{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=14","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=13","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=15","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1974\u0026page=17"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":17,"limit_value":10,"offset_value":130,"total_count":165,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_restonblackfocus_c03_c59","type":"File","attributes":{"title":"Steering Committee Meeting,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c59#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c59#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c03_c59","ref_ssm":["vifgm_restonblackfocus_c03_c59"],"id":"vifgm_restonblackfocus_c03_c59","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c03","parent_ssi":"vifgm_restonblackfocus_c03","parent_ssim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c03"],"title_filing_ssi":"Steering Committee Meeting,","title_ssm":["Steering Committee Meeting,"],"title_tesim":["Steering Committee Meeting,"],"normalized_title_ssm":["Steering Committee Meeting,, 1974"],"text":["Steering Committee Meeting,, 1974","Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975","Box 3","Folder 15"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["August 12, 1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":193,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 3","Folder 15"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Steering Committee Meeting\", \"href\": \"http://hdl.handle.net/1920/9435\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#2/components#58","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c59"}},{"id":"vifgm_restonblackfocus_c06_c21","type":"File","attributes":{"title":"Steering Committee Meeting (2 articles),, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c06_c21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c06_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c06_c21","ref_ssm":["vifgm_restonblackfocus_c06_c21"],"id":"vifgm_restonblackfocus_c06_c21","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c06","parent_ssi":"vifgm_restonblackfocus_c06","parent_ssim":["Reston Black Focus records, 1960/2005","Series 6: Newsclippings,, 1960/2005"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c06"],"title_filing_ssi":"Steering Committee Meeting (2 articles),","title_ssm":["Steering Committee Meeting (2 articles),"],"title_tesim":["Steering Committee Meeting (2 articles),"],"normalized_title_ssm":["Steering Committee Meeting (2 articles),, 1974"],"text":["Steering Committee Meeting (2 articles),, 1974","Reston Black Focus records, 1960/2005","Series 6: Newsclippings,, 1960/2005","Box 4","Folder 41"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 6: Newsclippings,, 1960/2005"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 6: Newsclippings,, 1960/2005"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["July 4, 1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":280,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 4","Folder 41"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Steering Committee Meeting\", \"href\": \"http://hdl.handle.net/1920/9519\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#5/components#20","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c06_c21"}},{"id":"vifgm_restonblackfocus_c03_c57","type":"File","attributes":{"title":"Steering Committee Meeting Attachment no. 1,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c57#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c57#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c03_c57","ref_ssm":["vifgm_restonblackfocus_c03_c57"],"id":"vifgm_restonblackfocus_c03_c57","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c03","parent_ssi":"vifgm_restonblackfocus_c03","parent_ssim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c03"],"title_filing_ssi":"Steering Committee Meeting Attachment no. 1,","title_ssm":["Steering Committee Meeting Attachment no. 1,"],"title_tesim":["Steering Committee Meeting Attachment no. 1,"],"normalized_title_ssm":["Steering Committee Meeting Attachment no. 1,, 1974"],"text":["Steering Committee Meeting Attachment no. 1,, 1974","Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975","Box 3","Folder 13"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["July 16, 1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":191,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 3","Folder 13"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Steering Committee Meeting Attachment no. 1\", \"href\": \"http://hdl.handle.net/1920/9433\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#2/components#56","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c57"}},{"id":"vifgm_restonblackfocus_c03_c58","type":"File","attributes":{"title":"Steering Committee Members List,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c58#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c58#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c03_c58","ref_ssm":["vifgm_restonblackfocus_c03_c58"],"id":"vifgm_restonblackfocus_c03_c58","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c03","parent_ssi":"vifgm_restonblackfocus_c03","parent_ssim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c03"],"title_filing_ssi":"Steering Committee Members List,","title_ssm":["Steering Committee Members List,"],"title_tesim":["Steering Committee Members List,"],"normalized_title_ssm":["Steering Committee Members List,, 1974"],"text":["Steering Committee Members List,, 1974","Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975","Box 3","Folder 14"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["August 6, 1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":192,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 3","Folder 14"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Steering Committee Members List\", \"href\": \"http://hdl.handle.net/1920/9434\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#2/components#57","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c58"}},{"id":"vifgm_restonblackfocus_c03_c60","type":"File","attributes":{"title":"Steering Committee Members List,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c60#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c60#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c03_c60","ref_ssm":["vifgm_restonblackfocus_c03_c60"],"id":"vifgm_restonblackfocus_c03_c60","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c03","parent_ssi":"vifgm_restonblackfocus_c03","parent_ssim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c03"],"title_filing_ssi":"Steering Committee Members List,","title_ssm":["Steering Committee Members List,"],"title_tesim":["Steering Committee Members List,"],"normalized_title_ssm":["Steering Committee Members List,, 1974"],"text":["Steering Committee Members List,, 1974","Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975","Box 3","Folder 16"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 