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Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"unitdate_bulk_ssim":["1861-1865"],"normalized_date_ssm":["1806/1988, bulk 1861/1865"],"normalized_title_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"text":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included.","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"collection_title_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","/repositories/3/resources/941"],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e  ","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / 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Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e  ","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included."],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e  ","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:41.611Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01"}},{"id":"viu_repositories_3_resources_1446_c02","type":"Series","attributes":{"title":"Series 2. Correspondence, 1911/1961","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1446_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1446_c02","ref_ssm":["viu_repositories_3_resources_1446_c02"],"id":"viu_repositories_3_resources_1446_c02","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","parent_ssi":"viu_repositories_3_resources_1446","parent_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"parent_ids_ssim":["viu_repositories_3_resources_1446"],"title_filing_ssi":"Series 2. Correspondence","title_ssm":["Series 2. Correspondence"],"title_tesim":["Series 2. Correspondence"],"normalized_title_ssm":["Series 2. Correspondence, 1911/1961"],"text":["Series 2. Correspondence, 1911/1961","Hugh Carr family papers and River View Farm, 1843/1978"],"parent_unittitles_ssm":["Hugh Carr family papers and River View Farm, 1843/1978"],"parent_unittitles_tesim":["Hugh Carr family papers and River View Farm, 1843/1978"],"normalized_date_ssm":["1911/1961"],"unitdate_inclusive_ssm":["1911-1961"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":6,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"has_online_content_ssim":["true"],"child_component_count_isi":7,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:28:33.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1446","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1446.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147972","title_filing_ssi":"Hugh Carr family and River View Farm","title_ssm":["Hugh Carr family papers and River View Farm"],"title_tesim":["Hugh Carr family papers and River View Farm"],"unitdate_ssm":["1843-1978"],"unitdate_inclusive_ssm":["1843-1978"],"normalized_date_ssm":["1843/1978"],"normalized_title_ssm":["Hugh Carr family papers and River View Farm, 1843/1978"],"text":["Hugh Carr family papers and River View Farm, 1843/1978","MSS 10176","Archival Resource Key","/repositories/3/resources/1446","Charlottesville (Va.) -- History -- 19th Century","Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County.","As Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders.","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse.","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.","This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.","This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy.","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family.","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland.","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Hugh Carr family papers and River View Farm, 1843/1978"],"collection_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"unitid_tesim":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["MSS 10176,The Hugh Carr family papers and River View Farm  was a gift from Evangeline Greer Jones to the Small Special Collections Library at the University of Virginia Library 25 October, 1976."],"access_subjects_ssim":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet"],"extent_tesim":["1 Cubic Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e","\u003cp\u003e\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. \u003c/p\u003e","\u003cp\u003eHis oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e","\u003cp\u003eFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e","\u003cp\u003eSources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County.","As Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders.","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse.","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history"],"odd_html_tesm":["\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.\u003c/p\u003e  "],"odd_heading_ssm":["Conservation"],"odd_tesim":["Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling."],"prefercite_html_tesm":["\u003cp\u003eMSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e","\u003cp\u003eThe papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. \u003c/p\u003e","\u003cp\u003eThere are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. \u003c/p\u003e","\u003cp\u003eIncluded is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. \u003c/p\u003e","\u003cp\u003eThere are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy.","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family.","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland.","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":21,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1446_c02"}},{"id":"vifgm_sundgaard_c03","type":"Series","attributes":{"title":"Series 3: Newspaper Clippings,, 1935/1976","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_sundgaard_c03","ref_ssm":["vifgm_sundgaard_c03"],"id":"vifgm_sundgaard_c03","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","parent_ssi":"vifgm_sundgaard","parent_ssim":["Arnold Sundgaard papers, 1925/1988"],"parent_ids_ssim":["vifgm_sundgaard"],"title_filing_ssi":"Series 3: Newspaper Clippings,","title_ssm":["Series 3: Newspaper Clippings,"],"title_tesim":["Series 3: Newspaper Clippings,"],"normalized_title_ssm":["Series 3: Newspaper Clippings,, 1935/1976"],"text":["Series 3: Newspaper Clippings,, 1935/1976","Arnold Sundgaard papers, 1925/1988","(boxes 6-8, 43)","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes."],"parent_unittitles_ssm":["Arnold Sundgaard papers, 1925/1988"],"parent_unittitles_tesim":["Arnold Sundgaard papers, 1925/1988"],"normalized_date_ssm":["1935/1976"],"unitdate_inclusive_ssm":["1935-1976"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":162,"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers, 1925/1988"],"physdesc_tesim":["(boxes 6-8, 43)"],"has_online_content_ssim":["true"],"child_component_count_isi":32,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e\n        "],"scopecontent_tesim":["Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes."],"_nest_path_":"/components#2","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"normalized_date_ssm":["1925/1988"],"normalized_title_ssm":["Arnold Sundgaard papers, 1925/1988"],"text":["Arnold Sundgaard papers, 1925/1988","C0226","New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the .","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5)\n        Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\n        Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\n        Series 4: Photographs, 1933-1982 (boxes 8, 42, 44)\n        Series 5: Playscripts, 1932-1978 (boxes 8-21, 42)\n        Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\n        Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\n        Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"collection_title_tesim":["Arnold Sundgaard papers, 1925/1988"],"collection_ssim":["Arnold Sundgaard papers, 1925/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"unitid_tesim":["C0226"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Sundgaard, Arnold, 1909-2006","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5)\n        Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\n        Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\n        Series 4: Photographs, 1933-1982 (boxes 8, 42, 44)\n        Series 5: Playscripts, 1932-1978 (boxes 8-21, 42)\n        Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\n        Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\n        Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e\n      ","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n      ","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e\n      ","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e\n    "],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n      ","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n      ","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n      ","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e\n    ","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n        ","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e\n          ","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e\n          ","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e\n          ","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e\n          ","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n        ","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e\n          ","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e\n          ","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e\n          ","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e\n          ","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e\n          ","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e\n          ","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e\n          ","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e\n        ","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e\n          ","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e\n          ","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e\n          ","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e\n          ","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e\n        ","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e\n          ","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e\n        ","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e\n          ","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e\n          ","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e\n          ","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e\n          ","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e\n          ","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e\n          ","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e\n          ","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e\n          ","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e\n          ","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e\n          ","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e\n          ","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e\n          ","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e\n          ","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e\n          ","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n        ","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e\n          ","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e\n          ","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e\n          ","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e\n          ","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e\n          ","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e\n          ","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e\n          ","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e\n          ","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e\n          ","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e\n          ","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e\n          ","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e\n          ","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e\n          ","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e\n          ","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e\n          ","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e\n          ","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e\n          ","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e\n          ","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e\n          ","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e\n          ","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e\n          ","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e\n          ","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e\n          ","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e\n          ","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e\n          ","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e\n          ","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e\n          ","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e\n          ","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e\n          ","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e\n          ","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e\n          ","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e\n          ","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e\n          ","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e\n          ","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e\n          ","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e\n          ","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e\n          ","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e\n          ","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e\n          ","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e\n          ","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e\n          ","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e\n          ","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e\n          ","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e\n          ","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e\n          ","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e\n          ","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e\n          ","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e\n          ","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n        ","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e\n          ","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e\n          ","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e\n          ","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e\n          ","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e\n          ","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e\n          ","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e\n          ","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e\n          ","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e\n          ","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e\n          ","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e\n          ","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e\n          ","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e\n          ","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e\n          ","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e\n          ","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e\n          ","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e\n          ","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e\n          ","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e\n          ","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e\n          ","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e\n          ","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e\n          ","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e\n          ","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e\n          ","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e\n          ","\u003cp\u003eTury; The Invader.