{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026page=32\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026page=31\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026page=33\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026page=566\u0026view=compact"},"meta":{"pages":{"current_page":32,"next_page":33,"prev_page":31,"total_pages":566,"limit_value":10,"offset_value":310,"total_count":5652,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_scenesfrombehindthewall_c01_c38","type":"File","attributes":{"title":"\"At the Same Fence I, Dresden,\" Helmut Brinkmann,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_scenesfrombehindthewall_c01_c38#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_scenesfrombehindthewall_c01_c38","ref_ssm":["vifgm_scenesfrombehindthewall_c01_c38"],"id":"vifgm_scenesfrombehindthewall_c01_c38","ead_ssi":"vifgm_scenesfrombehindthewall","_root_":"vifgm_scenesfrombehindthewall","_nest_parent_":"vifgm_scenesfrombehindthewall_c01","parent_ssi":"vifgm_scenesfrombehindthewall_c01","parent_ssim":["vifgm_scenesfrombehindthewall","vifgm_scenesfrombehindthewall_c01"],"parent_ids_ssim":["vifgm_scenesfrombehindthewall","vifgm_scenesfrombehindthewall_c01"],"parent_unittitles_ssm":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,"],"parent_unittitles_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,"],"text":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,","\"At the Same Fence I, Dresden,\" Helmut Brinkmann,","Box 3"],"title_filing_ssi":"\"At the Same Fence I, Dresden,\" Helmut Brinkmann,","title_ssm":["\"At the Same Fence I, Dresden,\" Helmut Brinkmann,"],"title_tesim":["\"At the Same Fence I, Dresden,\" Helmut Brinkmann,"],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["\"At the Same Fence I, Dresden,\" Helmut Brinkmann,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"digital_objects_ssm":["{\"label\":\"“At the Same Fence I, Dresden,” Helmut Brinkmann\",\"href\":\"http://images.gmu.edu/luna/servlet/s/55ec3v\"}"],"date_range_isim":[1989],"containers_ssim":["Box 3"],"_nest_path_":"/components#0/components#37","timestamp":"2026-05-21T06:50:10.899Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_scenesfrombehindthewall","ead_ssi":"vifgm_scenesfrombehindthewall","_root_":"vifgm_scenesfrombehindthewall","_nest_parent_":"vifgm_scenesfrombehindthewall","ead_source_url_ssi":"data/gmu/scenesfrombehindthewall.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/scenesfrombehindthewall.html","title_ssm":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"title_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"unitdate_ssm":["1989-2012"],"unitdate_inclusive_ssm":["1989-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0235"],"text":["C0235","\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Photographs.","There are no access restrictions.","This collection is divided into two series.","Series 1: Prints, 1989-1990 (Box 1-3) Series 2: Documentation, 1989-2012 (Box 4)","Page Chichester was born in New Jersey in 1959 and grew up in rural Culpeper, Virginia. He earned a bachelor's degree in English and a master's degree from the University of Missouri School of Journalism. After a two-year stint as photo editor at a wildlife-conservation magazine in Washington, D.C., he spent five years in West Germany, where he worked as a freelance photographer. He returned to Washington, D.C., in 1990 to work as a photojournalist for the National Audubon Society's television productions department, photographing four books including one on the African elephant. He then became editor of Virginia magazine, formerly Virginia Southwest. He freelanced in Roanoke, Virginia, for several years before moving to Bonn, Germany, with his family. The tides of change have swept them to Berlin, and today, Chichester is part of the subcontracted photography crew on various cruise ships. Chichester's photography has appeared in museum and galleries in Athens, Berlin, Bonn, Washington, D.C., and Virginia, as well as in state, regional, and national publications.","Helmut Brinkmann was born in 1951 in Duisburg, part of the coal-mining region (Ruhr Pot) of the former West Germany. He has been a professional photographer since 1979. In addition to his commercial, portrait, and architectural photography, he has exhibited numerous projects in Duisburg, Hamburg, Bonn, Greece, and Spain. In 1972 Brinkmann won the prestigious Bundesfotopreis (National Photo Award). A series of his hand-colored postcards was published as a book, Verwandlungen (Changes), by one of Germany's foremost art publishers, DuMont Verlag. He was among the photographers chosen for the 1991 exhibit Five Bonn Photographers, is a member of the Bundesverband Bildender Künstler (National Assn. of Artists) and is listed in the Bonn Artists Directory. His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.","Biographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012.","Processing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013.","Special Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. In addition, Special Collections and Archives also holds the   that consists of photographs that document the activities of the KUD, a West German organization that campaigned for reunification.","This collection consists of 53 framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. Some of the locations the exhibit traveled to include: Roanoke College, Washington (DC) Center for Photography, Lynchburg Fine Arts Center, and the Armory Gallery at Virginia Tech University. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","Series 1 includes the framed prints and exhibition labels and is in original order. All prints are black and white and framed (with frame 30x40 inches).","Series 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.","This series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).","This series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.","Includes contact sheet and negatives","There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","George Mason University. Libraries. Special Collections \u0026 Archives","Chichester, Page","Brinkmann, Helmut.","Chichester, Page.","English\n\t\t \n\t\tand\n\t\t German\n\t\t"],"unitid_tesim":["C0235"],"normalized_title_ssm":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"collection_title_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"collection_ssim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chichester, Page"],"creator_ssim":["Chichester, Page"],"creator_persname_ssim":["Chichester, Page"],"creators_ssim":["Chichester, Page"],"access_terms_ssm":["There are no restrictions on personal use. 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His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.\u003c/p\u003e","\u003cp\u003eBiographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Page Chichester was born in New Jersey in 1959 and grew up in rural Culpeper, Virginia. He earned a bachelor's degree in English and a master's degree from the University of Missouri School of Journalism. After a two-year stint as photo editor at a wildlife-conservation magazine in Washington, D.C., he spent five years in West Germany, where he worked as a freelance photographer. He returned to Washington, D.C., in 1990 to work as a photojournalist for the National Audubon Society's television productions department, photographing four books including one on the African elephant. He then became editor of Virginia magazine, formerly Virginia Southwest. He freelanced in Roanoke, Virginia, for several years before moving to Bonn, Germany, with his family. The tides of change have swept them to Berlin, and today, Chichester is part of the subcontracted photography crew on various cruise ships. Chichester's photography has appeared in museum and galleries in Athens, Berlin, Bonn, Washington, D.C., and Virginia, as well as in state, regional, and national publications.","Helmut Brinkmann was born in 1951 in Duisburg, part of the coal-mining region (Ruhr Pot) of the former West Germany. He has been a professional photographer since 1979. In addition to his commercial, portrait, and architectural photography, he has exhibited numerous projects in Duisburg, Hamburg, Bonn, Greece, and Spain. In 1972 Brinkmann won the prestigious Bundesfotopreis (National Photo Award). A series of his hand-colored postcards was published as a book, Verwandlungen (Changes), by one of Germany's foremost art publishers, DuMont Verlag. He was among the photographers chosen for the 1991 exhibit Five Bonn Photographers, is a member of the Bundesverband Bildender Künstler (National Assn. of Artists) and is listed in the Bonn Artists Directory. His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.","Biographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012."],"prefercite_html_tesm":["\u003cp\u003e\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection, C0235, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection, C0235, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. In addition, Special Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Kuratorium Unteilbares Deutschland (KUD) photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/kud.html\"\u003e\u003c/extptr\u003e that consists of photographs that document the activities of the KUD, a West German organization that campaigned for reunification.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. 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All prints are black and white and framed (with frame 30x40 inches).\u003c/p\u003e","\u003cp\u003eSeries 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eThis series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).\u003c/p\u003e","\u003cp\u003eThis series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.\u003c/p\u003e","\u003cp\u003eIncludes contact sheet and negatives\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of 53 framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. Some of the locations the exhibit traveled to include: Roanoke College, Washington (DC) Center for Photography, Lynchburg Fine Arts Center, and the Armory Gallery at Virginia Tech University. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","Series 1 includes the framed prints and exhibition labels and is in original order. All prints are black and white and framed (with frame 30x40 inches).","Series 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.","This series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).","This series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.","Includes contact sheet and negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eFramed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.\u003c/abstract\u003e"],"abstract_tesim":["Framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Chichester, Page","Brinkmann, Helmut.","Chichester, Page."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Chichester, Page","Brinkmann, Helmut.","Chichester, Page."],"language_ssim":["English\n\t\t \n\t\tand\n\t\t German\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":53,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:50:10.899Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_scenesfrombehindthewall_c01_c38"}},{"id":"vifgm_scenesfrombehindthewall_c01_c39","type":"File","attributes":{"title":"\"At the Same Fence II, Dresden,\" Helmut Brinkmann,","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_scenesfrombehindthewall_c01_c39#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_scenesfrombehindthewall_c01_c39","ref_ssm":["vifgm_scenesfrombehindthewall_c01_c39"],"id":"vifgm_scenesfrombehindthewall_c01_c39","ead_ssi":"vifgm_scenesfrombehindthewall","_root_":"vifgm_scenesfrombehindthewall","_nest_parent_":"vifgm_scenesfrombehindthewall_c01","parent_ssi":"vifgm_scenesfrombehindthewall_c01","parent_ssim":["vifgm_scenesfrombehindthewall","vifgm_scenesfrombehindthewall_c01"],"parent_ids_ssim":["vifgm_scenesfrombehindthewall","vifgm_scenesfrombehindthewall_c01"],"parent_unittitles_ssm":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,"],"parent_unittitles_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,"],"text":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection","Series 1: Prints,","\"At the Same Fence II, Dresden,\" Helmut Brinkmann,","Box 3"],"title_filing_ssi":"\"At the Same Fence II, Dresden,\" Helmut Brinkmann,","title_ssm":["\"At the Same Fence II, Dresden,\" Helmut Brinkmann,"],"title_tesim":["\"At the Same Fence II, Dresden,\" Helmut Brinkmann,"],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["\"At the Same Fence II, Dresden,\" Helmut Brinkmann,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. 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He earned a bachelor's degree in English and a master's degree from the University of Missouri School of Journalism. After a two-year stint as photo editor at a wildlife-conservation magazine in Washington, D.C., he spent five years in West Germany, where he worked as a freelance photographer. He returned to Washington, D.C., in 1990 to work as a photojournalist for the National Audubon Society's television productions department, photographing four books including one on the African elephant. He then became editor of Virginia magazine, formerly Virginia Southwest. He freelanced in Roanoke, Virginia, for several years before moving to Bonn, Germany, with his family. The tides of change have swept them to Berlin, and today, Chichester is part of the subcontracted photography crew on various cruise ships. 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His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.","Biographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012.","Processing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013.","Special Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. In addition, Special Collections and Archives also holds the   that consists of photographs that document the activities of the KUD, a West German organization that campaigned for reunification.","This collection consists of 53 framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. Some of the locations the exhibit traveled to include: Roanoke College, Washington (DC) Center for Photography, Lynchburg Fine Arts Center, and the Armory Gallery at Virginia Tech University. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","Series 1 includes the framed prints and exhibition labels and is in original order. All prints are black and white and framed (with frame 30x40 inches).","Series 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.","This series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).","This series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.","Includes contact sheet and negatives","There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries.","Framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","George Mason University. Libraries. Special Collections \u0026 Archives","Chichester, Page","Brinkmann, Helmut.","Chichester, Page.","English\n\t\t \n\t\tand\n\t\t German\n\t\t"],"unitid_tesim":["C0235"],"normalized_title_ssm":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"collection_title_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"collection_ssim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chichester, Page"],"creator_ssim":["Chichester, Page"],"creator_persname_ssim":["Chichester, Page"],"creators_ssim":["Chichester, Page"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Special Collections and Archives on June 21, 2013."],"access_subjects_ssim":["Photographs."],"access_subjects_ssm":["Photographs."],"has_online_content_ssim":["true"],"extent_ssm":["20 linear feet (4 boxes)"],"extent_tesim":["20 linear feet (4 boxes)"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Prints, 1989-1990 (Box 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Documentation, 1989-2012 (Box 4)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series.","Series 1: Prints, 1989-1990 (Box 1-3) Series 2: Documentation, 1989-2012 (Box 4)"],"bioghist_html_tesm":["\u003cp\u003ePage Chichester was born in New Jersey in 1959 and grew up in rural Culpeper, Virginia. He earned a bachelor's degree in English and a master's degree from the University of Missouri School of Journalism. After a two-year stint as photo editor at a wildlife-conservation magazine in Washington, D.C., he spent five years in West Germany, where he worked as a freelance photographer. He returned to Washington, D.C., in 1990 to work as a photojournalist for the National Audubon Society's television productions department, photographing four books including one on the African elephant. He then became editor of Virginia magazine, formerly Virginia Southwest. He freelanced in Roanoke, Virginia, for several years before moving to Bonn, Germany, with his family. The tides of change have swept them to Berlin, and today, Chichester is part of the subcontracted photography crew on various cruise ships. Chichester's photography has appeared in museum and galleries in Athens, Berlin, Bonn, Washington, D.C., and Virginia, as well as in state, regional, and national publications.\u003c/p\u003e","\u003cp\u003eHelmut Brinkmann was born in 1951 in Duisburg, part of the coal-mining region (Ruhr Pot) of the former West Germany. He has been a professional photographer since 1979. In addition to his commercial, portrait, and architectural photography, he has exhibited numerous projects in Duisburg, Hamburg, Bonn, Greece, and Spain. In 1972 Brinkmann won the prestigious Bundesfotopreis (National Photo Award). A series of his hand-colored postcards was published as a book, Verwandlungen (Changes), by one of Germany's foremost art publishers, DuMont Verlag. He was among the photographers chosen for the 1991 exhibit Five Bonn Photographers, is a member of the Bundesverband Bildender Künstler (National Assn. of Artists) and is listed in the Bonn Artists Directory. His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.