3: Committee,, 1969/1975"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":194,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 3","Folder 16"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Steering Committee Members List\", \"href\": \"http://hdl.handle.net/1920/9436\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#2/components#59","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c03_c60"}},{"id":"viu_repositories_3_resources_941_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01","ref_ssm":["viu_repositories_3_resources_941_c01_c01"],"id":"viu_repositories_3_resources_941_c01_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01","parent_ssi":"viu_repositories_3_resources_941_c01","parent_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"title_filing_ssi":"Subseries A: Personal Papers, Service Records, and Artifacts","title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"title_tesim":["Subseries A: Personal Papers, Service Records, and Artifacts"],"normalized_title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"text":["Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"normalized_date_ssm":["1806/1988"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"has_online_content_ssim":["true"],"child_component_count_isi":5383,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0/components#0","timestamp":"2026-06-23T07:29:41.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"unitdate_bulk_ssim":["1861-1865"],"normalized_date_ssm":["1806/1988, bulk 1861/1865"],"normalized_title_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"text":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included.","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"collection_title_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e  ","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e  ","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included."],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e  ","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:41.611Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01"}},{"id":"viu_repositories_3_resources_1765","type":"collection","attributes":{"title":"Susan Richards Shreve papers, 1969/2020","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1765#creator","type":"document_value","attributes":{"value":"Shreve, Susan","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1765#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1765#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1765","ead_ssi":"viu_repositories_3_resources_1765","_root_":"viu_repositories_3_resources_1765","_nest_parent_":"viu_repositories_3_resources_1765","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1765.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216579","title_filing_ssi":"Shreve, Susan, Richards, papers","title_ssm":["Susan Richards Shreve papers"],"title_tesim":["Susan Richards Shreve papers"],"unitdate_ssm":["1969-2020"],"unitdate_inclusive_ssm":["1969-2020"],"normalized_date_ssm":["1969/2020"],"normalized_title_ssm":["Susan Richards Shreve papers, 1969/2020"],"text":["Susan Richards Shreve papers, 1969/2020","MSS 16887","Archival Resource Key","/repositories/3/resources/1765","Authors and publishers","Children's books","Families fiction","The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","These contracts have salary and confidential information. Archival Review must take place before patrons can have access.","Restricted financial information","The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.","Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.","This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Includes a letter","Includes printed advertisements and blurbs about Shreve and her books. (Periodicals)","Correspondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026 Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.","Includes resume and student evaluations of Susan Shreve","Includes invitation to President Barack Obama inauguration","Albert and Shirley Small Special Collections Library","Shreve, Susan","English"],"collection_title_tesim":["Susan Richards Shreve papers, 1969/2020"],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"unitid_tesim":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Shreve, Susan"],"creator_ssim":["Shreve, Susan"],"creator_persname_ssim":["Shreve, Susan"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Shreve, Susan","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Authors and publishers","Children's books","Families fiction"],"access_subjects_ssm":["Authors and publishers","Children's books","Families fiction"],"has_online_content_ssim":["true"],"extent_ssm":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"extent_tesim":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use. There are book contracts that need to be reviewed before access.\u003c/p\u003e","\u003cp\u003eSome digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time. \u003c/p\u003e  ","\u003cp\u003eThese contracts have salary and confidential information. Archival Review must take place before patrons can have access.\u003c/p\u003e","\u003cp\u003eRestricted financial information\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","These contracts have salary and confidential information. Archival Review must take place before patrons can have access.","Restricted financial information"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.\u003c/p\u003e","\u003cp\u003eBooks are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books."],"bioghist_html_tesm":["\u003cp\u003eSusan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.\u003c/p\u003e","\u003cp\u003eShreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools. \u003c/p\u003e","\u003cp\u003eShe has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.\u003c/p\u003e","\u003cp\u003eFurther, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026amp; Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty. \u003c/p\u003e","\u003cp\u003eShreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).\u003c/p\u003e","\u003cp\u003e\nAs a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.\u003c/p\u003e","\u003cp\u003eHer novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.\u003c/p\u003e","\u003cp\u003e\nHonors and awards include:\u003c/p\u003e","\u003cp\u003eJenny McKean Moore Award, George Washington University, 1978; \u003c/p\u003e","\u003cp\u003eNotable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eNotable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eBest Book for Young Adults citation, ALA, 1980, for\nThe Masquerade; \u003c/p\u003e","\u003cp\u003ePEN/Faulkner writers award.\u003c/p\u003e","\u003cp\u003eGuggenheim Fellowship grant in fiction, 1980; \u003c/p\u003e","\u003cp\u003eNational Endowment for the Arts fiction award, 1982; \u003c/p\u003e","\u003cp\u003eGrub Street Award in Non-Fiction\u003c/p\u003e","\u003cp\u003eEdgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel. \u003c/p\u003e","\u003cp\u003eWoodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;\u003c/p\u003e","\u003cp\u003eLila Wallace Readers Digest Foundation grant.