde.\u003c/abbr\u003esostenuto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c232#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c232","ref_ssm":["viumu_mackay-smith_c232"],"id":"viumu_mackay-smith_c232","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA.","Three parts, quarto, 244x175 (262x188): Violino Primo: Title, verso blank. Letter of dedication, verso blank, pp. [i-ii]. Royal privilege, in letterpress, dated \"the Tenth Day of June, 1736\" and signed \"HARRINGTON.\", verso blank [leaf sewn in, possibly not part of the original publication], pp. [iii-iv]. Blank, [v]. Music, pp. 1-36. Blank, [37]. Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-36. Blank, [37]. Violoncello: Title, verso blank. Blank, [i]. Music, pp. 1-34. Blank, [35].","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Sammartini, Giovanni Battista, 1700 (ca.)-1775","London (England)","Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet","Announced in the Daily Advertiser , December 8, 1743, as \"Printed for the Author, and sold by him ... and J. Walsh [etc.]\" (Smith- Humphries no. 1328). Walsh later issued the work without date or dedication ( Haas , item no. 570).","Contents SONATA I A Andte. Grazo. C Allegro 3/4 Andantino C Allegro C| SONATA II e Andante 3/4 Allegro C Tempo di Minuet 3/4 SONATA III B♭ Allegro C Andante 3/4 Allegro 2 Minuet spiritoso 3/8 SONATA IV G Andante Grazioso 12/8 Allegro 2/4 Andante C Ciacona 3/4 SONATA V g Andte. sostenuto 3/4 Allegro C| Sarabanda Allo ma non tanto e Grazioso 3/4 SONATA VI D Spiritoso 3/4 Allegro 2 Andantino C Allo. Sostenuto 3/4 SONATA VII e Spiritoso C - Allegro 6/8 Minuet Grazioso 3/4 Andante Allo. 2 SONATA VIII D Andante C Allegro Comodo C Andante 3/4 Allegro 12/8 SONATA IX a Allegro 3/4 Andantino, e Cantabile 2/3 Allegro Moderato 2 SONATA X c Andante Sostenuto C Allegro C Andantino C Andante Grazzio 6/8 SONATA XI E Andante Amoroso C Allo. Sostenuto C| Andantino 3/4 Andante Amoroso 3/4 Allegro 2 SONATA XII g Spiritoso 6/8 Allegro 2 Spiritoso C Rondò Allo. moderto. e Grazioso 3/8 Pastorale Ande. sostenuto 12/8","M350.S2 1743"],"title_filing_ssi":"XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA.","title_ssm":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA."],"title_tesim":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA."],"unitdate_other_ssim":["1743"],"normalized_date_ssm":["1743"],"normalized_title_ssm":["XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 244x175 (262x188): Violino Primo: Title, verso blank. Letter of dedication, verso blank, pp. [i-ii]. Royal privilege, in letterpress, dated \"the Tenth Day of June, 1736\" and signed \"HARRINGTON.\", verso blank [leaf sewn in, possibly not part of the original publication], pp. [iii-iv]. Blank, [v]. Music, pp. 1-36. Blank, [37]. Violino Secondo: Title, verso blank. Blank, [i]. Music, pp. 1-36. Blank, [37]. Violoncello: Title, verso blank. Blank, [i]. Music, pp. 1-34. Blank, [35]."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":827,"date_range_isim":[1743],"names_ssim":["Sammartini, Giovanni Battista, 1700 (ca.)-1775","Sammartini, Giovanni Battista, 1700 (ca.)-1775"],"persname_ssim":["Sammartini, Giovanni Battista, 1700 (ca.)-1775"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet"],"access_subjects_ssm":["Chaconne","Minuet","Rondo","Sarabande","A","B♭","D","E","G","C","12/8","2","2/3","2/4","3/4","3/8","6/8","C|","Allegro","Allegro comodo","Allegro moderato","Allegro sostenuto","Andante","Andante allegro","Andante amoroso","Andante grazioso","Andante sostenuto","Andantino","Andantino e cantabile","Ciaccona","Minuet grazioso","Minuet spiritoso","Pastorale andante sostenuto","Rondo allegro moderato e grazioso","Sarabanda allo ma non tanto e grazioso","Spiritoso","Tempo di minuet"],"bibliography_html_tesm":["\u003cp\u003eAnnounced in the\u003cbibref\u003e\n                     \u003ctitle\u003eDaily Advertiser\u003c/title\u003e\n                  \u003c/bibref\u003e, December 8, 1743, as \"Printed for the Author, and sold by him ... and J. Walsh [etc.]\" (Smith- Humphries no. 1328). Walsh later issued the work without date or dedication (\u003cref target=\"Haas\"\u003eHaas\u003c/ref\u003e, item no. 570).\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Announced in the Daily Advertiser , December 8, 1743, as \"Printed for the Author, and sold by him ... and J. Walsh [etc.]