\u003c/p\u003e","\u003cp\u003eBiographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Page Chichester was born in New Jersey in 1959 and grew up in rural Culpeper, Virginia. He earned a bachelor's degree in English and a master's degree from the University of Missouri School of Journalism. After a two-year stint as photo editor at a wildlife-conservation magazine in Washington, D.C., he spent five years in West Germany, where he worked as a freelance photographer. He returned to Washington, D.C., in 1990 to work as a photojournalist for the National Audubon Society's television productions department, photographing four books including one on the African elephant. He then became editor of Virginia magazine, formerly Virginia Southwest. He freelanced in Roanoke, Virginia, for several years before moving to Bonn, Germany, with his family. The tides of change have swept them to Berlin, and today, Chichester is part of the subcontracted photography crew on various cruise ships. Chichester's photography has appeared in museum and galleries in Athens, Berlin, Bonn, Washington, D.C., and Virginia, as well as in state, regional, and national publications.","Helmut Brinkmann was born in 1951 in Duisburg, part of the coal-mining region (Ruhr Pot) of the former West Germany. He has been a professional photographer since 1979. In addition to his commercial, portrait, and architectural photography, he has exhibited numerous projects in Duisburg, Hamburg, Bonn, Greece, and Spain. In 1972 Brinkmann won the prestigious Bundesfotopreis (National Photo Award). A series of his hand-colored postcards was published as a book, Verwandlungen (Changes), by one of Germany's foremost art publishers, DuMont Verlag. He was among the photographers chosen for the 1991 exhibit Five Bonn Photographers, is a member of the Bundesverband Bildender Künstler (National Assn. of Artists) and is listed in the Bonn Artists Directory. His work has been published in Stern, Die Welt, and other major magazines and newspapers, and he has taught photography for several years in high schools in and around Bonn. Brinkmann has traveled extensively through the former East Germany since 1989.","Biographical information is from the exhibition catalog: Chichester, Page and Helmut Brinkmann. Scenes from Behind the Wall: Images of East Germany, 1989/90. Floyd, Virginia: The Jacksonville Center for the Arts, 2012."],"prefercite_html_tesm":["\u003cp\u003e\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection, C0235, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection, C0235, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in August 2013. EAD markup completed by Greta Kuriger Suiter in August 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. In addition, Special Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Kuratorium Unteilbares Deutschland (KUD) photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/kud.html\"\u003e\u003c/extptr\u003e that consists of photographs that document the activities of the KUD, a West German organization that campaigned for reunification.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s. In addition, Special Collections and Archives also holds the   that consists of photographs that document the activities of the KUD, a West German organization that campaigned for reunification."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 53 framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. Some of the locations the exhibit traveled to include: Roanoke College, Washington (DC) Center for Photography, Lynchburg Fine Arts Center, and the Armory Gallery at Virginia Tech University. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.\u003c/p\u003e","\u003cp\u003eSeries 1 includes the framed prints and exhibition labels and is in original order. All prints are black and white and framed (with frame 30x40 inches).\u003c/p\u003e","\u003cp\u003eSeries 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.\u003c/p\u003e","\u003cp\u003eThis series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).\u003c/p\u003e","\u003cp\u003eThis series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.\u003c/p\u003e","\u003cp\u003eIncludes contact sheet and negatives\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of 53 framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. Some of the locations the exhibit traveled to include: Roanoke College, Washington (DC) Center for Photography, Lynchburg Fine Arts Center, and the Armory Gallery at Virginia Tech University. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.","Series 1 includes the framed prints and exhibition labels and is in original order. All prints are black and white and framed (with frame 30x40 inches).","Series 2 consists of correspondence about exhibitions of the photographs, handwritten notes in German, German magazines, press clippings, and smaller prints and negatives. In addition to the catalog, photographs from the exhibit were published in KulturPolitik and FotoScene magazines in Germany, as well as various newspapers in Virginia. Among the documentary material that comes with the exhibit are copies of the German GEO and Stern special-editions on the fall of the wall from 1990, and a list of all the showplaces in Virginia. This series is arranged alphabetically by folder title.","This series consists of an itemized list of all prints from the \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibition and is in original order. All prints are black and white and framed (with frame 30x40 inches).","This series includes exhibition proposals, artists resumes and biographies, exhibition catalog, correspondence between institutions and the artists, correspondence between the artists, newspaper and magazine clippings related to the exhibitions. Photographic material is also included in this series. There are negatives, contact sheets, and prints.","Includes contact sheet and negatives"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" exhibit collection must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eFramed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012.\u003c/abstract\u003e"],"abstract_tesim":["Framed photographs and supporting documentation for the exhibit \"Scenes from Behind the Wall: Images of East Germany, 1989/90\" that was shown throughout Virginia as part of the Virginia Museum of Fine Arts Statewide Exhibition Program from 1995 through 2009. The exhibit was also shown at the Jacksonville Center for the Arts in Floyd, Virginia, in February 2012."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Chichester, Page","Brinkmann, Helmut.","Chichester, Page."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives"],"persname_ssim":["Chichester, Page","Brinkmann, Helmut.","Chichester, Page."],"language_ssim":["English\n\t\t \n\t\tand\n\t\t German\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":53,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:50:10.899Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_scenesfrombehindthewall_c01_c39"}},{"id":"viu_repositories_3_resources_1426_c350","type":"Item","attributes":{"title":"Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1426_c350#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1426_c350","ref_ssm":["viu_repositories_3_resources_1426_c350"],"id":"viu_repositories_3_resources_1426_c350","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","parent_ssi":"viu_repositories_3_resources_1426","parent_ssim":["viu_repositories_3_resources_1426"],"parent_ids_ssim":["viu_repositories_3_resources_1426"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill"],"text":["Papers of the Randolph Family of Edgehill","Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)","box 5","folder 40"],"title_filing_ssi":"Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)","title_ssm":["Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)"],"title_tesim":["Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)"],"unitdate_other_ssim":["1826-07-15"],"normalized_date_ssm":["1826"],"normalized_title_ssm":["Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute)"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":350,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"Aubrey Dickins To Mrs. Thomas Mann Randolph (also, Resolutions of Columbian Institute), 1826-07-15\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106185\"}"],"date_range_isim":[1826],"containers_ssim":["box 5","folder 40"],"_nest_path_":"/components#349","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1426","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1426.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147344","title_ssm":["Papers of the Randolph Family of Edgehill"],"title_tesim":["Papers of the Randolph Family of Edgehill"],"unitdate_ssm":["1732-1860"],"unitdate_inclusive_ssm":["1732-1860"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426"],"text":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426","Papers of the Randolph Family of Edgehill","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The materials are arranged chronologically. Oversized items are listed at the end of the inventory.","The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).","The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.","Materials in this collection, which were created in 1732-1860, are in the public domain. 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Oversized items are listed at the end of the inventory.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged chronologically. Oversized items are listed at the end of the inventory."],"bioghist_html_tesm":["\u003cp\u003eThe Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. \u003c/p\u003e\n","\u003cp\u003eMartha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.\u003c/p\u003e\n","\u003cp\u003eEdgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.\u003c/p\u003e\n","\u003cp\u003eSource: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023."],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1011,"online_item_count_is":1004,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1426_c350"}},{"id":"viu_repositories_3_resources_779_c02_c167","type":"Item","attributes":{"title":"Au clair de la lune ; Cherubino's song ; Connais-tu le pays","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c02_c167#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c02_c167#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c02_c167","ref_ssm":["viu_repositories_3_resources_779_c02_c167"],"id":"viu_repositories_3_resources_779_c02_c167","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c02","parent_ssi":"viu_repositories_3_resources_779_c02","parent_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c02"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c02"],"parent_unittitles_ssm":["Virginia Folklore Society records","Folk Song recordings"],"parent_unittitles_tesim":["Virginia Folklore Society records","Folk Song recordings"],"text":["Virginia Folklore Society records","Folk Song recordings","Au clair de la lune ; Cherubino's song ; Connais-tu le pays","Booker, Betty Burwell, 1875-1967","box 28","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States"],"title_filing_ssi":"Au clair de la lune ; Cherubino's song ; Connais-tu le pays","title_ssm":["Au clair de la lune ; Cherubino's song ; Connais-tu le pays"],"title_tesim":["Au clair de la lune ; Cherubino's song ; Connais-tu le pays"],"unitdate_inclusive_ssm":["1932-1938"],"normalized_date_ssm":["1932/1938"],"normalized_title_ssm":["Au clair de la lune ; Cherubino's song ; Connais-tu le pays"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records"],"creator_ssim":["Booker, Betty Burwell, 1875-1967"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":195,"parent_access_restrict_tesm":["Boxes 27 and 28 in this series DO NOT circulate."],"digital_objects_ssm":["{\"label\":\"Au clair de la lune ; Cherubino's song ; Connais-tu le pays, 1932 - 1938\",\"href\":\"http://avalon.lib.virginia.edu/media_objects/zw12z5574\"}"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938],"names_ssim":["Booker, Betty Burwell, 1875-1967"],"persname_ssim":["Booker, Betty Burwell, 1875-1967"],"containers_ssim":["box 28"],"scopecontent_html_tesm":["\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States"],"_nest_path_":"/components#1/components#166","timestamp":"2026-05-20T23:46:00.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:00.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_779_c02_c167"}},{"id":"vifrem_repositories_2_resources_20_c01_c07","type":"Subseries","attributes":{"title":"Audio","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_20_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifrem_repositories_2_resources_20_c01_c07","ref_ssm":["vifrem_repositories_2_resources_20_c01_c07"],"id":"vifrem_repositories_2_resources_20_c01_c07","ead_ssi":"vifrem_repositories_2_resources_20","_root_":"vifrem_repositories_2_resources_20","_nest_parent_":"vifrem_repositories_2_resources_20_c01","parent_ssi":"vifrem_repositories_2_resources_20_c01","parent_ssim":["vifrem_repositories_2_resources_20","vifrem_repositories_2_resources_20_c01"],"parent_ids_ssim":["vifrem_repositories_2_resources_20","vifrem_repositories_2_resources_20_c01"],"parent_unittitles_ssm":["University Relations and Communications, James L. Farmer Records","Audio-Visual"],"parent_unittitles_tesim":["University Relations and Communications, James L. Farmer Records","Audio-Visual"],"text":["University Relations and Communications, James L. Farmer Records","Audio-Visual","Audio","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"title_filing_ssi":"Audio","title_ssm":["Audio"],"title_tesim":["Audio"],"normalized_title_ssm":["Audio"],"component_level_isim":[2],"repository_ssim":["University of Mary Washington"],"collection_ssim":["University Relations and Communications, James L. Farmer Records"],"has_online_content_ssim":["true"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":39,"parent_access_restrict_tesm":["Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions."],"names_ssim":["National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"corpname_ssim":["National Public Radio (U.S.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","WAMU-FM (Radio station : Washington, D.C.)"],"persname_ssim":["Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"_nest_path_":"/components#0/components#6","timestamp":"2026-05-21T14:29:13.627Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_20","ead_ssi":"vifrem_repositories_2_resources_20","_root_":"vifrem_repositories_2_resources_20","_nest_parent_":"vifrem_repositories_2_resources_20","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_20.xml","title_ssm":["University Relations and Communications, James L. Farmer Records"],"title_tesim":["University Relations and Communications, James L. Farmer Records"],"unitdate_ssm":["1984-2008"],"unitdate_inclusive_ssm":["1984-2008"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG013.03.Farmer","/repositories/2/resources/20"],"text":["RG013.03.Farmer","/repositories/2/resources/20","University Relations and Communications, James L. Farmer Records","African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity","Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions.","Farmer AV 1 \u003e Farmer_Video_013","Farmer AV 1 \u003e Farmer_Video_014","Farmer_Video_018b","Farmer_Video_022","Farmer_Video_025","Farmer_Video_026","Farmer_Video_027","Farmer_Video_028","Farmer_Video_032","Farmer_Video_034","Farmer_Video_035","Farmer_Video_044","Farmer_ Video_015","Farmer_Video_021","Farmer_Video_023","Farmer AV 1 \u003e Farmer_Video_009b","Farmer AV 1 \u003e Farmer_Video_037","Farmer AV 1 \u003e Farmer_Video_010b","Farmer AV 1 \u003e Farmer_Video_011","Farmer_Video_033","Digitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.","Farmer AV 1 \u003e Farmer_Video_031.","Farmer_ Video_024","Farmer AV 01 \u003e Farmer_Video_036","Farmer_Video_016","Farmer AV 1 \u003e Farmer_Video_012","Farmer_Video_017b","Farmer_Video_020","Farmer_Audio_040.","Farmer_Audio_041.","Farmer_Audio_042","Farmer_Audio_039.","James Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.","James Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.","In addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.","Ill health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999.","FAC0099","CSPAN0026","FAC0043","FAC0043","Farmer_Video_029","FAC0042","FAC0090","Video 023. DVD access copy available. Jewel case is damaged.","Video 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".","FAC0053","External notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".","Segment is hosted by Laura Womack.","Handwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".","Segment hosted by Susan Stamberg.","Green sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".","Original recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.","In a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.","Notations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.","Hosted by Mike Cuthbert.","The collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life.","University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike","English \n.    "],"unitid_tesim":["RG013.03.Farmer","/repositories/2/resources/20"],"normalized_title_ssm":["University Relations and Communications, James L. Farmer Records"],"collection_title_tesim":["University Relations and Communications, James L. Farmer Records"],"collection_ssim":["University Relations and Communications, James L. Farmer Records"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["University of Mary Washington. Office of University Relations and Communications","Farmer, James, 1920-1999"],"creator_ssim":["University of Mary Washington. Office of University Relations and Communications","Farmer, James, 1920-1999"],"creator_persname_ssim":["Farmer, James, 1920-1999"],"creator_corpname_ssim":["University of Mary Washington. Office of University Relations and Communications"],"creators_ssim":["Farmer, James, 1920-1999","University of Mary Washington. Office of University Relations and Communications"],"access_subjects_ssim":["African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity"],"access_subjects_ssm":["African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity"],"has_online_content_ssim":["true"],"extent_ssm":["3.75 Linear Feet 5 boxes: one record storage box, 2 legal-size document storage boxes, and 2 flat boxes."],"extent_tesim":["3.75 Linear Feet 5 boxes: one record storage box, 2 legal-size document storage boxes, and 2 flat boxes."