\u003c/p\u003e","\u003cp\u003eAlumni Award at the Sidwell Friends School\u003c/p\u003e","\u003cp\u003eWriters for Writers Award from Poets and Writers\u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25"],"prefercite_html_tesm":["\u003cp\u003eMSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman. \u003c/p\u003e","\u003cp\u003eThe collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching. \u003c/p\u003e","\u003cp\u003eShreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.\n \u003c/p\u003e","\u003cp\u003eThe bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.\u003c/p\u003e","\u003cp\u003e\nAlso included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets. \u003c/p\u003e","\u003cp\u003eThe correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.\u003c/p\u003e","\u003cp\u003eAlso of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing. \u003c/p\u003e","\u003cp\u003eThe collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.\u003c/p\u003e","\u003cp\u003eThere are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.\u003c/p\u003e","\u003cp\u003eThe Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community. \u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  ","\u003cp\u003eIncludes a letter\u003c/p\u003e","\u003cp\u003eIncludes printed advertisements and blurbs about Shreve and her books. (Periodicals)\u003c/p\u003e","\u003cp\u003eCorrespondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026amp; Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.\u003c/p\u003e","\u003cp\u003eIncludes resume and student evaluations of Susan Shreve\u003c/p\u003e","\u003cp\u003eIncludes invitation to President Barack Obama inauguration\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Includes a letter","Includes printed advertisements and blurbs about Shreve and her books. (Periodicals)","Correspondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026 Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.","Includes resume and student evaluations of Susan Shreve","Includes invitation to President Barack Obama inauguration"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Shreve, Susan"],"names_ssim":["Albert and Shirley Small Special Collections Library","Shreve, Susan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":7,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:43.518Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1765","ead_ssi":"viu_repositories_3_resources_1765","_root_":"viu_repositories_3_resources_1765","_nest_parent_":"viu_repositories_3_resources_1765","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1765.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216579","title_filing_ssi":"Shreve, Susan, Richards, papers","title_ssm":["Susan Richards Shreve papers"],"title_tesim":["Susan Richards Shreve papers"],"unitdate_ssm":["1969-2020"],"unitdate_inclusive_ssm":["1969-2020"],"normalized_date_ssm":["1969/2020"],"normalized_title_ssm":["Susan Richards Shreve papers, 1969/2020"],"text":["Susan Richards Shreve papers, 1969/2020","MSS 16887","Archival Resource Key","/repositories/3/resources/1765","Authors and publishers","Children's books","Families fiction","The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","These contracts have salary and confidential information. Archival Review must take place before patrons can have access.","Restricted financial information","The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.","Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.","This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Includes a letter","Includes printed advertisements and blurbs about Shreve and her books. (Periodicals)","Correspondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026 Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.","Includes resume and student evaluations of Susan Shreve","Includes invitation to President Barack Obama inauguration","Albert and Shirley Small Special Collections Library","Shreve, Susan","English"],"collection_title_tesim":["Susan Richards Shreve papers, 1969/2020"],"collection_ssim":["Susan Richards Shreve papers, 1969/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"unitid_tesim":["MSS 16887","Archival Resource Key","/repositories/3/resources/1765"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Shreve, Susan"],"creator_ssim":["Shreve, Susan"],"creator_persname_ssim":["Shreve, Susan"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Shreve, Susan","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Authors and publishers","Children's books","Families fiction"],"access_subjects_ssm":["Authors and publishers","Children's books","Families fiction"],"has_online_content_ssim":["true"],"extent_ssm":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"extent_tesim":["12 Cubic Feet 29 legal size document boxes (15.25 x 10.25 x 5), one half-size legal box, and one oversize box, and digital files","0.34 Gigabytes 911 files"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use. There are book contracts that need to be reviewed before access.\u003c/p\u003e","\u003cp\u003eSome digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time. \u003c/p\u003e  ","\u003cp\u003eThese contracts have salary and confidential information. Archival Review must take place before patrons can have access.\u003c/p\u003e","\u003cp\u003eRestricted financial information\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use. There are book contracts that need to be reviewed before access.","Some digital files may have information protected under FERPA and need to be reviewed by an archivist. Access to born-digital files must be made in advance. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, making them available may take some time.","These contracts have salary and confidential information. Archival Review must take place before patrons can have access.","Restricted financial information"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.\u003c/p\u003e","\u003cp\u003eBooks are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 10 series. Series 1. Manuscripts and notebooks, Series 2. Typescripts, Series 3. Bookfiles, Series 4. Essays, Articles, and Newspaper clippings, Series 5. Correspondence, Series 6. Contracts (need review for access), Series 7. Teaching, Series 8. PEN/Faulkner and other organizations, Series 9. Personal and miscellaneous, Series 10. Schedule Planners, and notebooks.","Books are organized alphabetically by title. Correspondence is arranged alphabetically for some correspondents B-W and chronologically for general correspondence. This arrangement follows the original order of Susan Richards Shreve's files. Periodicals contain ads and reviews of her books and have been placed in the bookfiles by title of her books."],"bioghist_html_tesm":["\u003cp\u003eSusan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.