\u003c/p\u003e\n          ","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e\n          ","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e\n          ","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e\n          ","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e\n          ","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e\n        ","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e\n          ","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e\n          ","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e\n          ","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e\n      "],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c03"}},{"id":"viu_repositories_3_resources_1446_c04","type":"Series","attributes":{"title":"Series 4. African American Organizations, 1922/1961","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1446_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1446_c04","ref_ssm":["viu_repositories_3_resources_1446_c04"],"id":"viu_repositories_3_resources_1446_c04","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","parent_ssi":"viu_repositories_3_resources_1446","parent_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"parent_ids_ssim":["viu_repositories_3_resources_1446"],"title_filing_ssi":"Series 4. African American Organizations","title_ssm":["Series 4. African American Organizations"],"title_tesim":["Series 4. African American Organizations"],"normalized_title_ssm":["Series 4. African American Organizations, 1922/1961"],"text":["Series 4. African American Organizations, 1922/1961","Hugh Carr family papers and River View Farm, 1843/1978"],"parent_unittitles_ssm":["Hugh Carr family papers and River View Farm, 1843/1978"],"parent_unittitles_tesim":["Hugh Carr family papers and River View Farm, 1843/1978"],"normalized_date_ssm":["1922/1961"],"unitdate_inclusive_ssm":["1922-1961"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":16,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"has_online_content_ssim":["true"],"child_component_count_isi":1,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"_nest_path_":"/components#3","timestamp":"2026-06-23T07:28:33.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1446","ead_ssi":"viu_repositories_3_resources_1446","_root_":"viu_repositories_3_resources_1446","_nest_parent_":"viu_repositories_3_resources_1446","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1446.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147972","title_filing_ssi":"Hugh Carr family and River View Farm","title_ssm":["Hugh Carr family papers and River View Farm"],"title_tesim":["Hugh Carr family papers and River View Farm"],"unitdate_ssm":["1843-1978"],"unitdate_inclusive_ssm":["1843-1978"],"normalized_date_ssm":["1843/1978"],"normalized_title_ssm":["Hugh Carr family papers and River View Farm, 1843/1978"],"text":["Hugh Carr family papers and River View Farm, 1843/1978","MSS 10176","Archival Resource Key","/repositories/3/resources/1446","Charlottesville (Va.) -- History -- 19th Century","Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County.","As Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders.","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse.","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.","This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.","This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy.","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family.","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland.","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Hugh Carr family papers and River View Farm, 1843/1978"],"collection_ssim":["Hugh Carr family papers and River View Farm, 1843/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"unitid_tesim":["MSS 10176","Archival Resource Key","/repositories/3/resources/1446"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["MSS 10176,The Hugh Carr family papers and River View Farm  was a gift from Evangeline Greer Jones to the Small Special Collections Library at the University of Virginia Library 25 October, 1976."],"access_subjects_ssim":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["Reconstruction (U.S. history, 1865-1877)","African American families","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["true"],"extent_ssm":["1 Cubic Feet"],"extent_tesim":["1 Cubic Feet"],"date_range_isim":[1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e","\u003cp\u003e\nAs Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders. \u003c/p\u003e","\u003cp\u003eHis oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e","\u003cp\u003eFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e","\u003cp\u003eSources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"River View\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County.","As Hugh Carr was deprived of any formal education, he placed an emphasis on education for his daughters and son, all of whom went to school. Many of his children earned college degrees, becoming teachers and community leaders.","His oldest, Mary Louise Carr became principal of Albemarle Training School and was an influential educator in the local community. Later, she was honored for her commitment to education with the naming of Greer Elementary School after her. In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","Following its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse.","Sources: Ivy Creek Foundation, Accessed 1/27/2023 https://ivycreekfoundation.org/cultural-history"],"odd_html_tesm":["\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling.\u003c/p\u003e  "],"odd_heading_ssm":["Conservation"],"odd_tesim":["Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling."],"prefercite_html_tesm":["\u003cp\u003eMSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 10176, Hugh Carr family papers and River View Farm, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection MSS 10176 is related to the Ivy Creek Natural Area MSS 10770, about the history of River View farm and Hugh Carr family which is now the Ivy Creek Natural Area. MSS 10770 is a deposit. It also contains the history of Ivy Creek Natural Area and how it was purchased by the local government to preserve the land and history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.\u003c/p\u003e","\u003cp\u003eThe papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy. \u003c/p\u003e","\u003cp\u003eThere are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family. \u003c/p\u003e","\u003cp\u003eIncluded is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland. \u003c/p\u003e","\u003cp\u003eThere are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of the history of Hugh Carr, an African American born in enslavement in 1843 and his family who lived on a tract of land (River View Farm) that Carr and his wife Texie Mae Hawkins bought in 1870 after emancipation. He became one of the largest African American landowners in Albemarle County, where he raised several generations of his family in the Union Ridge Hydraulic Mills community, until his death in 1914.","The papers show that Carr highly valued education for his daughters as well as his son. His eldest daughter, Mary Louise Carr Greer became a well-known educator and principal of Albemarle Training School. Her family continued to live on the farm until 1978 when it became the Ivy Creek Natural Area with the support of the Nature Conservancy.","There are documents, newspaper clippings, photographs pertaining to the history of this prominent African American family.","Included is the original receipt for the purchase of land for the farm by Hugh Carr in 1870 in the amount of $100 and contracts for when Carr worked as a farm manager for Richard Wingfield and A. A. Southerland.","There are legal and financial papers of Conly Greer (1883-1956) and correspondence of Mary Carr Greer and her husband, Conly Greer.  Included is a letter written for Hugh Carr giving Conly approval to marry his daughter. (Hugh Carr could not read and write but he would sign his name with an X). There is also correspondence of their daughter, Evangeline Greer Jones while courting her husband, Hinton C. Jones."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":29,"online_item_count_is":21,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1446_c04"}},{"id":"vifgm_sundgaard_c04","type":"Series","attributes":{"title":"Series 4: Photographs,, 1933/1982","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_sundgaard_c04","ref_ssm":["vifgm_sundgaard_c04"],"id":"vifgm_sundgaard_c04","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","parent_ssi":"vifgm_sundgaard","parent_ssim":["Arnold Sundgaard papers, 1925/1988"],"parent_ids_ssim":["vifgm_sundgaard"],"title_filing_ssi":"Series 4: Photographs,","title_ssm":["Series 4: Photographs,"],"title_tesim":["Series 4: Photographs,"],"normalized_title_ssm":["Series 4: Photographs,, 1933/1982"],"text":["Series 4: Photographs,, 1933/1982","Arnold Sundgaard papers, 1925/1988","(boxes 8, 42, 44)","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material."],"parent_unittitles_ssm":["Arnold Sundgaard papers, 1925/1988"],"parent_unittitles_tesim":["Arnold Sundgaard papers, 1925/1988"],"normalized_date_ssm":["1933/1982"],"unitdate_inclusive_ssm":["1933-1982"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":197,"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers, 1925/1988"],"physdesc_tesim":["(boxes 8, 42, 44)"],"has_online_content_ssim":["true"],"child_component_count_isi":31,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"scopecontent_html_tesm":["\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e\n        "],"scopecontent_tesim":["Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material."],"_nest_path_":"/components#3","timestamp":"2026-06-23T06:56:08.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"normalized_date_ssm":["1925/1988"],"normalized_title_ssm":["Arnold Sundgaard papers, 1925/1988"],"text":["Arnold Sundgaard papers, 1925/1988","C0226","New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the .","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5)\n        Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\n        Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\n        Series 4: Photographs, 1933-1982 (boxes 8, 42, 44)\n        Series 5: Playscripts, 1932-1978 (boxes 8-21, 42)\n        Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\n        Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\n        Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"collection_title_tesim":["Arnold Sundgaard papers, 1925/1988"],"collection_ssim":["Arnold Sundgaard papers, 1925/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"unitid_tesim":["C0226"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Sundgaard, Arnold, 1909-2006","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5)\n        Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\n        Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\n        Series 4: Photographs, 1933-1982 (boxes 8, 42, 44)\n        Series 5: Playscripts, 1932-1978 (boxes 8-21, 42)\n        Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\n        Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\n        Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e\n      ","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n      ","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e\n      ","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e\n    "],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n      ","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n      ","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n      ","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n      ","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e\n    ","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n        ","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e\n          ","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e\n          ","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e\n          ","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e\n          ","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n        ","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e\n          ","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e\n          ","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e\n          ","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e\n          ","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e\n          ","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e\n          ","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e\n          ","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e\n        ","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e\n          ","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e\n          ","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e\n          ","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e\n          ","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e\n        ","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e\n          ","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e\n        ","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e\n          ","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e\n          ","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e\n          ","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e\n          ","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e\n          ","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e\n          ","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e\n          ","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e\n          ","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e\n          ","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e\n          ","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e\n          ","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e\n          ","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e\n          ","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e\n          ","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e\n          ","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n        ","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e\n          ","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e\n          ","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e\n          ","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e\n          ","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e\n          ","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e\n          ","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e\n          ","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e\n          ","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e\n          ","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e\n          ","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e\n          ","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e\n          ","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e\n          ","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e\n          ","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e\n          ","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e\n          ","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e\n          ","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e\n          ","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e\n          ","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e\n          ","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e\n          ","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e\n          ","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e\n          ","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e\n          ","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e\n          ","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e\n          ","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e\n          ","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e\n          ","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e\n          ","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e\n          ","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e\n          ","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e\n          ","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e\n          ","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e\n          ","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e\n          ","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e\n          ","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e\n          ","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e\n          ","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e\n          ","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e\n          ","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e\n          ","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e\n          ","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e\n          ","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e\n          ","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e\n          ","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e\n          ","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e\n          ","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e\n          ","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n        ","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e\n          ","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e\n          ","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e\n          ","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e\n          ","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e\n          ","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e\n          ","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e\n          ","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e\n          ","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e\n          ","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e\n          ","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e\n          ","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e\n          ","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e\n          ","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e\n          ","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e\n          ","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e\n          ","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e\n          ","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e\n          ","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e\n          ","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e\n          ","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e\n          ","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e\n          ","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e\n          ","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e\n          ","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e\n          ","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e\n          ","\u003cp\u003eTury; The Invader.\u003c/p\u003e\n          ","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e\n          ","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e\n          ","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e\n          ","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e\n          ","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e\n        ","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e\n          ","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e\n          ","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e\n          ","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e\n      "],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:56:08.718Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_sundgaard_c04"}},{"id":"vifgm_nicoson_c06","type":"Series","attributes":{"title":"Series 6: General Information, 1954/1999","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_nicoson_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_nicoson_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_nicoson_c06","ref_ssm":["vifgm_nicoson_c06"],"id":"vifgm_nicoson_c06","ead_ssi":"vifgm_nicoson","_root_":"vifgm_nicoson","_nest_parent_":"vifgm_nicoson","parent_ssi":"vifgm_nicoson","parent_ssim":["William Nicoson papers, 1954/2007"],"parent_ids_ssim":["vifgm_nicoson"],"title_filing_ssi":"Series 6: General Information","title_ssm":["Series 6: General Information"],"title_tesim":["Series 6: General Information"],"normalized_title_ssm":["Series 6: General Information, 1954/1999"],"text":["Series 6: General Information, 1954/1999","William Nicoson papers, 1954/2007","(6 boxes)","The information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps."],"parent_unittitles_ssm":["William Nicoson papers, 1954/2007"],"parent_unittitles_tesim":["William Nicoson papers, 1954/2007"],"normalized_date_ssm":["1954/1999"],"unitdate_other_ssim":["1954-1999"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":480,"repository_ssim":["George Mason University"],"collection_ssim":["William Nicoson papers, 1954/2007"],"physdesc_tesim":["(6 boxes)"],"has_online_content_ssim":["true"],"child_component_count_isi":93,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the William Nicoson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"scopecontent_html_tesm":["\u003cp\u003eThe information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps.\u003c/p\u003e\n        "],"scopecontent_tesim":["The information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps."],"_nest_path_":"/components#5","timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_nicoson","ead_ssi":"vifgm_nicoson","_root_":"vifgm_nicoson","_nest_parent_":"vifgm_nicoson","ead_source_url_ssi":"data/gmu/nicoson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/nicoson.html","title_ssm":["William Nicoson papers"],"title_tesim":["William Nicoson papers"],"unitdate_ssm":["1954-2007"],"unitdate_other_ssim":["1954-2007"],"normalized_date_ssm":["1954/2007"],"normalized_title_ssm":["William Nicoson papers, 1954/2007"],"text":["William Nicoson papers, 1954/2007","C0164","Housing--Virginia--Reston.","Planned communities--Virginia--Reston.","There are no access restrictions.","Organized into six series.","Series 1: Correspondence, 1965-1980 (Boxes 1-3)\n        Series 2: Reston, 1960-1985 (Boxes 3-5)\n        Series 3: Federal, 1960-1980 (Boxes 5-8)\n        Series 4: International, 1957-1979 (Boxes 8-12)\n        Series 5: Newsclippings, 1960-1985 (Boxes 12-14)\n        Series 6: General Information, 1954-1999 (Boxes 14-20)\n        Series 7: Newspaper Columns, 1982-2007 (Boxes 21-25)","William Jarvie Nicoson (1932-2013) was born in Pittsburgh, Pennsylvania to Marion Jarvie and William McGarvey Nicoson. He attended Phillips Exeter Academy, Princeton University, and Harvard Law School. He spent his Junior Year of college at the Sorbonne in Paris, where he studied acting with the Director of the Comedie Francais.  At Princeton, he was a member of the Army ROTC.  He served as an officer in the U.S. Army in Germany for two years.","Nicoson's career began at the law firm of Sullivan \u0026 Cromwell. He worked in New York City and Paris practicing law before moving to Washington, D.C. in the 1960s.","In 1965 the Department of Housing and Urban Development (HUD) was created as an executive cabinet-level agency. HUD's mission is to help promote affordable home ownership and community development. William Nicoson was the first Director of the New Community Assistance Program at HUD. The primary goal of this office was to help foster cooperation among all levels of government and private business, both non-profit and profit. He resigned from this position in 1972.","When he moved to Washington, D.C., from New York City, he moved to the then-new community of Reston, Virginia. Robert E. Simon, Jr. was the founder of Reston. Simon purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961. Construction began in 1963 with the building of Lake Anne. Nicoson and Simon shared many interests in planned communities and taught a course together in New Community Planning at the New School in New York City.","Nicoson was very active in Reston community organizations and served on a number of boards and committees. He was one of the founders of the Reston Connection newspaper and he served as publisher and writer of a weekly column for five years. He also wrote a monthly column for the Reston Times. In 2002 he was given the \"Best of Reston\" award for his civic participation.","The William Nicoson Papers were originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in May 2009 by Emily Martin. Series 7 added in July 2013 by Greta Kuriger Suiter.","The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.","The William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom.","Series one is titled Correspondence. The series contains different correspondence to and from William Nicoson. The correspondence covers a variety of topics such as the Interstate Land Development Company, Low-Income Households in New Towns, Chapel Hill Study and William Nicoson's personal correspondence. The series is dated from 1965 to 1980 and is contained in boxes 1 through 3.","Series two is titled Reston. The series includes information about the development on Reston, including the Reston Town Center, Lake Anne Elementary School and newsclippings from newspaper in Reston and outside of the area. The series is dated from 1960 to 1985 and is contained in boxes 3 through 5.","Series three is titled Federal. The information in this series is from federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Government Memorandum on Tax Reform Act from 1969, U.S. Senate Report on New Towns and Housing and Urban Development (HUD). The series is dated from 1960 to 1980 and is contained in boxes 5 through 8.","Series four is titled International. The series covers a variety of international new towns from France, Sweden, the United Kingdom and others, mostly European nations. Most of the information is brochures, maps and statistics from the international new towns. The series is dated from 1957 to 1979 and is contained in boxes 8 through 12.","Series five is titled Newsclippings. The articles in this collection are mostly from newspapers about different new towns both nationally and internationally. Also in the series are articles written by different people involved in new town development. The series is dated from 1960 to 1985 and is contained in boxes 12 through 14.","Series six is titled General Information. The information in this series covers a variety of topics such as Richmond Metropolitan Authority, Town and Country Planning Association and New Communities Development Handbook. Also included are booklets, advertisements, slides and maps. The series is dated from 1954 to 1999 and is contained in boxes 14 through 20.","Series seven is titled Newspaper Columns. This series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s. The series contains materials dating from 1982 to 2007 and comprises box 21 through 25.","The correspondence covers a variety of topics such as Interstate Land Development Company, Chapel Hill Study and William Nicoson's personal correspondence.","323.30","324.01","323.41","323.42","327.17","329.01","329.07","329.09","329.11","329.14","329.17","3332.09","330.24","334.01","334.08","332.12","333.05","328.11","334.14","334.13","420.2","420.1","337.02","337.01","1","336.06","338.02","338.03","339.05","339.06","339.07","338.05","338.04","3","340.11","340.12","340.14","341.02","341.03","341.06","2","341.12","341.14","The series includes information about the development on Reston, including the Reston Town Center and newsclippings.","322.13","322.09","322.29","322.27","322.26","324.09","324.17","323.01","323.03","323.04","323.15","322.25","323.24","324.18","323.07","323.08","323.11","323.14","323.27","323.28","323.29","323.32","323.31","323.26","324.03","323.35","323.34","323.33","323.38","323.37","323.39","323.43","323.44","323.48","323.49","323.50","323.47","324.05","324.04","324.07","323.23","324.08","324.13","324.12","324.11","324.10","324.22","324.21","324.20","324.19","322.02","322.21","322.20","322.19","322.18","322.17","322.16","322.15","322.12","322.11","322.04","322.03","322.44","322.43","322.41","322.40","322.33","322.32","322.31","322.30","322.24","322.23","322.22","322.49","322.48","322.47","322.46","325.04","323.05","323.06","323.12","323.13","323.17","323.16","323.18","323.21","323.20","322.1","322.42","322.50","324.36","324.28","324.32","324.30","324.34","324.37","324.33","324.39","324.40","324.41","324.38","324.45","322.28","324.49","325.14","332.03","322.38","322.37","322.36","322.35","322.34","322.39","322.05","322.06","322.08","324.50","325.01","325.10","322.14","322.10","322.07","341.18","325.05","325.19","325.18","325.16","325.22","341.19","325.23","325.29","325.43","325.42","325.41","325.40","325.44","The information in this series is from Federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Senate Report on New Towns and Housing and Urban Development (HUD).","327.03","327.04","326.21","327.20","326.02","419.2","419.3","328.04","328.07","327.30","341.04","327.06","328.10","326.17","335.02","330.03","330.04","330.07","330.08","330.10","330.09","330.20","330.22","330.25","330.26","330.30","330.29","330.23","329.16","328.16","328.18","328.19","328.20","328.21","328.17","334.09","334.05","334.04","332.01","333.08","333.01","332.02","332.06","335.06","335.07","335.10","334.12","334.11","334.15","334.16","337.03","337.04","337.07","337.06","336.05","340.13","420.5","339.13","339.12","340.01","340.07","340.09","340.08","340.10","341.10","341.09","341.13","The series covers a variety of international new towns from France, Swede and others. Most of the information is brochures, maps and statistics from the international new