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eResearchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions."],"altformavail_html_tesm":["\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_013\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_014\u003c/p\u003e","\u003cp\u003eFarmer_Video_018b\u003c/p\u003e","\u003cp\u003eFarmer_Video_022\u003c/p\u003e","\u003cp\u003eFarmer_Video_025\u003c/p\u003e","\u003cp\u003eFarmer_Video_026\u003c/p\u003e","\u003cp\u003eFarmer_Video_027\u003c/p\u003e","\u003cp\u003eFarmer_Video_028\u003c/p\u003e","\u003cp\u003eFarmer_Video_032\u003c/p\u003e","\u003cp\u003eFarmer_Video_034\u003c/p\u003e","\u003cp\u003eFarmer_Video_035\u003c/p\u003e","\u003cp\u003eFarmer_Video_044\u003c/p\u003e","\u003cp\u003eFarmer_ Video_015\u003c/p\u003e","\u003cp\u003eFarmer_Video_021\u003c/p\u003e","\u003cp\u003eFarmer_Video_023\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_009b\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_037\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_010b\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_011\u003c/p\u003e","\u003cp\u003eFarmer_Video_033\u003c/p\u003e","\u003cp\u003eDigitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_031.\u003c/p\u003e","\u003cp\u003eFarmer_ Video_024\u003c/p\u003e","\u003cp\u003eFarmer AV 01 \u0026gt; Farmer_Video_036\u003c/p\u003e","\u003cp\u003eFarmer_Video_016\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_012\u003c/p\u003e","\u003cp\u003eFarmer_Video_017b\u003c/p\u003e","\u003cp\u003eFarmer_Video_020\u003c/p\u003e","\u003cp\u003eFarmer_Audio_040.\u003c/p\u003e","\u003cp\u003eFarmer_Audio_041.\u003c/p\u003e","\u003cp\u003eFarmer_Audio_042\u003c/p\u003e","\u003cp\u003eFarmer_Audio_039.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized copy","Existence and Location of Copies","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Existence and Location of Copies","Existence and Location of Copies","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Existence and Location of Copies","Digitized copy"],"altformavail_tesim":["Farmer AV 1 \u003e Farmer_Video_013","Farmer AV 1 \u003e Farmer_Video_014","Farmer_Video_018b","Farmer_Video_022","Farmer_Video_025","Farmer_Video_026","Farmer_Video_027","Farmer_Video_028","Farmer_Video_032","Farmer_Video_034","Farmer_Video_035","Farmer_Video_044","Farmer_ Video_015","Farmer_Video_021","Farmer_Video_023","Farmer AV 1 \u003e Farmer_Video_009b","Farmer AV 1 \u003e Farmer_Video_037","Farmer AV 1 \u003e Farmer_Video_010b","Farmer AV 1 \u003e Farmer_Video_011","Farmer_Video_033","Digitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.","Farmer AV 1 \u003e Farmer_Video_031.","Farmer_ Video_024","Farmer AV 01 \u003e Farmer_Video_036","Farmer_Video_016","Farmer AV 1 \u003e Farmer_Video_012","Farmer_Video_017b","Farmer_Video_020","Farmer_Audio_040.","Farmer_Audio_041.","Farmer_Audio_042","Farmer_Audio_039."],"bioghist_html_tesm":["\u003cp\u003eJames Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.\u003c/p\u003e\n","\u003cp\u003eJames Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.\u003c/p\u003e\n","\u003cp\u003eIn addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.\u003c/p\u003e\n","\u003cp\u003eIll health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.","James Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.","In addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.","Ill health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999."],"odd_html_tesm":["\u003cp\u003eFAC0099\u003c/p\u003e","\u003cp\u003eCSPAN0026\u003c/p\u003e","\u003cp\u003eFAC0043\u003c/p\u003e","\u003cp\u003eFAC0043\u003c/p\u003e","\u003cp\u003eFarmer_Video_029\u003c/p\u003e","\u003cp\u003eFAC0042\u003c/p\u003e","\u003cp\u003eFAC0090\u003c/p\u003e","\u003cp\u003eVideo 023. DVD access copy available. Jewel case is damaged.\u003c/p\u003e","\u003cp\u003eVideo 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".\u003c/p\u003e","\u003cp\u003eFAC0053\u003c/p\u003e","\u003cp\u003eExternal notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".\u003c/p\u003e\n","\u003cp\u003eSegment is hosted by Laura Womack.\u003c/p\u003e","\u003cp\u003eHandwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".\u003c/p\u003e\n","\u003cp\u003eSegment hosted by Susan Stamberg.\u003c/p\u003e","\u003cp\u003eGreen sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".\u003c/p\u003e\n","\u003cp\u003eOriginal recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.\u003c/p\u003e\n","\u003cp\u003eIn a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.\u003c/p\u003e","\u003cp\u003eNotations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.\u003c/p\u003e\n","\u003cp\u003eHosted by Mike Cuthbert.\u003c/p\u003e"],"odd_heading_ssm":["ID#","ID#","ID#","ID#","Digitized copy","ID#","ID#","General","General","ID#","General","General","General","General"],"odd_tesim":["FAC0099","CSPAN0026","FAC0043","FAC0043","Farmer_Video_029","FAC0042","FAC0090","Video 023. DVD access copy available. Jewel case is damaged.","Video 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".","FAC0053","External notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".","Segment is hosted by Laura Womack.","Handwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".","Segment hosted by Susan Stamberg.","Green sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".","Original recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.","In a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.","Notations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.","Hosted by Mike Cuthbert."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life."],"names_coll_ssim":["WNVT (Television station : Annandale, Va.)"],"names_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"corpname_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)"],"persname_ssim":["Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"language_ssim":["English \n.    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The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_754_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_754_c02_c03","ref_ssm":["viu_repositories_3_resources_754_c02_c03"],"id":"viu_repositories_3_resources_754_c02_c03","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754_c02","parent_ssi":"viu_repositories_3_resources_754_c02","parent_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c02"],"parent_ids_ssim":["viu_repositories_3_resources_754","viu_repositories_3_resources_754_c02"],"parent_unittitles_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Born-Digital Materials"],"parent_unittitles_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Born-Digital Materials"],"text":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","Born-Digital Materials","Audio files (songs on audio-cassette)","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"title_filing_ssi":"Audio files (songs on audio-cassette)","title_ssm":["Audio files (songs on audio-cassette)"],"title_tesim":["Audio files (songs on audio-cassette)"],"unitdate_other_ssim":["2018-02-26"],"normalized_date_ssm":["2018"],"normalized_title_ssm":["Audio files (songs on audio-cassette)"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":27,"parent_access_restrict_tesm":["Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching."],"parent_access_terms_tesm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"digital_objects_ssm":["{\"label\":\"Compilation album \\\"Together\\\"\",\"href\":\"https://avalon.lib.virginia.edu/media_objects/kd17ct09t\"}"],"date_range_isim":[2018],"scopecontent_html_tesm":["\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-20T23:33:37.307Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_754","ead_ssi":"viu_repositories_3_resources_754","_root_":"viu_repositories_3_resources_754","_nest_parent_":"viu_repositories_3_resources_754","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_754.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148780","title_filing_ssi":"The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"unitdate_ssm":["2015-01-13-2020","2017-01-03-2020"],"unitdate_bulk_ssim":["2017-01-03-2020"],"unitdate_inclusive_ssm":["2015-01-13-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","/repositories/3/resources/754","The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017","race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media ","The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.","On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.","For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. ","The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.","Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.","This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).","Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.","Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library","English"],"unitid_tesim":["MSS 16386","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/754"],"normalized_title_ssm":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_title_tesim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"collection_ssim":["The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creator_corpname_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"creators_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"access_terms_ssm":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"acqinfo_ssim":["Anonymous donors.\nUniversity of Virginia Library staff.\nCharlottesville residents.\nCharlottesville City hall. \nOther, Individual donors, e.g: Michael McGee, Rosemary Balister, Derek Brown, Arlyn Newcomb, Tyler Magill, Sarah Brazelton."],"access_subjects_ssim":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"access_subjects_ssm":["race relations -- Virginia -- Charlottesville","Unite the Right Rally, Charlottesville, Va., 2017","Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"has_online_content_ssim":["true"],"extent_ssm":["50 Cubic Feet","19.74 Gigabytes"],"extent_tesim":["50 Cubic Feet","19.74 Gigabytes"],"genreform_ssim":["Correspondence","posters","Buttons (information artifacts)","letters (correspondence)","electronic mail","clippings (information artifacts)","newspapers","fanzines","Digital images","Web pages (documents)","social media "],"date_range_isim":[2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the collection is open for research use.\u003c/p\u003e\n","\u003cp\u003eThe story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.\u003c/p\u003e\n","\u003cp\u003eThe original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe Michael McGee Donation is restricted and requires permission from the donor to view the item.\u003c/p\u003e\n","\u003cp\u003e\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access of born-digital materials - archived webpages","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the collection is open for research use.","The story donated by Michael McGee is restricted and requires permission from the donor prior to use. Consult repository for details.","The original audio-cassette format of the music album, \"Together\" cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'.","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The Michael McGee Donation is restricted and requires permission from the donor to view the item.","\nThe audio-cassettes are restricted. The contents can be accessed using the link found in the Audio-cassette subseries of the Born Digital series.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. The digital files for each song are included and can be accessed in the second series, 'Born-Digital materials'."],"arrangement_html_tesm":["\u003cp\u003eArranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.\u003c/p\u003e\n","\u003cp\u003e\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:\u003c/p\u003e\n","\u003cp\u003eSeries 1, Physal (Analog) Materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries 2, Born-Digital materials:\u003c/p\u003e\n","\u003cp\u003e\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. \u003c/p\u003e\n","\u003cp\u003e\nSubseries 2, Archived web pages, 1/13/2015-2020:\u003c/p\u003e\n","\u003cp\u003e\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.\u003c/p\u003e\n","\u003cp\u003e\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.\u003c/p\u003e\n","\u003cp\u003e\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in two series: 1. Physical (Analog) Materials. 2. Born-Digital materials.","\nThe University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 is arranged in two series, each of which has been further arranged into subseries. Series 1, Pysical (Analog) Materials, is arranged into three subseries, and each subseries is arranged into files. Each subseries in Series 1 is arranged chronologically relative to August 11 and 12, 2017. The contents of each subseries in Series 1 are arranged by type or format. Series 2, Digital Materials, is arranged into 4 subseries. The contents of Series 2 are arranged in general type or format, and each subseries is arranged by format. The series, subseries, and files are as follows:","Series 1, Physal (Analog) Materials:","\nSubseries 1, Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally, 6/6/2017 - 8/10/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters. \nFile 4, Artifacts.","\nSubseries 2, Materials from August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/11/2017 - 8/12/2017:","\nFile 1, Correnspondence materials. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Posters and signs. \nFile 4, Artifacts.","\nSubseries 3, Materials following August 11 and 12, 2017, and the \"Unite the Right\" rally, 8/13/2017 - 2020:","\nFile 1, Correspondence materials: letters of support and other correspondence. \nFile 2, Announcements, flyers, pamphlets, publications. \nFile 3, Legal documents, official reports. \nFile 4, Artifacts. \nFile 5, Audio-visual materials.","\nSeries 2, Born-Digital materials:","\nSubseries 1, Stories and audio-visual materials submitted via online collection site, 8/13/2017-2018. ","\nSubseries 2, Archived web pages, 1/13/2015-2020:","\nFile 1, Archive-It webpages.\nFile 2, ReplayWeb/Webrecorder/Conifer webpages.","\nSubseries 3, Archived tweets and Twitter datasets, 8/11/17-2018.","\nSubseries 4, Audio files (songs on audio-cassette), 2/26/2018.","\nThe collection of Twitter data is not yet open for research, and will be made available when it is processed."],"bioghist_html_tesm":["\u003cp\u003eOn the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.\u003c/p\u003e\n","\u003cp\u003e\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.\u003c/p\u003e\n","\u003cp\u003e\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.\u003c/p\u003e\n","\u003cp\u003e\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.\u003c/p\u003e\n","\u003cp\u003e\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On the night of Friday August 11, 2017, the \"Unite the Right\" organizers held an unpermitted torchlit march at the University of Virginia. A group of several hundred men and women, identified by many sources as Alt-right members and white nationalists, gathered on UVA's \"nameless\" field with lit torches in hand. They then marched on the main quadrangle of the University of Virginia's grounds while chanting \"You will not replace us\" and \"Jews will not replace us\". They continued to walk around the Rotunda, then to the statue of Thomas Jefferson. At the base of the statue, the mob of white nationalists surrounded a small group of counter protesters before attacking them and injuring some.","\nAccording to news sources, University officials were informed of the planned march hours before it began. However, no action was taken to prevent the mob's tresspass onto University grounds, despite their violation of University policy. Nor was there any attempt made to prevent possible violence. Reports state that University officials and University Police were unprepared for the event, and University Police only dispersed the crowd after aid was provided by the Charlottesville Police Department.","\nOn August 12, 2017, right-wing and white-nationalist groups gathered in Charlottesville to oppose a plan to remove the statue of Robert E. Lee from Emancipation Park. This same plan also prompted a similar protest in May, 2017, led by white nationalist Richard Spencer, and a Ku Klux Klan rally on July 8, 2017. Jason Kessler had obtained a permit prior to August 12 to convene a rally at the Lee Statue, an event that was called \"Unite the Right\". The rally was much larger than the July KKK rally that took place in Charlottesville, and was a more significant public safety challenge for officials and authorities, despite the attempt by city council to move the event's location to McIntire Park.","\nViolence broke out ahead of the rally's scheduled noon start, after which Virginia Governor, Terry McAuliffe, declared a state of emergency. The Charlottesville Police Department and the Virginia State Police's failure to coordinate in a unified command, in combination with general planning and coordination breakdowns, resulted in their inability to intervene in violent altercations, and to protect public safety. When unlawful assembly was declared, law enforcement officers pushed Alt-Right protesters in Emancipation Park back towards counter-protesters with whom they had been in conflict, generating even more violence.","\nThe violence spread beyond the park to Market Street, Justice Park, High Street, Water Street, and the Downtown Mall, culminating in the death of 32-year-old paralegal, Heather Heyer, who was killed when James Alex Fields, Jr. drove his car into a crowd of counter-protesters at 4th and Water Streets. Nineteen people were injured when the car drove into the crowd, and at least 15 others were injured that day, including DeAndre Harris, a man beaten in an altercation with \"Unite the Right\" ralliers. Several hours after the incident that killed Heather Heyer, two Virginia state troopers, Lt. H. Jay Cullen and Trooper Berke M. M. Bates, died in a helicopter accident while monitoring the demonstrations."],"odd_html_tesm":["\u003cp\u003eFor accessing rolled oversized materials (tubes 6-11):\u003c/p\u003e\n","\u003cp\u003eThese items are stored rolled around the exterior of the tube.