\u003c/p\u003e","\u003cp\u003eShreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools. \u003c/p\u003e","\u003cp\u003eShe has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.\u003c/p\u003e","\u003cp\u003eFurther, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026amp; Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty. \u003c/p\u003e","\u003cp\u003eShreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).\u003c/p\u003e","\u003cp\u003e\nAs a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.\u003c/p\u003e","\u003cp\u003eHer novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.\u003c/p\u003e","\u003cp\u003e\nHonors and awards include:\u003c/p\u003e","\u003cp\u003eJenny McKean Moore Award, George Washington University, 1978; \u003c/p\u003e","\u003cp\u003eNotable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eNotable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories; \u003c/p\u003e","\u003cp\u003eBest Book for Young Adults citation, ALA, 1980, for\nThe Masquerade; \u003c/p\u003e","\u003cp\u003ePEN/Faulkner writers award.\u003c/p\u003e","\u003cp\u003eGuggenheim Fellowship grant in fiction, 1980; \u003c/p\u003e","\u003cp\u003eNational Endowment for the Arts fiction award, 1982; \u003c/p\u003e","\u003cp\u003eGrub Street Award in Non-Fiction\u003c/p\u003e","\u003cp\u003eEdgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel. \u003c/p\u003e","\u003cp\u003eWoodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;\u003c/p\u003e","\u003cp\u003eLila Wallace Readers Digest Foundation grant.\u003c/p\u003e","\u003cp\u003eAlumni Award at the Sidwell Friends School\u003c/p\u003e","\u003cp\u003eWriters for Writers Award from Poets and Writers\u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Richards Shreve is a prominent writer and English professor of creative writing who founded cultural, literary, and arts foundations and school writing programs. Her work is embedded into myriad aspects of American literary culture,providing deep insights to the American literary scene at the end of the 20th and beginning of the 21st century. She was born in 1939, in Toledo, OH., the daughter of Robert Kenneth Richards (1913-1969), a journalist and Government censor during WWII, and Helen Elizabeth Richards. She received her B.A.(magna cum laude), at the University of Pennsylvania, 1961; and her M.A., at the University of Virginia, 1969. She published her first book, A Fortunate Madness (1974), which marked the beginning of a consistently productive and successful publishing career as the author of both children's literature and adult fiction novels.","Shreve has been a significant participant in the Washington D.C. literary community for more than 40 years,combining her role as a writer with several literary occupations, including co-founder of the Master of Fine Arts Program in Writing at George Mason University (1980), and as co-founder, President, and Chairman of\nthe PEN/Faulkner Foundation, one of the leading literary foundations in the United States. At PEN/Faulkner she created the Writers in Schools program in 1989, which brings published authors and their books into urban schools.","She has also been a Jenny Moore Fellow at George Washington\nUniversity, a visiting writer at Princeton University, the School of the Arts of Columbia University,Bennington College Summer Seminars, and Goucher College.","Further, her marriage (1987) to the literary agent Timothy Seldes (1927-2015), brought her even deeper into the American literary community. Seldes owned and led the venerable agency Russell \u0026 Volkening for 40 years, where his clients included Annie Dillard, Nadine Gordimer, James Lehrer, Peter Taylor, Barbara\nTuchman, Anne Tyler, and Eudora Welty.","Shreve's son, Porter Shreve is also a novelist and a writing professor, and the two have co-published two anthologies,\nOutside the Law: Narratives on Justice in America (1997) and\nHow We Want to Live: Narratives (1998).","As a very young child, Susan Shreve contracted polio and had a two year stay at Warm Springs, GA., (1950-1952), a hospital established by Franklin D. Roosevelt for polio rehabilitation. Shreve describes her experience in an autobiographical memoir, Warm Springs: Traces Of A Childhood At FDR's Polio Haven. In an earlier work of fiction, The Lovely Shoes (2011), Shreve writes that when she was 11 years old, her mother contacted the Italian fashion designer and shoemaker Salvatore Ferragamo requesting custom made shoes that would allow her daughter to walk and dance and\notherwise participate in life in a normal manner. Ferragamo agreed, and produced custom made shoes for Shreve for years.","Her novel, A Country Of Strangers, about a Black and White family living on the same farm was under option for film, and Daughters Of The New World was an NBC mini series under the title A Will Of Their Own. Shreve was often a guest on the MacNeil Lehrer Newshour on PBS.","Honors and awards include:","Jenny McKean Moore Award, George Washington University, 1978;","Notable Book citation, American Library Association (ALA), 1979, for\nFamily Secrets: Five Very Important Stories;","Notable Children's Trade Book in the Field of Social Studies, National Council for Social Studies and the Children's Book Council joint committee, 1980, for Family Secrets: Five Very Important Stories;","Best Book for Young Adults citation, ALA, 1980, for\nThe Masquerade;","PEN/Faulkner writers award.","Guggenheim Fellowship grant in fiction, 1980;","National Endowment for the Arts fiction award, 1982;","Grub Street Award in Non-Fiction","Edgar Allan Poe Award, Mystery Writers of America, 1988, for\nLucy Forever and Miss Rosetree, Shrinks for Best Juvenile Novel.","Woodrow Wilson fellowships, West Virginia Wesleyan, 1994, and Bates College, 1997;","Lila Wallace Readers Digest Foundation grant.","Alumni Award at the Sidwell Friends School","Writers for Writers Award from Poets and Writers","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25"],"prefercite_html_tesm":["\u003cp\u003eMSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16887, Susan Richards Shreve papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related collection: University of Virginia Collection of the History of Childhood, parenting, and family building MSS 16758."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman. \u003c/p\u003e","\u003cp\u003eThe collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching. \u003c/p\u003e","\u003cp\u003eShreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.\n \u003c/p\u003e","\u003cp\u003eThe bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.\u003c/p\u003e","\u003cp\u003e\nAlso included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets. \u003c/p\u003e","\u003cp\u003eThe correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.\u003c/p\u003e","\u003cp\u003eAlso of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing. \u003c/p\u003e","\u003cp\u003eThe collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.\u003c/p\u003e","\u003cp\u003eThere are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.