\" (Smith- Humphries no. 1328). Walsh later issued the work without date or dedication ( Haas , item no. 570)."],"scopecontent_tesim":["Contents SONATA I A Andte. Grazo. C Allegro 3/4 Andantino C Allegro C| SONATA II e Andante 3/4 Allegro C Tempo di Minuet 3/4 SONATA III B♭ Allegro C Andante 3/4 Allegro 2 Minuet spiritoso 3/8 SONATA IV G Andante Grazioso 12/8 Allegro 2/4 Andante C Ciacona 3/4 SONATA V g Andte. sostenuto 3/4 Allegro C| Sarabanda Allo ma non tanto e Grazioso 3/4 SONATA VI D Spiritoso 3/4 Allegro 2 Andantino C Allo. Sostenuto 3/4 SONATA VII e Spiritoso C - Allegro 6/8 Minuet Grazioso 3/4 Andante Allo. 2 SONATA VIII D Andante C Allegro Comodo C Andante 3/4 Allegro 12/8 SONATA IX a Allegro 3/4 Andantino, e Cantabile 2/3 Allegro Moderato 2 SONATA X c Andante Sostenuto C Allegro C Andantino C Andante Grazzio 6/8 SONATA XI E Andante Amoroso C Allo. Sostenuto C| Andantino 3/4 Andante Amoroso 3/4 Allegro 2 SONATA XII g Spiritoso 6/8 Allegro 2 Spiritoso C Rondò Allo. moderto. e Grazioso 3/8 Pastorale Ande. sostenuto 12/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM350.S2 1743\u003c/physloc\u003e"],"physloc_tesim":["M350.S2 1743"],"_nest_path_":"/components#231","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79438\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Andante Grazioso\"\u003eAndte. Grazo.\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79448\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79456\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79464\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79484\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79492\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79500\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eTempo di Minuet\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79520\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79528\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79536\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79544\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuet spiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IV\u003c/title\u003e\n                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                       \u003citem id=\"mvtd1e79588\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Ciaccona\"\u003eCiacona\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79609\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Andante\"\u003eAndte.\u003c/abbr\u003esostenuto\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79620\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79628\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Allo ma non tanto e Grazioso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                 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type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79756\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79764\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA IX\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n               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             \u003ctitle\u003eSONATA X\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e79820\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante Sostenuto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79828\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e79836\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndantino\u003c/genreform\u003e\n                           \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c232"}},{"id":"viumu_mackay-smith_c05","type":"Item","attributes":{"title":"XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata I\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e2838\"\u003eGrave e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e2846\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e2854\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e2862\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e2870\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e2879\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e2887\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e2895\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata II\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e2915\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e2923\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e2931\"\u003eAdagio e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e2939\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e2947\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e2956\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata III\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e2976\"\u003eGrave