\u003c/p\u003e\n","\u003cp\u003e2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.\u003c/p\u003e\n","\u003cp\u003eSandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.\u003c/p\u003e\n","\u003cp\u003eThe sheet of Tyvek should remain on the underside/\nunmarked backing of the item.\u003c/p\u003e\n","\u003cp\u003eOnce these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)\u003c/p\u003e\n","\u003cp\u003eNow rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. \u003c/p\u003e"],"odd_heading_ssm":["Physical Access"],"odd_tesim":["For accessing rolled oversized materials (tubes 6-11):","These items are stored rolled around the exterior of the tube.","2 people are needed for rolling. Each item should\nremain face-up with the painted/drawn/sketched side visible.","Sandwich each item between the Hollytex, placed on top, and\nthe sheet of Tyvek, placed underneath.","The sheet of Tyvek should remain on the underside/\nunmarked backing of the item.","Once these protective coverings are in place,\ncarefully roll up the item around the exterior of the tube\n(Hollytex side IN)","Now rolled, gently secure the item by\nusing the 3 ties, one near each end and one in the center. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16386, The University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017, Albert and Shirley Small Special Collections Library, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eThe original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original title of the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 was the \"Unite the Right\" Rally and Community Response collection. It was changed on August 3, 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:\u003c/p\u003e\n","\u003cp\u003eBoggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content.\u003c/p\u003e\n","\u003cp\u003e Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials documenting the July 8, 2017 KKK rally, and the events in Charlotteville, VA on August 11 and 12, 2017 can be found here:","Boggs, Jeremy, 2017, \"Charlottesville KKK Tweet IDs\", https://doi.org/10.18130/V3/MSCNLT, University of Virginia Dataverse, V1.\n \nDeeyah Khan, 2017, \"White Right - Meeting the Enemy\", https://avalon.lib.virginia.edu/media_objects/sj1392079, University of Virginia Robertson Media Center Streaming Content.\n \nPaul Tait Roberts, 2018, \"Charlottesville\" (Unite the Right Rally), https://avalon.lib.virginia.edu/media_objects/w0892b08k, University of Virginia Robertson Media Center Streaming Content."," Littman, Justin, 2018, \"Charlottesville Tweet Ids\", https://doi.org/10.7910/DVN/DVLJTO, Harvard Dataverse, V1."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThis collection documents the events of August 11 and 12, 2017 that occurred in \u003cgeogname\u003eCharlottesville, Virginia\u003c/geogname\u003e, and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to \u003ccorpname\u003eCharlottesville City Hall\u003c/corpname\u003e, which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.\u003c/p\u003e\n","\u003cp\u003e\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.\u003c/p\u003e\n","\u003cp\u003e\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the \u003cdate\u003eJuly 8, 2017\u003c/date\u003e KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.\u003c/p\u003e\n","\u003cp\u003e\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the \u003cdate\u003eAugust 11, 2017\u003c/date\u003e torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after \u003cdate\u003eAugust 12, 2017\u003c/date\u003e. The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e, and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.\u003c/p\u003e\n","\u003cp\u003e\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003e\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.\u003c/p\u003e\n","\u003cp\u003e\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.\u003c/p\u003e\n","\u003cp\u003e\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the \u003ccorpname\u003eUniversity of Virginia Library\u003c/corpname\u003e. While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.\u003c/p\u003e\n","\u003cp\u003e\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.\u003c/p\u003e","\u003cp\u003eThe Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.\u003c/p\u003e\n","\u003cp\u003e\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.\u003c/p\u003e\n","\u003cp\u003eIn this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".\u003c/p\u003e\n","\u003cp\u003e\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eSome materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.\u003c/p\u003e\n","\u003cp\u003e\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.\u003c/p\u003e\n","\u003cp\u003e\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.\u003c/p\u003e\n","\u003cp\u003e\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.\u003c/p\u003e\n","\u003cp\u003e\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.\u003c/p\u003e\n","\u003cp\u003e\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.\u003c/p\u003e\n","\u003cp\u003e\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e","\u003cp\u003eThe materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. \u003c/p\u003e\n","\u003cp\u003eArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e\n","\u003cp\u003eMaterials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e\n","\u003cp\u003e\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.\u003c/p\u003e\n","\u003cp\u003e\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.\u003c/p\u003e","\u003cp\u003e\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e\n","\u003cp\u003e\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   \u003c/p\u003e\n","\u003cp\u003e\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.\u003c/p\u003e","\u003cp\u003eThe contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThis collection documents the events of August 11 and 12, 2017 that occurred in  Charlottesville, Virginia , and the circumstances surrounding them. It also documents the responses to those events from communities in and outside the city of Charlottesville. The contents of this collection include analog and born-digital materials. Some materials were donated, and physically collected by library staff and Charlottesville residents. A significant portion of the physical materials were created by individuals and communities outside of Charlottesville, which were then sent to  Charlottesville City Hall , which donated them to the University of Virginia. Library staff also collected born digital materials by means of web crawling and harvesting Twitter data, and by means of participatory archival efforts with the Charlottesville community, and from communities outside Charlottesville.","\nSeveral community identities can be identified throughout the collection, most notably residents of Charlottesville and its surrounding areas, many of whom were creators of first-hand documentaion donated to the archive and represented in the collection records. This particular community also includes  University of Virginia  students, faculty, and staff. Other community identities include those of the ralliers, the counter protesters, people expressing solidarity with and support for Charlotteville residents and the victims of the August 11 and 12 rallies, and people expressing support for the \"Unite the Right\" ralliers. In addition to the physical materials and the photo and video documentaion, evidence of these different communities can also be found in the collections of archived webpages and tweets, which lend themselves to the participatory aspect of the collection.","\nThe Physical (Analog) series follows a chronological organization beginning with the Materials leading up to August 11 and 12, 2017 and the \"Unite the Right\" rally subseries. The collection begins with materials from the  July 8, 2017  KKK rally and documents regarding that rally and its aftermath, and some printed email correspondence from police and Charlottesville City Council. These materials document some of the context and backdrop of the \"Unite the Right\" rally.","\nIn the Materials from August 11 and 12, 2017 and the \"Unite the Right\" rally subseries, there is documentation of the events that took place on those days and some of the circumstances surrounding those events. Printed email correspondence disclose some of the activities of the Charlottesville Police Department and of city council members during and after the demonstrations. Artifacts from the  August 11, 2017  torch-lit rally, and from the August 12 \"Unite the Right\" rally provide evidence of the activities during those events. Printed ephemera, like pamphlets, zines, and flyers reveal some of the activities of Charlottesville's residents and their expressions in anticipation of, and in response to the day's events.","\nThe Materials following August 11 and 12, 2017 and the \"Unite the Right\" rally subseries contains materials relating to the \"Unite the Right\" rally from after  August 12, 2017 . The majority of the correspondents in this subseries are condolence materials. Condolence letters and letters of support include those sent or addressed to Mayor Michael Signer, Vice Mayor Wes Bellamy, members of the Charlottesville City Council, Charlottesville City Hall, the city of  Charlottesville , and Heather Heyer. Condolence letters and letters of support were sent from public offices and municipalities, religious organizations, educational and professional institutions, businesses, non-profit organizations, political organizations, and from individuals and communities from around the world. Many of the condolence letters and letters of support that were sent from public offices and municipalities include motions reached at town meetings, proclamations, and resolutions in support of Charlottesville's citizens denouncing white supremacy, white nationalism, and groups demonstrating hate and bigotry. Pledges of solidarity with the city of Charlottesville signed by the citizens were also sent to city hall. Condolence artifacts of various formats were also sent to Charlottesville City Hall and document the varied kinds of expressions of support and solidarity. The artifacts in this subseries also includes the broken nose of the \"Faith\" statue, which is the front of the Stonewall Jackson statute's granite pedestal in Court Square Park.","\nThe other types of correspondence in this subseries include letters, and one restricted typed narrative that presents one person's assessment of the events of August 12, 2017. Some of the letters are addressed to members of Charlottesville City Hall and City Council that express severe criticism of the manner in which the mayor and members of city council, and the Charlottesville Police Department handled the events of August 12, 2017. Other letters also express dissatisfaction of Charlottesville City Council's decision to remove the Lee and Jackson statues, while also attempting to convey a particular narrative of southern history. Some correspondence also express severely racist comments towards black people and people of color, in general.","\nAlso in this subseries are materials that demonstrate Charlottesville community plans and responses for the anniversaries of the \"Unite the Right\" Rally. These include flyers for protests one year after the event, fliers and brochures handed out during the \"Reclaim the Park\" anniversary event in 2020, a press conference announcement, zines, and a listing of anti-racist events with a collection of comments from Charlottesville anti-racist activists.","\nThe periodical issues with articles about the events of August 11 and 12 portray the mainstream local and national reactions. The physical (analog) materials and ephemera collected after August 12, the copy of a legal complaint filed against Jason Kessler and other parties, the official report released by lawyers in Charlottesville, and the audio-cassette recording of songs by local musicians all document some of the responses of Charlottesville's communities and residents.","\nThe Born-Digital materials series consists of digital photo and video documentation, text files, archived email files, archived websites and Twitter data, and Audio files (songs on audio-cassette). Some documentation was contributed by a number of Charlottesville community members, city residents, students, and university staff alike via the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website created by the  University of Virginia Library . While some digital photographs were taken at the July 8 KKK rally, the majority were taken during and after the August 12 \"Unite the Right\" rally. The photographs and videos of protesters and anti-protesters, of police, of symbols and messages, and of people and artwork away from the activities demonstrate the circumstances of the events, and of the community response to the violence and turmoil that unfolded. The written narratives provide documentation of the events and of the community response, as well, but also provide evidence of the emotional responses.","\nThe growing collection of archived web pages provides a different kind of record of how the August 12 \"Unite the Right\" rally was perceived and documented. The collection of news and opinion articles from local, regional, and national sources, along with blogs, reddit threads, and a YouTube music video provides a small representation of responses to August 11 and 12, 2017 on the internet. The archived tweets and Twitter data-sets exhibit other forms of communication, like hashtags and emojis that can be included in the larger community of people responding to the events of August 12, 2017.","The Physical (Analog) materials series contains offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Materials leading up to August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains items that help to contextualize these events as part of the \"summer of hate\". Most notably, a tear gas canister used by the police was recovered from the July 8 rally. Some of the materials that capture the community's reaction to July 8 and its reaction to the planned August 12 rally include notes from a July 14 city meeting, articles about the KKK rally, a July 14 press conference release, flyers and a zine regarding the Lee and Jackson statues and the \"Unite the Right\" rally, and a printout of an online announcement from the Office of the President of the University of Virginia about the rally scheduled for August 12. There are also printed email correspondence between members of city council, and Charlottesville police officers from August 10, 2017.","\nThe Materials from August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries relates to the events and ongoings of August 11 and 12, 2017. Correspondence among Charlottesville police officers and among members of Charlottesville City Council reveal the plans, logistics, and reactions in real time to the incidents taking place on the night of August 11, 2017 when white nationalists/white supremacists gathered holding 'Tiki' torches, five of which are included in this subseries as the first 5 tube boxes. Materials included from the August 12 rally are posters and signs expressing opposition to white supremacy and fascism that were carried by counter-protesters, and artifacts like a red armband, a red flag, and a remnant of kekistan flag burned in Justice Park. There are also printed materials recovered from that day, such as flyers and programs for church services, an educational zine, an anti-fascist flyer, and a white supremacy flyer.","\nThe Materials following August 11 and 12, 2017, and the \"Unite the Right\" Rally subseries contains materials created in response to the events of August 11 and 12, 2017. Most of the correspondence materials consist of letters, postcards, cards, and handmade cards from around the world expressing support and solidarity for the leaders and people of Charlottesville. These correspondence were sent from public officials, public offices, businesses, organizations, institutions, individuals, and communities. A smaller section of correspondence, titled 'other correspondence', express either support not related to August 11 and 12, severe criticism of members of Charlottesville City Council and the Charlottesville Police Department, hateful and derogatory messages towards the Mayor and Vice Mayor of Charlottesville, a particular narrative of southern history, or extreme racism towards black people and people of color, in general.","In this subseries there are printed materials that include announcements, pamphlets, flyers and programs for church services and counseling sessions, informational zines, and fascist and anti-fascist paraphernalia. There are responses from the University of Virginia, legal documents, and official reports, as well, about the events of August 11 and 12, 2017. Additionally, printed publications, like newspapers are included, as well as a double-cassette album of music dedicated to the events, the digital files of which are included in the second series, \"Born-Digital materials\".","\nThe condolence artifacts in this subseries include handmade banners, tablecloths and painted canvases, some of which are signed by communities showing support. There are also other trinkets like wrists bands and bottons sent as forms of support.