\u003c/p\u003e","\u003cp\u003eThe Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community. \u003c/p\u003e","\u003cp\u003eSources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives \u003c/p\u003e","\u003cp\u003eSusan Richards Shreve. Wikipedia. Accessed 5/30/25\u003c/p\u003e  ","\u003cp\u003eIncludes a letter\u003c/p\u003e","\u003cp\u003eIncludes printed advertisements and blurbs about Shreve and her books. (Periodicals)\u003c/p\u003e","\u003cp\u003eCorrespondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026amp; Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.\u003c/p\u003e","\u003cp\u003eIncludes resume and student evaluations of Susan Shreve\u003c/p\u003e","\u003cp\u003eIncludes invitation to President Barack Obama inauguration\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains the papers of Susan Richard Shreve (b. 1939), a prominent American author, a professor of Creative Writing at George Mason University and a co-founder of the PEN/Faulkner Foundation (1985) for which she served as a board member and chairman.","The collection documents her literary and teaching career with manuscripts, typescripts, proofs, journals, correspondence, contracts, clippings, digital files, and other materials related to her authorship and teaching.","Shreve has published fifteen novels, including a memoir \"Warm Springs: Traces of a Childhood.\" She has also published thirty books for children, and edited and co-edited five anthologies spanning from 1974-2019. Her writing is described as having \"snap and verve\" (New York Times) and marks a significant contribution to the genre. As an author of children's books, Shreve has been described as a \"master of subtle and wise perception\" (Bulletin of the Center for Children's Books). Her writing in general has consistently taken on a broad range of controversial topics, including political ideology (Children of Power, 1979, which tackles McCarthyism and responses to it), terrorism (Plum and Jaggers, 2000); disability (The Lovely Shoes, 2011) and Warm Springs, 2008); perceptions of racial identity (Glimmer, 1997, as \"Annie Waters\"); suicide, old age, and divorce (Family Secrets, 1979); and unwed parenthood (Loveletters, 1978, a book which was suppressed by its own publisher amid a controversy between writers, reviewers, and educators, with a subsequent debate in the press that Loveletters should be banned in schools). Her books are page-turners with rich character descriptions often likened to Charles Dickens, and filled with dramatic events.","The bulk of the collection represents her writings, including notebooks with manuscript drafts of many of her works and typescripts, many with annotations, including original versions of novels and stories with alternate titles and unpublished works  including I Can Touch an Autumn Morning, Wooden And Wicker, In The Center Ring, The Unadoptables, and Geography Of A Marriage.","Also included are book files which are(organized alphabetically by title) and consist of correspondence, clippings, reviews, promotional material, and ephemera such as dustjackets.","The correspondence includes letters from Shreve's agent, publisher, and editor as well as readers, writers,faculty, other literary agents, journalists, and Washington D.C. residents associated with publishing, writing, and PEN/Faulkner. There are combined personal and professional letters as the author kept these together in her life.  There are notable letters from Nicolas Delbanco,Richard Ford, John Irving, Edward P. Jones, Gordon Lish, Joyce Carol Oates, Tim O'Brien, Nan Talese, and Anne Tyler.","Also of interest is correspondence with Edward P. Jones when he was a student at the University of Virginia and having doubts about his writing career while studying for an education. There is also a draft of an article by Shreve in regard to the work of Amiri Bakara who received a PEN/Faulkner award. Shreve often included African American and LBGT perspectives in her writing.","The collection includes the business side of literary work as there are more than sixty contracts as well as printed articles and newspaper clippings. The contracts have limited access due to containing personal information.","There are also address books with entries from dozens of writers, editors, publishers, including Saul Bellow, Donald Bartheleme, John Irving, Bernard Malamud, Arthur Miller, Toni Morrison, Joyce Carol Oates, Tim O'Brien, Walker Percy, Eudora Welty, etc. and many others.","The Digital files comprise  911 files. These include a combination of files from her professional writing and teaching career between 2000 and 2020. These files represent a wide range of works, including manuscripts of published and unpublished books and professional writings associated with her novels, her teaching, and her role in the literary community.","Sources:\nGerald W. Cloud\nRare Books • Manuscripts • Archives","Susan Richards Shreve. Wikipedia. Accessed 5/30/25","Includes a letter","Includes printed advertisements and blurbs about Shreve and her books. (Periodicals)","Correspondents include Richard Bausch, Irving Berlin, John Barth, Ben Bradlee, former President Bill Clinton, Charles Corn, Nicholas Del Banco, Annie Dillard, Richard Ford, Jonathan Galassi, Gail Godwin, Doris Grumbach, Lillian Hellman, Daniel Halpern, Don Hendrie, Jr., Sherry Huber, John Irving, Edward P. Jones, Gordon Lish, Charles McGrath, Mike MacNeil and Jim Lehrer (includes Shreve stories), Walter and Joan Mondale, Mr. and Mrs. Roger Mudd, Joyce Carol Oates, Tim O'Brien, Robbin Hawkins, Marion Seldes, Tim Seldes, Russell \u0026 Volkening, Inc., Jim Salter, Wallace Stegner, Elizabeth Strout, Nan Talese, Anne Tyler, Eudora Welty, and Geoffrey Wolff.","Includes resume and student evaluations of Susan Shreve","Includes invitation to President Barack Obama inauguration"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Shreve, Susan"],"names_ssim":["Albert and Shirley Small Special Collections Library","Shreve, Susan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":7,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:43.518Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1765"}},{"id":"vifgm_restonblackfocus_c04_c38","type":"File","attributes":{"title":"Tax Forms,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c04_c38#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c04_c38#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c04_c38","ref_ssm":["vifgm_restonblackfocus_c04_c38"],"id":"vifgm_restonblackfocus_c04_c38","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c04","parent_ssi":"vifgm_restonblackfocus_c04","parent_ssim":["Reston Black Focus records, 1960/2005","Series 4: Finance,, 1970/1975"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c04"],"title_filing_ssi":"Tax Forms,","title_ssm":["Tax Forms,"],"title_tesim":["Tax Forms,"],"normalized_title_ssm":["Tax Forms,, 1974"],"text":["Tax Forms,, 1974","Reston Black Focus records, 1960/2005","Series 4: Finance,, 