towns.","327.09","326.22","326.20","327.23","327.05","320.05","327.16","327.21","327.22","327.24","321.02","320.21","319.01","320.06","339.01","339.04","336.04","333.11","321.04","321.01","321.06","320.24","320.16","320.13","320.11","320.08","320.04","320.03","320.02","320.01","319.10","319.07","319.06","319.05","330.02","330.06","330.15","330.17","330.28","329.02","329.04","329.05","329.06","329.08","329.10","329.18","329.19","329.22","320.17","320.07","319.02","320.19","332.07","332.08","332.10","320.23","320.22","320.10","334.17","335.08","335.13","339.02","339.03","338.08","320.09","339.09","339.10","339.11","320.20","320.15","319.09","319.03","340.02","340.03","340.04","340.05","340.06","320.28","320.27","320.26","319.14","319.12","319.11","319.08","340.15","340.16","321.05","320.14","320.12","319.04","341.11","321.03","321.08","321.07","320.25","320.18","319.13","The articles in this collection are mostly from newspapers about different new towns. Also in the series are articles written by people involved in new town development.","326.13","328.13","328.14","327.06","328.09","326.05","326.15","323.25","327.08","327.07","327.10","327.11","341.17","323.40","323.45","323.46","324.02","326.12","326.03","327.12","327.15","327.14","327.13","328.12","328.08","327.18","324.06","327.19","327.25","327.26","324.15","324.14","328.01","328.03","328.02","327.27","327.29","323.36","327.28","326.09","326.18","326.14","326.11","326.04","336.09","341.16","324.16","329.15","329.13","329.12","330.31","330.27","330.23","330.21","330.19","330.18","330.11","329.23","330.01","329.24","329.21","324.23","324.24","333.02","333.03","334.07","333.12","323.13","334.03","334.06","324.25","326.16","335.12","325.11","324.27","324.26","324.29","339.08","324.31","324.35","324.42","324.43","324.44","324.46","324.47","324.48","325.03","325.02","325.09","325.08","325.07","325.06","323.22","325.11","325.12","325.13","325.15","325.17","325.20","325.21","325.25","325.24","325.28","325.27","325.26","325.37","325.34","325.35","325.36","325.31","325.30","325.33","325.38","325.39","325.47","325.46","325.45","The information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps.","646.09","323.09","338.06","646.03","646.04","323.10","419.1","486.02","646.11","646.10","646.05","327.02","325.15","327.01","328.05","326.26","326.25","326.24","326.07","326.08","326.19","326.06","322.45","646.06","341.15","341.01","338.07","323.19","334.18","329.20","329.03","330.32","330.12","330.13","330.14","330.16","330.05","332.04","333.09","333.10","333.07","333.06","334.10","334.02","332.11","332.05a","332.05b","335.01","335.04","335.05","331.1","419.7","419.6","419.4","419.5","333.4","335.14","335.09","336.01","336.02","336.03","336.08","335.03","420.3","486.04","486.03","646.01","646.13","646.12","337.05","336.07","336.10","486.01","419.8","420.4","338.01","646.02","646.07","646.14","646.08","323.02","326.23","341.07","341.08","341.05","326.10","326.01","325.32","This series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s.","Includes the following articles: Your preference for RCC governors (not in MARS), Revolution at RCC, Polling for RCC governors, Business seats on RCC's board.","Also includes: Storm clouds gather over RA (Reston Association), Rain storms over Reston Bring Financial Storms.","Multiple articles and research. Articles include, A Wise Man, Right or Wrong and A Historic Vote Against War.","Includes multiple articles and research material. Articles include, Who's My Senator?; Walking in Reston in the New Year; Lower Taxes! Better Teachers!; Cars v. Transit; Trusting God in School; A City Center in Reston for Dulles Corridor; New Sales Tax Revenue: How Will it be Spent?; Will We Tax Ourselves to Fight Traffic Congestion and Air Pollution?; Touring Reston in Cyberspace; Tom Davis as Nimby? Say it ain't so!; Uncapping Reston Assessments; How the Lawyers Stole a Presidential Election; Marriage Discrimination; Reston Governance by Referendum; Court Dismisses RA Governance by Referendum; TRW Comes to Town; Partisanship and Governance; Sex and Virginia Law; Can Taxes be a Blessing for RA?; Promising Performances; Putting Education to the Test; No Shield for Reporters; The Vincent Cannonade; NVCC Comes Big Time to Reston; An Election Scramble; Voting Against Candidates; Republican Woes.","Includes color slide of Citroen car.","Includes the following articles: Your preference for RCC governors, Revolution at RCC, Polling for RCC governors, Business seats on RCC's board.","There are no restrictions on personal use. Permission to publish material from the William Nicoson papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom.","George Mason University. Libraries. Special Collections \u0026 Archives","United States. Dept. of Housing and Urban Development.","United States. Office of New Community Development Corporation.","Nicoson, William","Nicoson, William.","English"],"collection_title_tesim":["William Nicoson papers, 1954/2007"],"collection_ssim":["William Nicoson papers, 1954/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0164"],"unitid_tesim":["C0164"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Nicoson, William"],"creator_ssim":["Nicoson, William"],"creator_persname_ssim":["Nicoson, William","Nicoson, William."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","United States. Dept. of Housing and Urban Development.","United States. Office of New Community Development Corporation."],"creators_ssim":["Nicoson, William","Nicoson, William.","George Mason University. Libraries. Special Collections \u0026 Archives","United States. Dept. of Housing and Urban Development.","United States. Office of New Community Development Corporation."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the William Nicoson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by William Nicoson in multiple parts, first in 1992, then October 6, 1994, August 26, 1998 and the final donation was made on January 12, 1999."],"access_subjects_ssim":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"access_subjects_ssm":["Housing--Virginia--Reston.","Planned communities--Virginia--Reston."],"has_online_content_ssim":["true"],"extent_ssm":["12.0 linear feet (25 boxes)"],"extent_tesim":["12.0 linear feet (25 boxes)"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1965-1980 (Boxes 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Reston, 1960-1985 (Boxes 3-5)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Federal, 1960-1980 (Boxes 5-8)\u003c/item\u003e\n        \u003citem\u003eSeries 4: International, 1957-1979 (Boxes 8-12)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Newsclippings, 1960-1985 (Boxes 12-14)\u003c/item\u003e\n        \u003citem\u003eSeries 6: General Information, 1954-1999 (Boxes 14-20)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Newspaper Columns, 1982-2007 (Boxes 21-25)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series.","Series 1: Correspondence, 1965-1980 (Boxes 1-3)\n        Series 2: Reston, 1960-1985 (Boxes 3-5)\n        Series 3: Federal, 1960-1980 (Boxes 5-8)\n        Series 4: International, 1957-1979 (Boxes 8-12)\n        Series 5: Newsclippings, 1960-1985 (Boxes 12-14)\n        Series 6: General Information, 1954-1999 (Boxes 14-20)\n        Series 7: Newspaper Columns, 1982-2007 (Boxes 21-25)"],"bioghist_html_tesm":["\u003cp\u003eWilliam Jarvie Nicoson (1932-2013) was born in Pittsburgh, Pennsylvania to Marion Jarvie and William McGarvey Nicoson. He attended Phillips Exeter Academy, Princeton University, and Harvard Law School. He spent his Junior Year of college at the Sorbonne in Paris, where he studied acting with the Director of the Comedie Francais.  At Princeton, he was a member of the Army ROTC.  He served as an officer in the U.S. Army in Germany for two years.\u003c/p\u003e\n      ","\u003cp\u003eNicoson's career began at the law firm of Sullivan \u0026amp; Cromwell. He worked in New York City and Paris practicing law before moving to Washington, D.C. in the 1960s.\u003c/p\u003e\n      ","\u003cp\u003eIn 1965 the Department of Housing and Urban Development (HUD) was created as an executive cabinet-level agency. HUD's mission is to help promote affordable home ownership and community development. William Nicoson was the first Director of the New Community Assistance Program at HUD. The primary goal of this office was to help foster cooperation among all levels of government and private business, both non-profit and profit. He resigned from this position in 1972.\u003c/p\u003e\n      ","\u003cp\u003eWhen he moved to Washington, D.C., from New York City, he moved to the then-new community of Reston, Virginia. Robert E. Simon, Jr. was the founder of Reston. Simon purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961. Construction began in 1963 with the building of Lake Anne. Nicoson and Simon shared many interests in planned communities and taught a course together in New Community Planning at the New School in New York City.\u003c/p\u003e\n      ","\u003cp\u003eNicoson was very active in Reston community organizations and served on a number of boards and committees. He was one of the founders of the Reston Connection newspaper and he served as publisher and writer of a weekly column for five years. He also wrote a monthly column for the Reston Times. In 2002 he was given the \"Best of Reston\" award for his civic participation. \n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["William Jarvie Nicoson (1932-2013) was born in Pittsburgh, Pennsylvania to Marion Jarvie and William McGarvey Nicoson. He attended Phillips Exeter Academy, Princeton University, and Harvard Law School. He spent his Junior Year of college at the Sorbonne in Paris, where he studied acting with the Director of the Comedie Francais.  At Princeton, he was a member of the Army ROTC.  He served as an officer in the U.S. Army in Germany for two years.","Nicoson's career began at the law firm of Sullivan \u0026 Cromwell. He worked in New York City and Paris practicing law before moving to Washington, D.C. in the 1960s.","In 1965 the Department of Housing and Urban Development (HUD) was created as an executive cabinet-level agency. HUD's mission is to help promote affordable home ownership and community development. William Nicoson was the first Director of the New Community Assistance Program at HUD. The primary goal of this office was to help foster cooperation among all levels of government and private business, both non-profit and profit. He resigned from this position in 1972.","When he moved to Washington, D.C., from New York City, he moved to the then-new community of Reston, Virginia. Robert E. Simon, Jr. was the founder of Reston. Simon purchased the land with the proceeds from the sale of Carnegie Hall in New York City in 1961. Construction began in 1963 with the building of Lake Anne. Nicoson and Simon shared many interests in planned communities and taught a course together in New Community Planning at the New School in New York City.","Nicoson was very active in Reston community organizations and served on a number of boards and committees. He was one of the founders of the Reston Connection newspaper and he served as publisher and writer of a weekly column for five years. He also wrote a monthly column for the Reston Times. In 2002 he was given the \"Best of Reston\" award for his civic participation."],"prefercite_html_tesm":["\u003cp\u003eWilliam Nicoson papers, C0164, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["William Nicoson papers, C0164, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe William Nicoson Papers were originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.\u003c/p\u003e\n      ","\u003cp\u003eProcessed in May 2009 by Emily Martin. Series 7 added in July 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The William Nicoson Papers were originally attached to the larger Planned Community Archives collection currently in the Special Collections and Archives. In 2009 the documents were removed and organized into a separate collection still housed in the Special Collections and Archives at George Mason University Libraries. The old box and folder numbers are also included as part of the new arrangement.","Processed in May 2009 by Emily Martin. Series 7 added in July 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections and Archives also holds the Planned Community Archives and other personal papers and organizational records that document Reston, Virginia, and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom.\u003c/p\u003e\n      ","\u003cp\u003eSeries one is titled Correspondence. The series contains different correspondence to and from William Nicoson. The correspondence covers a variety of topics such as the Interstate Land Development Company, Low-Income Households in New Towns, Chapel Hill Study and William Nicoson's personal correspondence. The series is dated from 1965 to 1980 and is contained in boxes 1 through 3.\u003c/p\u003e\n      ","\u003cp\u003eSeries two is titled Reston. The series includes information about the development on Reston, including the Reston Town Center, Lake Anne Elementary School and newsclippings from newspaper in Reston and outside of the area. The series is dated from 1960 to 1985 and is contained in boxes 3 through 5.\u003c/p\u003e\n      ","\u003cp\u003eSeries three is titled Federal. The information in this series is from federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Government Memorandum on Tax Reform Act from 1969, U.S. Senate Report on New Towns and Housing and Urban Development (HUD). The series is dated from 1960 to 1980 and is contained in boxes 5 through 8.\u003c/p\u003e\n      ","\u003cp\u003eSeries four is titled International. The series covers a variety of international new towns from France, Sweden, the United Kingdom and others, mostly European nations. Most of the information is brochures, maps and statistics from the international new towns. The series is dated from 1957 to 1979 and is contained in boxes 8 through 12.\u003c/p\u003e\n      ","\u003cp\u003eSeries five is titled Newsclippings. The articles in this collection are mostly from newspapers about different new towns both nationally and internationally. Also in the series are articles written by different people involved in new town development. The series is dated from 1960 to 1985 and is contained in boxes 12 through 14.\u003c/p\u003e\n      ","\u003cp\u003eSeries six is titled General Information. The information in this series covers a variety of topics such as Richmond Metropolitan Authority, Town and Country Planning Association and New Communities Development Handbook. Also included are booklets, advertisements, slides and maps. The series is dated from 1954 to 1999 and is contained in boxes 14 through 20.\u003c/p\u003e\n      ","\u003cp\u003eSeries seven is titled Newspaper Columns. This series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s. The series contains materials dating from 1982 to 2007 and comprises box 21 through 25.\u003c/p\u003e\n    ","\u003cp\u003eThe correspondence covers a variety of topics such as Interstate Land Development Company, Chapel Hill Study and William Nicoson's personal correspondence.