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","Some materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this series contain offensive and harmful language and imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nThe Born-digital materials series consists of digital photographs, video recordings, typed narratives, archived web pages, archived tweets and twitter IDs, and digitial audio files.","\nThe Stories and audiovisual materials submitted via online collection site subseries consists of digital photographs, video recordings, and typed narratives submitted via an online portal on the University of Virginia Collection on the Events in Charlottesville, VA, August 11-13, 2017 digital collection website, and include descriptive information, dates, and locations provided by the donors.","\nThe digital photographs and video recordings include documentation of KKK members and of protesters taken during the July 8 KKK rally, pictures of \"Unite the Right\" protesters, counter-protesters, and police taken during the August 12 \"Unite the Right\" rally, and pictures of events, memorials, memorabilia that document the community response to the events of August 11 and 12, 2017. The contents of these materials detail the movements of people in Charlottesville leading up to the confrontations that took place on July 8, and on August 12 at Market Street Park (formerly known as Lee Park and later Emancipation Park) when violence errupted. They also exhibit the many examples of the responses from the community of Charlottesville in the form of temporary memorials, like flowers, signs, messages written on walls.","\nThe narratives describe the personal accounts and experiences of individuals from events that occurred on August 11 and 12, 2017, and also reflections on white supremacy and violence in Charlottesville. They also document some of the emotional responses to events of August 11 and 12, 2017. This subseries also includes a small number of emails sent to University of Virginia President Teresa Sullivan.","\nThe Archived webpages subseries is divided into two separate files, each of which is a collection of archived websites. Each consists of archived websites and webpages relating to the events in Charlottesville, VA on August 11 and 12, 2017 made accessible via the provided hyperlinks.","\nThe first directs researchers to the University of Virginia Collection on Events in Charlottesville, VA, August 11-13, 2017 web archive on the Archive-It website. The second directs researchers to the web archive collection titled, \"MSS16386_WARNING_OFFENSIVECONTENT\" accessible on the ReplayWeb website. The collections include archived websites and webpages in various formats (blogs, forums, news websites, and social media) relating to the events of August 11 and 12, 2017 in Charlottesville, VA and their aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content from the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nThe Arhived tweets and Twitter datasets subseries includes archived social media that reveals some of the conversation around Charlottesville as a political focal point on Twitter. Tweets that were captured, and Tweet IDs and Twitter datasets that were harvested using Twarc, Twitter APIs, Archive-It, and webrecorder during and after August 11 and 12, 2017, and on the one-year anniversary of the \"Unite the Right\" rally are distributed across the political spectrum. A wide range of hashtags for Charlottesville, hoosagainsthate, and hoostogether were captured for the collection, as well as timelines and accounts from the university and from the city of Charlottesville. At this time this subseries is not open for research, but will be made available when it is processed.","\nThe Audio-cassette subseries consists of digital audio files from the download card that was included with the set of two audio-cassettes. The content of the audio-cassettes, and of the digital files are recorded songs created in response to the events of August 11 and 12, 2017, and were donated with a printed track listing.","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","The materials in this subseries contain offensive and harmful language and/or imagery including racist and violent references and imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nThis subseries includes two separate collections of archived webpages. One collection was captured using Archive-It web crawling tools and is accessible via Archive-It.org. The second collection was captured using Webrecorder and is accessible via ReplayWeb.page. Web content are based on user preferences and interests, and are thus adaptive, dynamic, and quickly changing. This can lead researchers to a number of challenges in viewing archived websites, including necessitating the use of multiple tools and a variety of search strategies. ","Archive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","Materials accessible on Replayweb.page must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The materials in this web archive collection on Archive-It.org contain offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","\nWebsites in this sub-series were captured using Archive-It web crawling tools and are being made available through Archive-It.org. These include archived websites and webpages in various formats, such as blogs, news websites, and social media related to the \"Unite the Right\" rally and its aftermath. Hyperlinks to articles, blogs, listservs, community sites, and other web content created in the wake of August 11 and 12, 2017 were gathered and archived from 2017 through 2020.","\nArchive-It can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same \tbroader site may not be presented together. Not all pages within a site may have been captured. After clicking on the desired link from the list of websites, the webpages as they were archived can viewed by clicking on the hyperlinked date-of-capture above the calendar. Clicking the url hyperlink will navigate out of the Archive-It website to the live webpage if it still exists. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords.","\tThe materials in this collection of webpages on ReplayWab.page contains offensive and harmful language and/or imagery including racist and violent references and imagery. Because the websites are not arranged in any particular order, it may be difficult to avoid sites containing racist, and/or violent language and imagery when navigating the collection. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","\nWebsites and webpages in this sub-series were captured using a tool called Webrecorder and are being made available through ReplayWeb.page. Archived content is presented in various formats relating to the events and aftermath of the \"Unite the Right\" rally held in Charlottesville, Virginia on August 11 and 12, 2017.  These include blogs, news websites, articles by the Southern Poverty Law Center, pages from the GoFundMe crowdfunding platform, pages from the Reddit and Daily Stormer discussion websites, and pages from the anonymous imageboard site 4chan. Hyperlinks to the web content created in the wake of August 11 and 12, 2017 were gathered and captured from 2017 through 2020. The November 2019 additions were due to Unicorn Riot's access to the Vimeo streaming server archive no longer being financially supported. UVA administration asked that these materials be archived.   ","\nThese materials must be viewed using the Google Chrome web browser. ReplayWeb.page can be difficult to navigate. Captured websites are not arranged or displayed in any particular order, and sub-pages from the same broader site may not be presented together. Not all pages within a site may have been captured. If a page was not captured you will be given the option to load the live version of the page, meaning the version of the page that is currently available online. It is important to note that loading the live page will cause you to leave the collection within Replay Web.page. The easiest way to find sites of interest is likely to use the search bar to search for topics/keywords. In order for the search functionality to work correctly, scroll to the very bottom of the list of urls before searching.","The contents include recorded songs dedicated to the events of August 11 and 12, 2017. The cassette included a digital download code. The digital files can be accessed using the link in the finding aid (digital object)."],"userestrict_html_tesm":["\u003cp\u003eBecause of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the assembled nature of this collection, copyright status varies across the collection. Copyright is assumed to be held by the original creator."],"names_coll_ssim":["Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Unite the Right Rally (Location of meeting: Charlottesville (Va.)). Date of meeting or treaty signing: (2017 :.)","Charlottesville City Hall","University of Virginia","University of Virginia Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:37.307Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_754_c02_c03"}},{"id":"vifrem_repositories_2_resources_20_c01","type":"Series","attributes":{"title":"Audio-Visual","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_20_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifrem_repositories_2_resources_20_c01","ref_ssm":["vifrem_repositories_2_resources_20_c01"],"id":"vifrem_repositories_2_resources_20_c01","ead_ssi":"vifrem_repositories_2_resources_20","_root_":"vifrem_repositories_2_resources_20","_nest_parent_":"vifrem_repositories_2_resources_20","parent_ssi":"vifrem_repositories_2_resources_20","parent_ssim":["vifrem_repositories_2_resources_20"],"parent_ids_ssim":["vifrem_repositories_2_resources_20"],"parent_unittitles_ssm":["University Relations and Communications, James L. Farmer Records"],"parent_unittitles_tesim":["University Relations and Communications, James L. Farmer Records"],"text":["University Relations and Communications, James L. Farmer Records","Audio-Visual","Public Broadcasting Service (U.S.)","NBC Television Network","WNVT (Television station : Annandale, Va.)","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"title_filing_ssi":"Audio-Visual","title_ssm":["Audio-Visual"],"title_tesim":["Audio-Visual"],"normalized_title_ssm":["Audio-Visual"],"component_level_isim":[1],"repository_ssim":["University of Mary Washington"],"collection_ssim":["University Relations and Communications, James L. Farmer Records"],"has_online_content_ssim":["true"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions."],"names_ssim":["Public Broadcasting Service (U.S.)","NBC Television Network","WNVT (Television station : Annandale, Va.)","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"corpname_ssim":["Public Broadcasting Service (U.S.)","NBC Television Network","WNVT (Television station : Annandale, Va.)","WNVT (Television station : Annandale, Va.)","WNVT (Television station : Annandale, Va.)","WNVT (Television station : Annandale, Va.)","WTTG (Television station : Washington, D.C.)","NBC Television Network","NBC Television Network","Public Broadcasting Service (U.S.)","University of Wisconsin--Milwaukee","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","WAMU-FM (Radio station : Washington, D.C.)"],"persname_ssim":["Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"_nest_path_":"/components#0","timestamp":"2026-05-21T14:29:13.627Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_20","ead_ssi":"vifrem_repositories_2_resources_20","_root_":"vifrem_repositories_2_resources_20","_nest_parent_":"vifrem_repositories_2_resources_20","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_20.xml","title_ssm":["University Relations and Communications, James L. Farmer Records"],"title_tesim":["University Relations and Communications, James L. Farmer Records"],"unitdate_ssm":["1984-2008"],"unitdate_inclusive_ssm":["1984-2008"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG013.03.Farmer","/repositories/2/resources/20"],"text":["RG013.03.Farmer","/repositories/2/resources/20","University Relations and Communications, James L. Farmer Records","African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity","Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions.","Farmer AV 1 \u003e Farmer_Video_013","Farmer AV 1 \u003e Farmer_Video_014","Farmer_Video_018b","Farmer_Video_022","Farmer_Video_025","Farmer_Video_026","Farmer_Video_027","Farmer_Video_028","Farmer_Video_032","Farmer_Video_034","Farmer_Video_035","Farmer_Video_044","Farmer_ Video_015","Farmer_Video_021","Farmer_Video_023","Farmer AV 1 \u003e Farmer_Video_009b","Farmer AV 1 \u003e Farmer_Video_037","Farmer AV 1 \u003e Farmer_Video_010b","Farmer AV 1 \u003e Farmer_Video_011","Farmer_Video_033","Digitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.","Farmer AV 1 \u003e Farmer_Video_031.","Farmer_ Video_024","Farmer AV 01 \u003e Farmer_Video_036","Farmer_Video_016","Farmer AV 1 \u003e Farmer_Video_012","Farmer_Video_017b","Farmer_Video_020","Farmer_Audio_040.","Farmer_Audio_041.","Farmer_Audio_042","Farmer_Audio_039.","James Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.","James Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.","In addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.","Ill health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999.","FAC0099","CSPAN0026","FAC0043","FAC0043","Farmer_Video_029","FAC0042","FAC0090","Video 023. DVD access copy available. Jewel case is damaged.","Video 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".","FAC0053","External notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".","Segment is hosted by Laura Womack.","Handwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".","Segment hosted by Susan Stamberg.","Green sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".","Original recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.","In a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.","Notations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.","Hosted by Mike Cuthbert.","The collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life.","University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike","English \n.    "],"unitid_tesim":["RG013.03.Farmer","/repositories/2/resources/20"],"normalized_title_ssm":["University Relations and Communications, James L. Farmer Records"],"collection_title_tesim":["University Relations and Communications, James L. Farmer Records"],"collection_ssim":["University Relations and Communications, James L. Farmer Records"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["University of Mary Washington. Office of University Relations and Communications","Farmer, James, 1920-1999"],"creator_ssim":["University of Mary Washington. Office of University Relations and Communications","Farmer, James, 1920-1999"],"creator_persname_ssim":["Farmer, James, 1920-1999"],"creator_corpname_ssim":["University of Mary Washington. Office of University Relations and Communications"],"creators_ssim":["Farmer, James, 1920-1999","University of Mary Washington. Office of University Relations and Communications"],"access_subjects_ssim":["African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity"],"access_subjects_ssm":["African Americans -- Civil rights.","College teachers","Mass media","Education, Higher -- Virginia","Press releases","Publicity"],"has_online_content_ssim":["true"],"extent_ssm":["3.75 Linear Feet 5 boxes: one record storage box, 2 legal-size document storage boxes, and 2 flat boxes."],"extent_tesim":["3.75 Linear Feet 5 boxes: one record storage box, 2 legal-size document storage boxes, and 2 flat boxes."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eResearchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Researchers interested in AV materials may need to visit the Special Collections Reading Room for access due to copyright restrictions."],"altformavail_html_tesm":["\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_013\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_014\u003c/p\u003e","\u003cp\u003eFarmer_Video_018b\u003c/p\u003e","\u003cp\u003eFarmer_Video_022\u003c/p\u003e","\u003cp\u003eFarmer_Video_025\u003c/p\u003e","\u003cp\u003eFarmer_Video_026\u003c/p\u003e","\u003cp\u003eFarmer_Video_027\u003c/p\u003e","\u003cp\u003eFarmer_Video_028\u003c/p\u003e","\u003cp\u003eFarmer_Video_032\u003c/p\u003e","\u003cp\u003eFarmer_Video_034\u003c/p\u003e","\u003cp\u003eFarmer_Video_035\u003c/p\u003e","\u003cp\u003eFarmer_Video_044\u003c/p\u003e","\u003cp\u003eFarmer_ Video_015\u003c/p\u003e","\u003cp\u003eFarmer_Video_021\u003c/p\u003e","\u003cp\u003eFarmer_Video_023\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_009b\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_037\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_010b\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_011\u003c/p\u003e","\u003cp\u003eFarmer_Video_033\u003c/p\u003e","\u003cp\u003eDigitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_031.\u003c/p\u003e","\u003cp\u003eFarmer_ Video_024\u003c/p\u003e","\u003cp\u003eFarmer AV 01 \u0026gt; Farmer_Video_036\u003c/p\u003e","\u003cp\u003eFarmer_Video_016\u003c/p\u003e","\u003cp\u003eFarmer AV 1 \u0026gt; Farmer_Video_012\u003c/p\u003e","\u003cp\u003eFarmer_Video_017b\u003c/p\u003e","\u003cp\u003eFarmer_Video_020\u003c/p\u003e","\u003cp\u003eFarmer_Audio_040.\u003c/p\u003e","\u003cp\u003eFarmer_Audio_041.\u003c/p\u003e","\u003cp\u003eFarmer_Audio_042\u003c/p\u003e","\u003cp\u003eFarmer_Audio_039.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized copy","Existence and Location of Copies","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Existence and Location of Copies","Existence and Location of Copies","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Digitized copy","Existence and Location of Copies","Digitized copy"],"altformavail_tesim":["Farmer AV 1 \u003e Farmer_Video_013","Farmer AV 1 \u003e Farmer_Video_014","Farmer_Video_018b","Farmer_Video_022","Farmer_Video_025","Farmer_Video_026","Farmer_Video_027","Farmer_Video_028","Farmer_Video_032","Farmer_Video_034","Farmer_Video_035","Farmer_Video_044","Farmer_ Video_015","Farmer_Video_021","Farmer_Video_023","Farmer AV 1 \u003e Farmer_Video_009b","Farmer AV 1 \u003e Farmer_Video_037","Farmer AV 1 \u003e Farmer_Video_010b","Farmer AV 1 \u003e Farmer_Video_011","Farmer_Video_033","Digitized copy available on external hard drive UOMW_July2012_DRV02, filename Farmer_Audio_023.","Farmer AV 1 \u003e Farmer_Video_031.","Farmer_ Video_024","Farmer AV 01 \u003e Farmer_Video_036","Farmer_Video_016","Farmer AV 1 \u003e Farmer_Video_012","Farmer_Video_017b","Farmer_Video_020","Farmer_Audio_040.","Farmer_Audio_041.","Farmer_Audio_042","Farmer_Audio_039."],"bioghist_html_tesm":["\u003cp\u003eJames Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.