1970/1975","Box 3","Folder 55"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 4: Finance,, 1970/1975"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 4: Finance,, 1970/1975"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":234,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 3","Folder 55"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Tax Forms\", \"href\": \"http://hdl.handle.net/1920/9475\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#3/components#37","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp"],"language_ssim":["English"],"total_component_count_is":369,"online_item_count_is":361,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c04_c38"}},{"id":"viu_repositories_3_resources_1521_c01_c29","type":"Item","attributes":{"title":"The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services), 1974","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1521_c01_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1521_c01_c29","ref_ssm":["viu_repositories_3_resources_1521_c01_c29"],"id":"viu_repositories_3_resources_1521_c01_c29","ead_ssi":"viu_repositories_3_resources_1521","_root_":"viu_repositories_3_resources_1521","_nest_parent_":"viu_repositories_3_resources_1521_c01","parent_ssi":"viu_repositories_3_resources_1521_c01","parent_ssim":["Jefferson Cable Corporation collection, 1885/1982","Videotapes"],"parent_ids_ssim":["viu_repositories_3_resources_1521","viu_repositories_3_resources_1521_c01"],"title_filing_ssi":"The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services)","title_ssm":["The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services)"],"title_tesim":["The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services)"],"normalized_title_ssm":["The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services), 1974"],"text":["The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services), 1974","Jefferson Cable Corporation collection, 1885/1982","Videotapes","box 4","open_reel_videotapes 61"],"parent_unittitles_ssm":["Jefferson Cable Corporation collection, 1885/1982","Videotapes"],"parent_unittitles_tesim":["Jefferson Cable Corporation collection, 1885/1982","Videotapes"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["1974"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":30,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Jefferson Cable Corporation collection, 1885/1982"],"containers_ssim":["box 4","open_reel_videotapes 61"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"The Absent Host (Jack Jouett's Ride); Madison House film (Office of Volunteer Community Services), 1974\", \"href\": \"https://avalon.lib.virginia.edu/media_objects/x059c773j\"}"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use."],"date_range_isim":[1974],"_nest_path_":"/components#0/components#28","timestamp":"2026-06-23T07:28:33.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1521","ead_ssi":"viu_repositories_3_resources_1521","_root_":"viu_repositories_3_resources_1521","_nest_parent_":"viu_repositories_3_resources_1521","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1521.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189393","title_filing_ssi":"Jefferson Cable Corporation collection","title_ssm":["Jefferson Cable Corporation collection"],"title_tesim":["Jefferson Cable Corporation collection"],"unitdate_ssm":["1885-1982"],"unitdate_inclusive_ssm":["1885-1982"],"normalized_date_ssm":["1885/1982"],"normalized_title_ssm":["Jefferson Cable Corporation collection, 1885/1982"],"text":["Jefferson Cable Corporation collection, 1885/1982","MSS 11458","Archival Resource Key","/repositories/3/resources/1521","Charlottesville (Va.) -- History","University of Virginia","The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use.","The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming.","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","Sources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV","The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","The collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Jefferson Cable Corporation collection, 1885/1982"],"collection_ssim":["Jefferson Cable Corporation collection, 1885/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"unitid_tesim":["MSS 11458","Archival Resource Key","/repositories/3/resources/1521"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History"],"geogname_ssim":["Charlottesville (Va.) -- History"],"places_ssim":["Charlottesville (Va.) -- History"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from Stephen Ashby to the Small Special Collections Library at the University of Virginia Library on 22 November 2013."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["23.5 Cubic Feet","239 open reel videotapes"],"extent_tesim":["23.5 Cubic Feet","239 open reel videotapes"],"physfacet_tesim":["letters, ads, programs, agenda, newspaper clippings, articles, and production slides"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eOriginal media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","Original media formats such as LPs, audiotapes, reel-to-reels, videotapes, films, CDs, and DVDs cannot be handled directly by patrons. Please contact Special Collections via our online Reference Request form, https://small.library.virginia.edu/services/reference-request, to request access to these materials. Please be aware that additional actions may be required to make these items available. Items will be evaluated on a case-by-case basis before access can be made. Depending on the size of the request, it may take some time to make them available for use."],"bioghist_html_tesm":["\u003cp\u003eThe Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.\u003c/p\u003e","\u003cp\u003eAs in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming. \u003c/p\u003e","\u003cp\u003eIn 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.\u003c/p\u003e","\u003cp\u003e\nSources:\u003c/p\u003e","\u003cp\u003eStockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.