\u003c/p\u003e\n        ","\u003cp\u003e323.30\u003c/p\u003e\n          ","\u003cp\u003e324.01\u003c/p\u003e\n          ","\u003cp\u003e323.41\u003c/p\u003e\n          ","\u003cp\u003e323.42\u003c/p\u003e\n          ","\u003cp\u003e327.17\u003c/p\u003e\n          ","\u003cp\u003e329.01\u003c/p\u003e\n          ","\u003cp\u003e329.07\u003c/p\u003e\n          ","\u003cp\u003e329.09\u003c/p\u003e\n          ","\u003cp\u003e329.11\u003c/p\u003e\n          ","\u003cp\u003e329.14\u003c/p\u003e\n          ","\u003cp\u003e329.17\u003c/p\u003e\n          ","\u003cp\u003e3332.09\u003c/p\u003e\n          ","\u003cp\u003e330.24\u003c/p\u003e\n          ","\u003cp\u003e334.01\u003c/p\u003e\n          ","\u003cp\u003e334.08\u003c/p\u003e\n          ","\u003cp\u003e332.12\u003c/p\u003e\n          ","\u003cp\u003e333.05\u003c/p\u003e\n          ","\u003cp\u003e328.11\u003c/p\u003e\n          ","\u003cp\u003e334.14\u003c/p\u003e\n          ","\u003cp\u003e334.13\u003c/p\u003e\n          ","\u003cp\u003e420.2\u003c/p\u003e\n          ","\u003cp\u003e420.1\u003c/p\u003e\n          ","\u003cp\u003e337.02\u003c/p\u003e\n          ","\u003cp\u003e337.01\u003c/p\u003e\n          ","\u003cp\u003e1\u003c/p\u003e\n          ","\u003cp\u003e336.06\u003c/p\u003e\n          ","\u003cp\u003e338.02\u003c/p\u003e\n          ","\u003cp\u003e338.03\u003c/p\u003e\n          ","\u003cp\u003e339.05\u003c/p\u003e\n          ","\u003cp\u003e339.06\u003c/p\u003e\n          ","\u003cp\u003e339.07\u003c/p\u003e\n          ","\u003cp\u003e338.05\u003c/p\u003e\n          ","\u003cp\u003e338.04\u003c/p\u003e\n          ","\u003cp\u003e3\u003c/p\u003e\n          ","\u003cp\u003e340.11\u003c/p\u003e\n          ","\u003cp\u003e340.12\u003c/p\u003e\n          ","\u003cp\u003e340.14\u003c/p\u003e\n          ","\u003cp\u003e341.02\u003c/p\u003e\n          ","\u003cp\u003e341.03\u003c/p\u003e\n          ","\u003cp\u003e341.06\u003c/p\u003e\n          ","\u003cp\u003e2\u003c/p\u003e\n          ","\u003cp\u003e341.12\u003c/p\u003e\n          ","\u003cp\u003e341.14\u003c/p\u003e\n          ","\u003cp\u003eThe series includes information about the development on Reston, including the Reston Town Center and newsclippings.\u003c/p\u003e\n        ","\u003cp\u003e322.13\u003c/p\u003e\n          ","\u003cp\u003e322.09\u003c/p\u003e\n          ","\u003cp\u003e322.29\u003c/p\u003e\n          ","\u003cp\u003e322.27\u003c/p\u003e\n          ","\u003cp\u003e322.26\u003c/p\u003e\n          ","\u003cp\u003e324.09\u003c/p\u003e\n          ","\u003cp\u003e324.17\u003c/p\u003e\n          ","\u003cp\u003e323.01\u003c/p\u003e\n          ","\u003cp\u003e323.03\u003c/p\u003e\n          ","\u003cp\u003e323.04\u003c/p\u003e\n          ","\u003cp\u003e323.15\u003c/p\u003e\n          ","\u003cp\u003e322.25\u003c/p\u003e\n          ","\u003cp\u003e323.24\u003c/p\u003e\n          ","\u003cp\u003e324.18\u003c/p\u003e\n          ","\u003cp\u003e323.07\u003c/p\u003e\n          ","\u003cp\u003e323.08\u003c/p\u003e\n          ","\u003cp\u003e323.11\u003c/p\u003e\n          ","\u003cp\u003e323.14\u003c/p\u003e\n          ","\u003cp\u003e323.27\u003c/p\u003e\n          ","\u003cp\u003e323.28\u003c/p\u003e\n          ","\u003cp\u003e323.29\u003c/p\u003e\n          ","\u003cp\u003e323.32\u003c/p\u003e\n          ","\u003cp\u003e323.31\u003c/p\u003e\n          ","\u003cp\u003e323.26\u003c/p\u003e\n          ","\u003cp\u003e324.03\u003c/p\u003e\n          ","\u003cp\u003e323.35\u003c/p\u003e\n          ","\u003cp\u003e323.34\u003c/p\u003e\n          ","\u003cp\u003e323.33\u003c/p\u003e\n          ","\u003cp\u003e323.38\u003c/p\u003e\n          ","\u003cp\u003e323.37\u003c/p\u003e\n          ","\u003cp\u003e323.39\u003c/p\u003e\n          ","\u003cp\u003e323.43\u003c/p\u003e\n          ","\u003cp\u003e323.44\u003c/p\u003e\n          ","\u003cp\u003e323.48\u003c/p\u003e\n          ","\u003cp\u003e323.49\u003c/p\u003e\n          ","\u003cp\u003e323.50\u003c/p\u003e\n          ","\u003cp\u003e323.47\u003c/p\u003e\n          ","\u003cp\u003e324.05\u003c/p\u003e\n          ","\u003cp\u003e324.04\u003c/p\u003e\n          ","\u003cp\u003e324.07\u003c/p\u003e\n          ","\u003cp\u003e323.23\u003c/p\u003e\n          ","\u003cp\u003e324.08\u003c/p\u003e\n          ","\u003cp\u003e324.13\u003c/p\u003e\n          ","\u003cp\u003e324.12\u003c/p\u003e\n          ","\u003cp\u003e324.11\u003c/p\u003e\n          ","\u003cp\u003e324.10\u003c/p\u003e\n          ","\u003cp\u003e324.22\u003c/p\u003e\n          ","\u003cp\u003e324.21\u003c/p\u003e\n          ","\u003cp\u003e324.20\u003c/p\u003e\n          ","\u003cp\u003e324.19\u003c/p\u003e\n          ","\u003cp\u003e322.02\u003c/p\u003e\n          ","\u003cp\u003e322.21\u003c/p\u003e\n          ","\u003cp\u003e322.20\u003c/p\u003e\n          ","\u003cp\u003e322.19\u003c/p\u003e\n          ","\u003cp\u003e322.18\u003c/p\u003e\n          ","\u003cp\u003e322.17\u003c/p\u003e\n          ","\u003cp\u003e322.16\u003c/p\u003e\n          ","\u003cp\u003e322.15\u003c/p\u003e\n          ","\u003cp\u003e322.12\u003c/p\u003e\n          ","\u003cp\u003e322.11\u003c/p\u003e\n          ","\u003cp\u003e322.04\u003c/p\u003e\n          ","\u003cp\u003e322.03\u003c/p\u003e\n          ","\u003cp\u003e322.44\u003c/p\u003e\n          ","\u003cp\u003e322.43\u003c/p\u003e\n          ","\u003cp\u003e322.41\u003c/p\u003e\n          ","\u003cp\u003e322.40\u003c/p\u003e\n          ","\u003cp\u003e322.33\u003c/p\u003e\n          ","\u003cp\u003e322.32\u003c/p\u003e\n          ","\u003cp\u003e322.31\u003c/p\u003e\n          ","\u003cp\u003e322.30\u003c/p\u003e\n          ","\u003cp\u003e322.24\u003c/p\u003e\n          ","\u003cp\u003e322.23\u003c/p\u003e\n          ","\u003cp\u003e322.22\u003c/p\u003e\n          ","\u003cp\u003e322.49\u003c/p\u003e\n          ","\u003cp\u003e322.48\u003c/p\u003e\n          ","\u003cp\u003e322.47\u003c/p\u003e\n          ","\u003cp\u003e322.46\u003c/p\u003e\n          ","\u003cp\u003e325.04\u003c/p\u003e\n          ","\u003cp\u003e323.05\u003c/p\u003e\n          ","\u003cp\u003e323.06\u003c/p\u003e\n          ","\u003cp\u003e323.12\u003c/p\u003e\n          ","\u003cp\u003e323.13\u003c/p\u003e\n          ","\u003cp\u003e323.17\u003c/p\u003e\n          ","\u003cp\u003e323.16\u003c/p\u003e\n          ","\u003cp\u003e323.18\u003c/p\u003e\n          ","\u003cp\u003e323.21\u003c/p\u003e\n          ","\u003cp\u003e323.20\u003c/p\u003e\n          ","\u003cp\u003e322.1\u003c/p\u003e\n          ","\u003cp\u003e322.42\u003c/p\u003e\n          ","\u003cp\u003e322.50\u003c/p\u003e\n          ","\u003cp\u003e324.36\u003c/p\u003e\n          ","\u003cp\u003e324.28\u003c/p\u003e\n          ","\u003cp\u003e324.32\u003c/p\u003e\n          ","\u003cp\u003e324.30\u003c/p\u003e\n          ","\u003cp\u003e324.34\u003c/p\u003e\n          ","\u003cp\u003e324.37\u003c/p\u003e\n          ","\u003cp\u003e324.33\u003c/p\u003e\n          ","\u003cp\u003e324.39\u003c/p\u003e\n          ","\u003cp\u003e324.40\u003c/p\u003e\n          ","\u003cp\u003e324.41\u003c/p\u003e\n          ","\u003cp\u003e324.38\u003c/p\u003e\n          ","\u003cp\u003e324.45\u003c/p\u003e\n          ","\u003cp\u003e322.28\u003c/p\u003e\n          ","\u003cp\u003e324.49\u003c/p\u003e\n          ","\u003cp\u003e325.14\u003c/p\u003e\n          ","\u003cp\u003e332.03\u003c/p\u003e\n          ","\u003cp\u003e322.38\u003c/p\u003e\n          ","\u003cp\u003e322.37\u003c/p\u003e\n          ","\u003cp\u003e322.36\u003c/p\u003e\n          ","\u003cp\u003e322.35\u003c/p\u003e\n          ","\u003cp\u003e322.34\u003c/p\u003e\n          ","\u003cp\u003e322.39\u003c/p\u003e\n          ","\u003cp\u003e322.05\u003c/p\u003e\n          ","\u003cp\u003e322.06\u003c/p\u003e\n          ","\u003cp\u003e322.08\u003c/p\u003e\n          ","\u003cp\u003e324.50\u003c/p\u003e\n          ","\u003cp\u003e325.01\u003c/p\u003e\n          ","\u003cp\u003e325.10\u003c/p\u003e\n          ","\u003cp\u003e322.14\u003c/p\u003e\n          ","\u003cp\u003e322.10\u003c/p\u003e\n          ","\u003cp\u003e322.07\u003c/p\u003e\n          ","\u003cp\u003e341.18\u003c/p\u003e\n          ","\u003cp\u003e325.05\u003c/p\u003e\n          ","\u003cp\u003e325.19\u003c/p\u003e\n          ","\u003cp\u003e325.18\u003c/p\u003e\n          ","\u003cp\u003e325.16\u003c/p\u003e\n          ","\u003cp\u003e325.22\u003c/p\u003e\n          ","\u003cp\u003e341.19\u003c/p\u003e\n          ","\u003cp\u003e325.23\u003c/p\u003e\n          ","\u003cp\u003e325.29\u003c/p\u003e\n          ","\u003cp\u003e325.43\u003c/p\u003e\n          ","\u003cp\u003e325.42\u003c/p\u003e\n          ","\u003cp\u003e325.41\u003c/p\u003e\n          ","\u003cp\u003e325.40\u003c/p\u003e\n          ","\u003cp\u003e325.44\u003c/p\u003e\n          ","\u003cp\u003eThe information in this series is from Federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Senate Report on New Towns and Housing and Urban Development (HUD).\u003c/p\u003e\n        ","\u003cp\u003e327.03\u003c/p\u003e\n          ","\u003cp\u003e327.04\u003c/p\u003e\n          ","\u003cp\u003e326.21\u003c/p\u003e\n          ","\u003cp\u003e327.20\u003c/p\u003e\n          ","\u003cp\u003e326.02\u003c/p\u003e\n          ","\u003cp\u003e419.2\u003c/p\u003e\n          ","\u003cp\u003e419.3\u003c/p\u003e\n          ","\u003cp\u003e328.04\u003c/p\u003e\n          ","\u003cp\u003e328.07\u003c/p\u003e\n          ","\u003cp\u003e327.30\u003c/p\u003e\n          ","\u003cp\u003e341.04\u003c/p\u003e\n          ","\u003cp\u003e327.06\u003c/p\u003e\n          ","\u003cp\u003e328.10\u003c/p\u003e\n          ","\u003cp\u003e326.17\u003c/p\u003e\n          ","\u003cp\u003e335.02\u003c/p\u003e\n          ","\u003cp\u003e330.03\u003c/p\u003e\n          ","\u003cp\u003e330.04\u003c/p\u003e\n          ","\u003cp\u003e330.07\u003c/p\u003e\n          ","\u003cp\u003e330.08\u003c/p\u003e\n          ","\u003cp\u003e330.10\u003c/p\u003e\n          ","\u003cp\u003e330.09\u003c/p\u003e\n          ","\u003cp\u003e330.20\u003c/p\u003e\n          ","\u003cp\u003e330.22\u003c/p\u003e\n          ","\u003cp\u003e330.25\u003c/p\u003e\n          ","\u003cp\u003e330.26\u003c/p\u003e\n          ","\u003cp\u003e330.30\u003c/p\u003e\n          ","\u003cp\u003e330.29\u003c/p\u003e\n          ","\u003cp\u003e330.23\u003c/p\u003e\n          ","\u003cp\u003e329.16\u003c/p\u003e\n          ","\u003cp\u003e328.16\u003c/p\u003e\n          ","\u003cp\u003e328.18\u003c/p\u003e\n          ","\u003cp\u003e328.19\u003c/p\u003e\n          ","\u003cp\u003e328.20\u003c/p\u003e\n          ","\u003cp\u003e328.21\u003c/p\u003e\n          ","\u003cp\u003e328.17\u003c/p\u003e\n          ","\u003cp\u003e334.09\u003c/p\u003e\n          ","\u003cp\u003e334.05\u003c/p\u003e\n          ","\u003cp\u003e334.04\u003c/p\u003e\n          ","\u003cp\u003e332.01\u003c/p\u003e\n          ","\u003cp\u003e333.08\u003c/p\u003e\n          ","\u003cp\u003e333.01\u003c/p\u003e\n          ","\u003cp\u003e332.02\u003c/p\u003e\n          ","\u003cp\u003e332.06\u003c/p\u003e\n          ","\u003cp\u003e335.06\u003c/p\u003e\n          ","\u003cp\u003e335.07\u003c/p\u003e\n          ","\u003cp\u003e335.10\u003c/p\u003e\n          ","\u003cp\u003e334.12\u003c/p\u003e\n          ","\u003cp\u003e334.11\u003c/p\u003e\n          ","\u003cp\u003e334.15\u003c/p\u003e\n          ","\u003cp\u003e334.16\u003c/p\u003e\n          ","\u003cp\u003e337.03\u003c/p\u003e\n          ","\u003cp\u003e337.04\u003c/p\u003e\n          ","\u003cp\u003e337.07\u003c/p\u003e\n          ","\u003cp\u003e337.06\u003c/p\u003e\n          ","\u003cp\u003e336.05\u003c/p\u003e\n          ","\u003cp\u003e340.13\u003c/p\u003e\n          ","\u003cp\u003e420.5\u003c/p\u003e\n          ","\u003cp\u003e339.13\u003c/p\u003e\n          ","\u003cp\u003e339.12\u003c/p\u003e\n          ","\u003cp\u003e340.01\u003c/p\u003e\n          ","\u003cp\u003e340.07\u003c/p\u003e\n          ","\u003cp\u003e340.09\u003c/p\u003e\n          ","\u003cp\u003e340.08\u003c/p\u003e\n          ","\u003cp\u003e340.10\u003c/p\u003e\n          ","\u003cp\u003e341.10\u003c/p\u003e\n          ","\u003cp\u003e341.09\u003c/p\u003e\n          ","\u003cp\u003e341.13\u003c/p\u003e\n          ","\u003cp\u003eThe series covers a variety of international new towns from France, Swede and others. Most of the information is brochures, maps and statistics from the international new towns.\u003c/p\u003e\n        ","\u003cp\u003e327.09\u003c/p\u003e\n          ","\u003cp\u003e326.22\u003c/p\u003e\n          ","\u003cp\u003e326.20\u003c/p\u003e\n          ","\u003cp\u003e327.23\u003c/p\u003e\n          ","\u003cp\u003e327.05\u003c/p\u003e\n          ","\u003cp\u003e320.05\u003c/p\u003e\n          ","\u003cp\u003e327.16\u003c/p\u003e\n          ","\u003cp\u003e327.21\u003c/p\u003e\n          ","\u003cp\u003e327.22\u003c/p\u003e\n          ","\u003cp\u003e327.24\u003c/p\u003e\n          ","\u003cp\u003e321.02\u003c/p\u003e\n          ","\u003cp\u003e320.21\u003c/p\u003e\n          ","\u003cp\u003e319.01\u003c/p\u003e\n          ","\u003cp\u003e320.06\u003c/p\u003e\n          ","\u003cp\u003e339.01\u003c/p\u003e\n          ","\u003cp\u003e339.04\u003c/p\u003e\n          ","\u003cp\u003e336.04\u003c/p\u003e\n          ","\u003cp\u003e333.11\u003c/p\u003e\n          ","\u003cp\u003e321.04\u003c/p\u003e\n          ","\u003cp\u003e321.01\u003c/p\u003e\n          ","\u003cp\u003e321.06\u003c/p\u003e\n          ","\u003cp\u003e320.24\u003c/p\u003e\n          ","\u003cp\u003e320.16\u003c/p\u003e\n          ","\u003cp\u003e320.13\u003c/p\u003e\n          ","\u003cp\u003e320.11\u003c/p\u003e\n          ","\u003cp\u003e320.08\u003c/p\u003e\n          ","\u003cp\u003e320.04\u003c/p\u003e\n          ","\u003cp\u003e320.03\u003c/p\u003e\n          ","\u003cp\u003e320.02\u003c/p\u003e\n          ","\u003cp\u003e320.01\u003c/p\u003e\n          ","\u003cp\u003e319.10\u003c/p\u003e\n          ","\u003cp\u003e319.07\u003c/p\u003e\n          ","\u003cp\u003e319.06\u003c/p\u003e\n          ","\u003cp\u003e319.05\u003c/p\u003e\n          ","\u003cp\u003e330.02\u003c/p\u003e\n          ","\u003cp\u003e330.06\u003c/p\u003e\n          ","\u003cp\u003e330.15\u003c/p\u003e\n          ","\u003cp\u003e330.17\u003c/p\u003e\n          ","\u003cp\u003e330.28\u003c/p\u003e\n          ","\u003cp\u003e329.02\u003c/p\u003e\n          ","\u003cp\u003e329.04\u003c/p\u003e\n          ","\u003cp\u003e329.05\u003c/p\u003e\n          ","\u003cp\u003e329.06\u003c/p\u003e\n          ","\u003cp\u003e329.08\u003c/p\u003e\n          ","\u003cp\u003e329.10\u003c/p\u003e\n          ","\u003cp\u003e329.18\u003c/p\u003e\n          ","\u003cp\u003e329.19\u003c/p\u003e\n          ","\u003cp\u003e329.22\u003c/p\u003e\n          ","\u003cp\u003e320.17\u003c/p\u003e\n          ","\u003cp\u003e320.07\u003c/p\u003e\n          ","\u003cp\u003e319.02\u003c/p\u003e\n          ","\u003cp\u003e320.19\u003c/p\u003e\n          ","\u003cp\u003e332.07\u003c/p\u003e\n          ","\u003cp\u003e332.08\u003c/p\u003e\n          ","\u003cp\u003e332.10\u003c/p\u003e\n          ","\u003cp\u003e320.23\u003c/p\u003e\n          ","\u003cp\u003e320.22\u003c/p\u003e\n          ","\u003cp\u003e320.10\u003c/p\u003e\n          ","\u003cp\u003e334.17\u003c/p\u003e\n          ","\u003cp\u003e335.08\u003c/p\u003e\n          ","\u003cp\u003e335.13\u003c/p\u003e\n          ","\u003cp\u003e339.02\u003c/p\u003e\n          ","\u003cp\u003e339.03\u003c/p\u003e\n          ","\u003cp\u003e338.08\u003c/p\u003e\n          ","\u003cp\u003e320.09\u003c/p\u003e\n          ","\u003cp\u003e339.09\u003c/p\u003e\n          ","\u003cp\u003e339.10\u003c/p\u003e\n          ","\u003cp\u003e339.11\u003c/p\u003e\n          ","\u003cp\u003e320.20\u003c/p\u003e\n          ","\u003cp\u003e320.15\u003c/p\u003e\n          ","\u003cp\u003e319.09\u003c/p\u003e\n          ","\u003cp\u003e319.03\u003c/p\u003e\n          ","\u003cp\u003e340.02\u003c/p\u003e\n          ","\u003cp\u003e340.03\u003c/p\u003e\n          ","\u003cp\u003e340.04\u003c/p\u003e\n          ","\u003cp\u003e340.05\u003c/p\u003e\n          ","\u003cp\u003e340.06\u003c/p\u003e\n          ","\u003cp\u003e320.28\u003c/p\u003e\n          ","\u003cp\u003e320.27\u003c/p\u003e\n          ","\u003cp\u003e320.26\u003c/p\u003e\n          ","\u003cp\u003e319.14\u003c/p\u003e\n          ","\u003cp\u003e319.12\u003c/p\u003e\n          ","\u003cp\u003e319.11\u003c/p\u003e\n          ","\u003cp\u003e319.08\u003c/p\u003e\n          ","\u003cp\u003e340.15\u003c/p\u003e\n          ","\u003cp\u003e340.16\u003c/p\u003e\n          ","\u003cp\u003e321.05\u003c/p\u003e\n          ","\u003cp\u003e320.14\u003c/p\u003e\n          ","\u003cp\u003e320.12\u003c/p\u003e\n          ","\u003cp\u003e319.04\u003c/p\u003e\n          ","\u003cp\u003e341.11\u003c/p\u003e\n          ","\u003cp\u003e321.03\u003c/p\u003e\n          ","\u003cp\u003e321.08\u003c/p\u003e\n          ","\u003cp\u003e321.07\u003c/p\u003e\n          ","\u003cp\u003e320.25\u003c/p\u003e\n          ","\u003cp\u003e320.18\u003c/p\u003e\n          ","\u003cp\u003e319.13\u003c/p\u003e\n          ","\u003cp\u003eThe articles in this collection are mostly from newspapers about different new towns. Also in the series are articles written by people involved in new town development.