\u003c/p\u003e\n","\u003cp\u003eJames Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.\u003c/p\u003e\n","\u003cp\u003eIn addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.\u003c/p\u003e\n","\u003cp\u003eIll health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Leonard Farmer, Jr. was born January 12, 1920 in Marshall, Texas. He was an exceedingly intelligent student and began attending Wiley College at age fourteen, graduating with his B.S. degree in 1938. From there he went to Howard University School of Divinity before obtaining his B.D. degree in 1941. Eventually, Farmer would become widely recognized as one of the \"Big Four\" of the civil rights movement. He founded the Congress of Racial Equality (CORE) in 1942, and gained national recognition in the 1960s for his leadership of the \"Freedom Rides\" into the South. Farmer's non-violent acts played a significant role in the events leading to the passage of the Civil Rights Bill of 1964 and the Civil Rights Voting Act of 1965.","James Farmer also forayed into politics, albeit briefly. He unsuccessfully ran for Congress in 1968, and from 1969-1970, he served in the Nixon administration as the Assistant Secretary of the Department of Health, Education, and Welfare (now the Department of Health and Human Services). By 1971, Farmer returned his focus to activism and education.","In addition to his role as a renowned activist, Farmer was an author, a teacher, and a labor organizer. Beyond his leadership of CORE, he also held a position as honorary vice chairman of the Democratic Socialists of America, and was a co-founding member of the Fund for an Open Society, which promoted thriving racially and ethnically integrated communities. In 1985, he began teaching the history of Civil Rights as Commonwealth Professor of History and American Studies at Mary Washingon College. He received the title of Distiguished Professor in 1987, which he held until his retirement in 1998. MWC awarded Farmer an honorary doctorate of humane letters in 1997. In 1998, he received the Presidential Medal of Freedom, awarded by President Bill Clinton.","Ill health troubled James Farmer for many of his later years. He would eventually lose both of his legs and his eyesight to diabetes, and passsed away from complications of the disease on July 9, 1999."],"odd_html_tesm":["\u003cp\u003eFAC0099\u003c/p\u003e","\u003cp\u003eCSPAN0026\u003c/p\u003e","\u003cp\u003eFAC0043\u003c/p\u003e","\u003cp\u003eFAC0043\u003c/p\u003e","\u003cp\u003eFarmer_Video_029\u003c/p\u003e","\u003cp\u003eFAC0042\u003c/p\u003e","\u003cp\u003eFAC0090\u003c/p\u003e","\u003cp\u003eVideo 023. DVD access copy available. Jewel case is damaged.\u003c/p\u003e","\u003cp\u003eVideo 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".\u003c/p\u003e","\u003cp\u003eFAC0053\u003c/p\u003e","\u003cp\u003eExternal notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".\u003c/p\u003e\n","\u003cp\u003eSegment is hosted by Laura Womack.\u003c/p\u003e","\u003cp\u003eHandwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".\u003c/p\u003e\n","\u003cp\u003eSegment hosted by Susan Stamberg.\u003c/p\u003e","\u003cp\u003eGreen sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".\u003c/p\u003e\n","\u003cp\u003eOriginal recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.\u003c/p\u003e\n","\u003cp\u003eIn a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.\u003c/p\u003e","\u003cp\u003eNotations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.\u003c/p\u003e\n","\u003cp\u003eHosted by Mike Cuthbert.\u003c/p\u003e"],"odd_heading_ssm":["ID#","ID#","ID#","ID#","Digitized copy","ID#","ID#","General","General","ID#","General","General","General","General"],"odd_tesim":["FAC0099","CSPAN0026","FAC0043","FAC0043","Farmer_Video_029","FAC0042","FAC0090","Video 023. DVD access copy available. Jewel case is damaged.","Video 031. Notations on box read \"Freedom Rides, 1991 Anniversary, NBC \"Today\" (Video)\".","FAC0053","External notations on cassette read \"WITH GOOD REASON, VOL. 2, NO. 5 / \"On the Bias: Black and White Perspectivees on African-American History / Farmer (MWC) Toppin (VSU).\" Case includes a business card from Pamela H. Landrum with the handwritten note \"My extra copy of tape, if you want to listen. [R?] 7/16\".","Segment is hosted by Laura Womack.","Handwritten notations on cassette read \"James Farmer/Susan Stamberg / Weekend Edition/Sun 6/18/89.\" Notation on case reads \"JAMES FARMER\".","Segment hosted by Susan Stamberg.","Green sticker on case reads \"Audio 042\". Notations on cassette read \"FAC0055 / James Farmer singing / dubbed 8/99\".","Original recording date unknown. This recording is several loops of the same song; the run time for one loop of the song is 1m45s.","In a 1985 interview with NPR, Farmer said this is an old labor song with new words he wrote for the freedom rides.","Notations on cassette read \"CUTHBERT SHOW / JAMES FARMER ON CIVIL RIGHTS TODAY / 12-11-89.\" Tape label indicates that the recording comes from WAMU at American University.","Hosted by Mike Cuthbert."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials that have been transferred to UMW Archives from the Office of University Relations and Communications, dating from 1984-2008. The majority of the collection's content includes public media materials such as television and radio appearances, and newspaper and magazine articles. The collection also includes correspondence, secretarial notes, speeches written by James Farmer, and documenation of some of Dr. Farmer's many awards and honors. These materials document James Farmer's career at the University of Mary Washington so the bulk of the contents pertain to the late 1980s and 1990s. This collection offers insight into the life of James Farmer's career as an educator and public figure later in his life."],"names_coll_ssim":["WNVT (Television station : Annandale, Va.)"],"names_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)","Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"corpname_ssim":["University of Mary Washington Special Collections and University Archives","University of Mary Washington. Office of University Relations and Communications","WNVT (Television station : Annandale, Va.)","Public Broadcasting Service (U.S.)","NBC Television Network","WTTG (Television station : Washington, D.C.)","University of Wisconsin--Milwaukee","WHMM-TV (Television station : Washington, D.C.)","National Public Radio (U.S.)","WAMU-FM (Radio station : Washington, D.C.)"],"persname_ssim":["Farmer, James, 1920-1999","Powell, Adam Clayton, Jr., 1908-1972","Couric, Katie, 1957-","Bowers, Detine L. (Detine Lee)","Toppin, Edgar Allan, 1928-","Stamberg, Susan, 1938-","Cuthbert, Mike"],"language_ssim":["English \n.    "],"total_component_count_is":89,"online_item_count_is":33,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:29:13.627Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifrem_repositories_2_resources_20_c01"}},{"id":"viu_repositories_3_resources_1113_c09","type":"File","attributes":{"title":"Audiovisual Material","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1113_c09#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMaintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1113_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1113_c09","ref_ssm":["viu_repositories_3_resources_1113_c09"],"id":"viu_repositories_3_resources_1113_c09","ead_ssi":"viu_repositories_3_resources_1113","_root_":"viu_repositories_3_resources_1113","_nest_parent_":"viu_repositories_3_resources_1113","parent_ssi":"viu_repositories_3_resources_1113","parent_ssim":["viu_repositories_3_resources_1113"],"parent_ids_ssim":["viu_repositories_3_resources_1113"],"parent_unittitles_ssm":["Dale Hill Papers"],"parent_unittitles_tesim":["Dale Hill Papers"],"text":["Dale Hill Papers","Audiovisual Material","Maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.","Interviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito."],"title_filing_ssi":"Audiovisual Material","title_ssm":["Audiovisual Material"],"title_tesim":["Audiovisual Material"],"unitdate_inclusive_ssm":["2004-2012"],"normalized_date_ssm":["2004/2012"],"normalized_title_ssm":["Audiovisual Material"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Dale Hill Papers"],"extent_ssm":["22.564 Gigabytes"],"extent_tesim":["22.564 Gigabytes"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for  (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials."],"digital_objects_ssm":["{\"label\":\"MSS 16583 Dale Hill Papers Audiovisual Material\",\"href\":\"https://avalon.lib.virginia.edu/collections/h415p991b\"}"],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012],"scopecontent_html_tesm":["\u003cp\u003eMaintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.\u003c/p\u003e","\u003cp\u003eInterviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.","Interviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito."],"_nest_path_":"/components#8","timestamp":"2026-05-20T23:25:40.289Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1113","ead_ssi":"viu_repositories_3_resources_1113","_root_":"viu_repositories_3_resources_1113","_nest_parent_":"viu_repositories_3_resources_1113","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1113.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/126075","title_filing_ssi":"Hill, Dale Papers","title_ssm":["Dale Hill Papers"],"title_tesim":["Dale Hill Papers"],"unitdate_ssm":["1970s - 2010s"],"unitdate_inclusive_ssm":["1970s - 2010s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16583","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1113"],"text":["MSS 16583","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1113","Dale Hill Papers","women--education -- Virginia","Women students","Coeducation","Women in higher education","University of Virginia","University of Virginia -- Alumni","This collection is open for research.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for  (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Dale Miller Hill was part of the first class of women to attend the University of Virginia. She helped organize the events at Rosemont Manor and conducted severalinterviews with men and women from the coeducation class. Hill is currently a Senior Independent Consultant, Trustee, and Advisor to nonprofit organizations.","This collection is related to a new Co-educational Collection at University of Virginia MSS 16898.","The  Dale Hill  Papers contain recordings, notes, research material, forms, consent waivers, articles, and photographs all relating to the beginning of co-education at the  University of Virginia . The bulk of the materials are the audiovisual content, which were maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library.","The audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in  2004  for the graduating class of  1974 . Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on  2011 March 25-26 . The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by  Dale Hill  called, \"Pioneer Women at Mr. Jefferson's University\", held at  Rosemont Manor  in  2012 March , as well as location footage from the event.","Interviewees and speakers are:  Dale Miller Hill ;  Terry Jasperson Lockhart ;  Barbara Lynn ; Professor  Edgar Olsen ;  Ann Brown ;  Lynn Chadwick ;  Wendy Weiss Newman ;  Nancy Crawford ;  Roxanne Sherbeck ;  Paul Fishbeck ;  Sharon Davie ;  Ernie Ern ;  Annette Gibbs ;  John Lowe ;  Kevin Mannix ;  Carolyn Jones Duval ;  Cynthia Goodrich Kuhn ;  Sandra Lewis ;  Betty Shotton ;  Katie Montgomery ;  Karen Davis Montgomery ;  Kris Kasselman ;  Pat Banson ;  Susan Gregory ;  Paulette Jones Morant ;  Rebecca Lieser ;  Lind Leatherbury ;  Nancy Forbes ;  Vicki Craig ;  Nancy Martin-Perdue ; and  Roseann Romito .","Maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.","Interviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito.","Albert and Shirley Small Special Collections Library","University of Virginia","Dale Hill","Dale Miller Hill","Terry Jasperson Lockhart","Barbara Lynn","Edgar Olsen","Ann Brown","Lynn Chadwick","Wendy Weiss Newman","Nancy Crawford","Roxanne Sherbeck","Paul Fishbeck","Sharon Davie","Ernie Ern","Annette Gibbs","John Lowe","Kevin Mannix","Carolyn Jones Duval","Cynthia Goodrich Kuhn","Sandra Lewis","Betty Shotton","Katie Montgomery","Karen Davis Montgomery","Kris Kasselman","Pat Banson","Susan Gregory","Paulette Jones Morant","Rebecca Lieser","Lind Leatherbury","Nancy Forbes","Vicki Craig","Nancy Martin-Perdue","Roseann Romito","English"],"unitid_tesim":["MSS 16583","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1113"],"normalized_title_ssm":["Dale Hill Papers"],"collection_title_tesim":["Dale Hill Papers"],"collection_ssim":["Dale Hill Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["women--education -- Virginia","Women students"],"geogname_ssim":["women--education -- Virginia","Women students"],"places_ssim":["women--education -- Virginia","Women students"],"acqinfo_ssim":["This collection was a gift from Dale Hill to the Small Special Collections Library, University of Virginia on  July 14, 2021."],"access_subjects_ssim":["Coeducation","Women in higher education","University of Virginia","University of Virginia -- Alumni"],"access_subjects_ssm":["Coeducation","Women in higher education","University of Virginia","University of Virginia -- Alumni"],"has_online_content_ssim":["true"],"extent_ssm":[".4 Cubic Feet 1 letter-sized document box","95.7 Gigabytes 18 optical disks and 1 thumb drive.","2 Cassettes 2 audio cassettes"],"extent_tesim":[".4 Cubic Feet 1 letter-sized document box","95.7 Gigabytes 18 optical disks and 1 thumb drive.","2 Cassettes 2 audio cassettes"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for  (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.\u003c/p\u003e","\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.\u003c/p\u003e","\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.\u003c/p\u003e","\u003cp\u003eOriginal digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for  (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials.","Original digital media (floppy disks, zip disks, thumb drives, born digital files, etc.) and other media formats such as LPs, audiotapes, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Appointments must be made in advance to request these items held by Special Collections. In most cases, materials must be reformatted before they can be accessed, sometimes at the researcher's expense. Please use our online reference request for (https://small.library.virginia.edu/services/reference-request)  to request access to these materials or to ask for further information or to schedule access to audio-visual materials."],"bioghist_html_tesm":["\u003cp\u003eDale Miller Hill was part of the first class of women to attend the University of Virginia. She helped organize the events at Rosemont Manor and conducted severalinterviews with men and women from the coeducation class. Hill is currently a Senior Independent Consultant, Trustee, and Advisor to nonprofit organizations.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dale Miller Hill was part of the first class of women to attend the University of Virginia. She helped organize the events at Rosemont Manor and conducted severalinterviews with men and women from the coeducation class. Hill is currently a Senior Independent Consultant, Trustee, and Advisor to nonprofit organizations."],"prefercite_html_tesm":["\u003cp\u003eMSS 16583, Dale Hill papers, Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16583, Dale Hill papers, Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to a new Co-educational Collection at University of Virginia MSS 16898.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to a new Co-educational Collection at University of Virginia MSS 16898."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003cpersname\u003eDale Hill\u003c/persname\u003e Papers contain recordings, notes, research material, forms, consent waivers, articles, and photographs all relating to the beginning of co-education at the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. The bulk of the materials are the audiovisual content, which were maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library.\u003c/p\u003e\n","\u003cp\u003eThe audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in \u003cdate\u003e2004\u003c/date\u003e for the graduating class of \u003cdate\u003e1974\u003c/date\u003e. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on \u003cdate\u003e2011 March 25-26\u003c/date\u003e. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by \u003cpersname\u003eDale Hill\u003c/persname\u003e called, \"Pioneer Women at Mr. Jefferson's University\", held at \u003cgeogname\u003eRosemont Manor\u003c/geogname\u003e in \u003cdate\u003e2012 March\u003c/date\u003e, as well as location footage from the event.\u003c/p\u003e\n","\u003cp\u003eInterviewees and speakers are: \u003cpersname\u003eDale Miller Hill\u003c/persname\u003e; \u003cpersname\u003eTerry Jasperson Lockhart\u003c/persname\u003e; \u003cpersname\u003eBarbara Lynn\u003c/persname\u003e; Professor \u003cpersname\u003eEdgar Olsen\u003c/persname\u003e; \u003cpersname\u003eAnn Brown\u003c/persname\u003e; \u003cpersname\u003eLynn Chadwick\u003c/persname\u003e; \u003cpersname\u003eWendy Weiss Newman\u003c/persname\u003e; \u003cpersname\u003eNancy Crawford\u003c/persname\u003e; \u003cpersname\u003eRoxanne Sherbeck\u003c/persname\u003e; \u003cpersname\u003ePaul Fishbeck\u003c/persname\u003e; \u003cpersname\u003eSharon Davie\u003c/persname\u003e; \u003cpersname\u003eErnie Ern\u003c/persname\u003e; \u003cpersname\u003eAnnette Gibbs\u003c/persname\u003e; \u003cpersname\u003eJohn Lowe\u003c/persname\u003e; \u003cpersname\u003eKevin Mannix\u003c/persname\u003e; \u003cpersname\u003eCarolyn Jones Duval\u003c/persname\u003e; \u003cpersname\u003eCynthia Goodrich Kuhn\u003c/persname\u003e; \u003cpersname\u003eSandra Lewis\u003c/persname\u003e; \u003cpersname\u003eBetty Shotton\u003c/persname\u003e; \u003cpersname\u003eKatie Montgomery\u003c/persname\u003e; \u003cpersname\u003eKaren Davis Montgomery\u003c/persname\u003e; \u003cpersname\u003eKris Kasselman\u003c/persname\u003e; \u003cpersname\u003ePat Banson\u003c/persname\u003e; \u003cpersname\u003eSusan Gregory\u003c/persname\u003e; \u003cpersname\u003ePaulette Jones Morant\u003c/persname\u003e; \u003cpersname\u003eRebecca Lieser\u003c/persname\u003e; \u003cpersname\u003eLind Leatherbury\u003c/persname\u003e; \u003cpersname\u003eNancy Forbes\u003c/persname\u003e; \u003cpersname\u003eVicki Craig\u003c/persname\u003e; \u003cpersname\u003eNancy Martin-Perdue\u003c/persname\u003e; and \u003cpersname\u003eRoseann Romito\u003c/persname\u003e.