\u003c/p\u003e","\u003cp\u003ehttps://www.charlottesville.gov/195/CPA-TV\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Jefferson Cable Corporation was founded by Robert Monroe (1915–1995) in 1963 to serve Charlottesville as well as Waynesboro, Virginia, 40 miles to the west over the Blue Ridge Mountains. Monroe had an extensive radio production background, moved into managing radio stations in North Carolina and Virginia, and became intrigued by the developing market for cable television systems. Monroe is an unusual figure in that his passion outside of broadcasting was the exploration of human consciousness—he popularized the term \"out of body experience\" and experimented extensively with attempting to alter brain patterns via sound. He would go on to sell the station in 1975, founding The Monroe Institute in nearby Nelson County, Virginia to focus full time on such research.","As in other areas where topographical variation limited the ability to reliably receive broadcast television signals, this early community antenna system gained a healthy pool of subscribers. We know their subscriber base exceeded 3,500 subscribers at the time of the Federal Communications Commission's (FCC) 1969 ruling that cable stations of this size would be required to provide some locally originating programming, rather than simply aggregating the content of other stations. Production of local origination content began at the station's 324 West Main Street studio in Charlottesville in 1970 with the launch of the station WJCC 11. The videotapes in this collection are predominantly recordings of this local origination programming.","In 1993, Adelphia Communications purchased the existing cable system, and the tape library and equipment were salvaged by collection donor Steve Ashby.","Sources:","Stockton, B. 1989. Catapult: The biography of Robert A. Monroe. Norfolk, Virginia: The Donning Company.","https://www.charlottesville.gov/195/CPA-TV"],"prefercite_html_tesm":["\u003cp\u003eMSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 11458, Jefferson Cable Corporation collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.\u003c/p\u003e","\u003cp\u003e\nThe collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.\u003c/p\u003e","\u003cp\u003eOf interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e  ","\u003cp\u003eCharlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.\u003c/p\u003e","\u003cp\u003eTucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.\u003c/p\u003e","\u003cp\u003eTwo letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The majority of the collection is composed of videotape recordings of local-origination programming aired on the Jefferson Cable Corporation, including City Council Meetings and local news specials.","The collection includes approximately 300 color slides used in productions; color slides of a University of Virginia baseball game, 1970; photographic negatives of Lawrence Halpin's model of the Downtown Mall; Charlottesville City Council agenda, 1971 October 4, with an item concerning Jefferson Cable's franchise renewal; news clippings and miscellaneous printed materials concerning Robert Allan Monroe and the Monroe Institute; and several pieces of advertising ephemera, circa 1907.","Of interest are two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health.There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940.","Charlottesville City Council agenda with an item about Jefferson Cable's franchise renewal.","Tucker, Paige. \"A Tale of Two Authors.\" Fredson Bowers and Nancy Hale have shared a long lifetime in the world of literature. Creator Magazine. March/April 1982 Volume 1, Number 3.","Two letters from James Lawrence Cabell to William Beverley Towles, 1885 August 1 and 3, concerning Towles' daughter's health. There is also a letter from Dumas Malone to Fredson Bowers, concerning printing Bowers' book \"The fairy knight\" on 18 April 1940."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":39,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1521_c01_c29"}},{"id":"vifgm_restonblackfocus_c01_c51","type":"File","attributes":{"title":"Theater Committee,, 1974","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c01_c51#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_restonblackfocus_c01_c51#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_restonblackfocus_c01_c51","ref_ssm":["vifgm_restonblackfocus_c01_c51"],"id":"vifgm_restonblackfocus_c01_c51","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus_c01","parent_ssi":"vifgm_restonblackfocus_c01","parent_ssim":["Reston Black Focus records, 1960/2005","Series 1: Correspondence,, 1967/2005"],"parent_ids_ssim":["vifgm_restonblackfocus","vifgm_restonblackfocus_c01"],"title_filing_ssi":"Theater Committee,","title_ssm":["Theater Committee,"],"title_tesim":["Theater Committee,"],"normalized_title_ssm":["Theater Committee,, 1974"],"text":["Theater Committee,, 1974","Reston Black Focus records, 1960/2005","Series 1: Correspondence,, 1967/2005","Box 1","Folder 51"],"parent_unittitles_ssm":["Reston Black Focus records, 1960/2005","Series 1: Correspondence,, 1967/2005"],"parent_unittitles_tesim":["Reston Black Focus records, 1960/2005","Series 1: Correspondence,, 1967/2005"],"normalized_date_ssm":["1974"],"unitdate_other_ssim":["1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":52,"repository_ssim":["George Mason University"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"containers_ssim":["Box 1","Folder 51"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"Theater Committee\", \"href\": \"http://hdl.handle.net/1920/9297\"}"],"child_component_count_isi":0,"date_range_isim":[1974],"scopecontent_html_tesm":["\u003cp\u003e\u003c/p\u003e\n          "],"_nest_path_":"/components#0/components#50","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_restonblackfocus","ead_ssi":"vifgm_restonblackfocus","_root_":"vifgm_restonblackfocus","_nest_parent_":"vifgm_restonblackfocus","ead_source_url_ssi":"data/gmu/restonblackfocus.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/restonblackfocus.html","title_ssm":["Reston Black Focus records"],"title_tesim":["Reston Black Focus records"],"unitdate_ssm":["1960-2005"],"unitdate_inclusive_ssm":["1960-2005"],"normalized_date_ssm":["1960/2005"],"normalized_title_ssm":["Reston Black Focus records, 1960/2005"],"text":["Reston Black Focus records, 1960/2005","C0137","African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","The entire collection is digtized and availalbe through the Reston Black Focus collection \n                .","Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)","Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.","Processed in June 2009 by Emily Martin.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.","There are no restrictions on personal use. Permission to publish material from the Reston Black Focus records must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. Sharp","English"],"collection_title_tesim":["Reston Black Focus records, 1960/2005"],"collection_ssim":["Reston Black Focus records, 1960/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0137"],"unitid_tesim":["C0137"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Edward G. Sharp"],"creator_ssim":["Edward G. Sharp"],"creator_persname_ssim":["Edward G. Sharp"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"creators_ssim":["Edward G. Sharp","George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"acqinfo_ssim":["Donated by Edward G. Sharp on December 16, 2008."],"access_subjects_ssim":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["African Americans--Virginia--Reston.","Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["2.75 linear feet (6 boxes)"],"extent_tesim":["2.75 linear feet (6 boxes)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe entire collection is digtized and availalbe through the Reston Black Focus collection \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Reston Black Focus collection\" href=\"http://digilib.gmu.edu/handle/1920/9244\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The entire collection is digtized and availalbe through the Reston Black Focus collection \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eight series.