\u003c/p\u003e\n        ","\u003cp\u003e326.13\u003c/p\u003e\n          ","\u003cp\u003e328.13\u003c/p\u003e\n          ","\u003cp\u003e328.14\u003c/p\u003e\n          ","\u003cp\u003e327.06\u003c/p\u003e\n          ","\u003cp\u003e328.09\u003c/p\u003e\n          ","\u003cp\u003e326.05\u003c/p\u003e\n          ","\u003cp\u003e326.15\u003c/p\u003e\n          ","\u003cp\u003e323.25\u003c/p\u003e\n          ","\u003cp\u003e327.08\u003c/p\u003e\n          ","\u003cp\u003e327.07\u003c/p\u003e\n          ","\u003cp\u003e327.10\u003c/p\u003e\n          ","\u003cp\u003e327.11\u003c/p\u003e\n          ","\u003cp\u003e341.17\u003c/p\u003e\n          ","\u003cp\u003e323.40\u003c/p\u003e\n          ","\u003cp\u003e323.45\u003c/p\u003e\n          ","\u003cp\u003e323.46\u003c/p\u003e\n          ","\u003cp\u003e324.02\u003c/p\u003e\n          ","\u003cp\u003e326.12\u003c/p\u003e\n          ","\u003cp\u003e326.03\u003c/p\u003e\n          ","\u003cp\u003e327.12\u003c/p\u003e\n          ","\u003cp\u003e327.15\u003c/p\u003e\n          ","\u003cp\u003e327.14\u003c/p\u003e\n          ","\u003cp\u003e327.13\u003c/p\u003e\n          ","\u003cp\u003e328.12\u003c/p\u003e\n          ","\u003cp\u003e328.08\u003c/p\u003e\n          ","\u003cp\u003e327.18\u003c/p\u003e\n          ","\u003cp\u003e324.06\u003c/p\u003e\n          ","\u003cp\u003e327.19\u003c/p\u003e\n          ","\u003cp\u003e327.25\u003c/p\u003e\n          ","\u003cp\u003e327.26\u003c/p\u003e\n          ","\u003cp\u003e324.15\u003c/p\u003e\n          ","\u003cp\u003e324.14\u003c/p\u003e\n          ","\u003cp\u003e328.01\u003c/p\u003e\n          ","\u003cp\u003e328.03\u003c/p\u003e\n          ","\u003cp\u003e328.02\u003c/p\u003e\n          ","\u003cp\u003e327.27\u003c/p\u003e\n          ","\u003cp\u003e327.29\u003c/p\u003e\n          ","\u003cp\u003e323.36\u003c/p\u003e\n          ","\u003cp\u003e327.28\u003c/p\u003e\n          ","\u003cp\u003e326.09\u003c/p\u003e\n          ","\u003cp\u003e326.18\u003c/p\u003e\n          ","\u003cp\u003e326.14\u003c/p\u003e\n          ","\u003cp\u003e326.11\u003c/p\u003e\n          ","\u003cp\u003e326.04\u003c/p\u003e\n          ","\u003cp\u003e336.09\u003c/p\u003e\n          ","\u003cp\u003e341.16\u003c/p\u003e\n          ","\u003cp\u003e324.16\u003c/p\u003e\n          ","\u003cp\u003e329.15\u003c/p\u003e\n          ","\u003cp\u003e329.13\u003c/p\u003e\n          ","\u003cp\u003e329.12\u003c/p\u003e\n          ","\u003cp\u003e330.31\u003c/p\u003e\n          ","\u003cp\u003e330.27\u003c/p\u003e\n          ","\u003cp\u003e330.23\u003c/p\u003e\n          ","\u003cp\u003e330.21\u003c/p\u003e\n          ","\u003cp\u003e330.19\u003c/p\u003e\n          ","\u003cp\u003e330.18\u003c/p\u003e\n          ","\u003cp\u003e330.11\u003c/p\u003e\n          ","\u003cp\u003e329.23\u003c/p\u003e\n          ","\u003cp\u003e330.01\u003c/p\u003e\n          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       ","\u003cp\u003e324.42\u003c/p\u003e\n          ","\u003cp\u003e324.43\u003c/p\u003e\n          ","\u003cp\u003e324.44\u003c/p\u003e\n          ","\u003cp\u003e324.46\u003c/p\u003e\n          ","\u003cp\u003e324.47\u003c/p\u003e\n          ","\u003cp\u003e324.48\u003c/p\u003e\n          ","\u003cp\u003e325.03\u003c/p\u003e\n          ","\u003cp\u003e325.02\u003c/p\u003e\n          ","\u003cp\u003e325.09\u003c/p\u003e\n          ","\u003cp\u003e325.08\u003c/p\u003e\n          ","\u003cp\u003e325.07\u003c/p\u003e\n          ","\u003cp\u003e325.06\u003c/p\u003e\n          ","\u003cp\u003e323.22\u003c/p\u003e\n          ","\u003cp\u003e325.11\u003c/p\u003e\n          ","\u003cp\u003e325.12\u003c/p\u003e\n          ","\u003cp\u003e325.13\u003c/p\u003e\n          ","\u003cp\u003e325.15\u003c/p\u003e\n          ","\u003cp\u003e325.17\u003c/p\u003e\n          ","\u003cp\u003e325.20\u003c/p\u003e\n          ","\u003cp\u003e325.21\u003c/p\u003e\n          ","\u003cp\u003e325.25\u003c/p\u003e\n          ","\u003cp\u003e325.24\u003c/p\u003e\n          ","\u003cp\u003e325.28\u003c/p\u003e\n          ","\u003cp\u003e325.27\u003c/p\u003e\n          ","\u003cp\u003e325.26\u003c/p\u003e\n          ","\u003cp\u003e325.37\u003c/p\u003e\n          ","\u003cp\u003e325.34\u003c/p\u003e\n          ","\u003cp\u003e325.35\u003c/p\u003e\n          ","\u003cp\u003e325.36\u003c/p\u003e\n          ","\u003cp\u003e325.31\u003c/p\u003e\n          ","\u003cp\u003e325.30\u003c/p\u003e\n          ","\u003cp\u003e325.33\u003c/p\u003e\n          ","\u003cp\u003e325.38\u003c/p\u003e\n          ","\u003cp\u003e325.39\u003c/p\u003e\n          ","\u003cp\u003e325.47\u003c/p\u003e\n          ","\u003cp\u003e325.46\u003c/p\u003e\n          ","\u003cp\u003e325.45\u003c/p\u003e\n          ","\u003cp\u003eThe information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps.\u003c/p\u003e\n        ","\u003cp\u003e646.09\u003c/p\u003e\n          ","\u003cp\u003e323.09\u003c/p\u003e\n          ","\u003cp\u003e338.06\u003c/p\u003e\n          ","\u003cp\u003e646.03\u003c/p\u003e\n          ","\u003cp\u003e646.04\u003c/p\u003e\n          ","\u003cp\u003e323.10\u003c/p\u003e\n          ","\u003cp\u003e419.1\u003c/p\u003e\n          ","\u003cp\u003e486.02\u003c/p\u003e\n          ","\u003cp\u003e\u003c/p\u003e\n          ","\u003cp\u003e646.11\u003c/p\u003e\n          ","\u003cp\u003e646.10\u003c/p\u003e\n          ","\u003cp\u003e646.05\u003c/p\u003e\n          ","\u003cp\u003e327.02\u003c/p\u003e\n          ","\u003cp\u003e325.15\u003c/p\u003e\n          ","\u003cp\u003e327.01\u003c/p\u003e\n          ","\u003cp\u003e328.05\u003c/p\u003e\n          ","\u003cp\u003e326.26\u003c/p\u003e\n          ","\u003cp\u003e326.25\u003c/p\u003e\n          ","\u003cp\u003e326.24\u003c/p\u003e\n          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       ","\u003cp\u003e333.10\u003c/p\u003e\n          ","\u003cp\u003e333.07\u003c/p\u003e\n          ","\u003cp\u003e333.06\u003c/p\u003e\n          ","\u003cp\u003e334.10\u003c/p\u003e\n          ","\u003cp\u003e334.02\u003c/p\u003e\n          ","\u003cp\u003e332.11\u003c/p\u003e\n          ","\u003cp\u003e332.05a\u003c/p\u003e\n          ","\u003cp\u003e332.05b\u003c/p\u003e\n          ","\u003cp\u003e335.01\u003c/p\u003e\n          ","\u003cp\u003e335.04\u003c/p\u003e\n          ","\u003cp\u003e335.05\u003c/p\u003e\n          ","\u003cp\u003e331.1\u003c/p\u003e\n          ","\u003cp\u003e419.7\u003c/p\u003e\n          ","\u003cp\u003e419.6\u003c/p\u003e\n          ","\u003cp\u003e419.4\u003c/p\u003e\n          ","\u003cp\u003e419.5\u003c/p\u003e\n          ","\u003cp\u003e333.4\u003c/p\u003e\n          ","\u003cp\u003e335.14\u003c/p\u003e\n          ","\u003cp\u003e335.09\u003c/p\u003e\n          ","\u003cp\u003e336.01\u003c/p\u003e\n          ","\u003cp\u003e336.02\u003c/p\u003e\n          ","\u003cp\u003e336.03\u003c/p\u003e\n          ","\u003cp\u003e336.08\u003c/p\u003e\n          ","\u003cp\u003e335.03\u003c/p\u003e\n          ","\u003cp\u003e420.3\u003c/p\u003e\n          ","\u003cp\u003e486.04\u003c/p\u003e\n          ","\u003cp\u003e486.03\u003c/p\u003e\n          ","\u003cp\u003e646.01\u003c/p\u003e\n          ","\u003cp\u003e646.13\u003c/p\u003e\n          ","\u003cp\u003e646.12\u003c/p\u003e\n          ","\u003cp\u003e337.05\u003c/p\u003e\n          ","\u003cp\u003e336.07\u003c/p\u003e\n          ","\u003cp\u003e336.10\u003c/p\u003e\n          ","\u003cp\u003e486.01\u003c/p\u003e\n          ","\u003cp\u003e419.8\u003c/p\u003e\n          ","\u003cp\u003e420.4\u003c/p\u003e\n          ","\u003cp\u003e338.01\u003c/p\u003e\n          ","\u003cp\u003e646.02\u003c/p\u003e\n          ","\u003cp\u003e646.07\u003c/p\u003e\n          ","\u003cp\u003e646.14\u003c/p\u003e\n          ","\u003cp\u003e646.08\u003c/p\u003e\n          ","\u003cp\u003e323.02\u003c/p\u003e\n          ","\u003cp\u003e326.23\u003c/p\u003e\n          ","\u003cp\u003e341.07\u003c/p\u003e\n          ","\u003cp\u003e341.08\u003c/p\u003e\n          ","\u003cp\u003e341.05\u003c/p\u003e\n          ","\u003cp\u003e326.10\u003c/p\u003e\n          ","\u003cp\u003e326.01\u003c/p\u003e\n          ","\u003cp\u003e325.32\u003c/p\u003e\n          ","\u003cp\u003eThis series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s.\u003c/p\u003e\n        ","\u003cp\u003eIncludes the following articles: Your preference for RCC governors (not in MARS), Revolution at RCC, Polling for RCC governors, Business seats on RCC's board.\u003c/p\u003e\n          ","\u003cp\u003eAlso includes: Storm clouds gather over RA (Reston Association), Rain storms over Reston Bring Financial Storms.\u003c/p\u003e\n          ","\u003cp\u003eMultiple articles and research. Articles include, A Wise Man, Right or Wrong and A Historic Vote Against War.\u003c/p\u003e\n          ","\u003cp\u003eIncludes multiple articles and research material. Articles include, Who's My Senator?; Walking in Reston in the New Year; Lower Taxes! Better Teachers!; Cars v. Transit; Trusting God in School; A City Center in Reston for Dulles Corridor; New Sales Tax Revenue: How Will it be Spent?; Will We Tax Ourselves to Fight Traffic Congestion and Air Pollution?; Touring Reston in Cyberspace; Tom Davis as Nimby? Say it ain't so!; Uncapping Reston Assessments; How the Lawyers Stole a Presidential Election; Marriage Discrimination; Reston Governance by Referendum; Court Dismisses RA Governance by Referendum; TRW Comes to Town; Partisanship and Governance; Sex and Virginia Law; Can Taxes be a Blessing for RA?; Promising Performances; Putting Education to the Test; No Shield for Reporters; The Vincent Cannonade; NVCC Comes Big Time to Reston; An Election Scramble; Voting Against Candidates; Republican Woes.\u003c/p\u003e\n          ","\u003cp\u003eIncludes color slide of Citroen car.\u003c/p\u003e\n          ","\u003cp\u003eIncludes the following articles: Your preference for RCC governors, Revolution at RCC, Polling for RCC governors, Business seats on RCC's board.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom.","Series one is titled Correspondence. The series contains different correspondence to and from William Nicoson. The correspondence covers a variety of topics such as the Interstate Land Development Company, Low-Income Households in New Towns, Chapel Hill Study and William Nicoson's personal correspondence. The series is dated from 1965 to 1980 and is contained in boxes 1 through 3.","Series two is titled Reston. The series includes information about the development on Reston, including the Reston Town Center, Lake Anne Elementary School and newsclippings from newspaper in Reston and outside of the area. The series is dated from 1960 to 1985 and is contained in boxes 3 through 5.","Series three is titled Federal. The information in this series is from federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Government Memorandum on Tax Reform Act from 1969, U.S. Senate Report on New Towns and Housing and Urban Development (HUD). The series is dated from 1960 to 1980 and is contained in boxes 5 through 8.","Series four is titled International. The series covers a variety of international new towns from France, Sweden, the United Kingdom and others, mostly European nations. Most of the information is brochures, maps and statistics from the international new towns. The series is dated from 1957 to 1979 and is contained in boxes 8 through 12.","Series five is titled Newsclippings. The articles in this collection are mostly from newspapers about different new towns both nationally and internationally. Also in the series are articles written by different people involved in new town development. The series is dated from 1960 to 1985 and is contained in boxes 12 through 14.","Series six is titled General Information. The information in this series covers a variety of topics such as Richmond Metropolitan Authority, Town and Country Planning Association and New Communities Development Handbook. Also included are booklets, advertisements, slides and maps. The series is dated from 1954 to 1999 and is contained in boxes 14 through 20.","Series seven is titled Newspaper Columns. This series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s. The series contains materials dating from 1982 to 2007 and comprises box 21 through 25.","The correspondence covers a variety of topics such as Interstate Land Development Company, Chapel Hill Study and William Nicoson's personal correspondence.","323.30","324.01","323.41","323.42","327.17","329.01","329.07","329.09","329.11","329.14","329.17","3332.09","330.24","334.01","334.08","332.12","333.05","328.11","334.14","334.13","420.2","420.1","337.02","337.01","1","336.06","338.02","338.03","339.05","339.06","339.07","338.05","338.04","3","340.11","340.12","340.14","341.02","341.03","341.06","2","341.12","341.14","The series includes information about the development on Reston, including the Reston Town Center and newsclippings.","322.13","322.09","322.29","322.27","322.26","324.09","324.17","323.01","323.03","323.04","323.15","322.25","323.24","324.18","323.07","323.08","323.11","323.14","323.27","323.28","323.29","323.32","323.31","323.26","324.03","323.35","323.34","323.33","323.38","323.37","323.39","323.43","323.44","323.48","323.49","323.50","323.47","324.05","324.04","324.07","323.23","324.08","324.13","324.12","324.11","324.10","324.22","324.21","324.20","324.19","322.02","322.21","322.20","322.19","322.18","322.17","322.16","322.15","322.12","322.11","322.04","322.03","322.44","322.43","322.41","322.40","322.33","322.32","322.31","322.30","322.24","322.23","322.22","322.49","322.48","322.47","322.46","325.04","323.05","323.06","323.12","323.13","323.17","323.16","323.18","323.21","323.20","322.1","322.42","322.50","324.36","324.28","324.32","324.30","324.34","324.37","324.33","324.39","324.40","324.41","324.38","324.45","322.28","324.49","325.14","332.03","322.38","322.37","322.36","322.35","322.34","322.39","322.05","322.06","322.08","324.50","325.01","325.10","322.14","322.10","322.07","341.18","325.05","325.19","325.18","325.16","325.22","341.19","325.23","325.29","325.43","325.42","325.41","325.40","325.44","The information in this series is from Federal programs and agencies including Congress about the development of new towns. The material covers a variety of topics such as U.S. Senate Report on New Towns and Housing and Urban Development (HUD).","327.03","327.04","326.21","327.20","326.02","419.2","419.3","328.04","328.07","327.30","341.04","327.06","328.10","326.17","335.02","330.03","330.04","330.07","330.08","330.10","330.09","330.20","330.22","330.25","330.26","330.30","330.29","330.23","329.16","328.16","328.18","328.19","328.20","328.21","328.17","334.09","334.05","334.04","332.01","333.08","333.01","332.02","332.06","335.06","335.07","335.10","334.12","334.11","334.15","334.16","337.03","337.04","337.07","337.06","336.05","340.13","420.5","339.13","339.12","340.01","340.07","340.09","340.08","340.10","341.10","341.09","341.13","The series covers a variety of international new towns from France, Swede and others. Most of the information is brochures, maps and statistics from the international new