\u003c/p\u003e","\u003cp\u003eMaintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.\u003c/p\u003e\n","\u003cp\u003eInterviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["The  Dale Hill  Papers contain recordings, notes, research material, forms, consent waivers, articles, and photographs all relating to the beginning of co-education at the  University of Virginia . The bulk of the materials are the audiovisual content, which were maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library.","The audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in  2004  for the graduating class of  1974 . Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on  2011 March 25-26 . The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by  Dale Hill  called, \"Pioneer Women at Mr. Jefferson's University\", held at  Rosemont Manor  in  2012 March , as well as location footage from the event.","Interviewees and speakers are:  Dale Miller Hill ;  Terry Jasperson Lockhart ;  Barbara Lynn ; Professor  Edgar Olsen ;  Ann Brown ;  Lynn Chadwick ;  Wendy Weiss Newman ;  Nancy Crawford ;  Roxanne Sherbeck ;  Paul Fishbeck ;  Sharon Davie ;  Ernie Ern ;  Annette Gibbs ;  John Lowe ;  Kevin Mannix ;  Carolyn Jones Duval ;  Cynthia Goodrich Kuhn ;  Sandra Lewis ;  Betty Shotton ;  Katie Montgomery ;  Karen Davis Montgomery ;  Kris Kasselman ;  Pat Banson ;  Susan Gregory ;  Paulette Jones Morant ;  Rebecca Lieser ;  Lind Leatherbury ;  Nancy Forbes ;  Vicki Craig ;  Nancy Martin-Perdue ; and  Roseann Romito .","Maintained previously on and digitized or transferred from audio cassette, DVD, CD, and flash drive carriers at the time the collection was donated to the Library. The 22.564 GB of audiovisual content documents three events related to co-education. There are audio recordings from a 30th reunion celebration held in 2004 for the graduating class on 1974. Women were encouraged to come to a microphone to share their experiences. There is unedited footage of the 2-day event, \"Celebrating the Women of the University: 40 Years of Full Co-Education, A Century of Accomplishments\" held on 2011 March 25-26. The event included panel discussions hosted by the UVA Alumni Association, two of which are documented here. Panelists for the first presentation, \"U.Va. Decision Time: To Admit or Not to Admit... Women\", were all current or former UVA administrators with ties to coeducation decisions. Panelists for the second presentation, \"Wahoo Women: The Early Years\", were women alumnae from the first fully coeducated class admitted to the College in 1970. Also included are interviews of members of the Class of '74 (men and women) for an event hosted by Dale Hill called, \"Pioneer Women at Mr. Jefferson's University\", held at Rosemont Manor in 2012 March, as well as location footage from the event.","Interviewees and speakers are: Dale Miller Hill; Terry Jasperson Lockhart; Barbara Lynn; Professor Edgar Olsen; Ann Brown; Lynn Chadwick; Wendy Weiss Newman; Nancy Crawford; Roxanne Sherbeck; Paul Fishbeck; Sharon Davie; Ernie Ern; Annette Gibbs; John Lowe; Kevin Mannix; Carolyn Jones Duval; Cynthia Goodrich Kuhn; Sandra Lewis; Betty Shotton; Katie Montgomery; Karen Davis Montgomery; Kris Kasselman; Pat Banson; Susan Gregory; Paulette Jones Morant; Rebecca Lieser; Lind Leatherbury; Nancy Forbes; Vicki Craig; Nancy Martin-Perdue; and Roseann Romito."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Dale Hill","Dale Miller Hill","Terry Jasperson Lockhart","Barbara Lynn","Edgar Olsen","Ann Brown","Lynn Chadwick","Wendy Weiss Newman","Nancy Crawford","Roxanne Sherbeck","Paul Fishbeck","Sharon Davie","Ernie Ern","Annette Gibbs","John Lowe","Kevin Mannix","Carolyn Jones Duval","Cynthia Goodrich Kuhn","Sandra Lewis","Betty Shotton","Katie Montgomery","Karen Davis Montgomery","Kris Kasselman","Pat Banson","Susan Gregory","Paulette Jones Morant","Rebecca Lieser","Lind Leatherbury","Nancy Forbes","Vicki Craig","Nancy Martin-Perdue","Roseann Romito"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"persname_ssim":["Dale Hill","Dale Miller Hill","Terry Jasperson Lockhart","Barbara Lynn","Edgar Olsen","Ann Brown","Lynn Chadwick","Wendy Weiss Newman","Nancy Crawford","Roxanne Sherbeck","Paul Fishbeck","Sharon Davie","Ernie Ern","Annette Gibbs","John Lowe","Kevin Mannix","Carolyn Jones Duval","Cynthia Goodrich Kuhn","Sandra Lewis","Betty Shotton","Katie Montgomery","Karen Davis Montgomery","Kris Kasselman","Pat Banson","Susan Gregory","Paulette Jones Morant","Rebecca Lieser","Lind Leatherbury","Nancy Forbes","Vicki Craig","Nancy Martin-Perdue","Roseann Romito"],"language_ssim":["English"],"total_component_count_is":9,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:25:40.289Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1113_c09"}},{"id":"viu_repositories_3_resources_1547_c116","type":"Item","attributes":{"title":"Auditorium Academical Building","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1547_c116#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1547_c116","ref_ssm":["viu_repositories_3_resources_1547_c116"],"id":"viu_repositories_3_resources_1547_c116","ead_ssi":"viu_repositories_3_resources_1547","_root_":"viu_repositories_3_resources_1547","_nest_parent_":"viu_repositories_3_resources_1547","parent_ssi":"viu_repositories_3_resources_1547","parent_ssim":["viu_repositories_3_resources_1547"],"parent_ids_ssim":["viu_repositories_3_resources_1547"],"parent_unittitles_ssm":["McKim, Mead, and White architectural drawings"],"parent_unittitles_tesim":["McKim, Mead, and White architectural drawings"],"text":["McKim, Mead, and White architectural drawings","Auditorium Academical Building","Oversize_Flat_File_folder 4"],"title_filing_ssi":"Auditorium Academical Building","title_ssm":["Auditorium Academical Building"],"title_tesim":["Auditorium Academical Building"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["Auditorium Academical Building"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["McKim, Mead, and White architectural drawings"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":116,"parent_access_restrict_tesm":["The collection is open for research use."],"digital_objects_ssm":["{\"label\":\"Auditorium Academical Building, undated\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:107394\"}"],"containers_ssim":["Oversize_Flat_File_folder 4"],"_nest_path_":"/components#115","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1547","ead_ssi":"viu_repositories_3_resources_1547","_root_":"viu_repositories_3_resources_1547","_nest_parent_":"viu_repositories_3_resources_1547","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1547.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190346","title_ssm":["McKim, Mead, and White architectural drawings"],"title_tesim":["McKim, Mead, and White architectural drawings"],"unitdate_ssm":["1895-1907"],"unitdate_inclusive_ssm":["1895-1907"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" RG-31/1/2:2.872","Archival Resource Key","/repositories/3/resources/1547"],"text":[" RG-31/1/2:2.872","Archival Resource Key","/repositories/3/resources/1547","McKim, Mead, and White architectural drawings","University of Virginia Rotunda (Charlottesville, Va.)","University of Virginia -- Buildings -- Designs and plans","University of Virginia. Rouss Hall","University of Virginia. Cocke Hall","University of Virginia. Garrett Hall","University of Virginia -- Fire, 1895","Architecture, Domestic -- Designs and plans.","Architecture, Domestic -- Virginia -- Charlottesville.","Public utilities -- Virginia -- Charlottesville","Sewerage -- Virginia -- Charlottesville","Gas pipelines -- Virginia -- Charlottesville","Waterworks -- Virginia -- Charlottesville","Historical maps ","Blueprints","The collection is open for research use.","The drawings, grouped by project, are arranged and listed by the drawing number assigned by the firm. The result is a chronological arrangement of sheets for each building project, with details, plans, elevations and sections interspersed among each grouping. Frequently, as many as three or four copies of a particular drawing, in a variety of media, survive.","Established by Charles McKim, William Mead, and Stanford White in 1879, the McKim, Mead, and White firm quickly rose to prominence with its Beaux Arts masterpieces heavily inspired from the trio's travels through Europe. Among their works are the original Pennsylvania Station, Columbia University's library, and the Brooklyn Museum in New York City, not to mention the Boston Public Library. Stanford White was commissioned by the University of Virginia to oversee new construction after a destructive fire in 1895 razed the Rotunda Annex and reduced the Rotunda to its outer walls. The resulting building program restored the Rotunda, provided new classroom facilities to replace the space lost with the destruction of the Rotunda Annex, and addressed other building needs.","Kaigiro Sugino attended University of Virginia from 1890-1894 and later worked [as a mining engineer?] in Ivanhoe, Va. The alumni directory for 1910 lists him as a resident of Sapporo, Japan. The directory for 1921 lists him in Kobe and manager of the Japan Tourist Board.","MSS 1414, 1414-a, 1414-b, 1414-c: transferred to RG-31/1/2:2.872 1987 Sep 21.\nOriginally accessioned as MSS 8918 and MSS 1414, 1414-a, 1414-b, 1414-c AND MSS 6846-p.","The collection include copies of letters related to building projects at UVA. The originals are held at the New York Historical Society.","The large original linen drawings were given professional conservation treatment in 2010; drawings longer than 48 inches have been individually rolled.","The architectural drawings document building projects at the University of Virginia designed by Stanford White following the fire of 1895, including: the rebuilding of the Rotunda, the construction of the Academical Building (Cabell Hall), the Mechanical Laboratory (Cocke Hall), the Physical Laboratory (Rouss Hall), a Boiler House, the Refectory (Garrett Hall), the President's House (Carr's Hill) and a proposed dormitory that was never built.\nWith these are copies of letters pertinent to the above drawings including a letter from E. A. Alderman to Stanford White on the design for the University of Virginia president's home and student dining hall, 1906 May 1; a reply dictated by Stanford White on the style of the proposed president's home, May 31; and a 1942 list of blueprints made from White's original drawings and sent to the University at the request of librarian Louise Savage.\nThe drawing \"Design for Terrace\" is the work of the McDonald Brothers studio, circa 1895, the firm first hired to rebuild the Rotunda. The steel I-beams were undersized and the design was later corrected by Stanford White.\nThe collection also contains a blueprint map of the University by Kaigiro Sugino, 1899, showing the gas, water, and sewer systems.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":[" RG-31/1/2:2.872","Archival Resource Key","/repositories/3/resources/1547"],"normalized_title_ssm":["McKim, Mead, and White architectural drawings"],"collection_title_tesim":["McKim, Mead, and White architectural drawings"],"collection_ssim":["McKim, Mead, and White architectural drawings"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["University of Virginia Rotunda (Charlottesville, Va.)","University of Virginia -- Buildings -- Designs and plans","University of Virginia. Rouss Hall","University of Virginia. Cocke Hall","University of Virginia. Garrett Hall","University of Virginia -- Fire, 1895"],"geogname_ssim":["University of Virginia Rotunda (Charlottesville, Va.)","University of Virginia -- Buildings -- Designs and plans","University of Virginia. Rouss Hall","University of Virginia. Cocke Hall","University of Virginia. Garrett Hall","University of Virginia -- Fire, 1895"],"places_ssim":["University of Virginia Rotunda (Charlottesville, Va.)","University of Virginia -- Buildings -- Designs and plans","University of Virginia. Rouss Hall","University of Virginia. Cocke Hall","University of Virginia. Garrett Hall","University of Virginia -- Fire, 1895"],"access_subjects_ssim":["Architecture, Domestic -- Designs and plans.","Architecture, Domestic -- Virginia -- Charlottesville.","Public utilities -- Virginia -- Charlottesville","Sewerage -- Virginia -- Charlottesville","Gas pipelines -- Virginia -- Charlottesville","Waterworks -- Virginia -- Charlottesville","Historical maps ","Blueprints"],"access_subjects_ssm":["Architecture, Domestic -- Designs and plans.","Architecture, Domestic -- Virginia -- Charlottesville.","Public utilities -- Virginia -- Charlottesville","Sewerage -- Virginia -- Charlottesville","Gas pipelines -- Virginia -- Charlottesville","Waterworks -- Virginia -- Charlottesville","Historical maps ","Blueprints"],"has_online_content_ssim":["true"],"extent_ssm":["251 items"],"extent_tesim":["251 items"],"genreform_ssim":["Historical maps ","Blueprints"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe drawings, grouped by project, are arranged and listed by the drawing number assigned by the firm. The result is a chronological arrangement of sheets for each building project, with details, plans, elevations and sections interspersed among each grouping. Frequently, as many as three or four copies of a particular drawing, in a variety of media, survive.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The drawings, grouped by project, are arranged and listed by the drawing number assigned by the firm. The result is a chronological arrangement of sheets for each building project, with details, plans, elevations and sections interspersed among each grouping. Frequently, as many as three or four copies of a particular drawing, in a variety of media, survive."],"bioghist_html_tesm":["\u003cp\u003eEstablished by Charles McKim, William Mead, and Stanford White in 1879, the McKim, Mead, and White firm quickly rose to prominence with its Beaux Arts masterpieces heavily inspired from the trio's travels through Europe. Among their works are the original Pennsylvania Station, Columbia University's library, and the Brooklyn Museum in New York City, not to mention the Boston Public Library. Stanford White was commissioned by the University of Virginia to oversee new construction after a destructive fire in 1895 razed the Rotunda Annex and reduced the Rotunda to its outer walls. The resulting building program restored the Rotunda, provided new classroom facilities to replace the space lost with the destruction of the Rotunda Annex, and addressed other building needs.\u003c/p\u003e\n","\u003cp\u003eKaigiro Sugino attended University of Virginia from 1890-1894 and later worked [as a mining engineer?] in Ivanhoe, Va. The alumni directory for 1910 lists him as a resident of Sapporo, Japan. The directory for 1921 lists him in Kobe and manager of the Japan Tourist Board.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Established by Charles McKim, William Mead, and Stanford White in 1879, the McKim, Mead, and White firm quickly rose to prominence with its Beaux Arts masterpieces heavily inspired from the trio's travels through Europe. Among their works are the original Pennsylvania Station, Columbia University's library, and the Brooklyn Museum in New York City, not to mention the Boston Public Library. Stanford White was commissioned by the University of Virginia to oversee new construction after a destructive fire in 1895 razed the Rotunda Annex and reduced the Rotunda to its outer walls. The resulting building program restored the Rotunda, provided new classroom facilities to replace the space lost with the destruction of the Rotunda Annex, and addressed other building needs.","Kaigiro Sugino attended University of Virginia from 1890-1894 and later worked [as a mining engineer?] in Ivanhoe, Va. The alumni directory for 1910 lists him as a resident of Sapporo, Japan. The directory for 1921 lists him in Kobe and manager of the Japan Tourist Board."],"odd_html_tesm":["\u003cp\u003eMSS 1414, 1414-a, 1414-b, 1414-c: transferred to RG-31/1/2:2.872 1987 Sep 21.\nOriginally accessioned as MSS 8918 and MSS 1414, 1414-a, 1414-b, 1414-c AND MSS 6846-p.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["MSS 1414, 1414-a, 1414-b, 1414-c: transferred to RG-31/1/2:2.872 1987 Sep 21.\nOriginally accessioned as MSS 8918 and MSS 1414, 1414-a, 1414-b, 1414-c AND MSS 6846-p."],"originalsloc_html_tesm":["\u003cp\u003eThe collection include copies of letters related to building projects at UVA. The originals are held at the New York Historical Society.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The collection include copies of letters related to building projects at UVA. The originals are held at the New York Historical Society."],"prefercite_html_tesm":["\u003cp\u003eMcKim, Mead and White architectural drawings, RG-31/1/2:2.872, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["McKim, Mead and White architectural drawings, RG-31/1/2:2.872, Special Collections, University of Virginia Library, Charlottesville, VA."],"processinfo_html_tesm":["\u003cp\u003eThe large original linen drawings were given professional conservation treatment in 2010; drawings longer than 48 inches have been individually rolled.