\n\u003c/p\u003e\n      ","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1967-2005 (Box 1-2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: By-Laws, 1968-1974 (Box 2)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Committee, 1969-1975 (Box 2-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Finance, 1970-1975 (Box 3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Publications, 1965-2000 (Box 3-4)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Newsclippings, 1960-2005 (Box 4-5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\u003c/item\u003e\n        \u003citem\u003eSeries 8: General Information, 1960-2005 (Box 5-6)\n\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eight series.","Series 1: Correspondence, 1967-2005 (Box 1-2)\n\n        Series 2: By-Laws, 1968-1974 (Box 2)\n\n        Series 3: Committee, 1969-1975 (Box 2-3)\n\n        Series 4: Finance, 1970-1975 (Box 3)\n\n        Series 5: Publications, 1965-2000 (Box 3-4)\n\n        Series 6: Newsclippings, 1960-2005 (Box 4-5)\n\n        Series 7: Reston Homeowners Association (RHOA), 1960-1972 (Box 5)\n\n        Series 8: General Information, 1960-2005 (Box 5-6)"],"bioghist_html_tesm":["\u003cp\u003eReston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Reston is a planned community in Northern Virginia.  Robert E. Simon, Jr., the founder of Reston, purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961.   Construction began in 1963 with the building of Lake Anne.  During the late 1960s and early 1970s, the Reston Black Focus was established.  The Reston Black Focus was created to encourage black citizens to participate more in Reston and to promote black culture and lifestyles."],"prefercite_html_tesm":["\u003cp\u003eReston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Reston Black Focus records, C0137, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in June 2009 by Emily Martin.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in June 2009 by Emily Martin."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\n\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.\n\u003c/p\u003e\n      ","\u003cp\u003eSeries eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.\n\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          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       ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eIncluded in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThe series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003eThis series contains a variety of papers relating to Reston Black Focus. Included are maps, biographies, schedule of events and general notes.\u003c/p\u003e\n        ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.","Series one is titled correspondence.  The series has correspondence to and from the Reston Black Focus.  The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others.  Also included in the collection are emails dated later than most of the series.  The series contained in boxes 1 through 2 and is dated from 1967 to 2005.","Series two is titled By-laws.  The series is a collection of various By-laws from the Reston Black Focus.  The By-laws are in draft and final form.  Also included are Environmental Management Committee Charter, Fairfax County-Wide Black Citizens Association (BCA) and other committees.  The series is contained in box 2 only and is dated from 1968 to 1974.","Series three is titled committee.  The series contains paperwork from different committees.  Included are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.  The series is contained in boxes 2 through 3 and is dated from 1969 to 1975.","Series four is titled finance.  The series has information relating to the finances of the Reston Black Focus.  The papers include calculations, financial reports, budgets and other financial documents.  The series is contained in box 3 only and is dated from 1970 to 1975.","Series five is titled publications.  This contains mostly booklets, brochures and other information from Reston and the Reston Black Focus.  Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.  The series is contained in boxes 3 through 4 and is dated 1965 to 2000.","Series six is titled newsclippings.  The newsclippings are articles written about Reston and the Reston Black Focus.  Included are articles from the Reston Times and the Washington Post.  The series is contained in boxes 4 through 5 and is dated from 1960 to 2005.","Series seven is titled Reston Homeowners Association (RHOA).  The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.  The series is contained in box 5 only and is dated from 1960 to 1972.","Series eight is titled General Information.  This series contains a variety of papers relating to Reston Black Focus.  Included are maps, biographies, schedule of events and general notes.  The series is contained in boxes 5 through 6 and is dated from 1960 to 2005.","The correspondence is from a variety of people such as Beverley Sharp, Edward Sharp and others. Also included in the collection are emails dated later than most of the series.","The series is a collection of various By-laws from the Reston Black Focus. The By-laws are in draft and final form. Also included is Environmental Management Committee Charter and other committees.","Included in the series are reports, Board of Directors meeting, election results, meeting minutes and other papers from committees.","The series has information relating to the finances of the Reston Black Focus. The papers include calculations, budgets and other financial documents.","This contains mostly brochures and other information from Reston and the Reston Black Focus. Some of the information includes The Reston Philosophers, Directory and United Virginia Bank.","The newsclippings are articles written about Reston and the Reston Black Focus. Included are articles from the Reston Times and the Washington Post.","The series contains general information on the Reston Homeowners Association such as deed of dedications, meetings, election results and others.","This series contains a variety of papers relating to Reston Black Focus. 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Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection consists of papers from the Reston Black Focus, such as correspondence, advertisements, financial information and general information.  Also included in the collection is a series on the Reston Homeowners Association (RHOA) with papers and other information from the Association."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus."],"persname_ssim":["Edward G. Sharp"],"names_ssim":["George Mason University. Special Collections and Archives.","Reston Association.","Reston Black Focus.","Edward G. 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