towns.","327.09","326.22","326.20","327.23","327.05","320.05","327.16","327.21","327.22","327.24","321.02","320.21","319.01","320.06","339.01","339.04","336.04","333.11","321.04","321.01","321.06","320.24","320.16","320.13","320.11","320.08","320.04","320.03","320.02","320.01","319.10","319.07","319.06","319.05","330.02","330.06","330.15","330.17","330.28","329.02","329.04","329.05","329.06","329.08","329.10","329.18","329.19","329.22","320.17","320.07","319.02","320.19","332.07","332.08","332.10","320.23","320.22","320.10","334.17","335.08","335.13","339.02","339.03","338.08","320.09","339.09","339.10","339.11","320.20","320.15","319.09","319.03","340.02","340.03","340.04","340.05","340.06","320.28","320.27","320.26","319.14","319.12","319.11","319.08","340.15","340.16","321.05","320.14","320.12","319.04","341.11","321.03","321.08","321.07","320.25","320.18","319.13","The articles in this collection are mostly from newspapers about different new towns. Also in the series are articles written by people involved in new town development.","326.13","328.13","328.14","327.06","328.09","326.05","326.15","323.25","327.08","327.07","327.10","327.11","341.17","323.40","323.45","323.46","324.02","326.12","326.03","327.12","327.15","327.14","327.13","328.12","328.08","327.18","324.06","327.19","327.25","327.26","324.15","324.14","328.01","328.03","328.02","327.27","327.29","323.36","327.28","326.09","326.18","326.14","326.11","326.04","336.09","341.16","324.16","329.15","329.13","329.12","330.31","330.27","330.23","330.21","330.19","330.18","330.11","329.23","330.01","329.24","329.21","324.23","324.24","333.02","333.03","334.07","333.12","323.13","334.03","334.06","324.25","326.16","335.12","325.11","324.27","324.26","324.29","339.08","324.31","324.35","324.42","324.43","324.44","324.46","324.47","324.48","325.03","325.02","325.09","325.08","325.07","325.06","323.22","325.11","325.12","325.13","325.15","325.17","325.20","325.21","325.25","325.24","325.28","325.27","325.26","325.37","325.34","325.35","325.36","325.31","325.30","325.33","325.38","325.39","325.47","325.46","325.45","The information in this series covers a variety of topics such as Town and Country Planning Association and New Communities Development. Also included are advertisements, slides and maps.","646.09","323.09","338.06","646.03","646.04","323.10","419.1","486.02","646.11","646.10","646.05","327.02","325.15","327.01","328.05","326.26","326.25","326.24","326.07","326.08","326.19","326.06","322.45","646.06","341.15","341.01","338.07","323.19","334.18","329.20","329.03","330.32","330.12","330.13","330.14","330.16","330.05","332.04","333.09","333.10","333.07","333.06","334.10","334.02","332.11","332.05a","332.05b","335.01","335.04","335.05","331.1","419.7","419.6","419.4","419.5","333.4","335.14","335.09","336.01","336.02","336.03","336.08","335.03","420.3","486.04","486.03","646.01","646.13","646.12","337.05","336.07","336.10","486.01","419.8","420.4","338.01","646.02","646.07","646.14","646.08","323.02","326.23","341.07","341.08","341.05","326.10","326.01","325.32","This series consists of paper and digital files containing original drafts and research materials for newspaper columns written by William Nicoson that were originally published in the Reston Connection during the late 1990s and early 2000s.","Includes the following articles: Your preference for RCC governors (not in MARS), Revolution at RCC, Polling for RCC governors, Business seats on RCC's board.","Also includes: Storm clouds gather over RA (Reston Association), Rain storms over Reston Bring Financial Storms.","Multiple articles and research. Articles include, A Wise Man, Right or Wrong and A Historic Vote Against War.","Includes multiple articles and research material. Articles include, Who's My Senator?; Walking in Reston in the New Year; Lower Taxes! Better Teachers!; Cars v. Transit; Trusting God in School; A City Center in Reston for Dulles Corridor; New Sales Tax Revenue: How Will it be Spent?; Will We Tax Ourselves to Fight Traffic Congestion and Air Pollution?; Touring Reston in Cyberspace; Tom Davis as Nimby? Say it ain't so!; Uncapping Reston Assessments; How the Lawyers Stole a Presidential Election; Marriage Discrimination; Reston Governance by Referendum; Court Dismisses RA Governance by Referendum; TRW Comes to Town; Partisanship and Governance; Sex and Virginia Law; Can Taxes be a Blessing for RA?; Promising Performances; Putting Education to the Test; No Shield for Reporters; The Vincent Cannonade; NVCC Comes Big Time to Reston; An Election Scramble; Voting Against Candidates; Republican Woes.","Includes color slide of Citroen car.","Includes the following articles: Your preference for RCC governors, Revolution at RCC, Polling for RCC governors, Business seats on RCC's board."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the William Nicoson papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the William Nicoson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eThe William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom.\u003c/abstract\u003e\n      "],"abstract_tesim":["The William Nicoson papers contain material on Reston redevelopment, mostly promotional. The collection includes maps, charts, publications, slides, and newsclippings. The collection also includes information on federal housing agencies and documentation on new towns in the United States, France, Sweden, and the United Kingdom."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","United States. Dept. of Housing and Urban Development.","United States. Office of New Community Development Corporation."],"persname_ssim":["Nicoson, William","Nicoson, William."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","United States. Dept. of Housing and Urban Development.","United States. Office of New Community Development Corporation.","Nicoson, William","Nicoson, William."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":822,"online_item_count_is":143,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_nicoson_c06"}},{"id":"viu_repositories_3_resources_941_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01","ref_ssm":["viu_repositories_3_resources_941_c01_c01"],"id":"viu_repositories_3_resources_941_c01_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01","parent_ssi":"viu_repositories_3_resources_941_c01","parent_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"title_filing_ssi":"Subseries A: Personal Papers, Service Records, and Artifacts","title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"title_tesim":["Subseries A: Personal Papers, Service Records, and Artifacts"],"normalized_title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988"],"text":["Subseries A: Personal Papers, Service Records, and Artifacts, 1806/1988","John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians, 1806/1988"],"normalized_date_ssm":["1806/1988"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"has_online_content_ssim":["true"],"child_component_count_isi":5383,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0/components#0","timestamp":"2026-06-23T07:29:41.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"unitdate_bulk_ssim":["1861-1865"],"normalized_date_ssm":["1806/1988, bulk 1861/1865"],"normalized_title_ssm":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"text":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865","MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included.","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"collection_title_tesim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"collection_ssim":["John L. Nau III Civil War History Collection, 1806/1988, bulk 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e  ","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end.","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations).","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order.","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  ","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e  ","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e  ","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number.","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning).","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations).","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following:","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online Civil War Soldiers and Sailors Database (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's Confederate and Southern State Currency, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's Civil War High Commands (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3.","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included."],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e  ","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials.","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001).","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:41.611Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01"}},{"id":"vimtvl_repositories_2_resources_32","type":"collection","attributes":{"title":"Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967","creator":{"id":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#creator","type":"document_value","attributes":{"value":"Wall, Charles Cecil, 1903-1995","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_32#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vimtvl_repositories_2_resources_32","ead_ssi":"vimtvl_repositories_2_resources_32","_root_":"vimtvl_repositories_2_resources_32","_nest_parent_":"vimtvl_repositories_2_resources_32","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_32.xml","title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"unitdate_ssm":["1885-1967"],"unitdate_inclusive_ssm":["1885-1967"],"normalized_date_ssm":["1885/1967"],"normalized_title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"text":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967","A.SUP","/repositories/2/resources/32","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Chronological order.","- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees","This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.","Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","English\n."],"collection_title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"collection_ssim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.SUP","/repositories/2/resources/32"],"unitid_tesim":["A.SUP","/repositories/2/resources/32"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"creators_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"has_online_content_ssim":["true"],"extent_ssm":["91 Volumes"],"extent_tesim":["91 Volumes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eChronological order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological order."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia \u003c/p\u003e","\u003cp\u003eSee the Chicago Manual of Style for additional examples. \u003c/p\u003e  "],"prefercite_tesim":["[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia","See the Chicago Manual of Style for additional examples."],"relatedmaterial_html_tesm":["\u003cp\u003e- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director."],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"names_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":550,"online_item_count_is":458,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:41.706Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_2_resources_32","ead_ssi":"vimtvl_repositories_2_resources_32","_root_":"vimtvl_repositories_2_resources_32","_nest_parent_":"vimtvl_repositories_2_resources_32","ead_source_url_ssi":"data/oai/MV/repositories_2_resources_32.xml","title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes"],"unitdate_ssm":["1885-1967"],"unitdate_inclusive_ssm":["1885-1967"],"normalized_date_ssm":["1885/1967"],"normalized_title_ssm":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"text":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967","A.SUP","/repositories/2/resources/32","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Chronological order.","- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees","This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.","Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","English\n."],"collection_title_tesim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"collection_ssim":["Superintendent's Letter Books, Diaries, and Monthly Reports - collection of bound volumes, 1885/1967"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A.SUP","/repositories/2/resources/32"],"unitid_tesim":["A.SUP","/repositories/2/resources/32"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"creator_corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"creators_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937","Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"has_online_content_ssim":["true"],"extent_ssm":["91 Volumes"],"extent_tesim":["91 Volumes"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eChronological order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological order."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Superintendent's Letter Books, Diaries, and Monthly Reports, [Series, Folder], Archives of the Mount Vernon Ladies' Association, Fred W. 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Smith National Library for the Study of George Washington [hereafter Washington Library], Mount Vernon, Virginia","See the Chicago Manual of Style for additional examples."],"relatedmaterial_html_tesm":["\u003cp\u003e- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["- Minutes of the Council\n- Papers of the MVLA\n- Papers of the Superintendent and Resident Director\n- Papers of James Rees"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes bound volumes of primary sources by the Superintendent or Resident Director of Mount Vernon: the letter books and diaries of Superintendent Harrison H. Dodge from the 1885 to 1927, and the monthly reports to the Regent by Superintendent (later Resident Director) Charles Cecil Wall for the years 1948-1967. Dodge's letter books contain letterpress and handwritten copies of outgoing correspondence. These were bound into 32 volumes in 1968-1969. The majority of these letters are to the Regent, and some take the form of a monthly report. Dodge's diaries include handwritten day-to-day descriptions of the activities going on at Mount Vernon. Copies of Mr. Wall's monthly reports to the Regent were also bound in 1968 \"for ready reference.