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The large original linen drawings were given professional conservation treatment in 2010; drawings longer than 48 inches have been individually rolled."],"scopecontent_html_tesm":["\u003cp\u003eThe architectural drawings document building projects at the University of Virginia designed by Stanford White following the fire of 1895, including: the rebuilding of the Rotunda, the construction of the Academical Building (Cabell Hall), the Mechanical Laboratory (Cocke Hall), the Physical Laboratory (Rouss Hall), a Boiler House, the Refectory (Garrett Hall), the President's House (Carr's Hill) and a proposed dormitory that was never built.\nWith these are copies of letters pertinent to the above drawings including a letter from E. A. Alderman to Stanford White on the design for the University of Virginia president's home and student dining hall, 1906 May 1; a reply dictated by Stanford White on the style of the proposed president's home, May 31; and a 1942 list of blueprints made from White's original drawings and sent to the University at the request of librarian Louise Savage.\nThe drawing \"Design for Terrace\" is the work of the McDonald Brothers studio, circa 1895, the firm first hired to rebuild the Rotunda. The steel I-beams were undersized and the design was later corrected by Stanford White.\nThe collection also contains a blueprint map of the University by Kaigiro Sugino, 1899, showing the gas, water, and sewer systems.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The architectural drawings document building projects at the University of Virginia designed by Stanford White following the fire of 1895, including: the rebuilding of the Rotunda, the construction of the Academical Building (Cabell Hall), the Mechanical Laboratory (Cocke Hall), the Physical Laboratory (Rouss Hall), a Boiler House, the Refectory (Garrett Hall), the President's House (Carr's Hill) and a proposed dormitory that was never built.\nWith these are copies of letters pertinent to the above drawings including a letter from E. A. Alderman to Stanford White on the design for the University of Virginia president's home and student dining hall, 1906 May 1; a reply dictated by Stanford White on the style of the proposed president's home, May 31; and a 1942 list of blueprints made from White's original drawings and sent to the University at the request of librarian Louise Savage.\nThe drawing \"Design for Terrace\" is the work of the McDonald Brothers studio, circa 1895, the firm first hired to rebuild the Rotunda. The steel I-beams were undersized and the design was later corrected by Stanford White.\nThe collection also contains a blueprint map of the University by Kaigiro Sugino, 1899, showing the gas, water, and sewer systems."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"total_component_count_is":251,"online_item_count_is":251,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1547_c116"}},{"id":"viu_repositories_3_resources_1792_c05_c05","type":"File","attributes":{"title":"Auerback, Wendy Juren, Through the Kindness of Strangers  featuring Herbert Friedman's story (printed copy)","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1792_c05_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1792_c05_c05","ref_ssm":["viu_repositories_3_resources_1792_c05_c05"],"id":"viu_repositories_3_resources_1792_c05_c05","ead_ssi":"viu_repositories_3_resources_1792","_root_":"viu_repositories_3_resources_1792","_nest_parent_":"viu_repositories_3_resources_1792_c05","parent_ssi":"viu_repositories_3_resources_1792_c05","parent_ssim":["viu_repositories_3_resources_1792","viu_repositories_3_resources_1792_c05"],"parent_ids_ssim":["viu_repositories_3_resources_1792","viu_repositories_3_resources_1792_c05"],"parent_unittitles_ssm":["Herbert Friedman Holocaust materials","Series 5. Documents from Writing, Teaching, and Speaking"],"parent_unittitles_tesim":["Herbert Friedman Holocaust materials","Series 5. Documents from Writing, Teaching, and Speaking"],"text":["Herbert Friedman Holocaust materials","Series 5. Documents from Writing, Teaching, and Speaking","Auerback, Wendy Juren, Through the Kindness of Strangers  featuring Herbert Friedman's story (printed copy)","English","box 3","folder 27"],"title_filing_ssi":"Auerback, Wendy Juren,  Through the Kindness of Strangers   featuring Herbert Friedman's story (printed copy)","title_ssm":["Auerback, Wendy Juren, Through the Kindness of Strangers  featuring Herbert Friedman's story (printed copy)"],"title_tesim":["Auerback, Wendy Juren, Through the Kindness of Strangers  featuring Herbert Friedman's story (printed copy)"],"normalized_title_ssm":["Auerback, Wendy Juren, Through the Kindness of Strangers  featuring Herbert Friedman's story (printed copy)"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Herbert Friedman Holocaust materials"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":226,"parent_access_restrict_tesm":["This collection is open for research."],"digital_objects_ssm":["{\"label\":\"Auerback, Wendy Juren, \u003cemph render=\\\"italic\\\"\u003eThrough the Kindness of Strangers \u003c/emph\u003e featuring Herbert Friedman's story (printed copy)\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:109647\"}"],"language_ssim":["English"],"containers_ssim":["box 3","folder 27"],"_nest_path_":"/components#4/components#4","timestamp":"2026-05-20T23:46:51.937Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1792","ead_ssi":"viu_repositories_3_resources_1792","_root_":"viu_repositories_3_resources_1792","_nest_parent_":"viu_repositories_3_resources_1792","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1792.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/221482","title_filing_ssi":"Friedman, Herbert, Holocaust materials","title_ssm":["Herbert Friedman Holocaust materials"],"title_tesim":["Herbert Friedman Holocaust materials"],"unitdate_ssm":["1924-2006","1896"],"unitdate_inclusive_ssm":["1924-2006"],"unitdate_other_ssim":["1896"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792"],"text":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792","Herbert Friedman Holocaust materials","Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)","This collection is open for research.","Herbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. ","Before he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. ","Due to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.","By December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant.","Content Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","No English translation","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the article.","no translation","no translation","no translation","no translation","This collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. ","The Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. ","The collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. ","The collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. ","The collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.","There is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. ","There is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.","The collection also contains four books, some inscribed by friends and family. The books,  Zur Erinnerung an die Barmizwah ,  Altneuland The Old New Land  by Theodor Herzl,  A Book of Jewish Thought , and  Pears Enclyclopaedia   were catalogued separately.","Last time Herbert Friedman used his swim team card on March 10, 1938. Hitler invaded Vienna March 12, 1938.","Her first letter from Baltimore, Maryland, USA","Includes card notification from the Hampstead National Registration Office that address must be updated to receive new ration book.","Albert and Shirley Small Special Collections Library","Friedman, Herbert, 1924-2006","English German Hebrew Yiddish French"],"unitid_tesim":["MSS 16906","Archival Resource Key","/repositories/3/resources/1792"],"normalized_title_ssm":["Herbert Friedman Holocaust materials"],"collection_title_tesim":["Herbert Friedman Holocaust materials"],"collection_ssim":["Herbert Friedman Holocaust materials"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Friedman, Herbert, 1924-2006"],"creator_ssim":["Friedman, Herbert, 1924-2006"],"creator_persname_ssim":["Friedman, Herbert, 1924-2006"],"creators_ssim":["Friedman, Herbert, 1924-2006"],"acqinfo_ssim":["This collection was a gift from Mark Friedman and Ron Friedman to the Small Special Collections Library at the University of Virginia Library on 3 December 2025."],"access_subjects_ssim":["Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)"],"access_subjects_ssm":["Holocaust, Jewish (1939-1945)","Jews  -- Austria","Kindertransports (Rescue operations)","Jewish children in the Holocaust","Jews  -- Virginia","History of Childhood, Parenting and Family Building (UVA)"],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet 2 legal size document boxes, and 1 half-width legal size document box"],"extent_tesim":["1 Cubic Feet 2 legal size document boxes, and 1 half-width legal size document box"],"date_range_isim":[1896,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eHerbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. \u003c/p\u003e\n","\u003cp\u003eBefore he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. \u003c/p\u003e\n","\u003cp\u003eDue to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.\u003c/p\u003e\n","\u003cp\u003eBy December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Herbert Friedman was born in Vienna on December 11, 1924. He lived with his family in Austria until 1938 when the persecution of Jewish populations in Germany, Austria, and Poland forced the Friedman family's exit from Vienna. ","Before he departed from Austria, Herbert Friedman was involved in the rescue of a woman who was drowning in the Danube Canal. Herbert, then 13 years old, and his friend Ernst Fleischer, then 15, garnered media attention in Jewish newspapers. Months later, Vienna fell to German occupation. Herbert's friend, Ernst, died in a concentration camp in 1942. ","Due to the publicity from saving a woman's life, Herbert secured an appointment with the Rabbi of Austria. The Rabbi named Herbert as one of the one-thousand children slated for the Kultusgemeinde, a negotiation between the Nazis and Austrians for the transportation of children to safer locations. Herbert left on the Kindertransport to England on December 10, 1938. He remained in England for two years, where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe. For these two years he desperately tried to help his mother and younger sister leave Vienna. His father and brother were already in America living in Baltimore, Maryland with relatives. They could barely speak English and were working low paying jobs which did not allow enough money to help the family members escape. They felt despair that his mother and sister might be deported, as other family members had been.","By December 1940, Herbert joined his family in the United States, where they had secured papers the previous year. Herbert attended Forest Park High School in Baltimore, graduating in 1942. He joined the United States Army soon after, serving in the South Pacific until 1945. Herbert attended the University of Maryland School of Pharmacy and was recalled to the Army during the Korean War, in which he served as a First Lieutenant."],"odd_html_tesm":["\u003cp\u003eContent Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eEnglish translation with the letter\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eNo English translation\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the letter.\u003c/p\u003e","\u003cp\u003eThere is an English translation with the article.\u003c/p\u003e","\u003cp\u003eno translation\u003c/p\u003e","\u003cp\u003eno translation\u003c/p\u003e","\u003cp\u003eno translation\u003c/p\u003e","\u003cp\u003eno translation\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Content Warning Note: This collection contains racial imagery typical for the time that contemporary viewers may find offensive.\n The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","English translation with the letter","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the letter.","No English translation","There is an English translation with the letter.","There is an English translation with the letter.","There is an English translation with the article.","no translation","no translation","no translation","no translation"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. \u003c/p\u003e\n","\u003cp\u003eThe collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. \u003c/p\u003e\n","\u003cp\u003eThe collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. \u003c/p\u003e\n","\u003cp\u003eThe collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.\u003c/p\u003e\n","\u003cp\u003eThere is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. \u003c/p\u003e\n","\u003cp\u003eThere is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains four books, some inscribed by friends and family. The books, \u003cemph render=\"italic\"\u003eZur Erinnerung an die Barmizwah\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAltneuland The Old New Land\u003c/emph\u003e by Theodor Herzl, \u003cemph render=\"italic\"\u003eA Book of Jewish Thought\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003ePears Enclyclopaedia \u003c/emph\u003e were catalogued separately.\u003c/p\u003e","\u003cp\u003eLast time Herbert Friedman used his swim team card on March 10, 1938. Hitler invaded Vienna March 12, 1938.\u003c/p\u003e","\u003cp\u003eHer first letter from Baltimore, Maryland, USA\u003c/p\u003e","\u003cp\u003eIncludes card notification from the Hampstead National Registration Office that address must be updated to receive new ration book.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers of Herbert Friedman  (1924-2006), documenting his survival of the Holocaust from 1938 to 1940 in Vienna, including his two years in England, and his life afterward in the United States Army and as a successful pharmacist in Norfolk, Virginia. ","The Holocaust and its memory influenced his life and inspired him to create and share this archive to teach about his experiences and give courage and empathy to others. Friedman's archive primarily chronicles his efforts to get his mother out of Austria, his travel on the Kindertransport to England where he was educated in various schools, the majority of which were bombed out of commission by the German Luftwaffe, and finally in 1940 his immigration to the United States. ","The collection came in as two binders of correspondence, family transcriptions, photographs, and notes. The first, labeled \"Volume 1\" contained information about the desperation of living and trying to escape the persecution of Jewish people in Germany, Austria, and Poland, which forced the Friedman family's exit from Vienna. \"Volume 2\" contained the correspondence and documents about Herbert Friedman's immigration to England and America. Volumes 3 and 4 contained photographs and writings, materials related to Herbert's later life in the army and his career as a pharmacist, and then his vocation as a speaker and teacher about living through the Holocaust. ","The collection contains biographical pieces written by and about Friedman, correspondence with his friends and family, legal identification (Reisepass), official documents about obtaining affidavits that would allow them to leave Austria for abroad, Palestine, Australia, or America and photographs from his youth and time in the army. ","The collection includes Herbert's numbered tag \"325\" that he wore as he fled with the first group of children out of Germany. The correspondence is also the highlight of the collection as the letters from his mother in particular, reveal the fear and urgency with which she needed his help to leave Vienna immediately as she could be deported any minute. The letters are in German, Hebrew, Yiddish,French, and English. Most of the letters are translated into English. All the letters from family and friends begin \"Lieber Herbert\" or Dear Herbert.","There is also information about daily life, Herbert's Barmitzvah before the invasion, and his swim card which allowed him to go swimming one week before the Nazis took over. There are descriptions about standing in lines at the American Embassy and the intimidation of the Nazis (referred to as \"The Black People\") who kicked people out of line or beat them if they did not stand upright, or worse, arrested them and sent them to death camps. ","There is also genealogical information, research to find out what happened to family members who died at concentration camps, and a framed article honoring Friedman at thirteen years old and his friend Ernst Fleisher (15 years old) for saving a drowning woman in the river in Austria in 1937. There are also letters from officials in the Austrian Government praising Herbert for this act of bravery, as well as letters apologizing for not recognizing his bravery at the time, and for the terrible time for Austrians during the Nazi reign.","The collection also contains four books, some inscribed by friends and family. The books,  Zur Erinnerung an die Barmizwah ,  Altneuland The Old New Land  by Theodor Herzl,  A Book of Jewish Thought , and  Pears Enclyclopaedia   were catalogued separately.","Last time Herbert Friedman used his swim team card on March 10, 1938. Hitler invaded Vienna March 12, 1938.","Her first letter from Baltimore, Maryland, USA","Includes card notification from the Hampstead National Registration Office that address must be updated to receive new ration book."],"names_ssim":["Albert and Shirley Small Special Collections Library","Friedman, Herbert, 1924-2006"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Friedman, Herbert, 1924-2006"],"language_ssim":["English German Hebrew Yiddish French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":236,"online_item_count_is":224,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:51.937Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1792_c05_c05"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason 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