e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e2984\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e2992\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3000\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3008\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3017\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e3037\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3045\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3053\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3061\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3069\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3078\"\u003ePresto12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata V\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e3099\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3107\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3115\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3123\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3131\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3140\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VI\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e3160\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3168\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3176\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3184\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3192\"\u003eAdagio e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e3201\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VII\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e3221\"\u003eGrave e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e3229\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3237\"\u003eAdagio e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e3245\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3253\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3262\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VIII\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e3282\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3290\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3298\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3306\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3314\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3323\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IX\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e3343\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3351\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3359\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3367\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3375\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3384\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata X\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e3404\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3412\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3420\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3428\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3436\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e3457\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3465\"\u003eAllegro6/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3473\"\u003eAdagio e TremoloC\u003c/li\u003e\n\u003cli id=\"mvtd1e3481\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3489\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3498\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XII\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e3518\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e3526\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3534\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e3542\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e3550\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3559\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c05","ref_ssm":["viumu_mackay-smith_c05"],"id":"viumu_mackay-smith_c05","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire","Four parts, folio, 234x182 (302 x ? [right edge of each title-page has been trimmed]): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Music, pp. 1-20. Violino Secondo: Title, verso blank. Music, pp. 1-19. Blank, [20]. Violoncello: Title, verso blank. Music, pp. 1-20. Organo: Title, verso blank. Music, pp. 1-18. All four title-pages signed: \"Alberti\". \"1706\" added in MS on title-page of Violino Primo between \"OPERA PRIMA\" and \"A Amsterdam\".","Alberti, Pietro","Roger, Estienne, 1665-1722","Alberti, Pietro","Roger, Estienne, 1665-1722","Amsterdam (Netherlands)","B♭","C","D","E♭","F","G","A","B","E","12/8","3/2","3/4","3/8","6/4","6/8","Adagio","Adagio e tremolo","Allegro","Grave","Grave e tremolo","Presto","Vivace","Announced in The Post Man , April 29 and May 27, 1703.","Lesure/Bibliographie, p. 43","Contents Sonata I d Grave e Tremolo C Allegro 3/4 Adagio C Vivace 3/4 Adagio C Vivace C Adagio C Allegro 12/8 Sonata II D Grave C Allegro C Adagio