\" (Council Minutes 1968) The monthly reports and some of Dodge's correspondence are also found in the Papers of the Superintendent and Resident Director."],"corpname_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company"],"persname_ssim":["Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"names_ssim":["Archives of the Mount Vernon Ladies' Association","The Crowley Company","Wall, Charles Cecil, 1903-1995","Dodge, Harrison Howell, 1852-1937"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":550,"online_item_count_is":458,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:41.706Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vimtvl_repositories_2_resources_32"}},{"id":"viu_repositories_3_resources_1482","type":"collection","attributes":{"title":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1482#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1482#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"normalized_date_ssm":["1700/2014"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"text":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014","MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache.","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\"","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years.","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981.","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology.","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes.","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm.","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket.","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\"","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content.","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children.","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion.","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself.","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban.","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends.","The collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785.","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood.","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893;","2. Friar Medicine Company ephemera (5 sheets), 1901;","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927;","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928;","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884;","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877;","8.Sheffield, Herman B., \"The baby's record and health,\" 1913;","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets.","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies.","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut.","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.","In addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\"","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900.","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section.","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910.","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption.","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries.","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio.","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden.","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\"","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952).","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists.","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist.","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs.","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders.","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim.","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin.","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves.","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water.","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York.","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp.","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history.","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\"","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education.","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI.","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\"","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\"","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through.","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English\n      German\n      French"],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"creators_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  ","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e  "],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  ","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e  ","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache.","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\"","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years.","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981.","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology.","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes.","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm.","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket.","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\"","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content.","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children.","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion.","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself.","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban.","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends.","The collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785.","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood.","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893;","2. Friar Medicine Company ephemera (5 sheets), 1901;","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927;","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928;","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884;","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877;","8.Sheffield, Herman B., \"The baby's record and health,\" 1913;","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets.","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies.","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut.","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.","In addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\"","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900.","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section.","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910.","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption.","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries.","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio.","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden.","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\"","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952).","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists.","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist.","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs.","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders.","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim.","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin.","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves.","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water.","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York.","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp.","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history.","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\"","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education.","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI.","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\"","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\"","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through.","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e  ","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English\n      German\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"normalized_date_ssm":["1700/2014"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"text":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014","MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache.","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\"","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years.","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981.","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology.","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes.","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm.","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket.","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\"","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content.","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children.","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion.","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself.","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban.","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends.","The collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785.","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood.","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893;","2. Friar Medicine Company ephemera (5 sheets), 1901;","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927;","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928;","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884;","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877;","8.Sheffield, Herman B., \"The baby's record and health,\" 1913;","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets.","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies.","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut.","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.","In addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\"","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900.","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section.","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910.","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption.","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries.","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio.","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden.","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\"","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952).","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists.","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist.","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs.","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders.","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim.","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin.","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves.","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water.","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York.","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp.","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history.","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\"","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education.","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI.","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\"","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\"","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through.","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English\n      German\n      French"],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"creators_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  ","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e  "],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  ","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e  ","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache.","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\"","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years.","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs.","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925.","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981.","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology.","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes.","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm.","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket.","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\"","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content.","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children.","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion.","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself.","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban.","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends.","The collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785.","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood.","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893;","2. Friar Medicine Company ephemera (5 sheets), 1901;","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927;","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928;","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884;","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877;","8.Sheffield, Herman B., \"The baby's record and health,\" 1913;","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets.","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies.","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut.","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.","In addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\"","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900.","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section.","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910.","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption.","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries.","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio.","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden.","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\"","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952).","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists.","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist.","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs.","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders.","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim.","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin.","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves.","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water.","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York.","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp.","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history.","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\"","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education.","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI.","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\"","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\"","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through.","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e  ","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English\n      German\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1482"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":11},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":31},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"American Rhododendron Society Records, 1927/2022","value":"American Rhododendron Society Records, 1927/2022","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=American+Rhododendron+Society+Records%2C+1927%2F2022\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"André Kertész photographs, 1925/1969","value":"André Kertész photographs, 1925/1969","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Andr%C3%A9+Kert%C3%A9sz+photographs%2C+1925%2F1969\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"Annual Reports (PB-02), 1935/2018","value":"Annual Reports (PB-02), 1935/2018","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Annual+Reports+%28PB-02%29%2C+1935%2F2018\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"Arnold Sundgaard papers, 1925/1988","value":"Arnold Sundgaard papers, 1925/1988","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Arnold+Sundgaard+papers%2C+1925%2F1988\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"C. 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