e Tremolo C Vivace C Adagio C Allegro 12/8 Sonata III g Grave e Tremolo C Allegro 3/4 Adagio C Vivace C Adagio 3/2 Allegro 6/8 Sonata IV C Grave C Allegro 3/4 Adagio C Vivace C Adagio 3/2 Presto 12/8 Sonata V a Grave C Allegro C Adagio 3/4 Vivace C Adagio C Allegro 12/8 Sonata VI F Grave C Allegro C Adagio C Vivace 3/4 Adagio e Tremolo C Allegro 3/8 Sonata VII c Grave e Tremolo C Allegro 3/4 Adagio e Tremolo C Vivace 3/4 Adagio C Allegro 3/4 Sonata VIII G Grave C Allegro C Adagio 3/2 Vivace C Adagio C Allegro 6/8 Sonata IX e Grave C Allegro C Adagio 3/2 Vivace C Adagio 3/2 Allegro 3/4 Sonata X E♭ Grave C Allegro 3/4 Adagio C Vivace C Allegro 6/8 Sonata XI b Grave C Allegro 6/4 Adagio e Tremolo C Vivace C Adagio 3/4 Presto C Sonata XII B♭ Grave C Allegro C Adagio 3/4 Vivace C Adagio C Presto C","M312.4.A46 1706"],"title_filing_ssi":"XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire","title_ssm":["XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire"],"title_tesim":["XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire"],"unitdate_other_ssim":["1703"],"normalized_date_ssm":["1703"],"normalized_title_ssm":["XII SUONATE a Tre Duoi Violini e Violone Col Basso per L'Organo DEDICATE Al Molto Reverendo e Molto illustre Signore il Signor DECANO E CAPITOLO CRANENBURGHENSE Da PIETRO ALBERTI Organista del Capitolo Cranenburghense OPERA PRIMA A Amsterdam Chez ESTIENNE ROGER Marchand Libraire"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Four parts, folio, 234x182 (302 x ? [right edge of each title-page has been trimmed]): Violino Primo: Title, verso blank. Letter of dedication, verso blank, [i-ii]. Music, pp. 1-20. Violino Secondo: Title, verso blank. Music, pp. 1-19. Blank, [20]. Violoncello: Title, verso blank. Music, pp. 1-20. Organo: Title, verso blank. Music, pp. 1-18. All four title-pages signed: \"Alberti\". \"1706\" added in MS on title-page of Violino Primo between \"OPERA PRIMA\" and \"A Amsterdam\"."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":18,"date_range_isim":[1703],"names_ssim":["Alberti, Pietro","Roger, Estienne, 1665-1722","Alberti, Pietro","Roger, Estienne, 1665-1722"],"persname_ssim":["Alberti, Pietro","Roger, Estienne, 1665-1722"],"geogname_ssim":["Amsterdam (Netherlands)"],"geogname_ssm":["Amsterdam (Netherlands)"],"places_ssim":["Amsterdam (Netherlands)"],"access_subjects_ssim":["B♭","C","D","E♭","F","G","A","B","E","12/8","3/2","3/4","3/8","6/4","6/8","Adagio","Adagio e tremolo","Allegro","Grave","Grave e tremolo","Presto","Vivace"],"access_subjects_ssm":["B♭","C","D","E♭","F","G","A","B","E","12/8","3/2","3/4","3/8","6/4","6/8","Adagio","Adagio e tremolo","Allegro","Grave","Grave e 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Vivace 3/4 Adagio e Tremolo C Allegro 3/8 Sonata VII c Grave e Tremolo C Allegro 3/4 Adagio e Tremolo C Vivace 3/4 Adagio C Allegro 3/4 Sonata VIII G Grave C Allegro C Adagio 3/2 Vivace C Adagio C Allegro 6/8 Sonata IX e Grave C Allegro C Adagio 3/2 Vivace C Adagio 3/2 Allegro 3/4 Sonata X E♭ Grave C Allegro 3/4 Adagio C Vivace C Allegro 6/8 Sonata XI b Grave C Allegro 6/4 Adagio e Tremolo C Vivace C Adagio 3/4 Presto C Sonata XII B♭ Grave C Allegro C Adagio 3/4 Vivace C Adagio C Presto C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.A46 1706\u003c/physloc\u003e"],"physloc_tesim":["M312.4.A46 1706"],"_nest_path_":"/components#4","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSonata I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n           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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c05"}},{"id":"viumu_mackay-smith_c07","type":"Item","attributes":{"title":"XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e3947\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e3955\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e3963\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3971\"\u003ePrestissimo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata II\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e3991\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e3999\"\u003ePoco PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e4007\"\u003eAdagioC\u003c/li\u003e\n\u003cli 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Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c07","ref_ssm":["viumu_mackay-smith_c07"],"id":"viumu_mackay-smith_c07","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire","Four parts, folio, 217x157 (286x182): Violino Primo: Title, verso blank. Music, pp. 1-15. Blank, [16]. Two blanks, [17-18]. Violino Secondo: Same as Violino Primo. Violoncello: Title, verso blank. Music, pp. 1-13. Blank, [14]. Two blanks, [15-16]. Organo: Title, verso blank. Music, pp. 1-16. Two blanks, [17-18]. All four title-pages signed: \"Albicastero\". \"1715\" added in MS on title-page of Violino Primo between \"Opera Quarta\" and \"A Amsterdam\". \"1700\" added in MS on title-page of Violoncello after \"Opera Quarta\".","Albicastro, Henricus","Roger, Estienne, 1665-1722","Albicastro, Henricus","Roger, Estienne, 1665-1722","Amsterdam (Netherlands)","A","B♭","C","D","E","F","G","B","2/4","3/2","3/4","3/8","6/8","Adagio","Affectuoso","Allegro","Andante","Grave","Poco presto","Prestissimo","Presto","Presto à 3","Spiritoso","Announced in Vairasse ( Lesure/Bibliographie , p. 42).","Contents Sonata I D Adagio C Allegro C Grave 3/2 Prestissimo 2/4 Sonata II g Adagio 3/2 Poco Presto C Adagio C Allegro 6/8 Sonata III B♭ Spiritoso C Allegro C Adagio 3/2 Presto C Sonata IV A Grave C Poco Presto C Grave 3/4 Allegro 3/8 Sonata V F Adagio C Allegro C Grave 3/4 Sonata VI a Andante C Grave 3/2 Poco Presto C Sonata VII c Grave 3/2 Allegro C Affectuoso 3/4 Allegro 3/8 Sonata VIII b Grave 3/4 Allegro C Adagio C Allegro 6/8 Sonata IX d Adagio C Presto C Grave 3/2 Allegro 3/8 Sonata X G Grave C Adagio 3/2 Allegro C Adagio 3/4 Presto à 3 C Sonata XI C Grave C Allegro C Grave 3/2 Poco Presto C Sonata XII E Affectuoso C Adagio 3/2 Presto C Grave 3/2 Allegro 3/8","M312.4.A53 1715"],"title_filing_ssi":"XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire","title_ssm":["XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire"],"title_tesim":["XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire"],"unitdate_other_ssim":["1702"],"normalized_date_ssm":["1702"],"normalized_title_ssm":["XII SUONATE à Tre Due Violini e Violoncello Col Basso per l'Organo Dal Signor HENRICI ALBICASTERO D.B.W. Cavaliero Opera Quarta A Amsterdam Chez ESTIENNE ROGER Marchand libraire"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Four parts, folio, 217x157 (286x182): Violino Primo: Title, verso blank. Music, pp. 1-15. Blank, [16]. Two blanks, [17-18]. Violino Secondo: Same as Violino Primo. Violoncello: Title, verso blank. Music, pp. 1-13. Blank, [14]. Two blanks, [15-16]. Organo: Title, verso blank. Music, pp. 1-16. Two blanks, [17-18]. All four title-pages signed: \"Albicastero\". \"1715\" added in MS on title-page of Violino Primo between \"Opera Quarta\" and \"A Amsterdam\". \"1700\" added in MS on title-page of Violoncello after \"Opera Quarta\"."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":27,"date_range_isim":[1702],"names_ssim":["Albicastro, Henricus","Roger, Estienne, 1665-1722","Albicastro, Henricus","Roger, Estienne, 1665-1722"],"persname_ssim":["Albicastro, Henricus","Roger, Estienne, 1665-1722"],"geogname_ssim":["Amsterdam (Netherlands)"],"geogname_ssm":["Amsterdam (Netherlands)"],"places_ssim":["Amsterdam (Netherlands)"],"access_subjects_ssim":["A","B♭","C","D","E","F","G","B","2/4","3/2","3/4","3/8","6/8","Adagio","Affectuoso","Allegro","Andante","Grave","Poco presto","Prestissimo","Presto","Presto à 3","Spiritoso"],"access_subjects_ssm":["A","B♭","C","D","E","F","G","B","2/4","3/2","3/4","3/8","6/8","Adagio","Affectuoso","Allegro","Andante","Grave","Poco presto","Prestissimo","Presto","Presto à 3","Spiritoso"],"bibliography_html_tesm":["\u003cp\u003eAnnounced in\u003cref target=\"Vairasse\"\u003eVairasse\u003c/ref\u003e(\u003cref target=\"Lesure-Bibliographie\"\u003eLesure/Bibliographie\u003c/ref\u003e, p. 42).\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Announced in Vairasse ( Lesure/Bibliographie , p. 42)."],"scopecontent_tesim":["Contents Sonata I D Adagio C Allegro C Grave 3/2 Prestissimo 2/4 Sonata II g Adagio 3/2 Poco Presto C Adagio C Allegro 6/8 Sonata III B♭ Spiritoso C Allegro C Adagio 3/2 Presto C Sonata IV A Grave C Poco Presto C Grave 3/4 Allegro 3/8 Sonata V F Adagio C Allegro C Grave 3/4 Sonata VI a Andante C Grave 3/2 Poco Presto C Sonata VII c Grave 3/2 Allegro C Affectuoso 3/4 Allegro 3/8 Sonata VIII b Grave 3/4 Allegro C Adagio C Allegro 6/8 Sonata IX d Adagio C Presto C Grave 3/2 Allegro 3/8 Sonata X G Grave C Adagio 3/2 Allegro C Adagio 3/4 Presto à 3 C Sonata XI C Grave C Allegro C Grave 3/2 Poco Presto C Sonata XII E Affectuoso C Adagio 3/2 Presto C Grave 3/2 Allegro 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.A53 1715\u003c/physloc\u003e"],"physloc_tesim":["M312.4.A53 1715"],"_nest_path_":"/components#6","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSonata I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e3947\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           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Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         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